Boston Symphony Orchestra Concert Programs, Season 47,1927-1928, Trip

Boston Symphony Orchestra Concert Programs, Season 47,1927-1928, Trip

E. F. ALBEE THEATRE . PROVIDENCE Tuesday Evening, October 25, at 8.15 # m ¥S 21 m BOSTON -%\\\\Y SYAPHONY ORCHESTRA INC. FORTY SEVENTH SEASON J927-I928 PRoGRKttttE Salfooi, " . the mechanism is so perfect as to respond to any demand and, in fact, your piano ceases to be a thing of wood and wires, but becomes a sympathetic friend'." flrf(64s- Wilhelm BachailS, most exacting of pianists, finds in the Baldwin the perfect medium of musical ex- pression. Acclaimed the pianist of pianists, beloved by an ever-growing public, Bachaus has played the Baldwin exclusively for twelve years, in his home and on ail his American tours. That loveliness and purity of tone which appeals to Bachaus and to every exacting musician is found in all Baldwins; alike in the Concert Grand, in the smaller Grands, in the Uprights. The history of the Baldwin is the history of an ideal. llaiitorin A. M. Hume Co. 196 Boylston Street Boston E. F. ALBEE THEATRE PROVIDENCE FORTY-SEVENTH SEASON 1927-1928 INC. SERGE KOUSSEVITZKY, Conductor TUESDAY EVENING, OCTOBER 25, at 8.15 WITH. HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1927, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN ... Vice-President ERNEST B. DANE . Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 STEIN WAY the instrument of the immortals Not only the best piano, but the best piano value It IS possible to build a piano to beauty of line and tone, it is the sell at any given price, but it is not greatest piano value ever offered! often possible to build a good . Convenient terms will be piano under such conditions. arranged, if desired. Steinway pianos are not—and There is a Steinway dealer in your com- never have been built to meet a — munity, or near you, through whom you price. They are made as well as may purchase a new Steinway piano with human skill can make them, and a small cash deposit, and the balance will the price is determined later. The be extended over a period of two years. result is the world's finest piano. Used pianos accepted in partial exchange. Such an instrument costs more Prices: <Po an^ up than a commonplace product—yet • 5 in point of long life, prestige, and Plus transportation STEINWAY & SONS, Steinway Hall, 109 W. 57th Street, New York Represented by the foremost dealers everywhere m 2 Forty-seventh Season, 1927-1928 SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, P. Concert-master Kreinin, B. Eisler, D. Hamilton, V. Kassman, N. Theodorowicz, J. Hansen, E. Graeser, H. Fedorovsky, P. Leibovici, J. Pinfield, C. Mariotti, V. Leveen, P. Siegl, F. Mayer, P. Zung, M. Knudsen, C. Gorodetzky, L Tapley, R. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L. Messina, S. Murray, J. Del Sordo, R. Erkelens, H. Seiniger. S. Violas. Lefranc, J. Fourel, G. Van Wynbergen, C. Grover, H. Fiedler, A. Artifcres, L. Cauhape, J. Werner, H. Shirley, P. Avierino, N. Gerhardt, S. Bernard, A. Deane, C. Violoncellos. Bedetti, J. Zighera, A. Langendoen, J. Stockbridge, C. Fabrizio, E. Keller, J. Barth, C. Droeghmans, H. Warnke, J. Marjollet, L. Basses. Kunze, M. Lemaire, J. Ludwig, O. Girard, H. Kelley, A. Vondrak, A. Oliver, F. Frankel, I. Dufresne, G. Demetrides. L. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Hamelin, G. Laus, A. Bladet, G. Devergie, J. Arcieri, E. Allard, R. Amerena, P. Stanislaus, H. Allegra, E. Bettoney, F. {E-flat Clarinet) Piccolo. English Horn. Bass Clarinet. Contra-Bassoon. Battles, A. Speyer, L. Mimart, P. Piller, B. Hopns. Horns. Trumpets. Trombones. Wendler, G. Valkenier, W. Mager, G. Rochut, J. Pogrebniak. S. Schindler, G. Perret, G. Hansotte, L. Van Den Berg, C. Lannoye, M. Voisin, R. Kenfield, L. Lorbeer, H. Blot, G. Mann, J. Raichman, J. Jones, O. Adam, E. Tubas. Harps. Timpani. Percussion. Sidow, P. Holy, A. Ritter, A. Ludwig, C. Adam, E. Zighera, B. Polster, M. Sternburg, S. Seiniger, S. Organ. Piano. Celesta. Librarian. Snow, A. Zighera, B. Fiedler, A. Rogers, L. J. Crooklr Company Weybosset at Richmond Street w*E are hearing music tonight that is glowing with color. We are filled with enthusiasm, and our emotions run high. Have we this same enthusiasm for our homes, or are they just places in which to live? Why not carry into them the brilliancy of great music, expressing it in colors of fabrics and paints? Crooke r Company can achieve this in any home, for it has the required knowledge and facilities. Lei us bring color into your home E. F. ALBEE THEATRE PROVIDENCE One Hundred and Ninety-ninth Concert in Providence Forty-seventh Season, 1927-1928 SERGE KOUSSEVITZKY, Conductor FIRST CONCERT TUESDAY EVENING, OCTOBER 25 AT 8.15 PROGRAMME Berlioz . Overture to "Benvenuto Cellini," Op. 23 Brahms Symphony No. 3 in F major, Op. 90 I. Allegro con brio. II. Andante. III. Poco allegretto. IV. AUegro. Ravel . "Ma Mere TOye" ("Mother Goose") Five Children's Pieces I. Pavane de la Belle au Bois Dormant. (Pa vane of Sleeping Beauty.) II. Petit Poucet. (Hop o' my Thumb.) III. Laideronnette, Imperatrice des Pagodes. (Laideronette, Empress of the Pagodas.) IV. Les Entretiens de la Belle et de la Bete. (Beauty and the Beast Converse.) V. Le Jardin Feerique. (The Fairy Garden.) Tchaikovsky Fantasia, "Francesca da Rimini," Op. 32 (after Dante) There will be an intermission of ten minutes after the symphony For the music on these programmes, visit the Music Department at the Providence Public Library — RISTMAS f December 22% January 7 on the S. S. "Columbus' A perfect holiday voyage in the holiday season—visiting in its sixteen days the "Vanama Canal, Havana, Jamaica and J^assau. Rates, $200 and upward THE LUXURY CRUISE On the 32,000 ton liner "Columbus," the only ship to bring the luxuries of the largest Atlantic liners to the West Indies. A Midwinter Cruise of 26 days, with visits to sixteen places in eleven Caribbean islands and countries of South America. Sailing February 9 — Rates, $400 and upward THE COMPLETE WEST INDIES Two remarkable Cruises of four weeks that cover the West Indies and the Spanish Main with unexampled thoroughness —visiting more places than any other West Indies Cruise ever planned — including Curacao—black Haiti and Santo "Domingo — La Quayra — "Dominica, Quadeloupe and St. Vincent— Trini- dad and eZYLartinique. Both will sail on the popular Cunard liner, "Samaria" —one on January 28, and the other on February 28. Rates, $300 and upward SPRING CRUISE To escape the dreary days of the dying Winter, and to find an early Spring among the pleasant islands of the Caribbean. A sixteen day Cruise, sailing March 31, on the "Samaria." Rates, $200 and upward Send for the book, "West Indies Cruises" Mediterranean Cruises — Sailing January 216- April 7 Round Africa Cruise — January 14 Land Cruises to California Tours to Europe & South America Raymond & Whiteomb Company 165 TREMONT S' ON, MASSACHUSETTS TV CK 7820 CHURCH TICKET AGENCY, 54 Exchange Street AYLSWORTH TRAVEL SERVICE, 36 Weybosset Street 6 Overture to the Opera "Benvenuto Cellini/' Op. 23 Hector Berlioz (Born at La Cote-Saint-Andre, December 11, 1803; died at Paris, March 9, 1869) This overture was composed at Paris early in 1838. Prudhomme says it was composed probably in January of that year. Berlioz wrote to Maurice Schlesinger, the publisher, on January 7, 1838: "It is absolutely necessary that I should rest and find a shelter from albums. For a fortnight I have searched vainly for three hours to dream at leisure over the overture of my opera. The inability to obtain them is a torture of which you have no idea, one that is abso- lutely insupportable. I warn you then that if I were forced to live on bread and water up to the moment when my score would be com- pleted, I do not wish to hear anything more about a criticism of any sort. Meyerbeer, Liszt, Chopin, and Kalkbrenner are not in need of my praise." The story has been condemned as weak and foolish. It is also wholly fictitious. It is enough to say that in 1532 Cellini is in Rome, called thither by the Pope. He falls in love with Teresa, the daughter of Balducci, an old man, who favors another suitor, Fieramosca, the Pope's sculptor. Cellini attempts to elope with her, and neglects work "The House of Dependable Values" Better Music in Your Home J Nowhere can you find a better selected I \ stock of musical instruments under one js roof than at MeikleJohn's in Providence PIANOS: The aristocratic ! RADIO: RCA Radiolas, Mason & Hamlin, Ampico, Stewart - Warner, Atwater and reasonably priced up- Kent, Kolster. rights, grands and players. ORCHESTRA VICTROLAS, Electrolas, INSTRUMENTS Brunswick Panatropes, and Buescher, Paramount, Sel- Radio Combinations. mer, Roth and Ludwig. ESTEY REED and PIPE ORGANS House of Meiklejohn 297 WEYBOSSET STREET, PROVIDENCE 'MUSICAL? PLACE THE PLACE—IT'S PLACE'S PLACE" on his Perseus, which he at last finishes in an hour's time, fired by the promise of Cardinal Salviati to reward him with the hand of Teresa. Cellini and his pupils and friends are disgusted early in the opera at a paltry sum of money given to Cellini by the Pope through Ascanio, but only after he had promised solemnly to complete the statue of Perseus. They decided to revenge themselves on the stingy and avari- cious treasurer, Balducci, by impersonating him in the theatre.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    44 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us