MITCHELL-INNES & NASH Pop-Up Gallery in Miami November 27, 2020 – February 11, 2021 *Offers subject to prior sale SADIE BENNING Untitled, 11x16 (HH) 2019 Aqua resin, wood panel and acrylic gouache 16 by 11 in. 40.6 by 27.9 cm. MI&N 16240 SADIE BENNING Untitled, 11x16 (CC) 2019 Aqua resin, wood panel and acrylic gouache 16 by 11 in. 40.6 by 27.9 cm. MI&N 16235 SADIE BENNING Untitled, 11x16 (II) 2019 Aqua resin, wood panel and acrylic gouache 16 by 11 in. 40.6 by 27.9 cm. MI&N 16241 SADIE BENNING Untitled, 11x16 (GG) 2019 Aqua resin, wood panel and acrylic gouache 16 by 11 in. 40.6 by 27.9 cm. MI&N 16239 SADIE BENNING M3 2015 Medite, acrylic, aqua resin, enamel and casein 60 by 45 in. 152.4 by 114.3 cm. MI&N 16413 SADIE BENNING b. 1973 Madison, Wisconsin Lives and works in New York, New York Sadie Benning has been known for their experimental videos, which they began making as a teenager on a Fischer-Price Pixelvision toy camera. At 19, Benning made a splash at the 1993 Whitney Biennial with a series of poignant yet knowing DIY videos. By 2007, when Benning had their first solo exhibition in New York, they had added small abstract paintings to their repertory. Over the last three decades, Sadie Benning has made work that ranges from lo- fi, experimental videos exploring queer sexuality and identity to large, wall- mounted works that suggest a constant slippage between abstraction and representation, sound and image, sculpture and painting, motion and stillness, colour and its absence. The diversity of Sadie’s practice reflects the artist’s ongoing interest in ambiguity and in-between-ness. Artist CV | Artist Page MONICA BONVICINI Hysteria 2018 Mirror polished stainless steel, MDF, ed. 1/1 plus 1 AP 39 3/8 by 23 3/4 by 11/16 in. 100 by 60 by 1.7 cm. MI&N 15226 MONICA BONVICINI Hy$teria 2018 Mirror polished golden stainless steel, MDF, ed. 1/1 plus 1 AP 14 1/2 by 39 3/8 by 11/16 in. 36.8 by 100 by 1.7 cm. MI&N 15295 MONICA BONVICINI b. 1965, Venice, Italy Lives and works in Berlin Best known for large-scale sculptural installations that employ different materials and mediums, Monica Bonvicini incorporates elements of architecture, performance, photography, video, painting, and collage in her work. Using dry and direct humor, she confronts issues of subjectivity, power, barriers, control, and institutional critique. Bonvicini’s art establishes a critical connection within the space where it is exhibited, the materials that define it, and the roles of spectator and creator. Bonvicini was born in Venice, Italy in 1965 and currently lives and works in Berlin. She holds degrees from the Hochschule der Künste, Berlin (now known as the Universität der Künste) and from the California Institute of the Arts. Bonvicini’s work has been featured in many prominent biennials, including the Busan Biennale (2020); the Istanbul Biennale (2017; 2003); the Berlin Biennale (2014; 2004; 1998); La TriennaIe, Paris (2012); Gwangju Biennale (2006) and the Venice Biennale (2015; 2011; 2005; 2001; 1999). She has had solo exhibitions at Kunsthalle Bielefeld, Bielefeld (2020); Österreichische Galerie Belvedere, Vienna (2019); Berlinische Galerie, Berlin (2017); Baltic Centre for Contemporary Art, Gateshead (2016/17); Kunsthalle Mainz, Mainz (2013); Deichtorhallen Hamburg, Hamburg (2012); Centro de Arte Contemporaneo de Malága, Malága (2011); the Kunsthalle Fridericianum, Kassel (2011); Art Institute of Chicago, Chicago (2009); Kunstmuseum Basel, Basel (2009); Modern Art Oxford, Oxford (2003); and Palais de Tokyo, Paris (2002). Bonvicini also received the Golden Lion at the 48th Venice Biennale (1999) and she was appointed Commander of the Order of Merit of the Italian Republic in 2012. Most recently, Monica Bonvicini was the winner of the 2020 Oskar Kokoschka Prize in Vienna, Austria. Artist CV | Artist Page SARAH BRAMAN Her House 2019 Desk parts, plywood and colored glass 19 5/8 by 14 3/8 by 12 1/2 in. 49.8 by 36.5 by 31.8 cm. MI&N 16278 SARAH BRAMAN b. 1970, Tonawanda, New York Lives and works in Amherst Sarah Braman, widely recognized for her large-scale sculptures that serve as monuments to everyday life, is interested in the interplay between sensory experience and emotional resonance. In creating her precariously balanced sculptures, Braman combines elements from scrap-yard vehicles, old buildings, or antique furniture with translucent volumes of color and light. The artist’s distinctive color palette of rich pinks, blues, and purples permeates the space, from spray paint on found objects and hand-dyed fabric to the expansive nature of the glass forms. In their formal construction, her works relate to the legacies of minimalism and color-field painting. Defying a narrow modernist definition, Braman’s works suggest themes of home, family, and nature, with their joyful immersion in lived experience and emotional life. Maryland Institute College of Art in Baltimore and an MFA from Tyler School of Art in Philadelphia. Solo exhibitions include You Are Everything, Mitchell- Innes & Nash, New York (2016); Sarah Braman: Alive, Museum of Fine Arts, Boston (2013-14) and Lay Me Down, MACRO, Rome (2011). Braman has also participated in group exhibitions at MASS MoCA, North Adams (2017-18); the Brant Foundation, Greenwich (2017); Kunsthalle Helsinki, Finland (2016); The Kemper Museum of Contemporary Art, Kansas City (2015) and The Saatchi Gallery, London (2010). Braman is one of the founders of artist-run gallery CANADA in New York. In 2013, she was the recipient of the Maud Morgan Prize from MFA, Boston. Artist CV | Artist Page KELTIE FERRIS Cloud Line 2020 Oil and acrylic on canvas in two panels in the artist's frame 98 7/8 by 79 7/8 by 4 3/4 in. 251.1 by 202.9 by 12.1 cm. MI&N 16516 KELTIE FERRIS R--E--A--C--H 2012 Oil and acrylic on canvas 90 by 80 in. 228.6 by 203.2 cm. MI&N 10639-A KELTIE FERRIS b. 1977, Louisville, Kentucky Lives and works in New York Keltie Ferris is known for her mostly large-scale canvases covered with layers of spray paint and hand-painted geometric fields. Ferris’s pixilated backgrounds and atmospheric foregrounds create perceptual depth that allows for multidimensional readings of her work. Characterized by a continuously expanding investigation into painting, her practice considers a multiplanar site for constructed light and shifting space. In her ongoing series of body prints, Ferris uses her own body like a brush, covering it with natural oils and pigments and pressing it against a canvas, to literalize the relationship of an artists’ identity to the work that he or she produces. Keltie Ferris graduated with a BFA from the Nova Scotia College of Art and Design and an MFA from the Yale School of Art in 2006. Recent solo exhibitions include *O*P*E*N* at the Speed Museum, Louisville, KY (2018), (F(U(T()U)R)E) at Mitchell-Innes & Nash, New York (2018), M\A\R\C\H at Mitchell-Innes & Nash, New York (2017), Body Prints and Paintings at the University Art Museum at SUNY Albany, New York (2016); Paintings and Body Prints at Mitchell-Innes & Nash, New York (2015); Keltie Ferris: Doomsday Boogie at the Santa Monica Museum of Art, Los Angeles (2014); Body Prints at Chapter NY, New York (2014); and Man Eaters at the Kemper Museum, Kansas City (2009-10). Her works have been included in group exhibitions at institutions, including Saatchi Gallery, London (2014); Contemporary Arts Museum of Houston, Texas (2014); The Academy of Arts and Letters, New York (2014); Brooklyn Museum, New York (2012); the Indianapolis Museum of Contemporary Art, Indianapolis (2010); and The Kitchen, New York (2009). She was recently awarded the Rosenthal Family Foundation Award in Painting by the Academy of Arts and Letters. Artist CV | Artist Page GERASIMOS FLORATOS Auric sync 2020 Oil, acrylic and collage on canvas 72 1/4 by 72 3/8 in. 183.5 by 183.8 cm. MI&N 16792 GERASIMOS FLORATOS b. 1986, New York, New York Lives and works between New York, New York and Kefalonia, Greece A first-generation Greek-American and native New Yorker, Gerasimos Floratos grew up quite literally at the center of the city in Times Square where he continues to keep a studio. The vibrant dynamism of this milieu is evident in Floratos’s paintings and sculptures, where he draws from the constant yet ever- changing nature of his surroundings to create pictorial abstractions populated by what the artist calls “characters.” Through these amorphous figures— formed from tropes of the city’s denizens—Floratos examines the psycho- spatial architecture of a globalized world from a highly localized perspective. Floratos’s paintings are known for their vivid palette and assertive brushstrokes layered on top of collaged elements and richly textured canvases. Recent solo exhibitions of his work include Slangwich Motel at Schloss, Oslo (2018); 1977 at Eleni Koroneou Gallery, Athens (2018); Soft Bone Journey at Armada, Milan (2017); Big Town at Pilar Corrias Gallery, London (2016) and White Columns, New York (2016), where the artist had his first solo New York exhibition. Upcoming shows include a solo exhibition at Tanya Leighton Gallery in Berlin in the fall of 2019 as well as a group show at Thaddaeus Ropac Gallery in London in summer of 2019. Artist CV | Artist Page GENERAL IDEA Continental Poodle (Pink) Sinister 1992 Pastel, wax crayon and felt pen on pink fluorescent paper 10 7/8 by 8 7/16 in. 27.7 by 21.4 cm.