Margaret Atwood’s ‘Green Dream’ Ecology and Environmental Imagination in English-Canadian Literature Lecturer: PD Dr. Stefan L. Brandt Course Type: Seminar, LV-Nr. 050642 Selected Bibliography Appleton, Sarah A., ed. Once Upon a Time: Myth, Fairy Tales and Legends in Margaret Atwood’s Writings. Newcastle: Cambridge Scholars Publ., 2008. Atwood, Margaret . Alias Grace. Toronto: Seal Books, 1996. ---. The Animals in that Country. Boston: Little Brown, 1968. ---. et al. A Second Skin: Women Write About Clothes. Ed. Kirsty Dunseath. London: Women’s Press, 1998. ---. Black Stone Mother God. Montreal, Que.: Cross Country Press, 1979. ---. The Blind Assassin. Toronto: Random House, 2000. ---. Bluebeard’s Egg. Toronto: McClelland & Stewart, 1983. ---. Bodily Harm. Toronto: McClelland & Stewart, 1981. ---. Bottle. Hay-on-Wye: Hay Festival Press, 2004. ---. Cat’s Eye. Toronto: McClelland & Stewart, 1988. ---. The Circle Game. Toronto: House of Anansi, 1964. ---. Curious Pursuits: Occasional Writing, 1970-2005. London: Virago, 2005. ---. Dancing Girls and Other Stories. Toronto: McClelland & Stewart, 1977. ---. The Door. Boston: Houghton Mifflin, 2007. ---. Double Persephone. Toronto: Hawkshead Press. 1961. ---. Eating Fire: Selected Poetry 1965-1995. Toronto: Oxford University Press, 1998. ---. The Edible Woman. Toronto: McClelland & Stewart, 1969. ---. Good Bones. Toronto, 1992. ---. The Handmaid’s Tale. Toronto: McClelland & Stewart, 1985. ---. Interlunar: Poems. Toronto: Oxford University Press, 1984. ---. In Search of Alias Grace: On Writing Canadian Historical Fiction. Ottawa: University of Ottawa Press, 1997. ---. The Journals of Susanna Moodie. Toronto: Oxford University Press, 1970. ---. Lady Oracle. Toronto: McClelland & Stewart, 1976. ---. Life Before Man. Toronto: McClelland & Stewart, 1979. --- et al. Lobsticks. Guelph, Ont.: Alive Press, 1970. ---. Moral Disorder. Toronto: McClelland & Stewart, 2006. ---. Morning in a Burning House. Toronto: McCelland & Stewart, 1995. ---. Murder in the Dark: Short Fictions and Prose Poems. Toronto: Coach House Press, 1983. ---. Negotiating with the Dead: A Writer on Writing. Cambridge, U.K.; New York: Cambridge University Press, 2002. --- ed. The New Oxford Book of Canadian Verse in English. Toronto: Oxford, 1982. --- and Robert Weaver, eds. The Oxford Book of Canadian Short Stories. Toronto: Oxford, 1995. ---. Oryx & Crake. Toronto: Random House, 2003. ---. Payback: Debt and the Shadow Side of Wealth. Toronto: Anansi; Berkeley, Ca.: Distributed in the United States by Publishers Group West, 2008. ---. The Penelopiad. New York: Canongate, 2005. ---. Procedures for Underground. Toronto: Oxford University Press, 1970. ---. Power Politics. Toronto: Anansi, 1971. ---. The Robber Bride. Toronto: McClelland & Stewart, 1993. ---. Second Words: Selected Critical Prose. Boston: Beacon Press, 1984. ---. Selected Poems II (1976-1986). Toronto: Oxford University Press, 1986. ---. Selected Poems (1965-1975). Boston: Houghton Mifflin, 1987. ---. Strange Things: The Malevolent North in Canadian Literature. Oxford: Calerendon Press, 1995. ---. Surfacing. Toronto: Markam, Ontario: Paperjacks, 1972. ---. Survival: A Thematic Guide to Canadian Literature. Toronto: McClelland & Stewart, 2004. ---. The Tent. New York: Doubleday, 2006 ---. True Stories. Toronto: Oxford University Press, 1981. ---. Two-headed Poems. Toronto: Oxford University Press, 1978. ---. Wilderness Tips and Other Stories. Toronto: McClelland & Stewart, 1991. ---. Writing with Intent: Essays, Reviews, Personal Prose, 1983-2005. New York: Carroll & Graf Publishers, 2005. ---. The Year of the Flood. New York: Nan A. Talese/Doubleday, 2009. ---. You are happy. Toronto: Oxford University Press, 1974. Baer, Elizabeth Roberts. The Pilgrimage Inward: the Quest Motif in the Fiction of Margaret Atwood, Doris Lessing and Jean Rhys. Ann Arbor, MI.: UMI, 1986. Bloom, Harold, ed. Margaret Atwood. New York, NY: Bloom’s Literary Criticism, 2009. Becker, Manuel Benjamin. Forms and Functions of Dystopia in Margaret Atwood’s Novels: “The Handmaids Tale” and “Oryx and Crake”. Saarbruecken: Mueller, 2008. Benson, Stephen, ed. Contemporary Fiction and the Fairy Tale. Detroit: Wayne University Press, 2008. Blanc, Marie-Thérèse. “ Alias Grace and the Construction of a Trial Narrative.” ESC: English Studies in Canada 32.4 (Dec. 2006): 101-127. Boelling, Gordon. History in the Making: Metafiktion im Neueren Anglokanadischen Historischen Roman. Heidelberg: Winter, 2006. Bomarito, Jessica and Jeffrey W. Hunter, eds. Feminism in Literature: A Gale Critical Companion. Detroit: Thomson Gale, 2005. Bouson, Brooks J. Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. Amherst: University of Massachussetts Press, 1993. Brownley, Martine Watson. Deferrals of Domain: Contemporary Women Novelists and the State. New York: St. Martin’s Press, 2000. Buehler Roth, Verena. Wilderness and the Natural Environment: Margaret Atwood’s Recycling of a Canadian Theme. Tübingen [u.a.]: Francke, 1998. Conner, Margaret Susan. Inside Out: eye imagery and female idenitity in Margaret Atwood’s poetry. Ann Arbor, MI.: UMI, 1985. Cooke, Nathalie. Margaret Atwood: a Critical Companion. Westport, Conn.: Greenwood Press, 2004. --. Margaret Atwood : A Biography. Toronto, Ont.: ECW Press, 1998. Cooke, John. The Influence of Painting on Five Canadian Writers: Alice Munro, Hugh Hood, Timothy Findley, Margaret Atwood, and Micheal Ondaatje. Lewiston, N.Y.: Edwin Mellen Press, 1996. Davey, Frank. Margaret Atwood: a Feminist Poetics. Vancouver: Talonbooks, 1986. Davidson, Arnold E. Seeing in the Dark: Margaret Atwood’s Cat’s Eye. Toronto: ECW Press, 1997. --- and Cathy N. Davidson, eds. The Art of Margaret Atwood: Essays in Criticism. Toronto: Anansi, 1981. Fand, Roxanne J. The Dialogic Self: Reconstruction Subjectivity in Woolf, Lessing, and Atwood. Selinsgrove: Susquehanna University Press, 1999. Fee, Margery. The Fat Lady Dances: Margaret Atwood’s Lady Oracle. Toronto: ECW Press, 1993. Gadpaille, Michelle. The Canadian Short Story. Toronto: Oxford Univ. Press, 1988. Gorjup, Branko, ed. Margaret Atwood: Essays on Her Work . Toronto: Guernica, 2008. Grace, Sherrill E. and Lorraine Weir, eds. Margaret Atwood: Language, Text, and System Vancouver: University of British Columbia Press, 1983. ---. Violent Duality: a study of Margaret Atwood. Montreal: Véhicule Press, 1980. Goia, Dana and R.S. Gwynn, eds. The Art of the Short Story. New York: Pearson Longmann, 2006. Gupta, Rama. Margaret Atwood: A Psychoanalytical Study. Elgin, Ill.: New Dawn Press, 2006. Hart, Sandra P. Descent to the Underworld in the Novels of Margaret Atwood. Ann Arbor, MI.: University of Microfilms International, 1986. Hengen, Shannon Eileen and Ashley Thomson, eds. Margaret Atwood: a Reference Guide, 1988-2005. Landham, Md: Scarecrow Press, 2007. Hite, Molly. The Other Side of the Story: Structures and Strategies of Contemporary Feminist Narrative. Ithaca: Cornell University Press, 1989. Hollis, Hilda. “Between the Scylla of Essentialism and the Charybdis of Deconstruction: Margaret Atwood’s True Stories.” Various Atwoods: Essays on the Later Poems, Short Fiction, and Novels . Ed. Lorraine M. York. Toronto: Anansi, 1995. Howells, Coral Ann, ed. The Cambridge Companion to Margaret Atwood. Cambridge [et al]: Cambridge Univ. Press, 2008. ---. Margaret Atwood. New York: St. Martin’s Press, 1996. Ingersoll, Earl G. ed. Margaret Atwood: Conversations. Princeton, NJ: Ontario Review Press, 1990. Karrasch, Anke. Die Darstellung Kanadas im literarischen Werk von Margaret Atwood. Trier: WVT, Wiss. Verl. Trier, 1995. Keith, W.J. Introducing Margaret Atwood’s The Edible Woman: a reader’s guide. Toronto: ECW Press, 1989. Kirtz, Mary Krywokulsky. Mapping the Territory: Figurative Modes of Didacticism in the Novels of Margaret Atwood. Ann Arbor: University Microfilms International, 1985. Kline, Marcia B. Beyond the Land Itself; Views of Nature in Canada and the United States. Cambridge Mass.: Harvard Univ. Press, 1970. Kuhn, Cynthia G. Self-Fashioning in Margaret Atwood’s Fiction: Dress, Culture, and Identity. New York [et al.]: Lang, 2005. Lampe, David, ed. Myths & Voices: Contemporary Canadian Fiction. Fredonia, New York: White Pine Press, 1993. MacCombs, Judith. Critical Essays on Margaret Atwood. Boston, Mass.: Hall, 1988. Mallinson, Jean. Margaret Atwood and her Works. Monograph. Toronto: ECW Press, 1984. Mariani, Philomena, ed. Critical Fictions: The Politics of Imaginative Writing. Seattle Bay Press, 1991. McCombs, Judith and Carole L. Palmer, eds. Margaret Atwood: A Reference Guide. Boston, MA: G.K. Hall, 1991. ---. Critical Essays on Margaret Atwood. Boston: G.K. Hall, 1988. McWilliams, Ellen. Margaret Atwood and the Female Bildungsroman. Farnham [et al.]: Ashgate, 2009. Moodie, Susanna. Roughing it in the Bush of Life in Canada. London: Virago, 1986. Nischik, Reingard M., ed. Margaret Atwood: Works and Impact . Rochester, NY: Camden House, 2000. ---. Engendering Genre: The Works of Margaret Atwood: Including an Interview with Margaret Atwood. Ottawa: Univ. of Ottawa Press, 2009. Nicholson, Colin ed. Margaret Atwood: Writing and Subjectivity: New Critical Essays. Houndsmills, Basingstoke, Hampshire: Macmillan Press, 1994. Niederhoff, Burkhard. “How to Do Things with History: Researching Lives in Carol Shields’ Swann and Margaret Atwood’s Alias Grace .” The Journal of Commonwealth Literature 35 (June 2000): 71-85. Peters, Denise Wright. Fairy Tales in Margaret Atwood’s Novels. Ann Arbor,