Inconsolata Unified

Inconsolata Unified

10 TUGboat, Volume 36 (2015), No. 1 Inconsolata unified The last three options are also available in fontspec by means of choices of the StylisticSet. Michael Sharpe Sample LATEX file fragment: Inconsolata is a very fine monospaced font family <load text package> developed several years ago by Raph Levien, with \usepackage[varqu]{inconsolata} partial support from TUG, using software of his own \usepackage{upquote} design that allowed curve segments to be drawn ... using spiros (a.k.a. Euler spirals or spirals of Cornu) \begin{document} whose defining feature is that curvatures vary linearly \begin{verbatim} with length along the curve. (Such curves have a "double-quoted text" prominent history in engineering practice, where they `backticked item` were, and are, used for highway and railway curves, 'single-quoted' and provided the shapes for French curve templates Zero: 0 # note slashed zero as default which were widely used in engineering drawing before # option var0 would use unslashed the days of computer-aided design.) ... Initial LAT X support for the font, which was E \end{document} originally provided on CTAN only in Type 1 format, was provided by Karl Berry's inconsolata package, will render as: where the font had Berry name fi4. In 2012, after a "double-quoted text" bold version became available, I made an enhanced `backticked item` version with Berry name zi4 that provided a number 'single-quoted' of new glyphs and lookup tables to allow them to Zero: 0 # note slashed zero as default be accessed as alternate forms, along with equiva- # option var0 would use unslashed lent LATEX options for the Type 1 versions. This meant that the CTAN versions of Inconsolata were Sample X LE ATEX/LuaLATEX file fragment: not the same as those provided by other sources. \usepackage{fontspec} Recently, there has been cross-platform interest in a \usepackage{libertine} reunification. \setmonofont[StylisticSet=3]{Inconsolata} Though the process is not yet complete, it ap- % straight quotes pears likely that in the near future there will be one ... master source for Inconsolata, making available the \begin{document} regular and bold weights in two em sizes: 2048 for \begin{verbatim} the TrueType versions and 1000 for the Opentype "double-quoted text" (cff) and Type 1 (pfb+afm) versions. In particu- `backticked item` lar, the versions on CTAN will be drawn from this 'single-quoted' master repository, and future changes in the fonts Zero: 0 # note slashed zero as default may require the package maintainer to regenerate ... the tfm files using a script that calls afm2tfm with \end{document} a multitude of encoding files. Of course, changes to glyph names would require making the corresponding will render as: changes to the encoding files. double-quoted text As things stand, the version offered on CTAN backticked item and through TEX Live will be updated to the most single-quoted current version with all features intact. Detailed be- Zero: 0 # note slashed zero as default havior is in the documentation for the inconsolata The material above rendered in Inconsolata is A package, but, to summarize usage in LTEX: somewhat larger than the accompanying text, and, • regular and bold weights are available; in practice, should be scaled down to a more appro- • options are available to specify: priate size in the document preamble. { slashed or unslashed zero; Michael Sharpe { upright quotes or original slanted quotes Math Dept, UCSD in verbatim text; La Jolla, CA 92093-0112 USA { original lowercase L (el) or a curvier vari- msharpe (at) ucsd (dot) edu ant. http://math.ucsd.edu/~msharpe/ Michael Sharpe.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    1 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us