Bibliography of Woolf Studies Published in 2003 (with addenda for previous years). Updated and corrected January 2004. Compiled by Mark Hussey Note: To save trees, I have listed only one article pertaining to The Hours. pre-2000 addenda Parker, R. “ Killing the Angel in the House: Creativity, Femininity and Aggression.” The International Journal of Psychoanalysis 79.4 (August 1998): 757-74. Schrecker, T. “Money Matters: A Reality Check with Help from Virginia Woolf.” Social Indicators Research 40.1/2 (1997): 99-123. 2000 Addenda Alexander, S. “Room of One’s Own” 1920s Feminist Utopias.” Women: A Cultural Review 11.3 (1 Oct. 2000): 273-88. Friedrichsen, A. “Magie der Vermahlung–Bermerken zu einer Asthetik der ‘Zwischensphare’ in Virginia Woolfs Lappin and Lapinova und Ilse Aichingers Engel der Nacht.” Orbis Litterarum 55.3 (June 2000): 211-34. Johnson, J. “Literary Geography: Joyce, Woolf and the City.” City: Analysis of Urban Trends, Culture, Theory, Policy, Action 4.2 (1 July 2000): 199-214. Monte, S. “Ancients and Moderns in Mrs. Dalloway.” MLQ: Modern Language Quarterly 61.4 (1 Dec. 2000): 587-616. Scheff, T. J. Multipersonal Dialogue in Consciousness: An Incident in Virginia Woolf’s To the Lighthouse.” Journal of Consciousness Studies 7.6 (2000): 3-19. Usui, Masami. “Miyeko Kamiya’s Encounter with Virginia Woolf: A Japanese Woman Psychiatrist’s Waves of Her Own.” Doshisha Literature 43 (2000): 1-26. -----. “Woolf’s Search for Space in Between the Acts.” Doshisha Studies in English 72 (2000): 25-48. 2001 Addenda–Articles, Book Chapters, Books Aragon, Asuncion. “El genero y sus desfiladeros en el cine actual.” In Mercedes Bengoechea and Marisol Morales, eds. Formaciones de las sexualidades y el genero. Alcala de Henares: U of Alcala, 2001: 205-15. [film adaptation, Orlando] Ardis, Ann. “New Women and the New Hellenism.” In Angelique Richardson and Chris Willis, eds. The New Woman in Fiction and in Fact: Fin-de-Siècle Feminisms. NY: Palgrave, 2001: 107-22. [The Pargiters] Berman, Jessica. “Of Oceans and Opposition: The Waves, Oswald Mosley, and the New Party.” In Merry M. Pawlowski, ed. Virginia Woolf and Fascism: Resisting the Dictators’ Seduction. Houndmills: Palgrave, 2001: 105-21 [listed incorrectly in 2002 Bibliography] Bettinger, Elfi. “Jacob out of focus: Virginia Woolfs expereimentelles Erzahlen zwischen Lyrik und Prosa; Festschrift fur Wilhelm Fuger.” In Jorg Helbig, ed. Erzahlen und Erzahltheorie im 20. Jahrhundert. Heidelberg: Carl Winter Universitatsverlag, 2001: 321-29. Bimberg, Christiane. “The Poetics of Conversation in Virginia Woolf’s A Room of One’s Own: Constructed Arbitrariness and Thoughtful Impression.” Connotations: A Journal for Critical Debate 11.1 (2001-02): 1-28. Bismuth, Nadine. “La vie sexuelle de l’ecrivain.” Inconvenient: Revue Litteraire d’Essai et de Creation 5 (May 2001): 61-72. Briggs, Julia. “This Moment I Stand On”: Woolf and the Spaces in Time. The Second Annual Virginia Woolf Birthday Lecture. London: Virginia Woolf Society of Great Britain, 2001. Campbell, Wanda. “Woolf at the Door.” Wascana Review of Contemporary Poetry and Short Fiction 36.1 (Spring 2001): 9-21. Chapman, Wayne K. “Leonard Woolf and the Rowntree Political Monthlies.” South Carolina Review 34.1 (Fall 2001): 175-79. Curtis, Vanessa. Stella and Virginia: An Unfinished Sisterhood. London: Cecil Woolf, 2001. Bloomsbury Heritage Series No. 30. Dalsimer, Katherine. Virginia Woolf: Becoming a Writer. New Haven: Yale UP, 2001. Deppman, Hsiu Chang. “Rereading the mirror Image: Looking-Glasses, Gender, and Mimeticism in Virginia Woolf’s Writing.” JNT: Journal of Narrative Theory 31.1 (Winter 2001): 31-64. Donohue, Walter. “Immortal Longing: Walter Donohue Talks with Sally Potter.” In Ginette Vincendeau, ed. Film/Literature/Heritage: A Sight and Sound Reader. London: British Film Institute, 2001: 57-61. Fischer, S. A. “A Room of Our Own: Rodinsky, ‘Street Haunting’ and the Creative Mind.” Changing English 8.2 (1 Oct. 2001): 119-28. Glaessner, Verina. “Fire and Ice.” In Ginette Vincendeau, ed. Film/Literature/Heritage: A Sight and Sound Reader. London: British Film Institute, 2001: 53-57. Glasgow, E. “The Hogarth Press–A Sketch.” Library Review 50.4 (9 May 2001): 197-200. Gunes, Ali. “From Sacrifice to Self-Awareness: A View of the New Woman in Virginia Woolf’s Night and Day.” Edebiyat Fakultesi Dergisi [Journal of the Faculty of Letters] 18.2 (Dec 2001): 109-23 [Turkey]. Hargreaves, Tracy. “‘I Should Explain He Shares My Bath’: Art and Politics in The Years.” English: The Journal of the English Association 50.198 (Autumn 2001): 183-98. Hellerstein, Marjorie H. Virginia Woolf’s Experiments with Consciousness, Time and Social Values. Lewiston, NY: Edwin Mellen P, 2001. Johnson, Erica. “Contours of Travel and Exile in The Voyage Out.” JNT: Journal of Narrative Theory. 31.1 (Winter 2001): 65-86. Kang, Suk-jin. [“Violating Boundaries in Orlando”] Studies in Modern Fiction 8.2 (Winter 2001): 5-21 [In Korean]. Kim, Bohee. [“Virginia Woolf and English Culture: The Relation of Woolf’s Island and Aeroplane with Culture”] Studies in Modern Fiction 8.2 (Winter 2001): 23-39 [In Korean]. Kwon, Seokwoo. “Dual Discourses and Two Versions of to the Lighthouse: Showalter-Moi Controversy and the Use of Textual Feminism.” Feminist Studies in English Literature 8.2 (Winter 2001): 155-81. Laing, Kathryn. “Virginia Woolf in Ireland: A Short Voyage Out.” South Carolina Review 34.1 (Fall 2001): 180-87. Lane, Christopher. “When Plagues Don’t End.” Gay and Lesbian Review Worldwide 8.1 (Jan- Feb 2001): 30-32. [The Hours, Mrs. Dalloway] Low, Lisa. “‘Thou Canst Not Touch the Freedom of My Mind’: Fascism and Disruptive Female Consciousness in Mrs. Dalloway.” In Merry M. Pawlowski, ed. Virginia Woolf and Fascism: Resisting the Dictators’ Seduction. Houndmills: Palgrave, 2001: 92-104 [listed incorrectly in 2002 Bibliography] Luckhurst, Nicole and Martin Ravanche. Trans. Catherine Ames. Virginia Woolf in Camera. London: Cecil Woolf, 2001. Bloomsbury Heritage Series No. 31. Mattiussi, Laurent. “Virginia Woolf et l’écriture comme cathedralisation d l’ici maintenant.” In Joelle Prungnaud, ed. La Cathedrale. Villeneuve d’Ascq: U Charles de Gaulle-Lille, 2001: 229-37. McNeillie, Andrew. “Virginia Woolf’s America.” The Dublin Review 5 (Winter 2001-02): 41- 55. Morgan, C. “Vanishing Horizons: Virginia Woolf and the Neo-Romantic Landscape in Between the Acts and ‘Anon’.” World Views: Environment, Culture, Religion 5.1 (1 March 2001): 35-57. Mouton, Janice. “From Feminine Masquerade to Flaneuse: Agnes Varda’s Cleo in the City.” Cinema Journal 40.2 (2001): 3-16. Okaya, Keiko. “Bajinia Urufu to Uoruta Shikato (jo): Bajinia Urufu no kaigakan.” Eigo Seinen/Rising Generation 146.10 (Jan 2001): 624-27 [The Moment and Other Essays; Fry; Eliot; Sickert; painting] -----. “Bajinia Urufu to Uorata Shikato (ge): Bajinia Urufu no kaigakan.” Eigo Seinen/Rising Generation 146.11 (Feb 2001): 676-79.[Captain’s Death Bed; Sickert] Paillard, Marie-Christine. “Pensee et subversion du temps chez Marguerite Yourcenar et Virginia Woolf.” Bulletin de la Société Internationale d' Etudes Yourcenariennes 2 (Dec 2001): 135-55. Penello, Nicoletta. “Translating Theme: More Than ‘First Position in the Clause’.” Linguistica e Filologica 13: 131-50. [To the Lighthouse, Passage to India, Origin of Species] Plummer, Patricia. “ReWriting the House of Fiction: Michele Roberts’s Daughters of the House.” In Beate Neumier, ed. Engendering Realism and Postmodernism. Amsterdam: Rodopi, 2001: 63-85. Poulin, Isabelle. “La fiction de l’intime.” Litteratures 45 (Autumn 2001): 239-65. Rivard, Yvon. “Le Dessin derriere la ouate.” Inconvenient: Revue Litteraire d’Essai et de Creation 7 (Nov 2001): 15-24. Seed, David. “'Psychical' Cases: Transformations of the Supernatural in Virginia Woolf and May Sinclair.” In Andrew Smith and Jeff Wallace, eds. Gothic Modernisms. Hound mills: Palgrave, 2001: 44-61. Shaw, Marion. “Virginia Woolf: Mrs. Dalloway and A Room of One’s Own.” In Rick Rylance and Judy Simons, eds. Literature in Context. Hound mills: Palgrave, 2001: 155-69. Snaith, Anna. “Woolf Gets Greasy.” Women: A Cultural Review 12.3 (Winter 2001): 354-58. Southworth, Helen. “Rooms of Their Own: How Colette Uses Physical and Textual Space to Question a Gendered Literary Tradition.” Tulsa Studies in Women’s Literature 20.2 (Fall 2001): 253-78. Todd, Richard. “Realism Disavowed? Discourses of Memory and High Incarnations in Jackson’s Dilemma.” Modern Fiction Studies 47.3 (Fall 2001): 674-95. [Between the Acts] Turner, Frederick. “Transcending Biological and Social reductionism.” SubStance: A Review of Theory and Literary Criticism 30.1-2.94-95 (2001): 220-35. Walker, Charlotte Zoe. “The Book ‘Laid Upon the Landscape’: Virginia Woolf and Nature.” In Karla Armbruster and Kathleen Wallace, eds. Beyond Nature Writings: Expanding the Boundaries of Ecocriticism. Charlottesville: U of Virginia WP, 2001: 143-61. Waugh, Patricia. “‘Think of a Table When You’re Not There’: The Problem of Knowledge in Modernist Painting and Fiction.” In Daniela Carpi, ed. Literature and Visual Arts in the Twentieth Century. Bologna: Re Enzo, 2001: 29-56. Whitworth, Michael. Einstein’s Wake: Relativity, Metaphor, and Modernist Literature. Oxford: OUP, 2001 [70-71, 127-8, 154-69, 173-77, 181-88]. Wilt, Judith. “The Ghost and the Omnibus: The Gothic Virginia Woolf.” In Andrew Smith and Jeff Wallace, eds. Gothic Modernisms. Hound mills: Palgrave, 2001: 62-77. Winning, Joanne. “Writing by the Light of The Well: Radclyffe Hall and the Lesbian Modernists.” In Laura Doan and Jay Prosser, eds. Palatable Poison: Critical Perspectives on The Well of Loneliness. New York, NY : Columbia UP, 2001: 372-93. Wollaeger, Mark. “Postcards and the Elision of Race: Colonizing Women in The Voyage Out.” Modernism/Modernity 8.1 (Jan 2001): 43-75. Yoon, Hye-Joon. “War Against Militarism in Virginia Woolf’s Between the Acts.” Studies in Modern Fiction 8.2 (Winter 2001): 313-33. 2001 Addenda--Dissertations Bryant, Kristin Ann. “Constructed Identities and The Interior Self: A Reading of Virginia Woolf’s Orlando: A Biography.” Case Western Reserve U.