E 2 Boldface type About this manual Parameter values are printed in boldface type. Content that is of particular importance is also printed in This “Parameter Guide” contains explanations and other boldface type. information regarding the operations of the parameters and settings on the TRITON Extreme. The explanations are orga- Procedure steps 1 2 3 … nized by mode, and page. Explanations and other informa- Steps in a procedure are listed as 1 2 3 … tion on the effects and their parameters are also provided for each effect. ☞p.■, ☞■ – ■ Refer to this guide when an unfamiliar parameter appears in These indicate pages or parameter numbers to which you the display, or when you need to know more about a partic- can refer. ular function. Symbols , , , , , These symbols respectively indicate cautions, advice, MIDI- related explanations, a parameter that can be selected as an Conventions in this manual alternate modulation source, a parameter that can be selected as a dynamic modulation source, and a parameter References to the TRITON Extreme that can use the BPM/MIDI Sync function. The TRITON Extreme is available in 88-key, 76-key and 61- key models, but both models are referred to without distinc- Example screen displays tion in this manual as “the TRITON Extreme.” Illustrations The values of the parameters shown in the example screens of the front and rear panels in this manual show the 61-key of this manual are only for explanatory purposes, and may model, but the illustrations apply equally to the 88-key and not necessary match the values that appear in the LCD 76-key models. screen of your instrument. Keys and knobs [ ] MIDI-related explanations References to the switches, dials, and knobs on the TRITON CC# is an abbreviation for Control Change Number. Extreme’s panel are enclosed in square brackets [ ]. Refer- In explanations of MIDI messages, numbers in square ences to buttons or tabs indicate objects in the LCD display brackets [ ] always indicate hexadecimal numbers. screen. Parameters in the LCD display screen “ ” Parameters displayed in the LCD screen are enclosed in double quotation marks “ ”. How to read the “Parameter Guide” (example) Page menu command No. ▼ Mode name Program P5: Edit-Common LFO 5–1: Page Menu Command Page menu Here you can make settings for the LFO that can be used to 0–1A command name cyclically modulate the Pitch, Filter, and Amp of oscillators 1 5–1A and 2. There are two LFO units for each oscillator. By setting Page No. the LFO1 or LFO2 Intensity to a negative (–) value for Pitch, 5–1A: Swap LFO 1&2 Filter, or Amp, you can invert the LFO waveform. This command exchanges the settings of LFO1 and 2. If LFO2 Page menu command has been selected as Frequency Modulation AMS1 or 2 of LFO1, that setting will be cancelled for LFO2 after the LFO1 5–1: OSC1 LFO1 ( ) and 2 settings have been exchanged. If this is selected from Tab No. the OSC1 LFO1 or OSC1 LFO2 tab, the LFO1 and LFO2 of Make settings for the “OSC1 LFO1,” which is the first LFO OSC1 will be exchanged. that can be used for oscillator 1. Page name 1 Select this command to open the dialog box. 5–1 2 Press the OK button. Tab name 5–1a 5–2: OSC1 LFO2 Here you can make settings for the OSC1 LFO2, which is the 5–1b second LFO that can be applied to oscillator 1. (☞“5–1: OSC1 LFO1”) However in “Frequency Modulation” (5–1b), the LFO cannot be selected as a modulation source in “AMS1” or Parameter 5–1c “AMS2.” number 5–3: OSC2 LFO1 This can be used when “Oscillator Mode” (1–1a) is set to 5–1a: OSC1 LFO1 Double. Parameter Here you can make settings for the OSC2 LFO1, which is the Waveform [Triangle 0…Random6 (Vector)] ☞ name first LFO that can be applied to oscillator 2. ( “5–1: OSC1 Select the LFO waveform. LFO1”) Range of possible parameter values iii 3–6: Filter2 Mod. Keyboard tracking and controller settings Table of Contents to modulate the filter 2 cutoff frequency ....................................................................22 3–7: Filter2 LFO Mod. Filter 2 LFO settings to modulate the filter 2 cutoff frequency ....................................22 3–8: Filter2 EG Filter 2 EG settings...................................22 1. Program mode. .1 Program P4: Edit–Amp.................................. 23 Make amp settings for oscillators 1 and 2. 4–1: Amp1 Level/Pan Oscillator 1 volume and pan settings ....23 4–2: Amp1 Mod. Keyboard tracking and controller settings to modulate amp 1 ...................................23 4–3: Amp1 EG Amp 1 EG settings ...................................24 4–4: Amp2 Level/Pan Oscillator 2 volume and pan settings ....26 4–5: Amp2 Mod. Keyboard tracking and controller settings to modulate amp 2 ...................................26 4–6: Amp2 EG Amp 2 EG settings ...................................26 Program P0: Play ......................................... 1 Program P5: Edit–Common LFO....................... 26 Select and play programs. Make settings for the general purpose LFOs used to cycli- cally modulate the pitch, filter, and amp of oscillators 1 0–1: Perf. Edit Select and play programs; use the and 2. Performance Editor for simple editing ... 1 5–1: OSC1 LFO1 OSC1 LFO1 (for oscillator 1) settings ...26 0–2: Arpeggio Arpeggio pattern selection and settings .4 5–2: OSC1 LFO2 OSC1 LFO2 (for oscillator 1) settings ...27 0–3: Sampling Perform sampling; make settings for audio inputs etc.......................................... 4 5–3: OSC2 LFO1 OSC1 LFO1 (for oscillator 2) settings ...27 5–4: OSC2 LFO2 OSC1 LFO2 (for oscillator 2) settings ...27 Program P1: Edit–Basic.................................. 9 Make basic oscillator settings and scale settings etc. Program P7: Edit-Arpeggiator ......................... 28 1–1: Program Basic Oscillator settings for Single/Double/ Make settings for the arpeggiator. Drums, Poly/Mono, scale etc................... 9 7–1: Arpeg. Setup Select an arpeggio pattern and make 1–2: OSC Basic Specify the multisample for oscillators 1 settings.......................................................28 and 2 .......................................................... 11 7–2: Scan Zone Specify the note and velocity ranges that 1–3: Velo. Zone Velocity zone settings ............................. 13 will operate the arpeggiator ...................29 1–4: Controller [SW1] and [SW2] key functions; REALTIME CONTROLS [1]–[4] knob B- Program P8: Edit–Insert Effect......................... 30 mode functions ........................................ 14 Specify the oscillator output bus, and make insert effect settings. Program P2: Edit–Pitch .................................14 8–1: Routing Specify the oscillator output bus and set Make pitch-related settings for oscillators 1 and 2. the send levels to the master effects ......30 2–1: OSC1 P.Mod Specify oscillator 1 pitch modulation via 8–2: Insert FX Select insert effects and turn them on/off, key position or controllers...................... 14 and make chain settings..........................31 2–2: OSC2 P.Mod Specify oscillator 2 pitch modulation via 8–3: IFX 1 Parameter settings for IFX1 ....................32 key position or controllers...................... 16 8–4: IFX 2 Parameter settings for IFX2 ....................32 2–3: Pitch EG Pitch EG settings...................................... 16 8–5: IFX 3 Parameter settings for IFX3 ....................32 8–6: IFX 4 Parameter settings for IFX4 ....................32 Program P3: Edit–Filter .................................18 8–7: IFX 5 Parameter settings for IFX5 ....................32 Make filter settings for oscillators 1 and 2. 3–1: Filter1 Filter 1 (for oscillator 1) type, cutoff Program P9: Edit–Master Effect ....................... 32 frequency, and resonance settings ........ 18 Make settings for the master effects, the master EQ, and 3–2: Filter1 Mod. Keyboard tracking and controller settings Valve Force. to modulate the filter 1 cutoff frequency 9–1: Master FX Select master effects and turn them on/ .................................................................... 19 off, and make chain settings ...................32 3–3: Filter1 LFO Mod. Filter 1 LFO settings to modulate the filter 9–2: MFX 1 Parameter settings for MFX1 ..................34 1 cutoff frequency .................................... 20 9–3: MFX 2 Parameter settings for MFX2 ..................34 3–4: Filter1 EG Filter 1 EG settings................................... 21 9–4: Master EQ Parameter settings for master EQ ..........34 3–5: Filter2 Filter 2 (for oscillator 2) type, cutoff 9–5: VALVE FORCE Settings for Valve Force ..........................34 frequency, and resonance settings ........ 22 iv 2. Combination mode. 37 Combination P7: Edit–Arp...............................49 Make settings for arpeggiators A and B. 7–1: Setup Assign arpeggiators to each timbre .......49 Program 7–2: Arpegg. A Select an arpeggio pattern and make settings for arpeggiator A .......................50 7–3: Arpegg. B Select an arpeggio pattern and make settings for arpeggiator B ........................50 7–4: Scan Zone Specify the ranges of notes and velocities that will operate the arpeggiator............50 Combination P8: Edit–Insert FX........................51 Combination Specify the output bus for each timbre, and make insert effect settings. Combination P0: Play................................... 37 8–1: Routing Specify the output bus and master effect Select and play combinations. send levels for each timbre......................51 0–1: Prog. Select Select a program for each timbre ...........37 8–2: Insert FX Select insert effects,