Cambridge University Press 978-0-521-62204-2 - The Cambridge Companion to Liszt Edited by Kenneth Hamilton Index More information Index of Liszt’s musical works Orchestral works ‘Lyon’, 67, 224 Piano and orchestra Paraphrases, 66–70 early (unpublished) concerti, 154–5 ‘Psaume’, 67, 224 Concerto no. 1 in E major, 28, 38, 44, 154, ‘Vallee´ d’Obermann’, 68–9, 72, 76, 114 155–7, 159–60, 161, 162, 170 Ann´ees de P`elerinage, 36, 37, 42, 163 Concerto no. 2 in A minor, 28, 154, 159, Book I, 66–70, 150 160–1, 162, 170 Book II, 150 ‘Concertono.3inE major’ (published Book III, 89–90, 99, 112, 119, 120, 132, posthumously), 58, 60 135–50, 151 De profundis: Psaume Instrumentale, 71, ‘Angelus!’, 93, 114, 115, 136, 137–8, 140, 158–9, 161, 169, 224 144, 145, 147–8 Festvorspiel, 57 Apr`es une lecture de Dante, 69, 219 Grande Fantaisie Symphonique (‘L´elio ‘Au bord d’une source’, 142, 174–5 Fantasy’, after Berlioz), 157–9 ‘Aux Cypres` de la Villa d’Este’, nos. 1/2, Hungarian Fantasy, 38 111, 136, 138–41, 144, 145, 146–8, 149, Totentanz, 41, 44, 154, 158, 162–70, 264 150 Symphonic works Ave Maria, 243 Dante Symphony, 57, 210, 219–22 ‘Canzonetta del Salvator Rosa’, 69 Faust Symphony, 28, 38, 42, 44–5, 68, 75, 77, ‘Les Jeux d’eau alaVillad’Este’,` 43, 136, 80, 195, 208, 216–19, 266 140–2, 148–50, 256 Mephisto Waltz no. 1, 34 Marche fun`ebre: en m´emoire de Maximilien Symphonic Poems, ix, 42, 66, 206–7, 255 I, 141, 143–4, 145, 146, 148, 149, 150 Ce qu’on entend sur la montagne, 213 ‘Orage’, 201 Festkl¨ange, 214–15 ‘Il Penseroso’, 69, 139 Hamlet, 215, 220 Petrarch Sonnets, 69, 114, 200 H´ero¨ıdefun`ebre, 39, 213–14 ‘Sposalizio’, 69 Hunnenschlacht, 215 ‘Sunt lacrymae rerum’, 124–41, 142, 146, Die Ideale, 213, 220 148, 149, 150 Mazeppa, 43, 70, 210 ‘Sursum Corda’, 114–15, 136, 137, 141, Orpheus, 208–9, 222 144–6, 147, 148, 150 Les Pr´eludes, 28, 38, 41, 42, 213 Venezia e Napoli, 44, 208 Prometheus, 208, 209–10, 216 Concert Studies, 37 Tasso, 207–8, 216 Consolations, 186, 187 Von der Wiege bis zum Grabe, 215–16 Five Little Piano Pieces, 103, 104–6 Symphonie r´evolutionnaire, 214, 267 Harmonies po´etiques et religieuses, 61, 62, 70–2, 186, 224, 226 Organ works ‘Ben´ ediction´ de Dieu dans la Solitude’, 71, Miscellaneous 178, 182 Fantasy and Fugue on ‘Ad nos, ad salutarem ‘Funerailles’,´ 71–2, 178, 182, 184–5 undam’(afterMeyerbeer),57–8, 76 ‘Hymne’, 267 Prelude and Fugue on the name BACH, 76, ‘Invocation’, 79, 180–1 106–7 ‘Pensee´ des morts’, 71, 267 Hungarian Historical Portraits, 89–90, 110, Piano works 112, 119, 120, 126–35, 136–7, 146, 151, Cycles and collections 262 Album d’un Voyageur, 64, 66–70 1. Stephan Sz´echenyi, 128, 132, 133, 134 ‘La Chapelle de Guillaume Tell’, 67–8, 2. Joseph E¨otv¨os, 128–9, 130, 134 224 3. Michael V¨or¨osmarty, 129, 130, 133, 134 ‘Les Cloches de G[eneve]’,` 67–8, 224 4. Ladislaus Teleki, 129–30, 133, 134, 140 Fleurs M´elodiques des Alpes, 66–7 5. Franz De´ak, 130, 133, 134 [272] Impressions et Po´esies, 66–7 6. Alexander Pet¨ofi, 131, 133, 134–5, 262 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-62204-2 - The Cambridge Companion to Liszt Edited by Kenneth Hamilton Index More information 273 Index of Liszt’s musical works Cycles and collections (Cont.) Nationalistic 7. Michael Mosonyi (Mosonyis Cs´ard´asmacabre, 102, 109–10 Grabgeleit/Trauerkl¨ange), 127, 128, 129, Five Hungarian Folksongs, 107 131–2, 133, 134, 135 ‘Heroic March in Hungarian Style’, 36, 215 Hungarian Rhapsodies, 28, 43, 44, 45, 84 Sz´ozat und Ungarischer Hymnus, 107, 127–8 no. 2, Ungarischer Geschwindmarsch, 107 nos. 16–19, 36, 110 Sacred keyboard music Liebestr¨aume, 28 Ave Maria, 111, 184 ‘Drei notturnos’, 192 chorale settings, 111 no. 3, 184 In domum Domini ibimus, 111 no. 3 (‘O lieb, so lang du lieben kannst’), In festo transfigurationis Domini nostri Jesu 204 Christi, 111, 113, 114 Weihnachtsbaum, 89–90, 121 Prelude and Hymn of St Francis, 111 Etudes Sancta Dorothea, 111 ‘Ab Irato’, 74–75 ‘Vexilla Regis’, 111 Douze Grandes Etudes, 59–60, 64, 65–6, 72–4, Via Crucis, 89–90, 112, 119, 120–6, 151, 261 76 O Haupt voll Blut und Wunden, 123, 269 Vision (G minor), 185–6 O Traurigkeit, O Herzeleid, 124–5, 269 Etude en douze exercices dans tous les tons Stabat Mater, 122, 124, 125 majeurs et mineurs, 59–60, 65, 73, 74 Vexilla Regis, 122, 125, 269 Etudes d’apr`es Paganini, 64–5, 74 Sonatas/extended forms ‘La Campanella’, 74, 184 Ballade no. 2 in B minor, 57, 79–80, 186, 189 Etudes d’ex´ecution transcendante, 36, 42, 72, Grand Concert Solo in E minor, 75–6, 186, 73 189 Eroica, 59, 188 Mephisto Waltz no. 1, 80 ‘Harmonies du soir’, 43, 73, 183 Mephisto Waltzes nos.3and4(see also ‘Mazeppa’, 73–4, 210 Bagatelle ohne Tonart), 116 ‘Wilde Jagd’, 73 Scherzo and March, 76–7, 184, 186 Feux follets, 188 Sonata in B minor, 37–8, 40, 41, 44, 70, 75–6, ‘Gnomenreigen’, 75 77–9, 185, 187, 190, 226–7 ‘Morceau du Salon, Etude de Transcriptions and arrangements Perfectionnement’ see ‘Ab Irato’ of own Lieder, 203–5 Ricordanza, 178, 190 A la chapelle Sixtine (Mozart/Allegri), 57, Technische Studien, 103 84–5 Trois Etudes de concert, 75 Dance of the Sylphs (Berlioz, Damnation of ‘La Leggierezza’, 264 Faust), 187 ‘Un sospiro’, 75, 178, 185, 189 Danse macabre (Saint-Saens),¨ 102, 184 ‘Waldesrauchen’, 75, 189 Fantasia on Don Giovanni/The Marriage of Juvenilia Figaro (Mozart), 57, 80, 83–4 Allegro di Bravura, 58, 59 Fantasia on Der Freisch¨utz (Weber), 83 Diabelli variation, 58 Fantasia on Guitarero (Halevy),´ 83 early sonatas, 59 Fantasia on Les Huguenots (Meyerbeer), 81 Eight Variations on an original theme in A Fantasia on La Juive (Halevy),´ 81–4 major, 58 Fantasia on Maometto (Rossini), 82 Impromptu on themes of Rossini and Spontini, Fantasia on Norma (Bellini), 81–2, 83–4 59, 84 Fantasia on Il Pirata (Bellini), 81 Rondo di Bravura, 58 Fantasia on I Puritani (Bellini), 82, 84, 154 Scherzo in G minor, 59 Fantasia on Rienzi (Wagner), 84 Seven Brilliant Variations on a theme of Fantasia on Rigoletto (Verdi), 189 Rossini, 58–9 Fantasia on La Sonnambula (Bellini), 83–4 Mourning/Elegiac Fantasia on ‘I tuoi frequenti palpiti’ (Pacini, Am Grabe Richard Wagners, 113 Niobe), 81, 154 Elegie (‘Die Zelle in Nonnenwerth’), 90–8 Fantasie and Fuge in G minor (Bach), 103 La lugubre gondola,nos.1/2,90, 113 Grande Fantaisie de Bravoure sur La Clochette R. W. – Venezia, 113 (Paganini), 64 ‘Schlaflos! Frage und Antwort’, 34, 113–16 Grande Fantaisie sur la tyrolienne de l’op´era ‘Unstern! Sinistre, disastro’, 34, 90, 113, ‘La fianc´ee’ (Auber), 60–1, 65 116 Gretchen am Spinnrade (Schubert), 184 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-62204-2 - The Cambridge Companion to Liszt Edited by Kenneth Hamilton Index More information 274 Index of Liszt’s musical works Hexameron (Bellini), 82, 154 ‘Comment, disaient-ils’ (Hugo), 192 My Joys (Chopin), 190 ‘Der du von dem Himmel bist’ (Goethe), Overture to Les Francs-Juges (Berlioz), 62 194, 199, 201–2, 203–4 Overture to Tannh¨auser (Wagner), 185 ‘Drei Lieder aus Schillers Wilhelm Tell’, Overture to William Tell (Rossini), 82–3 200–1, 204 Reminiscences de Boccanegra (Verdi), 99 ‘Die drei Zigeuner’ (Lenau), 198, 204 Reminiscences de la Scala (after Mercadante’s ‘Du bist wie eine Blume’ (Heine), 192, 199 Il giuramento), 83, 84 ‘Enfant, si j’etais´ roi’ (Hugo), 201 Reminiscences de Lucia di Lammermoor ‘Es muss ein Wunderbares sein’ (Redwitz), (Donizetti), 81–2, 83 192, 193 Reminiscences de Lucrezia Borgia (Donizetti), ‘Es war ein Konig¨ in Thule’ (Goethe), 193–4, 83 196, 198, 201, 203 Reminiscences de Robert le Diable ‘Die Fischerstochter’ (Heine), 195 (Meyerbeer), 80, 83–4, 178, 183, 188, ‘Go not, happy day’ (Tennyson), 196 189 ‘Ich mochte¨ hingehn’ (Herwegh), 198 ‘Salve Maria’ (Verdi, I Lombardi), 175 ‘Ihr Glocken von Marling’, 198 Sarabande and Chaconne from Almira ‘Il m’aimait tant’ (Gay), 194, 203 (Handel), 103 ‘Im Rhein’ (Heine), 194, 198 Soir´eesde Vienne (Schubert), 61–2, 174 ‘Isten veled’ (Horvath), 195 Symphonie Fantastique (Berlioz), 57, 62–3, ‘Jeanne d’Arc au bucher’ˆ (Dumas), 204 187 ‘Die Liebe des toten Dichters’ (Jokai), 128 Symphonies nos. 5, 6, 7 (Beethoven), 62–3 ‘Die Lorelei’ (Heine), 139, 193, 194, 196, Tarantelle (Cui), 99 197–8, 199, 201, 203, 204, 262 Tarantelle de Bravura (Auber, La Muette de ‘Magyar Kiraly-dal’, 195 Portici), 174 MignonsLied(‘KennstdudasLand’) Waltz from Faust (Gounod), 84 (Goethe), 194, 195, 204 Two pianos ‘Ne brani menya, moy drug’ (Tolstoy), Concerto Path´etique, 76 195–6 Miscellaneous ‘O lieb, so lang du lieben kannst’ Apparitions, 61–2 (Freiligrath), 192, 204 Bagatelle ohne Tonart, 116–19 ‘Oh pourquoi donc’, 196–7 Berceuse, 79 ‘Oh! quand je dors’ (Hugo), 199 ‘En reve.ˆ Nocturne’, 106 ‘La Perla’ (Hohenlohe), 195 Fantasy and Fugue on the name BACH, ‘Schwebe, schwebe, blaues Auge’, 199 106–7 ‘Die tote Nachtigall’, 198 Grand Galop chromatique, 42 Tre Sonetti Di Petrarca, 195, 200, 203, 204 Impromptu, 106 ‘Uber¨ allen Gipfeln ist Ruh’ (Wanderers ‘Nuages gris’, 34 Nachtlied II) (Goethe), 192, 199 R´ak´oczyMarch, 236 ‘Und wir dachten der toten’ (Freiligrath), Rhapsodie espagnole, 37, 40 198 Romance Oubli´ee, 196–7 ‘Die Vatergruft’¨ (Uhland), 195, 198, 204 St Francis de Paolo Walking on the Waves, 80, ‘Vergiftet sind meine Lieder’ (Heine), 198, 174, 183 203 St Francis of Assisi: the Sermon to the Birds, ‘Wie singt die Lerche schon’¨ (Fallersleben), 80 198 Toccata, 103–4 ‘Die Zelle in Nonnenwerth’ (Lichnowsky), Trois Morceaux Suisses, 67 90–1, 97–8, 194, 203, 261 ‘Trube¨ Wolken’, 113 Masses Valse Oubli´ee, 184 Gran Mass (Missa solemnis zur Erweihung