Program as of September 29, 2015; subject to change Tuesday, October 13 --The Getty Center 9:45 a.m. Check-in opens Museum Lecture Hall lobby Viewing of Power and Pathos: Bronze Sculpture of the Hellenistic World Exhibition Pavilion (opens 10:00 a.m.) Lunch on your own 12:30 p.m. Welcome and Introduction – Museum Lecture Hall Timothy Potts, J. Paul Getty Museum Kenneth Lapatin, J. Paul Getty Museum 1:00 p.m. Session I: Apoxyomenoi and Large-Scale Bronzes I – Museum Lecture Hall Chair: Jens Daehner, J. Paul Getty Museum The Bronze Athlete from Ephesos: Archaeological Background and History of its Classification Georg Plattner and Kurt Gschwantler, Kunsthistorisches Museum, Vienna The Bronze Athlete from Ephesos: Restauration History and Stability Evaluation Bettina Vak, Kunsthistorisches Museum, Vienna Apoxyomenos: Discovery, Underwater Excavation, and Survey Jasen Mesić, MP, Parliament of Croatia, Committee for Science, Education, and Culture New Results on the Alloys of the Croatian Apoxyomenos Iskra Karniš Vidovi , Croatian Conservation Institute, Zagreb The Use of Inlays inč Early Greek Bronzes Seán Hemingway and Dorothy H. Abramitis, The Metropolitan Museum of Art, New York Was the Colossus of Rhodes Cast in Courses or in Large Sections? Ursula Vedder, Kommission für Alte Geschichte und Epigraphik des Deutschen Archäologischen Instituts, Munich Break; refreshments served © 2015 J. Paul Getty Trust 19th International Congress on Ancient Bronzes, Oct. 13-17, 2015 Program as of September 29, 2015 Page 1 of 12 Program as of September 29, 2015; subject to change Tuesday, October 13 --The Getty Center (con’t) 3:30 p.m. Session II: Large-Scale Bronzes II – Museum Lecture Hall Chair: Sophie Descamps, Musée du Louvre, Paris A Royal Macedonian Portrait Head from the Sea off Kalymnos Olga Palagia, University of Athens The Bronze Head of Arsinoe III in Mantua and the Typology of Ptolemaic Divinization of the Archelaos Relief Patricia A. Butz, Savannah College of Art and Design, Georgia A Technological Re-Examination of the Piombino Apollo Benoît Mille, Centre de Recherche et de Restauration des Musées de France & Préhistoire et Technologie, Paris; and Sophie Descamps, Musée du Louvre, Paris The Apollo from Salerno: Hellenistic Influence in Southern Italy Silvia Pacifico, Museo Archeologico Provinciale of Salerno Tiberius from Herculaneum: Assembling a Monumental Bronze Portrait Erik Risser and David Saunders, J. Paul Getty Museum The Bronze Statue of Germanicus from Ameria (Amelia) John Pollini, University of Southern California, Los Angeles 5.30 p.m. Welcome Reception for Congress Participants Garden Terrace 7:30 p.m. Public Lecture – Harold M. Williams Auditorium Bronze Sculpture from the Aegean Sea: A Reassessment of Old and New Finds Giorgos Koutsouflakis, Ephorate of Underwater Antiquities, Athens ---------------------------------------------------------- © 2015 J. Paul Getty Trust 19th International Congress on Ancient Bronzes, Oct. 13-17, 2015 Program as of September 29, 2015 Page 2 of 12 Program as of September 29, 2015; subject to change Wednesday, October 14 -- The Getty Center 8:30 a.m. Check in opens, refreshments served Museum Lecture Hall lobby 9:00 a.m. Private viewing of Power and Pathos: Bronze Sculpture of the Hellenistic World Exhibition Pavilion 10:15 a.m. Keynote Lecture – Museum Lecture Hall The Material Interpretation of Ancient Large Bronzes: The Case of the Florentine Masterpieces Salvatore Siano, Istituto di Fisica Applicata “Nello Carrara,” Consiglio Nazionale delle Ricerche, Florence Introduction: Jeanne Marie Teutonico, Getty Conservation Institute Discussion Break; refreshments served 11:30 a.m. Session III: Analytics – Museum Lecture Hall Chair: Jeffrey Maish, J. Paul Getty Museum The Riace Bronze Statues: Chemical, Textural, and Isotopic Investigation of the Metals Ivana Angelini, Massimo Vidale, Gilberto Artioli, University of Padua; Giuseppe Guida, Istituto Superiore per la Conservazione ed il Restauro, Rome; and Mario Micheli, Università Roma Tre The Cleveland Apollo: Recent Research and Revelations Peter Northover, October House, Southmoor, UK; Ernst Pernicka, Heidelberg University; and Colleen Snyder, The Cleveland Museum of Art Sustainable Conservation of Bronze Artworks: Advanced Research in Materials Science Maria Pia Casaletto, Istituto per lo Studio dei Materiali Nanostrutturati, Consiglio Nazionale delle Ricerche, Palermo; and Wilma Basilissi, Istituto Superiore per la Conservazione ed il Restauro, Rome Investigating Ancient ‘Bronzes’: Non-Destructive Analysis of Copper-Based Alloys Robert H. Tykot, University of South Florida, Tampa © 2015 J. Paul Getty Trust 19th International Congress on Ancient Bronzes, Oct. 13-17, 2015 Program as of September 29, 2015 Page 3 of 12 Program as of September 29, 2015; subject to change Wednesday, October 14 -- The Getty Center (con’t) The Auloi from Meroë: Conservation, Technical Examination, and Interpretation of a Cache of Ancient Musical Instruments Susanne Gänsicke, Museum of Fine Arts, Boston 1:15 p.m. Lunch on your own 2:30 p.m. Session IV: Posters – Harold M. Williams Auditorium, lobby (see poster list at end of schedule) Refreshments served 4:30 p.m. Session V: Vessels – Museum Lecture Hall Chair: Despina Ignatiadou, National Archaeological Museum, Athens Bronze Vessels and Related Instrumenta from Delphi: Morphology, Style, Provenance, Chronology Valeria Meirano, University of Turin Towards the Derveni Krater: Classical Bronze Vessels Bearing Large Figural Registers Jasper Gaunt, Michael C. Carlos Museum, Emory University, Atlanta Dionysiac Mystes as an Anthropomorphic Vessel in the National Museum, Beirut Zeina Fani, Lebanese University, Beirut Iconography of the Sea World on Late Hellenistic Bronze Vessels Klara De Decker-Szabó, Westfälische-Wilhelms-Universität, Münster Hellenistic Influence in the Formation of Islamic Metalware Ayala Lester, The Israel Antiquities Authority ---------------------------------------------------------- © 2015 J. Paul Getty Trust 19th International Congress on Ancient Bronzes, Oct. 13-17, 2015 Program as of September 29, 2015 Page 4 of 12 Program as of September 29, 2015; subject to change Thursday, October 15 – Excursion (optional) Norton Simon Museum, Pasadena http://www.nortonsimon.org/ and The Huntington Library, Art Collections, and Gardens, San Marino http://www.huntington.org/ Cost: $55.00/person Includes bus transportation, lunch, and tours of the bronze collections. Bus will depart the Getty Center (from North Entrance Parking Garage) at 9:30 a.m. and return there approximately 5:30 p.m. The Norton Simon Museum houses European art from the Renaissance to the 20th century as well as 2,000 years of South and Southeast Asian art and modern and contemporary art. The Huntington Library, Art Collections, and Gardens houses rare books and manuscripts in the fields of British and American history, especially the American West. Its art collections include comprehensive holdings of 18th- and 19th-century British and French art, and its gardens cover more than 120 acres divided into more than a dozen specialized gardens. ---------------------------------------------------------- Friday, October 16 – The Getty Villa 9:00 a.m. Check-in opens, refreshments served Auditorium lobby 9:30 a.m. Keynote Lecture – Auditorium When a Statue is not a Statue Carol Mattusch, George Mason University, Fairfax, Virginia Introduction: John Pollini, University of Southern California, Los Angeles Discussion 10:15 a.m. Session VI: The Artist -- Auditorium Chair: Kenneth Lapatin, J. Paul Getty Museum More than Holes! An Unconventional Perspective on the ‘Greek Revolution’ in Bronze Statuary Gianfranco Adornato, Scuola Normale Superiore, Pisa © 2015 J. Paul Getty Trust 19th International Congress on Ancient Bronzes, Oct. 13-17, 2015 Program as of September 29, 2015 Page 5 of 12 Program as of September 29, 2015; subject to change Friday, October 16 – The Getty Villa (con’t) Polykleitos at Work: How the Doryphoros Was Used Kyoko Sengoku-Haga,Sae Buseki,Tohoku University; Min Lu, Tencent Technology Co Ltd, Shenzhen; Shintaro Ono, Takeshi Oishi, The University of Tokyo; Takeshi Masuda, National Institute of Advanced Industrial Science and Technology, Japan; Katsushi Ikeuchi, Microsoft Research Asia Break; refreshments served Mobility and Migration: The Itinerant Sculptor Martin Horne, George Mason University, Fairfax, Virginia Praxiteles’ Bronze Sculpture at Delphi Aileen Ajootian, University of Mississippi, Oxford Looking at the Bronze of Lost Sculptures: The Reception of the Delphic Monument of the Admirals in the Imperial Age Eva Falaschi, Scuola Normale Superiore, Pisa 12:45 p.m. Lunch on your own and free time to visit galleries 2:30 p.m. Session VII: Authenticity, Forgery, Modern Restorations, and Recreations Chair: Jeffrey Spier, J. Paul Getty Museum The Gréau Mirror and the Phenomenon of Fakes in Nineteenth-Century Paris Mireille M. Lee, Vanderbilt University, Nashville Modern and Ancient Metal Fakes: Composition, Patina, Production Technology, Technical Details Alessandra Giumlia-Mair, AGM Archeoanalisi, Merano Is There a Final Authority in Authenticity? Testing and Re-Testing Alexander the Great Lisa M. Anderson, Katherine Eremin, Henry Lie, Francesca Bewer, and Patrick Degryse, Harvard Art Museums, Cambridge, Massachusetts A Group of Items from the Campana Collection as an Example of the Nineteenth- Century Restoration Nadezda Gulyaeva, The State Hermitage Museum, St. Petersburg © 2015 J. Paul Getty Trust 19th International Congress