University of Colorado, Boulder 809 Humboldt St. Department of English Denver, Colorado 101 Hellems 303-726-8437 226 UCB [email protected] Boulder, Colorado, 80309 EMPLOYMENT Associate Professor in English and Creative Writing, and Intermedia Art Writing and Performance, University of Colorado, Boulder, 2011- Assistant Professor in English and Creative Writing, University of Colorado, Boulder, 2006-2011 TA, University of California, Berkeley, 2003-2006 Creative and Expository Writing Instructor, Academic Studies Associates, Summer 2002 Expository Writing Instructor, New York University School of Continuing and Professional Studies, 2000-2001 Poet in Residence, Teachers and Writers Collaborative, 1998-2001 Curriculum Developer and Teaching Artist, The Children’s Movement for Creative Expression 1997-2001 Professional dancer in various modern dance companies. Taught and performed in festivals and theaters throughout the United States and in Canada and Mexico, 1988-1998 EDUCATION University of California, Berkeley Ph.D. in English, 2006 New York University MFA in poetry, May 1997 Barnard College BA in English, concentration Creative Writing, May 1988 Phi Beta Kappa and Summa Cum Laude PUBLICATIONS Books in Print Objects from a Borrowed Confession (prose): Ahsahta Press, 2017 (26,000 words) The Silence that Surround the Future (Essays): Essay Press, 2015 (45 pp. chapbook) Active Romanticism, edited by Julie Carr and Jeffrey Robinson (edited volume), University of Alabama Press, 2015 (91,000 words) Excess-The Factory by Leslie Kaplan (Poetry translation): Commune Editions, 2014 (27 pp. chapbook) Think Tank (Poetry): Solid Objects, April 2015 (83 pp). Reviews: Cleaver Magazine; Colorado Review; Publisher’s Weekly; The Volta Blog; Nomadic Press; Entropy RAG (Poetry): Omnidawn Books, March 2014 (126 pp). Reviews: Jacket 2; Kenyon Review Blog; Kenyon Review; Oona; Publisher’s Weekly; Library Journal (listed as a key title); Boston Review; Colorado Review; Rob McClennan’s Blog; The Rumpus; Vouched Books 1 Surface Tension: Ruptural Time and the Poetics of Desire in Late Victorian Poetry (70,400 words) Dalkey Archive, 2013. Sarah—Of Fragments and Lines (Poetry): National Poetry Series winner, Coffee House Press, September, 2010 (78 pp). Chosen as one of five by readers and final judge from over 1300 manuscripts. Reviews: Publisher’s Weekly (starred review); Library Journal; The Quarterly Conversation, Carrie Olivia Adams, 21 (2010); New York Journal of Books, Christopher Luna (September, 2010); Tarpaulin Sky, Megan Burns (November, 2010); The Nervous Breakdown, Angela Stubbs (December, 2010), named as one of the 18 most important books of 2010 on Huffington Post. Verse Wisconsin, 2011; Kenyon Review, 2011; Boston Review 2012. American Poetry Review 41.6: November/December 2012. 100 Notes on Violence (Poetry and Prose): Sawtooth Poetry Award winner, Ahsahta Press, 2010 (109 pp). Chosen by editorial board and final judge from over 700 manuscripts. Reviews: Publisher’s Weekly, Library Journal, Chris Pusateri, January 15, 2010; Culture Industry, Mark Scroggins, April 12, 2010; Constant Critic, Ray McDaniel, February 28, 2010; The Dabbler, Nick Lantz, January, 2010; New Pages, John Findura, March 2010; Yes! Starlings! Yes!, Mathias Svalina, February 13, 2010; Straylight, Mark Bilbrey, 4:1 (2010); Gently Read Literature, “One Not Answering the Questions,” Ellen Welcker (July 2010); No Tell: Galatea Resurrects #15, John Curley (December 2010) Selected by Library Journal as one of the top five poetry books of 2010 Equivocal (Poetry): Alice James Books, 2007 (68pp). Chosen by editorial board during reading period from over 800 manuscripts. Powell’s Books staff pick, 2008 Reviews: Library Journal, February 15, 2007; Colorado Review, Meg Barboza, Fall 2009; Jacket Magazine, Andy Frazee, late 2008; and American Poet, Jennifer Kronovet, Spring 2008 Mead: An Epithalamion (Poetry): University of Georgia Press Contemporary Poetry Series, 2004 (100 pp). Chosen from over 500 manuscripts by readers and final judge. Reviews: How2, Shira Dentz, Spring 2005; The Indiana Review, Nancy Kuhl; Verse, Evelyn Reilly, V. 25, 1-3 The Poetry Project Newsletter, Shira Dentz, Feb/March 2006; Stride Magazine (UK). Books in Press Excess-The Factory, by Leslie Kaplan. Co-translated with Jennifer Pap: Commune Editions. Anticipated publication date, March 2018. Someone Shot My Book: Feminism, Poetry and Emotion (essays): University of Michigan Press Books Under Consideration Alcools, by Guillaume Apollinaire. Co-translated with Jennifer Pap, under consideration at various presses Books in Progress: Real Life: An Installation (poetry and prose): under contract at Omnidawn Press. The Populists (hybrid research-based) 2 Articles, Essays, Book Chapters in Print or Online “On Property and Monstrosity” (5,210 words) American Poetry Review, March/April 2017 “The Sublime is Now Again” (7,418 words) Active Romanticism. Eds. Julie Carr and Jeffrey C. Robinson (University of Alabama Press, 2015) “Writing Violence, Writing Time” (1,086 words) Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary Genre. Ed. Jacqueline Kolosov (Rose Metal Press, 2015) “No Video: on Anne Carson” (2,660 words) Ed. Joshua Marie Wilkinson (University of Michigan Press, 2015) “Dear Fred” (2,275 words) The Volta 50 (February 2015) “Someone Shot my Book: An introductory note (600 words) The Volta Book of Poets. Ed. Joshua Marie Wilkinson (Sidebrow Books, 2014): 43-44 “The Body and the Avant Garde” (1,219 words) The Force of What’s Possible: Writers on Accessibility and the Avant-Garde. Ed. Joshua Marie Wilkinson (Nightboat Books, 2014): 36-40 “An Essay on Form”; “From Real Life”: The Volta 31 (July 2013) “The Poet Scholar” A Bradstreet (online), 2013 “Another Note on Violence” Kadar Koli, 2012 “On Saying No: Dickinson and Valentine Break the Glass” (2,987 words) On Jean Valentine Ed. Kazim Ali (University of Michigan Press, 2012) “Dante Gabriel Rossetti and the Ethics of Eros” (6,786 words). Victorian Transformations, Ed. Bianca Tredennick (Ashgate: 2011) “The Witch’s House: A Poetics” The Volta 4 (April 2011) “Craftwork: Four Essays” Poetry Foundation Website (Spring 2011) “What’s American about American Poetry” Jubilat 18 (2010) 108-113 “Teaching and Improvisation” Poets on Teaching: A Sourcebook, Ed. Joshua Marie Wilkinson (University of Iowa Press, 2010) 21-24 “Time and the Poem,” English Language Notes (2008) 147-148 “Gerard Manley Hopkins and the Reck of the Moment,” English Language Notes (2008) 47-60 “Mathew Arnold’s Pregnancy,” Nineteenth-Century Prose (Summer, 2007) 115-141 “Lyric Postmodernisms” VOLT (2009) Solicited by the editor for special section of journal “Tolle Lege: Creative Criticism in the Academy,” Tarpaulin Sky (Fall, 2007) 74-85 Articles, Essays, Book Chapter in Press “Muse X: On Lyn Hejinian’s Androgyny” (4,682 words) The Poet’s Novel. Ed. Laynie Browne (Nightboat Books, 2017) “Women in War, Love, and Labor: The Legacy of Lorine Niedecker” (7,880 words) After Objectivism. Eds. Broc Russell, Scott Howard Book Reviews Review of The Demon and The Damozel: The Dynamics of Desire in Dante and Christina Rossetti: Victorian Studies (Summer 2010) Review of Andrew Zawacki’s Petals of Zero, Petals of One: Colorado Review (Summer, 2010) Review of Stephen Burt’s Close Calls with Nonsense: Reading New Poetry: Colorado Review (Spring, 2010) Review of Evelyn Reilly: Xantippe (2005) 3 Poetry and Creative Prose Publications in Journals in Print Poets.org Poem-A-Day “Foreclosing on that peril” (January 2017) Poets.org Poem-A-Day “A fourteen-line poem on healing” (2016) Oversound “The light of is is is: on anger” (January, 2017) Essay Press “What is an enemy” (January 2017) The Elephants “Some well-known statistics from the year 2012,” “A partial abecedarian for the revolution,” “Nothing that resists,” “No land song,” “Again life,” “The risk residing in the individual,” “Self-appointed body,” “Dynamic instability,” “Hacked,” “Safety Net” (December 2016) Asymptote Six sections of Leslie Kaplan’s Excess-The Factory (translation) (Jan 2016) Make “Nine Imagined Art Installations” (#16: Winter 2016): 18-21. Tupelo Quarterly Seven sections of Leslie Kaplan’s Excess-The Factory (translation) (7:2015) Bomb “What do we want to know and how far are we willing to go to get it: An Epistolary Novella” (8 sections) (Fall 2015): 106-7 Zen Monster “Tim was in the pool,” “Girls can form selves,” “Who’s breathing whom,” “Then I studied,” “For what I will do,” “Shiny reflections,” “Sky troubles,” “I want your voice,” “There’s this baby,” (2015) Volt “Somewhere I was suddenly born,” “We who believe” (Spring, 2015) Spoke too Soon “Fourteen derivatives” (Fourteen separate poems) (2015) Fence “As the upper right quadrant,” “A film about death,” “A Tuesday,” “I’m a nonfarm,” “Various ways to round that bend,” “Now the candidate,” “I can manage my privacy,” “Aloof from much” (Summer 2015) Laurel Review “Happiness Report,” “Freedom Report,” “Freedom Report 2,” “Shame,” “The Enemy” (Spring 2015): 40-44 Poem-A-Day: Academy of American Poets “A fourteen-line poem on Adoration” (2014) 4 Colorado Review “I like America and America Likes Me,” “I like America and America Likes Me” (Fall 2014) A Perimeter (online) “Sleeping with a pretty girl,” “What do we want and how far are we willing to go for it,” “For Fred on Her Endless Tour” (2014) The Kenyon Review “A fourteen line poem on sex,” “A fourteen line poem on once having been a child,” “Lul de Faltenin” (Apollinaire translation), “Mirabeau Bridge” (Apollinaire