FLAUNT YOUR FONT g k & g O H & h l k 8 mH f f f f f f f f f f 7 f U b b b b b b b b M Pb 8 2 X O O O 3 i O k 1 P m v c m f f f n a g 8 O m d X a nFLAUNT g n k k 1 h P P t A R g h h h h h h U k j j j YOUR 3 O m H g O 8 k k O FONT i a t & O b h & g 3 3 3 3 k k k v h h k & H d m X X X X X X X X X X m m m a t f f fh O 8 O O O O O O f O h v h k k k k k k k k k k k k k k k k k k k k k k k k k k a kX 3 t P P o P f f f f f f f M M M M M M b bM X 7 k l l l h h h h h g h H 8 t k O m g a t g k & g O H & h l k 8 mH f f f f f f f f f f 7 f U b b b b b b b b M Pb 8 X O O O 3 i O k 1 P m v c m f f f n a g 8 O m d X a nFLAUNT g n k k 1 h P P t A R g h h h h h h U k j j j YOUR 3 O m H g O 8 k k O FONT i a t & O b h & g 3 3 3 3 k k k v h h k & H d m X X X X X X X X X X m m m a t f f fh O 8 O O O O O O f O h v h k k k k k k k k k k k k k k k k k k k k k k k k k k a kX 3 t P P o P f f f f f f f M M M M M M b bM 3 X 7 k l l l h h h h h g h H 8 t k O m g a t A font specimen book by: Julia Brooke Rothstein 4 Contents: Serif: 4 Old Stylt: Garamond 10 Traditional: Mrs. Eaves 14 Modern: Bodoni 18 Slab Face: Clarendon San Seris: 21 Humanist: Gill Sans 25 Grotesque: Helvetica Neue 29 Geometric: Futura 33 Script: Bicham Script 37 Decorative: Phosphate Screen Fonts: 40 Serif: Ultra 42 San Serif: Montserrat 44 Display: Monoton 46 Handwriting: Patrick Hand 48 Monospace: Nova Mono 5 OldOld Style Style Garamond Regular 72pt fontsOld Style fall Caslon Roman 72pt underOld Style the serif tyPalentino Roman- 72pt Old StyleMinion Pro Regular 72 pograph- ic classifica6 - Old Style Garamond. ABCDEFGHIJKLMNOPQRSTUVWXYZ fonts fall abcdefghijklmnopqrstuvwxyz Garamond Pro Regular 24pt v 1 2 3 4 5 6 7 8 9 0 Garamond Pro Italic 36pt Claude Garamond, 1989 under the Garamond was first created by a French printer Robert Slimbach re-created the serif face and Named Claude Garamond in the sixteenth century. released it through Adobe in 1989. Many of More specifically, he engraved the molds that would the styles we see today are directly based off of then be used to create the metal type, and his goal Claude Garamonds work. with this one was to somewhat reselmble writing with a pen. Since it’s creation, Garamond has in- spired many other serif typefaces. serif ty- QQ QQ QQ Garamond Garamond Garamond Garamond Garamond Garamond Pro Regualr Pro Pro Pro Bold Pro Semib- Pro Semib- pograph- Italic Bold Italic old old Italic ic classifica- 7 HowRegular vexingly v Italic quick DSemiold m Daft Semibold Italic t Zebras Bold jump! Bold Italic C 8 J v Never Odd Or Even 12pt Never Odd Or Even 24pt Never Odd Or Even 36pt Never Odd Or Even 60pt Never Odd Or Even 72pt t Never Odd Or Even 48pt Never Odd Or Even 30pt Never Odd Or Even 60pt 18pt Never Odd Or Even 14pt J 9 Bean 12pt Bean 14pt Bean` 18pt Bean 24pt Bean 30pt Bean 36pt j CSerifs on top and bottom. Bean 48pt Far below baseline. Bean 60pt Bean 72pt ss10 puff the magic dragon Mrs. Eaves OT Roman puff the magic dragon Mrs. Eaves OT Italic puff the magic dragon 1 Mrs. Eaves OT Bold 2 puff the magic dragon Mrs. Eaves XL Serif Nar OT Regular 3 puff the magic dragon 4 Mrs. Eaves XL Serif Nar OT Italic puff the magic dragon 5 Mrs. Eaves XL Serif Nar OT Bold 6 puff the magic dragon Mrs. Eaves XL Serif Nar OT Bold Italic 7 puff the magic dragon 8 Mrs. Eaves XL Serif Nar OT Heavy 9 puff the magic dragon Mrs. Eaves XL Serif Nar OT Heavy Italic 0 Mrs. Eaves Mrs. 11 A a B b C c D d E e F f G g H h I i J j K k L l M m N n O o P p Q q R r S s T t U u V v W w X x Y y Z z ‘Mrs. Eaves’ was dirived from another typeface called ‘Baskerville’ which was originaly designed by John Baskerville in the 1750s. Origionally, Mrs Eaves OT was the only Verstion of the typeface. It stood out because of it’s low x-height, but there was some issues with the low x-height in terms of legibity so Mrs. Eaves XL was created to compensate and open up the options for the typeface’s usage. Mrs. Eaves XL has a higher x-height but is other wise very closely related. Zuana Licko1996 Mrs.Mrs. EavesEaves 12 Mrs. Eaves XL Regular Baskerville Upright TR ADI Times New Roman TIORegular Mr.s Eaves OT Roman Mrs.Mrs. EavesEaves NAL 13 MODBodoni Bold Didot Bold E R N k 14 Regular Aa Bb f Italic Cc Dd f Ee Ff Bold Gg Hh f Ii Jj Poster Kk Ll f Book Italic Mm Nn f Bold Oo Pp Condensed f Qq Rr Bold Ss Tt f Compressed Uu Vv Poster Italic Ww Xx f Yy Zz f Bold Italic k Book Italic f Bodoni 15 1 10pt Regular Blackjack Cutlet Club Italic Blackjack Cutlet Club Bold Blackjack Cutlet Club 12pt 2 Poster Blackjack Cutlet Club Poster Italic Blackjack Cutlet Club Poster Condenssed Blackjack Cutlet Club 14pt 3 Bold Condensed Blackjack Cutlet Club Book Italic Blackjack Cutlet Club Book Blackjack Cutlet Club Bold Italic Poster Posterf Blackjack Cutlet Club x18pt 4 24pt 5 BODONI. 30pt 6 36ptQ7 v 48pt Thin Serrifs (horizontals) 8 and Thick Verticals 3 60pt 9 72pt 0 i 16 Bodoni is a serif tyypeface origion- ally designed by Giambattista Bodoni in the late eighteenth cenutry (1909). Giam- battista Bodoni was greatly inspired by John Baskerville and took the serif font a step further. The contrast in stroke is far more dramatic than many of the typefac- es that preceded it. This thickness veriety made some styles somewhat hard to read at a small scale so Bodoni is often used as a display font at larger sizes. 17 I solemnly swear that I am up to no good... Clarendon Light 14pt I solemnly swear that I am up to no good... Clarendon Roman 14pt I solemnly swear that I am up to no good... Clarendon Bold 14pt Clarendon v Robert Besley, 1845 Clarendon is a slab serif type face created in 1845 by Robert Besley, who was a part of Thorwogood and co. Since then, many styles of Claendon have been created. They are similar to modern typefaces in some ways, but more solid and bold. Another difference between the slab serif and the modern typefaces is that in the slab serifs, there is less contrast between the strokes which makes it easier to read. 18 A B C D E F G H Light I J K L a M N O P Q R S T U V W X Y Z Roman a a b c d e f g h i j k l m n o p q r s Bold t u v a w x y z 1 2 3 4 5 6 7 8 9 0 JLight JRoman JBold SlabfaceSlabface r19 Boston 12pt Boston 14pt Boston 18pt Boston 24pt Boston 30pt Boston 36pt Boston 48pt Boston 60pt Boston 72pt Clarendon 20 HU MA Gil Sans NI Optima Trajan Mr. Eaves ST21 ABCDEFGHIJKLMNOPQRSTUVWXYZ Gill Sans STD Regular 24pt abcdefghijklmnopqrstuvwxyz Gill Sans STD Light 24pt 1234567890 Gill Sans Gill Sans aRegular aItalic The italic style varries in form with some letters like the lowercase a. In 1926, Gill Sans was created by Eric Gill and re- leased by the British branch of monotype. This typeface is unique for a sans-serif typeface because it has some similar characteristics of old style typefaces. Many other san-serifs are built based on simple shapes and not as complex in contrast as Gill Sans. Another characteris- tic that is similar to a serift typeface is that rather that simply slanting the letters for italilcs, the letter forms are entirely different.