
ABC NO RIO * The Beehive Collective Prisoner Art * Graffiti Indie Fashion plus a free stencil by Josh MacPhee! I Politics Sex Gender 'Culture Economics Media | People | | & I A Make i Mot War! i\\' ^^'il ' •»'• ^^ \ -•.« * .50 US/ $6.95 Canada 02> Issue 24 January/February 2004 2527A"96769' make art AND war (on injustice) >v cvGjijcRs SADDLE CREEK CD S. LP S. T-SHIRTS. POSTERS AND MORE AVAILABLE AT W WW. SADDLE C REEK COM NOW IT'S OVERHEAD Awash In a dark merodic pop senslbthty lush FALL BACK OPEN musical soundscapes. and hvpnotic vocals. Tall Back Open marks another step In the evolution CD (LBJ-58) and emergence of sonqwnter/sludio wizard MARCH 9. 2004 Andy LeMaster. Recrultinq the help of his Omaha and Athens musical families. Maria and Orenda from Azure Ray are present throughout and Conor Oberst and Michael Stipe help with backing vocals AZURE RAY Azure Ray have perfected the ethereal lilting vocal style - their honeyed voices blend together perfectly almost HOLD ON LOVE blurring into one silver thread - Paste CD/LP {LBJ-54) These ladies still sound as heavenly and amazing as THE DRINKS WE DRANK LAST NIGHT ever -Hold On Love is a heartrending and romantic album Under the Radar CD SINGLE (LBJ-55) Always haunting and always beautiful, Hold On Love shows NEW RESOLUTION Azure Ray s underlying warmth - CMJ New Music Report CD SINGLE (LBJ-57) (Their) voices intertwine over, around and into each other, creating thick textures warm enough to melt the most cynical of hearts Fahrenheit ALSO AVAILABLE CURSIVE BRIGHT EYES THE UGLY ORGAN LIFTED or THE STORY IS IN THE SOIL. CD/LP (LBJ-51) KEEP YOUR EAR TO THE GROUND CD/ZxLP (LBJ-46) ^'-'"'^ NEW RECORDS IN 2004 FROM THE FAINT. DESAPARECIDOS. RILO KILEY. THE GOOD LIFE BROKEN SPINDLES AND SON AMBULANCE SAOOLt CRfrK PO BOX 8554 OMAHA NC 68108 0554 W W W S ADDUf CHtEK COM INFO ' SADDLE CREEK.COM '^^^' NOT A SUBSCRIBER? WHAT ARE yO(y WAITING FOR? Some common reasons for not subscribing to Clamor Magazine Include: a) "I wanted to make sure the magazine isn't going to fold as soon as I subscribe." b) "The $18 seems much more expensive than the $27 plus tax that I pay for the magazine on the newsstand throughout the year." c) "I run screaming from any sort of commitment, and one year with the same magazine gives me the cold sweats." After publishing C/amor four years now, we can assure you we're not going any- where, and we'd love to help you save some money in your magazine-buying budget. Subscribe now and get six issues of Clamor delivered to your mailbox and know that your subscription payment goes a long way toward keeping Clamor on the news- stands next to such stellar publications as Maxim, Stuff, and Glamour. Oh yeah, and if you decide after six issues, that you "just want to be friends," we promise we'll totally understand. EOUORS/PUBUSHERS Jen Angel • Jason Kucsma CONSULTING EDTOR Joshua Breitbart imjiiii.iiTir^nci CULTURE EDITOR Sarah Palmer As we put this issue together, our friends and comrades are fighting the good fight: there are tens of thousands protesting the FTAA in Miami, Florida, the School of the Americas in Georgia, and ECONOMICS EDITOR George Bush's visit to Great Britain. It's a little surreal writing this letter right now. We launched Arthur Stamoulis Clamor exactly four years ago, and were wrapping up issue one to send to the printer at the same MEDIA EDITOR time protests in Seattle had shut down the \ArrO. And much like four years ago, we're sitting here Catherine Komp trying to sort through the dearth of mainstream media coverage of the protests and the wealth of first-hand accounts from Indymedia to figure out what the hell is happening to our friends PEOPLE EDITOR Keidra Chaney around the world. POLITICS EDITORS In a way, the subtitle on the cover is a bit misleading. Sure we encourage folks to make art Madeleine Baran & Amanda Luker wherever possible. But we also encourage people to wage wars on injustice in the world. Of REVIEW EDITOR course the wars we support are geared toward ending the corruption of power and greed, not Keith McCrea propagating it. And the wars we encourage are waged to preserve life while redistributing power to people who have been denied it for so long - as opposed to sacrificing innocent lives (U.S. PROOFREADERS or otherwise) to further polarize the distribution of wealth and power at home and abroad. We Elliot Adams, Hal Hixson, KrIsten Schmidt, Julia Shaw decided to focus this issue on art because we believe that it is an integral part of our everyday LAYOUT & DESIGN lives as well as a vital part of the struggles for social justice. We're certain that folks will Jason Kucsma continue to make art AND wage war, and this issue is proof positive. WEB DESIGN: Derek Hogue This 4th anniversary issue could have been a book. Each of the artists profiled in the politics section could have been the subject of a full feature. Every issue discussed opens up a whole FAUTWINTER INTERN: host of related topics that we could have focused an entire magazine on. Each of the prisoners Joe Bugbee mentioned in the media section represents thousands of others who use art to regain some ADVERTISING semblance of humanity and pride in an environment that robs them of it. This issue focuses on Rates and deadlines available upon request. individual and collective artists and the motivation, determination, and struggle behmd the work Please call 419-243-4688 or visit that they do to make this world a little more beautiful - or to highlight the ugliness that hides wwwclamormagazine.org/advertising.pdf behind power. PRINTING: Westcan Printing Group, We're fortunate to be able to bring you such a broad cross-section of people and projects to Winnipeg, Manitoba, Canada highlight this issue's theme, but not as fortunate as we are to welcome seven new section editors P: 866-669-9914 who made this issue happen. From here on out, each of Clamor's six sections will be developed CLAMOR IS a bi-monthly magazine. Single copies are $4.50 and shaped by hard-working volunteer editors that got their hands dirty this issue. See their ppd and 6 issue subscriptions are $18 ppd in the US (Outside names to the left and read more about them on the web at www.clamormagazine.org/about.html. of the US single issues are $6 and a 6-issue subscription is They're a remarkable bunch of people who will undoubtedly make the magazine better with their $25 in US Funds). Checks may be made payable to Become diverse perspectives and unending enthusiasm. They'll also free us up to work on other aspects The Media. of Clamor that will help us grow and introduce more readers to this radical approach to the BACK ISSUES: magazine format. are available tor the standard single copy rate ($4.50 ppd). Visit www clamormagazine.org for more info. As always, thanks for reading. DISTRIBUTION: CLAMOR IS distributed to stores and distributors by Big Top Newsstand Services, 2729 Mission Street Suite 201, San oiAa-^ i-/*^ Francisco, CA 94110-3131 [email protected] CLAMOR IS also available through these fine distribution outlets: Active Distribution UK. AK Press, Armadillo, Desert Moon, Doormouse. Emma Mirian, Empire State News, Gordon PS. for more information on the FTAA or SOA, as well as other ongoing struggles, visit: & Gotch. Ingram. IPD, Kent News, Last Gasp. Marginal, Media www.indymedia.org, and look for our feature on the FTAA in the Mar/Apr 2004 issue. Solutions, Milligan, One Source, Small Changes, Stickfigure, Tower, and Ubiquity. CLAMOR (ISSN 15-34 9489) is published six times a year (Jan/ I Feb, Mar/Apr. May/Jun, Jul/Aug. Sept/Oct. Nov/Dec). ©2003 in the US by Become The Media Incorporated, PO Box 20128, CLAMOR'S mission is to provide a media outlet that reflects the reality of alternative politics Toledo. OM 43610, Telephone: 419 243 4688 and culture in a format that is accessible to people from a vanety of backgrounds. CLAMOR exists to fill the voids left by mainstream media. We recognize and celebrate the fact that each Postmaster Send address changes to Clamor Magazine of us can and should participate in media, politics, and culture. We publish wnting and art that PO Box 20128. Toledo, OH 43610 exemplify the value we place on autonomy, creativity, exploration, and cooperation. CLAMOR is an paid at Toledo, OH. advocate of progressive social change through active creation of political and cultural alternatives. Periodicals postage ll w"!'? r: RIMES CLAMOR: A Loud and Continued Uproar of Many Human Voices • Number 24 • January/February 2004 MEDIA POLITICS 9 Tats Cru: 20 Years of Art in the Bronx 40 Sane Voices During Insane Times Joyce Orobello ed. by Amanda Luker and Madeleine Baran 12 Creativity in Confinement 47 Christofurious: The Art of Christopher Cardinale Susan Phillips interview by Sarah Grotf -Palermo 14 rad.art: Creating and Nurturing Culture of Resistance 48 Be Young, Have Fun, Smash Racism Nicolas Lampert Zach Morris SEX & GENDER PEOPLE 53 Fantasy Island 16 Will Power Carolyn Chamberlayne interview by Joshua Breitbart 55 Sexual Ruin 20 Documenting Justice: Andrew Stem's Photography Stephanie Abraham Robert Biswas-Diener 21 Fabric Addicts Courtney Becks ECONOMICS 24 Avant-Garde Fires Still Burn: Anselm Berrigan 56 Art Against Empire: The Beehive Collective Greg Fuchs interview by Arthur Stamoulis 61 A Tale of Two Pilsens: Art and Gentrification in America Kari Lydersen CULTURE 29 Free Jazz: Brief Reminiscence of Jazz in the '60s Robert Levin 'USTPAGE 31 Surrealism Thrives 66 Beautify Your Neighborhood! Craig Blair a free stencil by Josh MacPhee 32 Moving Units: Performance v.
Details
-
File Typepdf
-
Upload Time-
-
Content LanguagesEnglish
-
Upload UserAnonymous/Not logged-in
-
File Pages72 Page
-
File Size-