TABLE OF CONTENTS Issue 90, November 2017 FROM THE EDITOR Editorial: November 2017 SCIENCE FICTION The Mutable Borders of Love Leslie What A Vortal In Midtown Ashok K. Banker Alice & Bob Philip Raines and Harvey Welles Cake Baby (A Kango and Sharon Adventure) Charlie Jane Anders FANTASY The Faerie Tree Kathleen Kayembe The Day the Wizards Came Rachel Swirsky A Wound Like an Unplowed Field Max Wynne The Commission of The Philosophical Alembic Jonathan L. Howard NOVELLA Tracking Song Gene Wolfe EXCERPTS Molly Tanzer | Creatures of Will and Temper Molly Tanzer NONFICTION Book Reviews: November 2017 LaShawn M. Wanak Movie Review: Blade Runner 2049 Carrie Vaughn Interview: Molly Tanzer Wendy N. Wagner AUTHOR SPOTLIGHTS Kathleen Kayembe Ashok K. Banker Max Wynne Charlie Jane Anders MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2017 Lightspeed Magazine Cover by Galen Dara www.lightspeedmagazine.com Editorial: November 2017 John Joseph Adams | 809 words Welcome to issue ninety of Lightspeed! For science fiction, we’ve got original shorts by Ashok K. Banker (“A Vortal in Midtown”) and Charlie Jane Anders (“Cake Baby”), along with SF reprints by Leslie What (“The Mutable Borders of Love”) and Philip Raines and Harvey Welles (“Alice and Bob”). We’ve also got original fantasy by Kathleen Kayembe (“The Faerie Tree”) and Max Wynne (“A Wound Like an Unplowed Field”), and fantasy reprints by Rachel Swirsky (“The Day the Wizards Came”) and Jonathan L. Howard (“The Commission of The Philosophical Alembic”). All that fiction, and of course we also have our usual assortment of author spotlights, along with our book and media review columns. Our interview this month is with novelist Molly Tanzer—plus, if you’re an ebook reader, you can check out an excerpt of her new novel, Creatures of Will and Temper. Also for our ebook readers, we have our ebook-exclusive reprint of Gene Wolfe’s novella “Tracking Song.” John Joseph Adams Books News for November 2017 This month, we’re publishing Molly Tanzer’s Creatures of Will and Temper—a Victorian-era urban fantasy inspired by The Picture of Dorian Gray, in which an épée-fencing enthusiast and her younger sister are drawn into a secret and dangerous London underworld of pleasure-seeking demons and bloodthirsty diabolists, with only her skill with a blade standing between them and certain death. You can read an excerpt of the book in this very issue! But first, here are some lovely things people have said about the book: “Tanzer mixes Oscar Wilde’s The Portrait of Dorian Gray with queer romance and demonology in this subtle, beautiful Victorian-era fantasy novel. [. .] The perfectly depicted relationship between the sister [protagonists] takes center stage in a complex (though never overplayed) web of art, swordplay, romance, and, much to the sisters’ surprise, actual demons. Gorgeously portrayed three-dimensional characters and sensual prose propel this smoothly entertaining story to an emotionally affecting end.” —Publishers Weekly (starred review) “An artful, witty, Oscar Wilde pastiche with the heart of a paranormal thriller.” —Diana Gabaldon, bestselling author of Outlander “A delightful, dark, and entertaining romp with serious intent behind it. The writing is so smart and sharp—Molly Tanzer is at the top of her form in this beautifully constructed novel. Sure to be a favorite of readers and critics alike.” —Jeff VanderMeer, bestselling author of the Southern Reach trilogy “There has never been a better time for a spirited, feminist reinvention of The Picture of Dorian Gray. Molly Tanzer has taken a wickedly sensuous classic and transformed it into a lively supernatural tale featuring lovestruck teenagers, diabolical botanicals, mysterious paintings, and—oh, yes—demons. Creatures of Will and Temper is a wild ride from start to finish, beautifully and boldly written, and a most worthy successor to Oscar Wilde’s scandalous novel.” —Amy Stewart, author of Girl Waits With Gun “Decadent Victorians clash with dueling demon-hunters in this page- turning reinvention of Oscar Wilde’s classic tale. I loved it!” — Charles Stross, award-winning author of The Delirium Brief ICYMI, last month, we published Machine Learning: New and Collected Stories by Hugh Howey, a short story collection including three stories set in the world of Hugh’s mega-hit Wool and two never-before-published tales, plus fifteen additional stories collected together for the first time. Here’s some praise for that one: “I devoured this book! The wildly imaginative tales in Machine Learning tackle everything from AI and aliens to video games and VR, and Howey infuses each one of them with the perfect mix of brains, bravado, and heart. Reading the stories in this collection is like discovering an entire lost season of The Twilight Zone in which every episode was written by either Rod Serling or Richard Matheson. They’re that good.” —Ernest Cline, bestselling author of Ready Player One “Like a knapsack of compact grenades, exploding insight, unexpected innovations, and sci-fi heat. Each one the core of something larger.” —Kevin Kelly, founding executive editor of Wired “Hugh’s stories keep me turning pages not just to find out what happens, but because of the deep common threads of humanity within. I don’t just want to know the ending, I care about every moment.” —Annie Bellet, USA Today bestselling author of The Twenty-Sided Sorceress series That’s all the JJA Books news for now. More soon! • • • • Well, that’s all there is to report this month. Thanks for reading, and I hope you enjoy the issue! ABOUT THE AUTHOR John Joseph Adams, in addition to serving as publisher and editor-in-chief of Lightspeed, is the editor of John Joseph Adams Books, a new SF/Fantasy imprint from Houghton Mifflin Harcourt. He is also the series editor of Best American Science Fiction & Fantasy, as well as the USA Today bestselling editor of many other anthologies, including The Mad Scientist’s Guide to World Domination, Robot Uprisings, Dead Man’s Hand, Armored, Brave New Worlds, Wastelands, and The Living Dead. Recent projects include: Cosmic Powers, What the #@&% Is That?, Operation Arcana, Loosed Upon the World, Wastelands 2, Press Start to Play, and The Apocalypse Triptych: The End is Nigh, The End is Now, and The End Has Come. Called “the reigning king of the anthology world” by Barnes & Noble, John is a two-time winner of the Hugo Award (for which he has been a finalist eleven times) and is a seven-time World Fantasy Award finalist. John is also the editor and publisher of Nightmare Magazine and is a producer for Wired.com’s The Geek’s Guide to the Galaxy podcast. Find him on Twitter @johnjosephadams. The Mutable Borders of Love Leslie What | 4340 words Though Marietta’s eyes are closed, she is wide awake, fingering the new sheets she gave Asher as part of his six-month anniversary present. The other parts were dinner, followed by multiple sexual favors. She has already thought ahead, to the seven-month anniversary, when she will trade dinner for breakfast, trade a languorous night of sex for a quickie. She worries about thinking so far ahead and having expectations concerning things she cannot fully control. Is this really the way being in love should feel? Asher’s bed is a California king. It is out of place, too big for the eight-by-ten room. The sheets cost almost double the price of her queen-size, but she bought these for herself as much as him. Asher’s new sheets are crisp and cool dense cotton that makes them feel shiny. Marietta is obsessed by their smooth texture and fine weave. She can’t stop fidgeting with the fabric between her forefinger and thumb. The old sheets were a remnant from a previous relationship. No matter how many times they were laundered, the Hawaiian ginger scent favored by the woman Marietta has since replaced lingered like old smoke. Marietta hated sleeping over at Asher’s until tonight. Her lover snores content beside her, something she calculates will continue another ten minutes before he fades into a deep and heavy sleep, at which time he will probably call out the names of women he dated before they met. These women are dead, just as her past sweethearts are dead, but it bothers her just the same, maybe because it’s an unwelcome reminder that not everyone’s strong enough to survive love. In most relationships, someone wins and someone loses. Marietta has been fortunate, so far, to have won them all. She appraises the lump in bed that is Asher. He has been fortunate, too. They are both successful competitors in the contest of love. She isn’t jealous, just insecure. Many wonder if love is worth the risk. So far, for Marietta and Asher, the answer has been yes. Street lamplight filters through the shaded windows of Asher’s apartment. In the dim light, the delicate pastel blue of the sheets dulls to a computer gray. Outside, wind rattles branches and pushes cool air through cracks in the window frames. Go to sleep, Marietta tells herself. Deliver the sweet dreams she once enjoyed. It requires effort to keep her eyes shut and to lie motionless. She waits for what seems inevitable, for the ghost to appear as he has nearly every night for the past few weeks. Her ghost’s name is Lenny and he was her first lover. They were eighteen— late for her, early for him. If she were honest, she would admit that she used him, viewed him as a means to an end. She was anxious to cede her virginity to the past.