Jonathan Wooldridge

Jonathan Wooldridge

DAVIS GORDON MANAGEMENT Jonathan Wooldridge Talent Representation Miriam Chinnick [email protected] ADDRESS Davis Gordon Management 11 Eastern Avenue Pinner HA5 1NU United Kingdom Telephone +44 (0) 7989 306 252 Website www.davisgordon.com Height: 5’11 Eyes: Blue Hair: Dark Blonde Training: Royal Academy of Music, NYT Playing age: 16-25 SKILLS Jazz, Tap, Ballet, Contemporary, Commercial, Street and Hip/Hop Dance. Musical Theatre, Pop, Rock, Legit and Lyrical Singing Aiwakai Karate (Orange Belt), Strong Swimmer, Athletics. ABRSM Piano Grades, Guitar. Vocal Range High Baritone - Low E flat - Top B flat, Plus Falsetto Accents Native East Midlands, RP, Heightened RP, American-General, American-New York, American-Southern, Cocknet, Birmingham, Northern England. Good Ear for Accents. Theatre Title Role Director Theatre/producer Richard II Aumerie Elliot Langsdon Clatterhouse Twelfth Night Sebastian Elliot Langsdon Drayton Arms Theatre Thoroughly Modern Millie Ensemble Ashley Nottingham Showtime Challenge Adelphi Theatre Zanna Don’t Arvin Drew Baker The Landor Theatre Cinderella Boom or Bust Prince Charmless Fred Perry Theatre Royal, Drury Lane Little Me Yulnick Karen Rabinowitz Sir Jack Lyons Theatre City of Angels Jimmy Powers Karen Rabinowitz RAM The Graduate Benjamin Lolly Susi RAM Best Little Whorehouse Aggie Ian Good Waterside Theatre Thoroughly Modern Millie Dexter Alan French Waterside Theatre Ordinary Days Jason Josh Martin Academy 3 Ten Plagues Male Ensemble Mark Ravenhill Royal Court Theatre S’Warm Core Cast Victoria Gould Compicité/NYT Les Miserables Marius u/s Jamie Marcus Doddington Hall Concerts Title Role Director Production Company A West End Xmas Ensemble Stephen Hill St Pauls, Covent Garden Xmas Concert Soloist/Choral Stephen Hill/Stuart Morley Sir Jack Lyons Theatre St James Theatre Opening Gala Ensemble Mark Warman St James Theatre RAdio Title Role Director production Company Soloist/Choral Friday Night is Music Night Stuart Barr BBC Radio 2 The Landor Theatre .

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