Scottish Journal of Performance Volume 3, Issue 1 June 2016 ISSN: 2054-1953 (Print) / ISSN: 2054-1961 ( nline) !!!"s#ottis$journ&lo'(er'orm&n#e"or) SJoP is supported +, About us The Scottish Journal of Performance is an open access refereed journal which aims to promote and stimulate discussion, development and dissemination of original research, focusing both on performance in Scotland (contemporary and historical) and / or wider aspects of performance presented by scholars and reflective practitioners based at Scottish academic institutions Published bi!annually and run by doctoral students, the Scottish Journal of Performance welcomes submissions from both established and early career researchers and operates a peer review system ensuring presentation of "uality research in performance. Performance in this conte#t encompasses a wide range of arts and entertainment and ta$es as central themes dance, drama, film, music and television The Scottish Journal of Performance takes as a $ey focus the creation and e#ecution of performance in various conte#ts, encouraging the adoption of a wide range of range of research methods and approaches %ditorial Team &o!editor' (irsty (ay ()niversity of *lasgow) (editors+scottishjournalofperformance.org) &o!editor' ,ede -illiams ()niversity of St .ndrews) (editors+scottishjournalofperformance.org) -eb %ditor' Lucy 0ollingworth (1oyal &onservatoire of Scotland) 1eview %ditors' Sonia .llori (1oyal &onservatoire of Scotland), ,en 1edman (1oyal &onservatoire of Scotland) %ditorial .dvisory ,oard 2r Stephen ,road (1oyal &onservatoire of Scotland) 2r .nna ,irch (1oyal &onservatoire of Scotland) -endy Timmons ()niversity of %dinburgh) 2r Sophia /ycouris ()niversity of %dinburgh) &opyright information This work is licensed under a &reative &ommons .ttribution 3 4 5nternational License. See http'//creativecommons org/licenses/by/3 4/ for details &ontents 6 %ditorial (51ST7 (.7 8 ,%2% -5//5.9S : Towards a queer theatre for very young audiences in Scotland and the United States /5;2S.7 .9%1 <: 1e!constructing heritage' the National Theatre of Scotland=s Calum=s Road ;5&&>/% &.1;%1 36 Practitioner report' &alton Hill Constellations S515>/ J>7;%1 8 P05/ S95T0 6: Practitioner report' S05;% ,%2% -5//5.9S, .;;%!9.15% -%5J9.;S, %225% 9&*)51% 8 T59 [email protected]&( A: 5nterview' Tony Reekie ,%; ?/%T&0%1!-.TS>; :A Symposium abstracts' Thresholds and permeability in performance ,%; ?/%T&0%1!-.TS>; 8 .2%/5;. >;*B .2.9 1)S0B 1>S5% ?5%/25;*B (%//5 @%@)/(.B (.T0%15;% *1.0.9B J>;.T0.; C%;;B S5/C5. 2)95T15)B 7.1>; S07/2(1>TB .&.T5. ?5;,>-B J%;;5?%1 -5//%TTB S.1.0 S/.T>1B ,1525% 9>>1%, /.)1. 9)1P07 8 9>% S0>J5B /.)1. 95/,)1;B %C% S95T0B (51ST7 S)1*%7 DD6 ,ook review' Studying musical theatre' theory and practice, by Millie Taylor & Dominic Symonds /)&7 &>.T9.; DD: ,ook review' The actor training reader, by Mark Evans ./5 2% S>)@. D<E ,ook review' &onducting for a new era, by Edwin Ro#burgh 95&0.%/ 2>-;%S D<A ,ook review' Theatre for youth third space' performance, democracy, and community cultural development, by Stephani Etheridge Woodson ,%; ?/%T&0%1!-.TS>; DEE ,ook review' 9oving sites: investigating site! specific dance performance, edited by Victoria Hunter ,%T0.;7 -05T%S52% DE: &2 review' 2ichroic light, by Matthew Whiteside 21%W 0.99>;2 D3E Performance review' Hinterland, by NC. &.1. ,%1*%1 Kay & Williams (2016) DOI: 10.14439/sjop.2016.0301.01 Editorial KIRSTY KAY & BEDE WILLIAMS DOI: 10.14439/sjop.2016.0301.01 P !"#$%&#o' da&): 29 J ') 2016 +o" ,) 3- Issu) 1 o. &/) S$o&&#sh *o 0'%" o. P)0fo0,%'$) p0)se'&s ')1 sto0#)s &/0o 2/ p)0fo0,%'$)- sto0#)s &/%& '(o 20%'( '%00%&#3)s %'( 0).")$& o' &/) p0o$)ss 1/#") (o#'2 so. T/) ()si0) .o0 sto04&)""#'2 se),s &o /%3) !))' p0o20%,,)( #'&o / ,%' !)#'2s .0o, !#0&/- /)"p#'2 s '%3#2%&) o 0 1%4 &/0o 2/ &/) ,%&)0#%" %'( $ "& 0%" 1o0"ds 1) .#'( o 0se"3)s #'/)0#&#'2. 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