·arno ~a Volume 59 Number 2 1999 Page 2 Charles Eliot, Landscape Architect: Arnoldia (ISSN 004-2633; USPS 866-100) is An Introduction to His Life and Work pubhshed quarterly by the Arnold Arboretum of Keith N. Morgan Harvard University. Second-class postage paid at Boston, Massachusetts. 22 Arboriculture m Its Relations to "All That Would Be Fair Subscriptions are $20.00 per calendar year domestic, Landscape: Must Be Fit" $25.00 foreign, payable m advance. Smgle copies of most issues are $5.00; the exceptions are 58/4-59/1 Charles Eliot (Metasequoia After Fifty Years) and 54/4 (A Source- book Cultivar which are 00. of Names), $10 Remit- 26 Austral Weeks: Botanizing m the tances may be made m U.S dollars, by check drawn Southern Hemisphere on a U.S. bank; international money or by order; Rob Nicholson by Visa or Mastercard. Send orders, remittances, change-of-address notices, and all other subscription- related commumcations to Circulation Manager, 35 Soil as a Living System Arnoldia, The Arnold Arboretum, 125 Arborway, Leshe Jones Sauer Jamaica Plam, Massachusetts 02130-3500. Telephone 617/524-1718; facsimile 617/524-1418; 44 Arnold Arboretum Weather Station e-mail arnoldiaCarnarb.harvard.edu. Data-1998 Postmaster: Send address changes to Arnoldia Circulation Manager Front cover: London planes (Platanus x acenfoha) on The Arnold Arboretum Memorial Drive, Cambridge, Massachusetts Charles 125 Arborway Eliot’s inspiration for this roadway and embankment Jamaica Plam, MA 02130-3500 was the Thames Embankment at Kew, near London. Photograph by A. E. Bye. Karen Madsen, Editor Andy Wmther, Designer Inside front cover: Oak leaf drawmg by Charles Eliot, 1875. Used by courtesy of Alexander Y Gonansky. Editorial Committee Phyllis Andersen Inside back cover: Beaver Brook Reservation m Ellen S. Bennett Belmont and Waltham, Massachusetts, was "reserved" Robert E. Cook for the people of metropolitan Boston by the Prelimi- Peter Del Tredici nary Park Commission of 1893. At top is the lower Gary Koller dam and below, the brook; photographed for the 1897 Stephen A Spongberg and 1895 Reports of the Metropolitan Park Commis- Kim E. Tmpp sion, respectively Copyright © 1999. The President and Fellows of Back cover: Memorial Drive’s plane trees Harvard College Photograph by John Furlong. Charles Eliot, Landscape Architect: An Introduction to His Life and Work Keith N. Morgan Just five days after Charles Eliot died in 1897 at the age of 37, Charles Sprague Sargent published his obituary in Garden and Forest, his weekly journal. As an apprentice to Frederick Law Olmsted, Eliot had prepared planting plans for the Arnold Arboretum, and thereafter Sargent followed his career, first in solo prac- tice and later as partner to Olmsted. Sargent wrote, "in a great variety of work he has proved himself one of the most accomplished of designers. He had an intense appreciation of nature, but he always kept up his student habits, exam- ining the outdoor world critically, and reasoning upon what he saw to establish principles which could be applied in practice." Sargent also knew Eliot as a frequent contributor to Garden and Forest; he would be missed for his "gift of expression in a singularly effective style ... his writings embody such an amount of sound doctrine, effectively stated, that one regrets that he has not left more of this kind of work behind him.... it is no exaggeration to say that his untimely death is an almost irreparable loss to rural art in America...." In 1902 Eliot’s father, President Charles W. Eliot of Harvard University, compiled and annotated the son’s writings, which he published as Charles Eliot, Landscape Architect. Nearly a century later, it remains one of our most valuable collections of landscape writing and a necessary resource for those interested in the history of landscape architecture or city and regional planning. The follow- ing essay is excerpted from the introduction to a new edition. ecently returned to Boston from a year- private estates. He became one of the country’s long study tour of Europe, the young most prolific and influential landscape critics -L ~~ Charles Eliot set up a landscape architec- and historians, and provided the creative and ture practice on Park Street in December 1886. political impetus for the Trustees of Public Over the next decade he would make an indel- Reservations, the first statewide preservation ible mark on the physical form of the metropoli- and conservation organization in the country tan region and beyond. In Eliot’s solo practice, and the precursor to Britain’s National Trust. and later as a partner in Olmsted, Olmsted and Finally, and most importantly, Eliot directed the Eliot, he developed many fine public parks and early development of the Boston Metropolitan Five images of Charles Eliot (1859-1897), clockmse from top left, c. 1863; c. 1869; Harvard College graduation photograph, 1882; at age 35; at center, age 37. Courtesy of Alexander Y. Gomansky. Park System, one of the first and most success- ful American experiments in regional landscape planning. It is astounding that all this was accomplished in less than eleven years. Eliot’s death from spinal meningitis in 1897, at the age of thirty-seven, robbed the country of one of its most talented landscape architects ever. Early Years When Charles Eliot was born in 1859, his father was a professor of mathematics and chemistry at Harvard College. His mother, Ellen Peabody Eliot, was an amateur artist and lover of nature. She died when he was ten years old. Charles had one younger brother, Samuel Atkins Eliot, who became an important Unitarian minister, presiding over the Arlington Street Church, Boston, and president of the Unitarian Associa- tion. The Eliots’ home life was characterized by cultural and social prestige and by intellectual stimulation. In 1863, after losing a promotion battle at Harvard, Eliot senior took his family abroad so that he could study in French and German labo- ratories. From August of that year, when young Charles was three, through the summer of 1865, the family traveled between Paris, London, Ellen Peabody Ehot and her sons, Samuel Atkins Heidelberg, Marberg, Vienna, Berlin, Switzer- Ehot and (standmg) Charles Eliot. land, and Italy. Late in 1864 Ellen Eliot wrote to her mother of the family’s life abroad: the fall of 1865, but his wife’s lung and throat congestion prompted them to return to Europe I school for keep regular Charly every morning in June 1867 through the following June. Mrs. & it is a pleasure & an interest to him & to me. Eliot died a year later. He learns readily & enjoys it highly-I really Charles had loved at his sometimes fear the chicks may be spoiled by the Young learning mother’s but he found formal education entire devotion of their parents to them. They knee, onerous. In wrote are necessarily with me all day & Charly sews 1876 he of the school he with me & studies with me & paints with me attended between ages twelve and sixteen: "To and they generally walk with me, and it is rarely my dismay was sent to Kendall’s School, Appian can that I catch Charles-Every day C[harles] Way! ... Disliked most of the boys but liked gives Charly a regular gymnastic exercise-the Kendall. Often dissolved in tears even in school- child has much m the use of his arms improved room ; much to my despair."4 Fortunately, his & legs.2 education was supplemented by drawing les- The exercises were intended to counteract the sons from Charles H. Moore, which he liked. lingering effects of a bout of typhoid fever that He made lifelong friends at Kendall’s, however, little Charles had suffered during the winter of especially Roland Thaxter and John H. Storer, 1863-1864. He was ill for more than a year but and his preparation there helped him pass the eventually recovered fully.3 entrance examination for Harvard College in An invitation to teach chemistry at the Mas- June 1877. sachusetts Institute of Technology brought the Charles was a fragile boy, diffident and senior Eliot and his family back to Cambridge in often given to melancholic moods, while Sam 5 Charles Eliot, Landscape Architect: A Father’s Life of His Son This extraordinary volume, 770 pages in length, is the record of a developing land- scape philosophy, the story of a remarkable career, and a landmark in American writing on landscape architecture. Originally pub- lished m 1902 and reprinted in 1999, it is a rare example of filial biography, the story of a son’s life by his father. Charles’s father, President Charles W. Eliot of Harvard Uni- versity, did not sign the title page because he considered his role to be that of editor and organizer of his son’s writings and record. Charles Eliot, Landscape Architect is really three books intertwined. The first is an intimate life story, told as a loving trib- ute by a devoted father. The second is a spe- cies of superb travel literature, written by young Charles from the perspective of a landscape analyst. The third is an annotated, Charles W Eliot (1838-1926) chronological anthology of professional cor- and President respondence public reports. The things are set forth, not m the above Eliot’s format these elements in the places order but in the chronological sequence of context of his understanding of his son’s life Charles Eliot’s experiences and labors. I only and career. edit the volume; it is m the main written by While his name does not appear on the Charles Eliot himself.’ title page, there is no question of President The elder Eliot to consider Eliot’s role as helmsman on this journey of probably began the in the follow- reconstruction.