
News and Information 2010 docomomo ISC Registers niques were developed as the expression of its utili- Seminar in Gijón tarian needs as well as of materials that had recently The Factory, The Paradigm Of Modernity become available. Poets devoted many hours to its interpretation, while painters and sculptors modeled Date: 14–17 April 2010 forms and used hitherto unknown expressive resources Location: Gijón, Spain in an attempt to decipher the symbolism of technology. — docomomo The fascination that the factory generated has Objective reached the present day. Its past splendor, now largely reduced to ruins, continues to attract our eye: having he aim of the International Seminar is to reflect on become thoroughly obsolete, factories nonetheless tell Tthe influence of technology on the emergence of us not only of our past but also of some of the most modern–movement architecture and on the new view meaningful concerns of our present. We project our that would lead to change in the interpretations of all gaze onto their ruins with deep nostalgia, melancholy artistic experiences. and uncertainty, to the point where we are prepared to prolong their existence beyond their original use, now expired, to discover their new possibilities as leisure and cultural premises. Reflect on your past reality and its potential for the future is thus the goal of the convening of this Interna- tional Seminar. To order the Seminar, specifying the intent of lectures and conferences and taking into ac- count the place of its conclusion, it is proposed to orga- nize the whole of the work from a sectoral perspective. These take into account not only individual buildings but also its territorial integration, an issue that we con- sider crucial in order to assess both its architectural merits as intervention operations on them can be made. In this sense, we propose to confine the work, in addi- tion to general reflections on, two specific productive 114 sectors: coal–steel and Energy (thermal and hydro). Francis Bacon (1561–1626) initiated a line of thought which was inevitably destined to develop: that of the world of science as the object of philosophical 2010 docomomo ISC Technology reflection. At the same time, scientific and technical Seminar in Tokyo progress would consolidate, in practice, a new change in the interpretative values of Western culture. Metal in Modern Movement In opposition to the world of nature that of the de- Date: 14–16 May 2010 vice would become consolidated, governed by the Location: Tokyo, Japan laws of technology, which would develop fully inside new architectural artifacts practically unknown until the Objective nineteenth century. The factory, as a new architectural type, had come into being. he Technology Seminar held in Tokyo, Japan, fo- It would be in the factory, as a new expression of Tcused on the use of Metal in Modern Movement construction, that architecture developed one of the architecture. In particular, the docomomo Interna- most specific manifestations of modernity, quickly trav- tional Specialist Committee on Technology (ISC–T) elling the distance that separated the steam engine collaborated with the National Specialist Committee from full industrialization. (NSC) in Japan to focus on a seminar that discussed And not only architects, but also painters, sculptors, the use of metal and steel structures in Modern Move- photographers and composers found in the world of ment Architecture. In particular, presentation of topics technology and its container, the factory, a motive of which focused on the repair methods, skills and crafts- inspiration and reflection on the scope of their respec- manship towards the conservation of these structures tive artistic experiences. The film world, too, became was encouraged. It is important to note that metal trapped by its irrepressible lure, as Charles Chaplin and steel have also been used in Japan as a material ironically expressed in “Modern Times”. which responds well to seismic events while simultane- In the construction of the factory new building tech- ously forming a unique construction that is part of the docomomo · 42 — Summer 2010 doco42—100/136.indd 114 29/07/10 18:02 projects submitted. Chaired by docomomo Presi- dent Ana Tostões, the jury also included UIA President Louise Cox, Director of the Grand Paris international workshop Bertrand Lemoine, Director of the UMR 694 MAP–Gamsau lab at the CNRS Michel Florenzano, and Director of the Autodesk product Laurent Praden. A UIA grand prize was awarded to Salvatore Corso, student at the Aldo Rossi faculty of architecture in Bo- logna, Italy, for the image based model of Casa del Balilla, in Forli, Italy, built between 1933 and 1935 by architect Cesare Valle. His representation is an accu- rate reproduction of the original architectural vocabu- lary of this edifice in danger. modern experience. On the basis of this background, A docomomo prize was attributed to Alexandre we were able to have a lively discussion on the use of Van Dongen–Vogels, student at the Superior Institute Metal in Modern Movement Architecture from all over of Architecture in La Cambre, Belgium, for the image the world! based model of the Brussels–Ukkel Glass House, built docomomo International is a non–profit organiza- in 1935 by Paul–Amaury Michel. The jury applauded tion initiated in 1988 by professor, architect Hubert–Jan the quality and coherence of his model. Henket, and architect Wessel de Jonge. The primary An honourable mention was awarded to a role of docomomo International is to educate and group of students led by Daniele Rossi from Italy’s exchange ideas relating to the documentation, history Camerino University for their image based model of a and technology of conservation, for the protection and set of social facilities built during the fascist period in safeguard of modern movement heritage. As one of the various Italian cities. five working specialist committees dedicated to this mis- A UIA grand prize together with a docomomo sion, the docomomo International Specialist Commit- prize were awarded to Fabio Freitas, Jonas Abreu da tee on Technology was organized in 2000. In a joint Silva and Olivier Lauppi from the Federal University at effort and close collaboration, the national chapter of Rio de Janeiro, Brazil, for the description in panoramic images of the Rio Modern Art Museum built in 1954 by docomomo Japan NSC Technology hosted an inter- 115 national seminar on the use of Metal in Modern Move- Affonso Eduardo Reidy. This project received the jury’s ment architecture in Tokyo, Japan. unanimous praise for its understanding and reading of spaces and volumes and for the visual restitution of the entire architectural complex. Three honourable mentions were awarded to pan- oramic image descriptions: International Competition for Image — Modelling • Chenyuan Qian, (Tianjin University, China), for the of XX Century Architecture restoration of the Juer hutongs in Beijing. • Xin Ma and Xiaoyu Lang, (Tianjin University, China) The Jury: Louise Cox, UIA President — Ana Tostões, for Tiananmen Square in Beijing. docomomo International Chair — Laurent Praden, Au- • Yuriy Kuvshinov and Anastasia Marukhna (Moscow todesk — Bertrand Lemoine, Direction du Grand Paris Institute of Architecture, Russia) for their reproduc- (GNP) — Michel Florenzano, MAP Laboratory (CNRS) tion of the Narkomfin collective housing complex built between 1928 and 1930 in Moscow by Moi- A New Representation of the Architectural Heritage sei Ginzburg. he International Union of Architects (UIA) announc- Tes the results of the international competition inviting architecture students to create image based models of significant works of the 20th century from around the world. Students could choose to represent any ar- chitectural realisation built between 1901 and 2000. Their architectural descriptions could be designed as panoramic images or image based models of the build- ing in its current state. The jury met on 17 June 2010, to examine the 52 docomomo · 42 — Summer 2010 doco42—100/136.indd 115 29/07/10 18:02 ISC Reports redefine its tasks and duties to improve, docomomo expand and update the docomomo documentation in the years to come. International Specialist The ISC/R archives are and should Committees remain in the Nai, Rotterdam (NL). — docomomo The ISC/R reorganization Panayotis Tournikiotis and Marieke Kuipers are willing to continue as chair International Specialist The ISC/R definitely needs a part–time and vice–chair in 2010–2012. Susana Committee on Registers (ISC/R) permanent secretary and/or web man- Landrove is ready to act as secretary Annual meeting ISC/Registers, ager in the docomomo International during the same period. Other members Oviedo (Spain), April 18, 2010 headquarters to coordinate the process will continue, with the only exception of of publishing the fiches on the web. Inge Bertels who is stepping down as fter the 4th International registers During this meeting, we have also secretary and leaves the committee. To Aseminar The Factory, Paradigm of reviewed the whole work done in the our deep regret, Dennis Sharp has sadly Modernity, organized by docomomo ISC/R till 2010 and the future plans with left the ISC/R. He has passed away on Iberia in the Faculty of Geology, Univer- regard to the MoMo registers. In its first the 6th of May. He has been a com- sity of Oviedo, April 14–17, 2010. period (1992–2000) the docomomo mitted member of the committee and we Three ISC/R members attended the ISC/R has focused on the necessary will all miss him as a good friend. annual meeting: Panayotis Tournikiotis, International selection of MoMo build- Meanwhile, both chairs come to the chair, Marieke Kuipers, vice–chair, Su- ings that culminated in the publication conclusion that they are not young any- sana Landrove, director of docomo- of the ‘black book’ in 2000. Maristella more and that they are increasingly busy mo Iberia. Celestino Garcia Braña was Casciato was chair, Marieke Kuipers in many others tasks.
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