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No More Heroes: Narrative Perspective and Morality in Cormac McCarthy. Baton Rouge, LA: Louisiana State University Press, 2011. Print. Covell, Scott. “Devil with a Bad Haircut: Postmodern Villainy Rides the Range in No Country for Old Men.” No Country for Old Men: From Novel to Film. Ed. Lynnea Chapman King, Rick Wallach, and Jim Welsh. Plymouth, UK: The Scarecrow Press, 2009: 95–109. Print. Cremean, David. “For Whom Bell Tolls: Cormac McCarthy’s Sheriff Bell as Spiritual Hero.” No Country for Old Men: From Novel to Film. Ed. Lynnea Chapman King, Rick Wallach, and Jim Welsh. Plymouth, UK: The Scarecrow Press, 2009: 21–31. Print. Cusher, Brent Edwin. “Cormac McCarthy’sDefinition of Evil: Blood Meridian and the Case of Judge Holden.” Perspectives on Political Science 43.4 (2014): 223–30. Print. Cutchins, Dennis. “Grace and Moss’s End in No Country for Old Men.” No Country for Old Men: From Novel to Film. Ed. Lynnea Chapman King, Rick Wallach, and Jim Welsh. 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Eddins, Dwight. “‘Everything a Hunter and Everything Hunted’: Schopenhauer and Cormac McCarthy’s Blood Meridian.” Critique 45.1 (2003): 25–33. Print. Edmondson, Todd. Priest, Prophet, Pilgrim: Types and Distortions of Spiritual Vocation in the Fiction of Wendell Berry and Cormac McCarthy. Eugene, OR: Pickwick, 2014. Print. Eliot, T.S. The Complete Poems and Plays, 1909–1950. New York: Harcourt, Brace and World, 1962. Print. Ellis, Jay. “‘Do You See?’: Levels of Ellipsis in No Country for Old Men.” Cormac McCarthy: All the Pretty Horses, No Country for Old Men, The Road. Ed. Sara L. Spurgeon. New York: Continuum, 2011: 94–116. Print. –––. No Place for Home: Spatial Constraint and Character Flight in the Novels of Cormac McCarthy.
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