Fall 2015 Lecture Notes

Fall 2015 Lecture Notes

Lecture notes 1 *** (Sept.10/15) defined sequence: a musical pattern restated immediately at different pitch levels (transposed), with transposition happening at a consistent interval melodic sequence: the melodic pattern is restated (often just one voice/hand/instrument) harmonic sequence: the harmonic pattern restated (have to look at harmonies) (often the two are combined) often combined with a linear intervallic pattern (LIP) a consistent pattern between soprano and bass voices how to label? the first statement is the model subsequent statements are the sequence or copy [different from text] diatonic sequence: stay in the same key as you transpose the model (so no accidentals; intervals between notes/harmonies might change) chromatic sequence: change keys as you transpose the model (so will have accidentals) show an example of melodic sequence in the Invention: mm.7-10 RH is one example, where the original model is transposed down a step can they find another one? (mm.11-14 LH) why are opening 7 mm not a sequence? (b/c simply 8ve transposition) then show an example of harmonic sequence: m7-11 -what would these harmonies be if we put them in root position and wrote them out? (D minor chord, G minor chord, C major chord, F major chord) -to figure out the pattern, we look at the ROOTS of the harmonies: D-G- C-F -if put in a long line, what do you notice? (descending 5ths) -this is the most typical sequence type -harmonies are grouped in 2s to form this harmonic sequence: that is, there are 2 harmonies per melodic sequence -notice that the bass line doesn’t necessarily show the descending fifths: instead you might think it’s descending second, because the melodic sequence is transposed down a step -so, here’s the trick: to find the melodic interval of transposition, look at the melody and how it’s transposed but to find the harmonic sequence, consider root motion of the harmonies -circle the roots -bracket the model and sequence/copies -now, what inversion are the harmonies? all root position Now you do it (from handout) -look at Paganini example in groups, then show answer students do the rest of the handout *** .

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