1 the Roots of Rock.Pptx

1 the Roots of Rock.Pptx

5/27/12 Rock Music & Culture s Welcome! s Instructor: s Adam Roberts s Course Website: s www.AdamRobertsMusic.com s Course Policies s General information s Course outline s Project guides Not Adam! 1 5/27/12 The World Before Rock s Culture in the early 1900’s s Regional s Personal s Early popular music s In 4/4 (4 beats to a bar) s Folkloric lyrics s Simple forms s Rock comes from 3 styles s Rhythm & Blues s Mainstream Pop s Country & Western 2 5/27/12 Form in Rock Music s Form: a song’s structure s Common types: s Blues s Usually 12 repeated bars s Verse-Chorus (VC) s A verse, then a chorus, repeat… s Verse-Refrain (VR) s A VC variation common to Rap & Folk s Refrain: a short melody or lyric that ends a verse s Song Form (AABA or ABAC) s Letters label sections of a song The Radio s Radio…a brief history s 1920: local stations s 1928: national networks s Talk radio, variety shows s 1940s: shifts to music s To differentiate from TV s Radio programming pre-1955 s National shows targeted Upper Class Whites s Big Bands, Crooners s Local shows targeted Minorities, Lower Class Whites s R&B, Country & Western 3 5/27/12 The Blues Robert Johnson The Blues s Origins: s Work Songs s Gospel Music & Spirituals s Highly improvised music s Very emotional, soulful s About getting rid of “the blues” s 1900s to 1940s: popular mostly with minorities s Race Records: 40s Blues and R&B recordings 4 5/27/12 The Blues Form s Just a few chords: I, IV & V s 12 bars/measures long, repeated for each verse s Lyrics in an AAB form s Ex. “Got My Mojo Workin’” by Muddy Waters I I I I A. Got my mojo workin’, but it just don’ work on you. IV IV I I A. Got my mojo workin’, but it just don’ work on you. V IV I V B. I wanna love you so bad, just don’ know what to do. Hokum Blues s Songs with suggestive double entendre lyrics s “I Want a Hot dog for My Roll” s Butterbeans & Suzie Butterbeans & Suzie s “Black Snake Moan” s Blind Lemon Jefferson s Modern Hokum songs s “Cherry Pie” s Warrant s “Hold It Against Me” s Brittany Spears 5 5/27/12 Country Blues Robert Johnson s Oldest known Blues style s Loose, improvised form s Usually just a man and a guitar s The Stars: s Lead Belly s Robert Johnson s Pioneer of bottleneck s Legendary ties to the devil s Blind Lemon Jefferson Classic Blues Bessie Smith s Structured, clear form s Women singers, jazz bands s Professional vaudeville troupes s The Stars: s Ma Rainey s W.C. Handy s Bessie Smith s #1 Black entertainer of 1924 s Clear, expressive voice 6 5/27/12 Chess Records s 1950: Founded by Leonard & Phil Chess s Chicago indie label Muddy Waters s Electric guitars, gritty harmonica s The Early Stars: s Muddy Waters s “Mannish Boy”, “Rollin’ Stone” s Howlin’ Wolf s “Smokestack Lightning” s Bo Diddley s “Bo diddley” Country & Western Roy Rogers Hank Willaims The Carter Family 7 5/27/12 Country & Western s A brief history: s 1923 s Ralph Peer records early Country, calling it “Hillbilly” s By 1935 s Country is 25% of all music sold in the South s 1939 s Stagecoach launches the Western film genre s The soundtracks feature Western music s The Grand Ole Opry: a nationally broadcast Barn Dance s 1949 s Billboard names 2 musical styles, Country & Western Country Music Jimmy Rodgers s Popular in the South in the 20’s & 30’s s Originally called Hillbilly s Simple, folk-like style s Religion, family values, hard times The Carter Family s The Stars: s The Carter Family s “Keep on the Sunny Side” s Roy Acuff s “The Great Speckled Bird” s Jimmie Rodgers s “In the Jailhouse Now” 8 5/27/12 Western Gene Autry s Western film soundtrack music s A pop style written by pros s Sub-style, Western Swing s Elements of Swing, Big Band s The Stars: s Roy Rogers s “Happy Trails” s Gene Autry s “Back In the Saddle” s Bob Willis & The Texas Playboys s “San Antonio Rose”, “Nails In My Coffin” Hank Williams s 1947: Launched by MGM s From Gospel to Honky Tonk s A few hits: s “Hey, Good Looking” (1951) s “Your Cheating Heart” (1952) s Most influential early Country Star s Brought the styles together s Widely imitated 9 5/27/12 Mainstream Pop From L to R: Peter Lawford, dean Martin, Sammy davis Jr. & Frank Sinatra Tin Pan Alley s Publishing hub of NY in early 1900s s …and the “nickname” for the style s “The Great American Songbook” s Business model s The $$$ was in sheet music s “The Song, not the Singer” s More versions, more profit s Royalties: song usage fees s Used Song Form, which was easy to write quickly 10 5/27/12 “Over the Rainbow” Form: AABA Song Form Somewhere over the rainbow, way up high, Some day I'll wish upon a star, There's a land that I heard of, once in a lullaby. And wake up where the clouds are far behind me. Where troubles melt like lemon-drops Somewhere over the rainbow, skies are blue, Away above the chimney tops, And the dreams that you dare to dream, that's where you'll find me. really do come true. Somewhere over the rainbow, bluebirds fly. Some day I'll wish upon a star, Birds fly over the rainbow, And wake up where the clouds are far behind me. Why then, oh why can't I? Where troubles melt like lemon-drops, Away above the chimney tops, If happy little bluebirds fly, that's where you'll find me. Beyond the rainbow, why, oh why can't I? Somewhere over the rainbow, bluebirds fly, Birds fly over the rainbow, why then, oh why can't I? [Interlude – Orchestra] By Harold Arlen, lyrics by E.Y. Harburg (1939) Big Bands & Star Singers s 1935 to 1945: The Big Band Era s The popular music of the era s Instrumental dance music s Tin Pan Alley “Arrangements” s The stars: s Glenn Miller s Benny Goodman s The Star Singers s Singers became the stars in the 40s s Bing Crosby: the 1st star singer 11 5/27/12 Frank Sinatra s A crooner s A singer of smooth pop ballads s Went solo in 1943 s …signaling the end of Big Band s The 1st Teen Idol s A new kind of celebrity s Teens worshipped & imitated him s The model for future Rock Icons Pop Radio in the Early 50’s s Three main types of Pop: s Aimed at Upper-Class Whites s Novelty songs s Catered to adults, not kids s Crooner ballads s Primed the music scene for s Big Band instrumentals teen rebellion Patti Page 12 .

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