Hamlet's First Soliloquy: Richard II, Part 1 and the Crisis of Shakespeare Scholarship

Hamlet's First Soliloquy: Richard II, Part 1 and the Crisis of Shakespeare Scholarship

Spring 2007 Shakespeare Matters page 7:3 “Let me not to the marriage of true minds admit impediments...” Spring 2007 Hamlet’s First Soliloquy: Richard II, Part 1 Imagery Beyond the Language And The Crisis Of By David Korr Shakespeare Scholarship n Hamlet, the depth and intensity of the author’s investment in his hero all but compel the assumption that the play is auto­ By Michael Egan Ibiography. For Oxfordians, the assumption has of course emerged as an established tenet, drawing its core of certainty from any readers will know that among the British Library’s a wealth of references to historical and biographical fact — and treasures is a seventeenth­ or eighteenth­century folio from a correspondence between the character of Hamlet and what M volume, Egerton 1994, containing a number of old is known of Oxford’s psyche and circumstance during the period manuscript plays. One in particular, Richard II, Part One or when, many Thomas of Woodstock, has attracted considerable scholarly belie ve, he attention since its discovery and publication in 1870, chiefly first conceived because it might be by Shakespeare. Some of the best critics these a play he would 135 years have published critical editions, including Geoffrey revisit and re- Bullough, A.P. Rossiter, George Parfitt, Simon Shepherd, Peter work for the Corbin and Douglas Sedge.1 rest of his life. Here’s the shock: A close reading of their work, together with Echoing an examination of the manuscript of the play, reveals appalling and supple- academic failures —blatant plagiarisms, deliberate distortions of menting both the text, intellectual sloppiness, a cavalier disregard for the truth, the conjecture manipulation of the evidence, editing of the most incompetent sort. and the histori- If this is typical of Shakespeare scholarship, and there is no reason cal evidence is to believe that it is not, the whole field is in serious jeopardy. c o m p e l l i n g The worst aspect of this egregious tale is the perpetrators’ testimony of a confidence that they would not get caught. Nor have they been, very different until now. In Bullough’s case it is forty years too late, in Rossiter’s, kind, derived sixty. Their ineptitude and careerism have done incalculable not from in- damage to Renaissance studies, not least delaying by almost a terpretation century the recovery of an important Shakespeare play. but from an In David Warner’s 1965 Hamlet production, analysis of cer­ thought by many to be the performance of the Thomas of Woodstock, ed. Geoffrey Bullough (1960) tain consistent century, audience members were so moved that patterns in com- when Warner asked, “Am I coward?” some I’ll take Bullough first, since ‘fromThomas of Woodstock’, in shouted back: “Yes!” positional devices his magisterial Narrative and Dramatic Sources of Shakespeare, and strategies in Vol. III, is probably the most influential and widely read version the play. The study shows the author to have been greatly less occupied with the conflict of dramatic tragedy and the logic of Dr. Michael Egan, formerly a full professor of English at the University of a given narrative than with what it was to be Hamlet (or like Massachusetts, Amherst, is the Distinguished Scholar in Residence at Brigham Hamlet): brilliant, betrayed, and — above all, alone and utterly Young University, Honolulu. (Cont. on p. 6) (Cont. on p. 13) page 2 Shakespeare Matters Spring 2007 To the Editor: how I overlooked this clearly stated time Letters: difference and sincerely regret the error. I would like to thank Howard Robert Prechter To the Editor: Schumann for pointing out an egregious error on my part. I wrote that Diana Price Executive Director, It seems that the English professor recorded that William Shaksper was back Socionomics Institute quoted in the Fall issue of Shakespeare in Stratford selling malt to Phillip Rog- Matters was inaccurate in asserting that ers at the time of King James’ procession Shakespeare’s use of the words seethes through London on March 15, 1604. He And, speaking of errors, we’re sur- and sodden in Troilus and Cressida was indeed selling malt, but the recorded prised nobody noticed (or if you did, you indicates a knowledge of the Anglo­Saxon date of the transaction is 12 days later, on were shy, right?) the blunder on page 32 language. Upon looking through several March 27. Therefore this record does not of issue 6:2, where your editor suffered a comprehensive Anglo­Saxon dictionaries preclude Shaksper from having rushed temporary lightning strike in the brain on line, I do not find these words listed. down to London and back—a three­day and wrote “Agincourt” in place of Barnet. According to Webster’s, they are long­ trip each way—to participate in the pro- The battle at which soldiers of the 13th standing English words derived from the cession, returning quickly to effect his Earl of Oxford were fired on by their own Middle English words sethan and soden, petty transactions in Stratford as recorded Lancastrian allies was, of course, Barnet the Old English word seothan and the Old throughout the springtime of that year. (April 14, 1471), not Agincourt. Like Mr. High German word siodan. Shakespeare’s The transaction records do prove that Prechter, we sincerely regret the error. forms are not even as old as Middle English; he was uninvolved in the presumed “re- Keep those letters coming! — Ed. neither form appears, for example, in sumption of public performances” (Price Chaucer’s Canterbury Tales. Chaucer used 34) of the King’s Men in April. They are seeth, sethe, sode and soden in their more therefore suggestive that he stayed in common meaning of the time: boil(ed). Stratford, particularly given that there Shakespeare used these words a few are no records of his being in London at It is with sadness that we record the other times; seethe appears in Timon of all during 1604. But they do not prove it. passing of Gordon Cyr, resident of Bal- Athens, and sodden in Henry V and Pericles. My primary point remains: “Edward de timore, MD., and former past­President It may be of interest that John Lyly also Vere and ‘Shakespeare’ attended the same of the Shakespeare Oxford Society. A used the term. In Euphues and His England function on the same day, at the behest of memorial tribute will appear in the next (1580), he writes of a potential repetition King James.” I am mystified, though, as to “...which I must omitte, least I set before issue. you, Colewortes twise sodden.” In this case the word has the archaic meaning: Shakespeare Matters Subscriptions to Shakespeare Matters are boiled. An Oxfordian might say that as Published quarterly by the $40 per year ($20 for online issues only). Family Oxford matured, so did the meaning of or institution subscriptions are $45 per year. The Shakespeare Fellowship Patrons of the Fellowship are $75 and up. his occasionally used word, sodden. Please address correspondence to: Please send subscription requests to: A colewort, by the way, is a cabbage­ Editorial Offices like vegetable, thus the term cole slaw. P.O. Box 65335 The Shakespeare Fellowship The good Huswifes Handmaide for the Baltimore, MD 21209 PO Box 421 Kitchen (1594) instructs us, “Take a good Hudson, MA 01749 quantitie of Colewortes and seeth them in Editor: Roger Stritmatter, PhD The purpose of the Shakespeare Fellowship water whole a good while….” is to promote public awareness and acceptance Thirteen years before Lyly, Arthur Contributing Editors: of the authorship of the Shakespeare Canon by Golding used both terms in his translation Mark Anderson, K.C. Ligon, Lynne Kositsky, How- Edward de Vere, 17th Earl of Oxford (1550­1604), ard Schumann, Dr. Charles Berney, and further to encourage a high level of schol- of the tale of Philemon and Baucis in Book Charles Boyle, Dr. Felicia Londre, arly research and publication into all aspects of 8 of Ovid’s Metamorphoses: “Hir Husband Alex McNeil, Shakespeare studies, and also into the history and from their Gardenplot fetcht Coleworts… Dr. Anne Pluto, Elisabeth Sears, culture of the Elizabethan era. William Boyle, Richard Whalen, The Society was founded and incorporated and in the pan to boyling did it put./ And Hank Whittemore, Dr. Daniel L. Wright in 2001 in the State of Massachusetts and is while this meate a seething was….” Isn’t chartered under the membership corporation laws it interesting where these obscure terms Phone (Baltimore, MD): (410) 764­9202 of that state. It is a recognized 501(c)(3) nonprofit email: [email protected] (Fed ID 04­3578550). tend to pop up? All contents copyright ©2007 Dues, grants and contributions are tax­de- The Shakespeare Fellowship ductible to the extent allowed by law. Shakespeare Matters welcomes articles, essays, Robert Prechter commentary, book reviews, letters and news items. Contributions should be reasonably concise and, when appropriate, validated by peer review. The views expressed by contributors do not necessarily reflect those of the Fellowship as a literary and educational organization. Spring 2007 Shakespeare Matters page From the Editor: Paradigm Shift Why Richard II, Part 1 is Even More Important Than You Think his issue of Shakespeare Matters tablishment. This is not to say that the this score, Egan’s commentary is appro- features an extended article by Dr. dangers posed by this brilliant little his- priately conservative in its premises and TMichael Egan, one of the longest tory play are grasped with full conscious- arguments. Because Woodstock’s alleged and most detailed in the history of our ness by the guardians of the Shakespeare factual distortions have played a signifi- publication.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    32 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us