January/February 2009 Vol

January/February 2009 Vol

A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414 JANUARY/FEBRUARY 2009 VOL. 25 NO. 1 Start the New Year with Great Concerts at Sundin Hall in St. Paul! Saturday, Jan. 31st Fiery Guitars Heat Up the Stage n Saturday, January 31st, Sundin Hall will again be the setting for some of our area’s finest Oflamenco guitarists, as this year’s concert features new names and returning masters of the style. Last year’s first-ever Flamenco Guitarathon was a tremendous artistic triumph and a near sell-out. Make your plans Friday, Feb. 20th, now to join us, and turn to page three for all the details about this special event. The Second Annual Flamenco GFA Winner, Guitarathon concert will feature Ben Abrahamson, Scott Classical Guitarist Mateo Davies, Dave Elrod, Tony Hauser, Trevor May, and Michael Ziegahn. Order of appearance and musical Marcin Dylla from selections have yet to be determined. Visit our website, Poland <www.mnguitar.org>, for last-minute updates. But don’t wait till the last minute to get tickets! Call 612-677-1151 see page 5 for details right now to reserve yours! turn to page 3 for details Also In This Issue: Local Artists Series concerts featuring Joan Griffith and the U of MN Guitar Program; News and Notes; Special Features; and more Minnesota Guitar Society Board of Directors Newsletter EDITOR OFFICERS: BOARD MEMBERS: Paul Hintz PRESIDENT Joe Haus Christopher Becknell PRODUCTION Mark Bussey VICE-PRESIDENT Joanne Backer i draw the line, inc. James Flegel David’s Print Shop ARTISTIC DIRECTOR Joe Hagedorn Steve Kakos DISTRIBUTION TREASURER Jim Campbell Steven Newbrough Todd Tipton Mark Bussey Christopher Olson MANAGING DIRECTOR Paul Hintz Web Site Production Todd Tipton Amy Lytton SECRETARY Alan Norton Brent Weaver <http://www.mnguitar.org> Minnesota Guitar Society To reserve tickets Mission Statement for any Sundin Hall concert, please call To promote the guitar, in all its stylistic and cultural diversity, our phone line at through our newsletter and through our sponsorship of 612-677-1151 and public forums, concerts, and workshops. leave a message. To commission new music and to aid in its promotion, publication, and recording. For directions to Sundin Hall, see To serve as an educational and social link between amateur page 8 in this and professional guitarists and the community. issue of Guitarist. To promote and help create opportunities for Minnesota guitarists and players of related instruments. The Minnesota Guitar Society Join the Minnesota Guitar Society! concert season is co-sponsored As a member of the Minnesota Guitar Society, you receive ticket by Sundin Hall. This activity is made possible in part by discounts on all MGS-sponsored events, a year’s subscription to the a grant from the Minnesota Guitarist and the opportunity to place free classifieds in each issue. State Arts Board, through ❐ ❐ ❐ an appropriation by the Student $15 Family $30 Patron $50 - $199 Minnesota State Legislature ❐ Regular $25 ❐ Sponsor $200 - $499 ❐ Benefactor $500 + and a grant from the National Endowment for the Arts. ❐ Renewing ❐ New Member Matching funds have been provided by General Mills, AT&T, NAME ___________________________________________________ and Ameriprise Financial. ADDRESS ________________________________________________ _________________________________________________________ CITY ____________________________ ST ____ ZIP _________ To join the Minnesota Guitar Society, please fill out the information on this coupon and mail it to: Minnesota Guitar Society, P.O. Box 14986, Minneapolis, MN 55414 2 guitarist Sundin Spotlight: Flamenco-athon Fiery Guitars Heat Up the Stage at Sundin Hall on Jan. 31st—continued from page 1 Ben Abrahamson Tony Hauser A recent Macalester College graduate, Tony Hauser defies categorization. Ben has studied guitar since age 13. His Rooted in the classical tradition, he passion for flamenco guitar took him to has explored Spanish flamenco, Latin Barcelona, Spain, where he studied under American, ethnic, and new music in a wide Catalan virtuoso Juan Ramón Caro at array of performance settings. Tony is Taller de Músics Escuela de Música. At the son of two renowned artists, sculptor Macalester, Ben studied with Michael Alonzo Hauser and modern dance cho- Hauser and accompanied dance classes at Zorongo Flamenco. reographer Nancy McKnight Hauser. His love for the guitar Ben has also attended workshops with Pedro Cortés Jr. He was born at the age of ten when he began studying with his counts among his mentors jazz educator Joan Griffith and brother, flamenco guitarist Michael Hauser, with whom he writer/guitar iconoclast Gary Lee Joyner. Ben has performed has concertized extensively. As a youth he studied classical solo and with groups throughout the Twin Cities at a variety guitar in Minnesota with Albert Bellson and Jeffrey Van and of venues, including Rossi’s Blue Star, the Loring Pasta Bar, the flamenco in Spain with legendary guitarists Niño Ricardo Artists’ Quarter, the Fine Line, Hotel Sofitel, Orchestra Hall, and Luis Maravilla. Under the tutelage of Andres Segovia’s the Riverview Cafe, La Bodega Tapas Bar, and the French Press protege Jesus Silva, he received his B.M. degree from the North Jazz Cafe. Carolina School of the Arts. Lessons and masterclasses with Scott Mateo Davies Maestro Segovia, John Williams, Abel Carlevaro, and Cuban composer-guitarist Leo Brouwer followed. Tony has taught For Scott Mateo Davies, the year 2008 was masterclasses, workshops, and private lessons since 1970. He particularly memorable in that he toured taught at Viterbo College in La Crosse, and was director of China for three weeks with Ensemble the Guild of Performing Arts music school in Minneapolis. Español Dance Theater (from Chicago) in Currently, he serves on the faculty of the University of St. September. Earlier that summer, he toured Thomas. His discography includes two CDs with recorder vir- the East Coast with the Mandragora Tango tuoso Cléa Galhano, a recording of Russian Gypsy music with Orchestra and did numerous weekend singer Sergei Pobedinski, and numerous titles on Blue Gentian run-outs throughout the year. Mateo also played a lot of dates Records, including an album of the music of Brazilian guitarist- as a solo artist and worked extensively with flamenco singer composer Baden Powell, two solo discs, and an all-flamenco Rachel Milloy (“Raquel la Mala”). Each Sunday he hosts a disc with guitarist Pedro Cortes and flamenco singer Jesus popular flamenco guitar technique class/seminar that he is Montoya. His concert career spans over thirty years with hun- very excited about—new participants are always welcome! dreds of performances throughout North America. He toured Scott Mateo Davies is delighted if you go to his website <www. with legendary jazz guitarist Charlie Byrd and leads the band scottmateo.com>. There you will find a complete bio, lots of “The Brasilnutz,” which specializes in authentic performances music, a monthly calendar, and blog. This is the second year he of Brazilian musical styles not often heard in the U.S. His has curated the Flamenco Guitarathon for the MGS. music has been broadcast on National Public Radio and A Dave Elrod Prairie Home Companion. Tony was nominated by then-Senator Dave Elrod studied classical guitar with Rod Grams to represent Minnesota with performances at the Charles Pederson and Jeffrey Van. He Kennedy Center and on the capitol grounds in Washington, participated in workshops with Robert D.C. Tony has won the Minnesota Music Award in guitar. He is Guthrie, Alice Artz, and Tony Hauser. He the founder of the Minnesota Guitar Society. also studied Renaissance lute with Charles Trevor May Pederson and in a class with Toyohiko Satoh. Dave was the lutenist for Concentus With eleven years of experience playing Musicus from 1977 to 1980. During most of the guitar, Trevor May started learning the 1980s and 1990s Dave focused on family and work until he flamenco guitar by moving to Spain on a bought a flamenco guitar on a whim. One thing led to another whim. He stayed for a year and a half. At and soon he was helping his buddy Mike Ziegahn accom- the Fundación de Arte Flamenco Cristina pany dance classes for the Anda Flamenco School. Dave has Heeren, then in its third year of existence, studied Flamenco with Ziegahn, Mike Hauser, Pedro Cortés he had the opportunity to study dance Jr., Emilio Maya, Antonio Andrade, and Chuscales. Dave has and singing accompaniment with many high-level flamenco performed with Alfredo y Sus Amigos, Rincón del Flamenco, artists including Niño de Pura, Eduardo Rebollar, Miguel Anda Flamenco’s Fringe Festival productions, Mike Hauser, Ángel Cortes, Miguel Ochondo, José Luis Postigo, Naranjito de and his current group, Sendero Flamenco. Sendero Flamenco Triana, José Él de la Tomasa, Paco Taranto, and Manuel Soler was formed several years ago. The core members are Tara (who played cajón and danced for Paco de Lucia for 20 years). Weatherly (La Tarara), Dave Elrod (El Niño David), and Mike Born and raised in Minnesota, Trevor has been accompany- Ziegahn (Rafael de Tresa). Sendero performs locally in such ing dance and singing for classes, gigs, and productions in the venues as La Bodega, the 331 Club, and Coffee Grounds coffee- Minneapolis area since moving back from Spain in 1998. One house in Falcon Heights. Flamenco-athon continued on p. 7 january / february 3 Local Artist Concerts Caviani-Griffith Duo Q: Teacher, performer, composer: which hat fits you the best? A: I think they are all pretty equal. For me. it’s best if there can Concert on January 25th be some balance with all of those things. ur next Local Artist Series concert is set for Sunday, Q: What’s ahead after January 25th? January 25th at 2 pm. It will be presented at the A: We are playing February 21st at St. Barnabas Lutheran OWoodbury Central Park indoor amphitheatre, in part- Church in Plymouth for their jazz series.

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