THE OLD RADIO TIMES The Official Publication of the Old Time Radio Researchers February 2008 www.otrr.org 1938 Subscribers Number 27 In this issue!! IN THIS ISSUE - OTRR Group Leaders 2 Bing Crosby 3 Who Was That Masked Man? 4 Cincinnati OTR Flyer 12 Pappy O’Daniel 13 Border Radio 19 Stations Broadcasting OTR 24 Jay Hickerson Ad 26 News From The Community 27 Wistful Vistas 28 Anacin 28 BRC Ad 29 From The Treasurers Corner 31 New Acquisitions 32 Hillbilly Boys Certified! 36 CONTRIBUTORS THIS ISSUE - Henry Morse, Lionel Pairpoint, Geoff Loker, Ryan Ellett, Danny Goodwin, Tony Jaworowski, Jim Beshires If you are interested in writing for ‘The Old Radio Times, please e-mail Ryan Ellett at [email protected] OLD TIME RADIO GROUP LEADERS Jim Beshires - [email protected] Clorinda Thompson - [email protected] Dee DeTevis - [email protected] Treasurer Tony Jaworoski - [email protected] 15520 Fairlane Dr. Livonia, MI 48154 Assistant Group Leaders Ed Sehlhorst - [email protected] Acquisitions(reel to reel) - David Oxford - david)@centurytel.net Acquisitions(paper) - Ryan Ellett - [email protected] Acquisitions(cassette) - Acquisitions(transcription disks) - Tony Jaworoski - [email protected] Webmasters Jim Jones - Any Old One - [email protected] Jim Sprague - [email protected] Library OTRR OTR Library - Paul Urbahns - OTRR DVD Library - Ron Speegle - [email protected] Missing Episodes Moderator - Clorinda Thompson - [email protected] Distro Moderator - Dee DeTevis - [email protected] Distro #2 Moderator - Dave Tysver - [email protected] Final Preparations Moderator - Roger Hohenbrink - [email protected] OTTER Moderator - Archie Hunter - [email protected] Hubmaster - Philip - @yahoo.com WikiMaster - Menachem Shapiro - [email protected] Purchasing Group Disto Moderator - David Oxford - [email protected] Newspaper Editor - Ryan Ellett - [email protected] EDITORIAL POLICY OF ‘THE OLD RADIO TIMES’ It is the policy of ‘The Old Radio Times’ not to accept paid advertising in any form. We feel that it would be detremential to the goal of the Old Time Radio Researchers organization to distribute its’ products freely to all wishing them. Accepting paid advertising would compromise that goal, as dealers whose ideals are not in line with ours could buy ad space. That being said, ‘The Old Radio Times’ will run free ads from individuals, groups, and dealers whose ideals are in line with the group’s goals and who support the hobby. Publishing houses who wish to advertise in this magazine will be considered if they supply the publisher and editor with a review copy of their new publication. Anyone is free to submit a review of a new publication about old time radio or nostalgia though. Dealers whose ads we carry or may carry have agreed to give those placing orders with them a discount if they mention that they saw their ad in ‘The Old Radio Times’. This is in line with the groups goal of making otr available to the collecting community. We will gladly carry free ads for any other old time radio group, or any group devoted to nostalgia. Submit your ads to: Ryan Ellett - [email protected] THE OLD RADIO TIMES * FEBRUARY, 2008 * NUMBER 27 * 2 BING CROSBY “You who mourned when Bing Crosby's Excerpts from programs were changed to an afternoon Bing Crosby –– The Radio Directories hour may smile now in earnest. Bing not compiled by Lionel Pairpoint only returns at night, but on a sponsored reprinted by permission broadcast so that there will be no change in his schedule for some time at least. He Bing’’s fifteen minute sustaining se- is to be heard every evening except Sun- ries for CBS, ‘‘Presenting Bing Crosby’’ had day and Monday at 8 over KHJ.” pitted his talents against the top ranked, ‘‘Amos ‘‘N’’ Andy’’ show and in spite of a “Certified Cremo Cigar Company must $3000 a week price tag, sponsors were have stepped high to corral Bing Crosby, showing more than a passing interest in the rage of the radio hour, for their WABC the young singer. The tab was picked up broadcast. But, judging by his work, he's by the American Tobacco Company and worth it. This must be a tough week for rather than Lucky Strike cigarettes, the him, however, for he is doing four shows a president, George Washington Hill, chose day at the Paramount Theatre which, on to promote another of the Company's top of his radio work in the evening, puts products, Cremo Cigars. a heavy strain on his voice. Monday night, The fifteen minute programme was when caught, he showed no effects of hard moved up a quarter of an hour from 7.00 usage, however, his tones being clear and to 7.15 p.m. Eastern time, to avoid com- vibrant as ever. On the air Monday night peting with ‘‘Amos ‘‘N’’ Andy’’, with a sec- he used, "Now That You're Gone", "Then ond ‘‘live’’ broadcast at 11.00 p.m. to She's Mine”” (sic) and ““Goodnight, Sweet- catch prime time listeners on the West heart". All these he threw off in the manner coast. that has brought him forward so fast in the It is regrettable that so few exam- favor of the public. It is highly individual, ples of the series, survive, as air time was belongs to him alone and he need stand in used to its maximum advantage, to pro- no fear of competition, because, while he vide an ideal showcase for the emergent may have imitators, there will be only one crooner. Naturally, the commercials were Bing Crosby.”” obliged to make their intrusions but there was no ‘‘chat’’, simply brief introductions and titles. Crosby sang two songs, fol- lowed by an orchestral item, and closed with another song “ “Baritone Bing Crosby begins a new series of programs tonight, sponsored by the people who put Arthur Pryor's band on the air. But Bing Crosby appears at 8pm, and in the west this period on Mondays can mean only one thing (Kenneth Frogley, Los Angeles Illustrated Daily News, 2nd. November, 1931) “8 pm KHJ Bing Crosby ("Los Angeles Times" 3rd November 1931) THE OLD RADIO TIMES * FEBRUARY, 2008 * NUMBER 27 * 3 Who was that masked man? By Henry morse THE OLD RADIO TIMES * FEBRUARY, 2008 * NUMBER 27 * 4 Introduction In a previous article I began with my first recollection of The Shadow, which was at age 9. Actually my love affair with radio goes back even further than that. I was 6 years old and WWII was still being fought. I was in the first grade and walked about a mile to school every day. My two most vivid memories of that time were a girl named Judy, a vision of loveliness who had the most gorgeous blond pipe curls that one could ever image. The other is lying on the living floor with my head on a pillow right in front of our 1937 Zenith Black Dial console radio. Since we were fairly close to the coastline the blackout rules were often in effect. The dimly lit conditions only added to the mystique of listening to the radio. On Monday, Wednesday, and Friday nights I was allowed to say up late to listen to The Lone Ranger. Is there a more stirring introduction to an old time radio program than the crisp notes of the trumpet ushering in the galloping hoof beats of the great horse Silver? This introduction is among the three or four most recognized beginnings to an old time radio program along with some others such as The Shadow, Inner Sanctum, and Superman. Fred Foy, arguably the best of the announcers in this series intones: “A fiery horse with the speed of light, a cloud of dust and a hearty Hi-Yo-Silver. The Lone Ranger! With his faithful companion, Tonto, the daring and resourceful masked rider of the plains led the fight for law and order in the early western United States. Nowhere in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yester-year. From out of the past come the thundering hoof beats of the great horse, Silver! The Lone Ranger rides again!” this quickly followed by words spoken by the Lone Ranger, “Come on Silver! Let’s go big fella! Ho-Yo Silver, Away!” Development of the Lone Ranger Radio Program According to my research, in 1933, George Trendle of failing station WXYZ in Detroit wanted to develop an original show not tied to the CBS network. He was looking for a local show using local actors and sponsors that he thought would be more profitable. He had his own company called the James Jewell Players and wanted to use them. His concept for the show was to aim it at children, as he believed they would be less critical, but he still wanted to attract an adult audience as well. He decided on a western theme The Old Radio Times * February, 2008 * Number 27 * Page 5 because he thought he could develop a more wholesome show as opposed to a crime drama. When Trendle learned of Fran Striker’s work on a Buffalo, New York series entitled Covered Wagon Days he offered Fran the opportunity to help develop and to write a new series. Meetings took place where George and Fran conceived the forthcoming Lone Ranger program. They decided on the following precepts for the show: The hero (Lone Ranger) would be masked, much in the image of Zorro and Robin Hood. This gave endless possibilities for the upcoming story lines. This would be good for marketing and publicity as well. The Lone Ranger would use silver bullets – inspired by the silver tips on Robin Hood’s arrows.