Vocal Sounds of the Chinchilla

Vocal Sounds of the Chinchilla

VOCAL SOUNDS OF THE CHINCHILLA Heather Hunyady A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE May 2008 Committee: Ronald Scherer, Advisor Donald Cooper Laura Dilley ii ABSTRACT Ronald Scherer, Advisor Purpose: The goal of this project was to categorize the fundamental frequency and durational patterns of chinchilla (laniger) vocal productions relative to typical interaction situations. Methods: This project focused on 4 distinct call types: Exploratory, Contact, Bark, and Alarm from three sources: doctoral dissertation supplements, pet owner posts, and newly collected samples from a single chinchilla. Praat was used to extract the fundamental frequency (F0) contour from the recordings. Results: Primary characteristics of the Exploratory utterances were: token Fo contours had a rapid decrease in frequency (136 ST/s), (2) token durations and token periods overlapped to a large extent across animals, 77% of all tokens contained a final Fo up-sweep tag, and utterances contained an average of 9 tokens. The Contact utterances contained 2-4 Exploratory-like tokens preceding a few transitional tokens, segueing into a sequence of the Contact tokens, Fo contours were complex, variable, and low pitched (300-800 Hz), there is a typical brief “low Fo dip” of less than an octave from the preceding and following Fo, and the utterances contained an average of approximately 7. Bark utterances were characterized by a brief tonal segment followed by a distinctive noise interval, an abrupt intensity onset followed by a more gradual intensity offset, an increase in token period duration across the utterance, an intensity decrease across the tokens, with a variant of the Bark category including an inspiratory tone preceding or following the token, and the utterances contained an average of 6 tokens. iii The Alarm utterance token was a high intensity call that included a large, very rapid frequency jump, and maintained a high intensity throughout. iv ACKNOWLEDGMENTS I would like to sincerely thank Dr. Ronald Scherer, project advisor for his guidance and continued optimistic support. I would like to thank committee members, Dr. Laura Dilley and Dr. Donald Cooper, for your patience, encouragement, and advice. Additionally, I would like to acknowledge Lynn Hewitt, Larry Small, and the Communication Disorders Department. v TABLE OF CONTENTS Page INTRODUCTION ................................................................................................................. 1 Animal Communication............................................................................................. 1 History of the Chinchilla............................................................................................ 2 Behavior of the Chinchilla......................................................................................... 4 Anatomy and Physiology of the Chinchilla............................................................... 6 Hearing, Vision, and Smell............................................................................ 6 Respiration ..................................................................................................... 7 Dentition and Tongue.................................................................................... 7 Vocal Tract..................................................................................................... 7 Larynx ............................................................................................................ 8 Reproduction.................................................................................................. 9 Body Composition ......................................................................................... 10 Habitat of the Chinchilla............................................................................................ 11 LITERATURE REVIEW ...................................................................................................... 14 Chinchilla Vocal Communication.............................................................................. 14 Work by Susan Carol Vogt (1980) ................................................................ 14 Work by Juliana Bartl (2006.......................................................................... 17 World Wide Web Sources, Ross (2006) and Termathe (2006) ..................... 22 Summary ............................................................................................................ 23 METHODS ........................................................................................................................... 24 Observational Contexts ............................................................................................. 24 vi New Recording (“Chester”)....................................................................................... 25 Acquisition of Fundamental Frequency and Intensity............................................... 25 Accuracy of F0 Recording and Analysis ................................................................... 26 Analysis of Fundamental Frequency and Intensity.................................................... 32 RESULTS ........................................................................................................................ 35 Exploratory Call......................................................................................................... 36 Contact Call............................................................................................................... 41 Bark Call.................................................................................................................... 43 Alarm Call.................................................................................................................. 46 DISCUSSION ........................................................................................................................ 50 General Findings........................................................................................................ 50 Comparison to Vogt (1980) ....................................................................................... 53 Comparison to Bartl (2006) ....................................................................................... 54 Comparison to Other Mammals................................................................................. 54 CONCLUSIONS.................................................................................................................... 56 REFERENCES ...................................................................................................................... 58 APPENDIX............................................................................................................................ 61 vii LIST OF TABLES Table Page 1 Chinchilla taxonomy.................................................................................................. 4 2 Observational description of chinchilla vocalizations ............................................... 6 3 Physical distinctions between chinchilla langier and chinchilla brevicaudata .......... 11 4 Physical properties of the “ow unit” .......................................................................... 16 5 Frequency characteristic of prototypical “hoot units” ............................................... 17 6 Corpus, source, and quantity of wav file recordings ................................................. 21 7 Olympus-based Fo vs. Windaq-based Fo – correlation between values, average Fo difference between values, and standard deviations of the Fo differences................ 31 8 Vocalization sample labels broken down by source and call category...................... 35 9 Exploratory call measures.......................................................................................... 38 10 Exploratory up-sweep tag frequency and amount of token involved in the up-sweep tag 39 11 Summary of vocal production categories in relation to communication context, token corpus, and token similarity....................................................................................... 50 viii LIST OF FIGURES Figure Page 1 Typical chinchilla laniger skull.................................................................................. 8 2 Microscopic view of the larynx of chinchilla laniger ................................................ 9 3 Photograph of a Chinchilla Laniger, (“Chester”). ..................................................... 12 4 “Positionslaute”, spectrogram of exploratory vocalization series ............................. 19 5 “Lockruf”, wave form and spectrogram of a contact vocalization series.................. 20 6 “Alarmruf”, waveform and spectrogram of an offensive bark series ........................ 20 7 “Schrei”, waveform and spectrogram of an alarm call ............................................. 21 8 The total range of Fo should cover the range produced by Chester 8a. Fo sweeps from Olympus recorder ...................................................................... 28 8b. Fo sweeps from Dataq recorder ........................................................................... 28 9 Fo comparisons between Windaq-based and Olympus recorder-based recordings for four female Fo sweeps and four whistle sweeps. ............................................................. 30 10 Token duration measures: token duration, token period,

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    70 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us