AMS NEWSLETTER THE AMERICAN MUSICOLOGICAL SOCIETY CONSTITUENT MEMBER OF THE AMERICAN COUNCIL OF LEARNED SOCIETIES VOLUME XLI, NUMBER 1 February 2011 ISSN 0402-012X AMS San Francisco 2011: 2010 Annual Meeting: Just Don’t Call it Frisco… Indianapolis AMS San Francisco 2011 one of the city’s countless cafes, admire its The attendance figure for the joint meeting 10–13 November famous “painted ladies” (Victorian houses), of AMS and the Society for Music Theory in take a stroll in the famously diverse Golden Indianapolis was 2,246, smashing the previ- www.ams-net.org/sanfrancisco Gate Park, the Presidio, Crissy Field, the Ma- ous record by a full ten percent. The program Though it may seem hard to believe, this will rina, or Lands End, visit the Castro neighbor- was the largest ever, with nine (rather than be the first time our Society meets in “the hood, walk down the most crooked block in six) simultaneous sessions offered in each of city,” arguably the best culinary center of the the country (Lombard Street), or one of hun- the daytime program slots. Accordingly, the country, home to one of the best opera com- dreds of other possibilities. And that’s with- acceptance rate for proposals was up to a bit panies and symphonies, in one of the most out even mentioning the many museums, over thirty percent (199 out of 609) this year. flourishing early music communities, and of- home to unexpected treasures. Not to miss The Program Committee met in April (we fering stunning sights and walks. There aren’t are the San Francisco Museum of Modern met in Pittsburgh for mutual convenience), many other cities that boast enough scenic Art (www.sfmoma.org), the De Young Mu- about a month after the AMS Board meeting stairs to warrant the publishing of multiple seum in Golden Gate Park (deyoung.famsf. in the host city. This marks a significant and maps and books on the subject. A city with org), the stunningly renovated Academy of useful change in the Society’s annual calen- astonishing landscapes, close to national Science, with its live roof, amazing planetari- dar. The extra month gives committee mem- parks, and boasting some picturesque neigh- um, and wonderful rainforest (www.calacad- bers additional time to read and comment in borhoods, San Francisco will amply reward emy.org), the Asian Art Museum across from writing on the large number of proposals we anyone willing to go out of the hotel and the Public Library in Civic Center (www. now regularly receive. I am extremely grateful stroll around, hop on a cable car, take a ride asianart.org), and the Museum of the Legion to all the committee members (Caryl Clark, north to the unique secular giant redwoods of Honor (legionofhonor.famsf.org). Beth Glixon, Roger Parker, Peter Schmelz, of Muir Woods (see the Ecocriticism Study The meeting takes place in the Hyatt Re- and Larry Starr) for their diligence and great Group news, p. 17), walk across the Golden gency Hotel (www.sanfranciscoregency.hyatt. humor throughout the daunting process Gate Bridge, take a ferry to Alcatraz, sit in com/hyatt/hotels), on the Embarcadero op- of selecting papers and organizing sessions. posite the piers, and right across from the Special thanks to AMS’s new Correspond- historic Ferry Building. Don’t let the name of ing Member, Roger Parker, for his generous the place trick you: the Ferry Building does provision of wry one-liners throughout our In This Issue… serve its primary purpose (that of selling tick- deliberations. President’s Message ...............2 ets for the Ferry that goes up and down the At the Indianapolis meeting and in the AMS Pre-Conferences .............3 Bay and seeing its passengers off), but it is months following, the word I heard most of- Treasurer’s Message ...............4 also one of the most beautiful conglomera- ten invoked by those in attendance was “di- Executive Director’s Message ........4 tions of shops, restaurants, and markets. In versity.” It was manifested across the whole of News from the AMS Board ........4 the Ferry Building (www.ferrybuildingmar- the program (with papers taking us to ancient JAMS Editor’s Message ............5 ketplace.com) you can buy the best sour- Mesopotamia, modern Palestine, pre-modern Awards, Prizes, Honors ............6 dough bread at Acme, then walk five steps Iceland, 1940s Hollywood, and into the AMS Elections 2011..............12 to one of the greatest cheese shops in the imaginative spaces of composers, perform- RILM News ...................14 city, Cowgirl Creamery, turn on your heel ers and improvisers ranging from Haydn to Committee & Study Group News... 15 for about twelve steps and buy some exotic Anthony Braxton), as well as in individual News Briefs ...................18 fruit and vegetables at the market, then put sessions. Topics included on the “Musicolo- Post-Conference Survey Report .....19 all that in your AMS bag and proceed to eat gies” session, for example, ranged from aca- Conferences, CFPs ..............19 on the waterfront in one of the dozen eater- demic historiography (beginning with Guido Papers Read at Chapter Meetings ...22 ies, from five-star fancy seafood restaurants Adler’s evolutionary model) to Beethoven’s Financial Summary 2010 ..........28 to cheap Italian sandwiches, and everything place in American race relations. “Special Obituaries .....................29 in between. If you like seafood make sure Voices” embraced both the Ziegfeld Follies and Legacy Gifts ...................31 continued on page continued on page President’s Message: After the Campaign Our OPUS Campaign has ended on a high and involve as many of our members as teaching, and by numerous papers spon- note. We have all experienced the positive possible. An enhanced online AMS Direc- sored by the Pedagogy Interest Group of effects of so many new and enhanced op- tory, for instance, could assist us by emu- the SMT. Several AMS presentations in portunities for fellowships, awards, travel, lating the sense of connectedness that we historical musicology likewise examined research, publication, and teaching. But share with our colleagues as we prepare, aspects of music teaching from differ- beyond simply enumerating the benefits present, and disseminate our research. It ent viewpoints, including Katherine Kai- of the Campaign, what challenges does could record the relatively rapid transi- ser’s paper on Stockhausen’s use of vocal this achievement present to our Society? tions in the careers of our younger mem- pedagogical techniques in his Gesang der In short, in the wake of OPUS, what’s next bers – passage from graduate student to Jünglinge, Rebecca Bennett’s discussion of for the AMS? faculty member, from assistant to associate Sigmund Spaeth and the music-appreci- In this and future columns, I will re- professor, for instance – and it would per- ation industry in early twentieth-century flect on what the Society might do in mit members at any stage of career to add America, Jessica Payette’s presentation on the coming years in order to continue to areas of expertise to their profiles as new pianist Louis Horst’s courses on dance “advance research in the various fields of interests emerge and develop. It could even composition in New York beginning in music as a branch of learning and scholar- highlight the important extra-musical pro- the 1920s, and Stephanie Frakes’s paper on ship,” as our object statement states. Here Chopin’s cantabile and ninteenth-century I would like to focus on how one of our greatest strengths as a learned society, our In the wake of OPUS, piano pedagogy in Paris. Olivier Mes- scholarly interconnectedness, can help what’s next for the AMS? siaen’s work as composer and teacher at the AMS function more smoothly in its the Conservatoire was the focus of Mat- thew Odell’s noontime recital, “The Music administration. ficiencies of our colleagues. (The remark- of Messiaen and his Students.” Comple- An interesting way to look at this issue able skill of our esteemed Treasurer, James menting these teaching-related events, and is to consider how the AMS deploys and Ladewig, as manager of the investment reaching across the decades to Bennett’s maintains its endowment. The endow- portfolio of the AMS is but one example paper, was, of course, the array of the lat- ment provides funding that is crucial to of an ability that might be uncovered.) est textbooks, anthologies, histories, and “advancing” on many fronts, of course. With very little effort from each of us, the It takes dollars not only to pay for fellow- guides on music authored by AMS mem- universe of talent that exists in the AMS ships, awards, travel, research, publication, bers, which filled the tables of the Exhibit could be readily accessible to those who and teaching. In some respects, we behave Hall. And dovetailing all of these activi- work to fill our committees, as it would be like a foundation, giving away about 5% ties is the upcoming inaugural meeting of to those who seek like-minded colleagues of the value of our endowment annually: for purposes of planning conferences, per- the new committee for the AMS Teaching 37% for publications, 43% for fellowships, formances, and other events. Our inter- Fund, which will make its first award for and 20% for travel grants and awards. Last relatedness as a Society of individuals with innovative teaching in the Spring. year we handed out over $157,000 for these multiple talents could mirror the highly I’m confident that such happy intersec- endeavors. beneficial interaction that our members tions, both purposeful and accidental, But having a solid, multipurpose endow- constantly display in their work. will only increase, not least because of the ment also implies the obligation to carry steady growth in numbers of the AMS out the most thoughtful and creative stew- This scholarly interconnectedness was on show everywhere at our Annual Meet- Study Groups, the newest of which, the ardship of our resources.