Musikere Og Musikkliv I Bergen Ca

Musikere Og Musikkliv I Bergen Ca

“KJENDERE OG LIEBHABERE” MUSIKERE OG MUSIKKLIV I BERGEN CA. 1750–1830 AV RANDI M. SELVIK Dr. art.-avhandling Institutt for musikk Det historisk-filosofiske fakultet NTNU Vår 2005 FORORD 1 1. INNLEDNING 3 Bakgrunn .............................................................................................................................. 3 Bergensk bykultur i siste halvdel av 1700-tallet .................................................................. 5 Teorigrunnlag ....................................................................................................................... 8 Definisjoner ..................................................................................................................... 8 Kulturteori ...................................................................................................................... 10 Sosiale grupper: klasse, eller stand og rang? ................................................................. 11 Representativ offentlighet .............................................................................................. 13 Borgerlig offentlighet .................................................................................................... 14 Følsomhetens estetikk .................................................................................................... 17 Konsertrepertoar og musikalsk kanon ........................................................................... 19 Problemstillinger ................................................................................................................ 22 Tidligere forskning ............................................................................................................. 24 Kilder.................................................................................................................................. 26 Disposisjon ......................................................................................................................... 28 Praktiske opplysninger ....................................................................................................... 28 2. STADSMUSIKANTER CA. 1750–1806 30 Innledning........................................................................................................................... 30 Stadsmusikantvesenet i Europa .......................................................................................... 30 Stadsmusikantvesenet i Danmark....................................................................................... 31 Stadsmusikantvesenet i Norge............................................................................................ 35 Stadsmusikantene i Bergen – innledning ........................................................................... 37 Lover, reskripter og kongelige forordninger ...................................................................... 38 Stadsmusikantene ............................................................................................................... 41 Johan Joachim Gudenschwager ..................................................................................... 41 Christian Bonny ............................................................................................................. 43 Ole Rødder .....................................................................................................................47 Svenner og læregutter......................................................................................................... 53 Carl Magnus Due og Samuel Lind ................................................................................ 56 Privilegiet ........................................................................................................................... 59 Innholdet i tjenesten ........................................................................................................... 62 Inntekter og bierverv .......................................................................................................... 67 Sosial status ........................................................................................................................ 76 Instrumenter........................................................................................................................ 77 Musikk................................................................................................................................ 84 Sammenfatning................................................................................................................... 89 3. ORGANISTER OG KANTORER CA. 1750–1800 91 Innledning........................................................................................................................... 91 Orgler.................................................................................................................................. 92 Organister ........................................................................................................................... 94 Mariakirken ....................................................................................................................94 Nykirken ........................................................................................................................ 97 Korskirken .....................................................................................................................99 Domkirken ................................................................................................................... 100 Oppsummering organister ............................................................................................ 102 Arbeidsforhold.................................................................................................................. 104 En bachtradisjon i Bergen på 1700-tallet?........................................................................ 110 i Om å forholde seg “anstændig og sømmelig”.................................................................. 112 Inntekter og bierverv ........................................................................................................ 116 Musikk.............................................................................................................................. 123 Kantorer............................................................................................................................ 126 Embetets opprinnelse og tidlige periode .......................................................................... 127 Latinskolens sang- og musikkundervisning ..................................................................... 129 Latinskolens sangrepertoar............................................................................................... 137 Inntekter............................................................................................................................ 138 Diskantsangen .............................................................................................................. 139 Sangoppvartningen ...................................................................................................... 141 Sammenfatning................................................................................................................. 142 4. DET HARMONISKE SELSKAB 1765–1800 145 Innledning......................................................................................................................... 145 Konsertliv og musikalske selskap i København og Stockholm på 1700-tallet ................ 146 Selskapets stiftelse............................................................................................................ 150 Lover................................................................................................................................. 153 Musiserende medlemmer.................................................................................................. 159 Medinteressenter............................................................................................................... 163 Konsertmestre................................................................................................................... 164 Drift .................................................................................................................................. 167 Perioden 1765–77 ........................................................................................................ 168 Perioden 1777–83 ........................................................................................................ 177 Perioden 1783–1800 .................................................................................................... 178 Claus Fasting .................................................................................................................... 185 Sammenfatning................................................................................................................. 194 5. DET DRAMATISKE SELSKAB 1794–1800 197 Innledning......................................................................................................................... 197 Selskapets stiftelse............................................................................................................ 200 Lover................................................................................................................................. 202 Medlemskap og lokaler ...................................................................................................

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    574 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us