The Techiman Archaeological Project

The Techiman Archaeological Project

NYAME AKUMA No. 68 DECEMBER 2007 GHANA the Techiman community, especially among the younger generation “to respect, preserve and harness The Techiman Archaeological Project the area’s diverse cultural heritage and natural re- sources and to build and sustain a dynamic and pros- J. Boachie-Ansah perous democratic society”; “engender respect for Department of Archaeology the many cultural practices of Techiman’s diverse University of Ghana, Legon population…” and “play an important role in eradicat- E-mail: [email protected] ing the prejudices and biases associated with ethnic- ity, gender, age, religion, physical challenges and eco- nomic status” (Silverman 2005:1). Introduction The Nkwantananso Cultural Centre project has therefore cultural, educational and economic objec- The Techiman Traditional Council and the tives and is intended to instruct, inform, contribute to Techiman Metropolitan Assembly have plans to build the integration of Techiman’s diverse population, and a community-based cultural Centre to be known as generate revenue through tourism. These objectives “Nkwantananso: The Cultural Centre of Techiman” are to be achieved through cultural and musical per- (NCCT). The Nkwantananso project aims at build- formances, drama, symposia, lectures, seminars, exhi- ing a conference hall, a documentation centre and bitions and a living demonstration of the visual arts archives, a museum, an open air theatre, an artisans’ including textile and basket weaving, wood carving, village, an arboretum, a commercial center and a folk- leather working, bead making, blacksmithing, etc as loric village within a reserved area known as well as story-telling, poetry recitation and research Nsamankwa Forest, in the northern suburb of the (Verlet 2000; Silverman 2005). In effect, the Cultural Techiman metropolis. The plan of the Cultural Cen- Centre will serve as a site for “remembering the past tre is being jointly drawn by the Department of Ar- and celebrating the present cultural traditions” of the chitecture, Kwame Nkrumah University of Science Techiman area (Silverman, 2005:1). and Technology, Kumasi, and the Department of Architecture, Michigan State University. The Techiman metropolis, located in the Brong- Ahafo Region of Ghana (Figure 1) has a diverse popu- The Centre is intended to be the site for the lation consisting of about sixty ethnic groups. Its celebration of Techiman’s multi-ethnic cultural her- food market, the largest in Ghana, attracts people from itage and the education of Techiman’s citizens, visi- all parts of the country as well as from neighboring tors, tourists, students and scholars on indigenous countries such as Burkina Faso, Togo, Niger, Cote Bono artistic and cultural heritage. It is also intended d’Ivoire and Mali. With a current population of over to serve as “a repository for cultural information 200,000 people, the municipality continues to attract that will be accessible to policy makers, administra- people partly because of its position as a point of tors, scholars, teachers, students, artists (both do- convergence from where people are linked to north- mestic and foreign) and other interested persons…; ern, southern and eastern Ghana and to Cote d’Ivoire. preserve the oral and written traditions of the In addition, the comparatively low cost of living as Techiman area through the establishment of a local well as the fertile soils attract people especially farm- archives; document and disseminate local knowl- ers and farm laborers from northern Ghana. Retailers edge of the natural environment and support the of manufactured and imported goods also have a ready community to sustain positive traditional concepts market for their goods which are patronized by villag- and practices to protect the environment; serve as a ers who flock to the municipality to sell their farm site for formal and informal education dealing with produce. nature conservation, specifically the preservation of biodiversity; introduce and support cultural prac- Given the municipality’s diverse population, the tices relevant to national planning and development Traditional Council is particularly concerned about policy and promote the objectives outlined in The the cohesive and integrative role of the Nkwantananso Cultural Policy of Ghana (2004, Section 3.0) Cultural Centre Project. For this reason, the heads of (Silverman 2005:1-2). It is hoped that the educational the various ethnic groups have been involved in the activities of the Cultural Centre will instill values in project, and have been encouraged to organize their 21 NYAME AKUMA No. 68 DECEMBER 2007 Figure 1. Map of Ghana showing Nsamankwa Forest and Amanfoom. 22 NYAME AKUMA No. 68 DECEMBER 2007 various groups to participate in the annual cultural people are said to have looted gold at Amanfoom, performances organized by the Traditional Council one of the sites excavated by the research team. It as an integral part of the project. Other stakeholders was also claimed that a laborer working for the Volta in the project are the Municipal Director of Educa- River Authority accidentally dug gold at Amanfoom tion, Motor Transport Association, Free Farmers As- when poles for electric cables were being erected. sociation, Visual and Performing Arts Association, The Adontenhene of Techiman, Nana Baffour Asare Traditional Healers Association and various religious Twi Brempong II, a member of the Nkwantaananso organizations. Cultural Centre Advisory Committee, and the Head of Department of Archaeology, Dr. Kodzo Gavua and The Techiman Archaeological project is closely other speakers had a panel discussion on a local ra- linked with the Nkwantananso project, and is to as- dio station on the purpose and benefits of the ar- sist the Techiman Traditional Council achieve some chaeological project, and the research team was cor- of its objectives by providing data on the culture or dially received by the local community when it was cultures of the ancient inhabitants of the Techiman explained that the Department of Archaeology was area through archaeological research. It is hoped that in partnership with the Traditional Council in a col- archaeological investigations would make it possi- laborative effort to achieve the objectives of the ble to identify what actually constitutes the culture Nkwantananso Cultural Centre project. Access to or cultures of the ancient inhabitants of the Techiman Amanfoom, a sacred grove prohibited to strangers area and lead to an understanding of their life ways. and the public was also made easier because of the The archaeological finds from excavations will serve partnering with the traditional authority. Valuable in- as exhibits in the proposed museum when completed. formation was also obtained from the chiefs. The Department of Archaeology also intends to do- nate all archaeological finds from the Techiman area There is an urgent need to redefine and im- in its possession to the Techiman museum, and to prove the management of Ghana’s cultural resources train the staff to take care of the collections. The staff by decentralizing the Ghana Museums and Monu- of the Department will also be involved in the educa- ments Board, the under-funded body charged with tional programs of the Cultural Centre by participat- the management of Ghana’s cultural resources by ing in conferences, lectures, seminars, symposia and nurturing the support and participation of local com- exhibitions of the Centre. munities in the preservation of the Ghanaian archaeo- logical heritage (Kankpeyeng and DeCorse 2004:96). One of the factors militating against effective The Department of Archaeology of the University of cultural resource management in Ghana is insuffi- Ghana sees an opportunity in supporting the cient funding. Collaboration between institutions Nkwantananso Cultural Centre Project as a means of such as the Techiman Traditional Council and the effecting decentralization, albeit partly and indirectly, Department of Archaeology can mitigate the prob- in Ghana’s cultural heritage management. lem of funding if resources of such institutions are pooled together for a common purpose. It is here The need to bring the museum to the people relevant to mention that the Traditional Council sup- cannot be over emphasized (Andah 1990:148-156; plemented the limited budget of the Department of Momin and Okpoko 1990:170; Ekechukwu 1990:186). Archaeology by providing housing, fuel, transpor- This need has been recognized by the Ghana Muse- tation and food to forty-five final year undergradu- ums and Monuments Board, and the Draft Ghana ate students of the Department who participated in Museums Bill of 2005 asserts in paragraph 20 that the project in January 2006. “there shall be in every Region and District and as much as practicable in every Local Community a Re- Partnering with the Techiman Traditional Coun- gional, District and Local Community Museum re- cil also gave the research team credibility and made it spectively of the [Ghana Museums] Service.” Func- acceptable to the local community. Archaeologists in tions of the proposed Ghana Museums Service also Ghana are sometimes suspected to be treasure hunt- include “advising and providing technical assistance ers, particularly in the villages (Boachie-Ansah to local communities, the private sector, government 1982:49). Comments were made at Techiman by some and non-governmental institutions in establishing individuals on a local FM radio station to this effect. programmes, publicising and promoting knowledge This suspicion was reinforced

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