Reproduction, Race, and Gender

Reproduction, Race, and Gender

SUNY SERIES, PHILOSOPHY AND RACE REPRODUCTION, Robert Bernasconi and T. Dencan Sharpley-Whiting, editors RACE, AND GENDER IN PHILOSOPHY AND THE EARLY LIFE SCIENCES Edned by SUSANNE LETTOW SUNYPRE 5 5 INDIANA UNIVERSITY LIBRARIES BLOOMINGTON CONTENTS Published by Sfar~ Univ~rsity of New York Press. Albany CD 2014 Srar~ Universiry ofNcwYork Introoucdon SUSANN£ L£1TOW All righu reserved Printed in the United States of America PART I. REPRODUCTION AND THE EARLY LIFE SCIENCES No part of this book may be used or reproduced in any manner whauocvcr without wrinen pe.rmiuion. No pan of mil book may be stored in a retrieval system I. Genera.ion. Genealogy. and Time: The Concep. of or transmined in any form or by any means induding dccttonic. decttostaric. Reproduction from Histoi" naru,,/k '0 Narurphilosophk magnetic tape. m<ehanial. phO!lxopying. rca>rdJng. or lKherwbe SUSAN N £ L£1TOW 21 without the prior permission in writing of the publisher. 2. Organic Molecules. Parasi.es. Urthkrt: The Controversial For information. comaa St,ue Univcniry of New York Press. Albany, NY Naruce ofSpcrmaric Animals. 1749-1841 'WWW.sunyprcss.rdu FLORENCE VIENNE 45 Production by Dana Fooce 3. The Scientific Construction of Gender and Generation in the Marketing by Michael Campochlaro German Late Enlightenment and in German Romantic Ubnry ofCongras CauJogjnS·In·P.blicadon D... Naturphilosophie PETER HANNS R£ILL 65 Reproduction. ract. and gender in philosophy and the early life sciences I edited by Susanne l..enow. 4. Zeugungl Fortpftallzung: Distinctions of Medium in the pages cm.-(SUNY series. Philosophy and race) Discourse on Gener.ltion around 1800 Includes bibliognpbical "!".,,nees and index. JOC£LYN HOLLAND 83 ISBN 978·1-4384-4949-4 (aIk. paper) I. Race-Philosophy 2. Human rtproduaion-Philosophy 3. Scs­ 5. Treviranus' Biology: Genera.ion. Degeneration. and the Philosophy 1. Len:ow. Susanne. editor of compilation. Boundaries of Life HTI521.R4562014 305.800 I -dc23 JOAN ST£IG£RWALD 105 2013005360 10 9 8 7 6 5 4 3 2 1 y vi CONTENTS PART II. ARnCULAnONS OF RACE AND GENDER 6. Skin Color and the Origin of Physical Anthropology (1640-1850) RENATO G. MAZZOLINI 13 1 7. The Caucosian Slave Race: Beautiful Circassians and the Hybrid Origin of European Identity SARA FICAL 163 8. Analogy of Analogy: Animals and Slaves in Maty Wollstonecraft's Defense of Women's Rights • PENELOPE DEUTSCHER 187 9. Reproducing Difference: Race and Heredity ftom a Iongu' Juri, Perspective STAFFAN MULLER-WILLE 217 10. Heredity and Hybridity in the Nannal Histoty of Kant, Girtonner, and Schelling during the 1790. ROBERT BERNASCONI 237 11. Sexual Polarity in Schelling and Hegel ALISON STONE 259 About the Contributors 283 Index 287 7 THE CAUCASIAN SLAVE RACE Beautiful Circassians and the Hybrid Origin of European Identity SARA FIGAL Consider the rollowing triangulation around a female figure: l. Travd writers of the seventeenth and eighteenth century (unreliable, yet widely read) identifY the most beautiful women in the world as the "primitive" Georgians and Circassians &om the Caucasus mount:lins, additionally noting their high value on the Dnoman slave market; J 2. European mntasies of beautiful captives-often CirClSSians-­ languishing in a Sul,an's harem inspire novels, plays, and operas during the eighteenth century, even while the fictions reinrorce a disapproval of Ottoman "decadence" and the religion of Islam;' 3. In an era obsessed with origins, German scientists officially dub the "white" race of Europeans "Caucasian," citing the superior beaury of Georgian and CirClSSian women as proof that the origin of white Europeans--and of the human species overall-should be located in the Caucasus mountains.) With ,hese points as orient:ltion, I would like to examine the figure of the fetishized female from the Caucasus, the CirClSSian or Georgian slave, who became an unlikely ioon ror racial theorists and their narratives of European superiority.' I focus particularly on those literary ,ropes of beaury and breeding that were translated by scientific discourse into empirical evidence ror theories of human difference. 163 164 SARA F1GAL THE CAUCASIAN SLAVE RACE 165 The "CauClSian" race was identified and named at the end of the eigh­ as fair-skinned and dark-eyed, and they were fetishized as the priz.ed posses­ teenth century by a German scientific community intent on systematically sions of Ottoman harems. Beyond lurid European Janwies of the seraglio explaining human variation fOr the emerging fields of narural history, com­ and in the real world of human traffic, Circassian girls were regularly caprured parative anatomy, and physical anthropology. Debates about whether race by traclers-or sold by parents to traders-who knew they fetched the highest was a "real" category exisdng in narure or a conceptual heuristic for scien­ prices on the slave market in Const2minople.' While harem stories made fOr tific thinking circulated among a group of German philosophers and naru­ enterraining reading and postures of cross-cultural outrage, there was little to ral scientists thar included Immanuel Kant, Johann Friedrich Blumenbach, suggest an obvious reinscription of the Circassian beauty as the genealogical Georg Fomer, Christoph Meiners, and Johann Gottfried Herder. Scholars source of the European ract:. now generally credit the "invention of race" to this group, although Kant and From the vantage point of history, considcring how racial theories were: Blumenbach are usually singled out as the most significant contributors.' It is translared into arguments fOr Europeon cultural and political hegemony true that, in 1795, Blumenbach settled on names fOr five primary races in the throughout the world, this choice fOr the originary body of the CauClSian third edition of his Dt gmtris humani varittau nativa {On the n.rural voriety ideal seems prcpostcrous. It locates the gencCiltrix of Caucasian identity at of mankind}, using the term Caucl1Sian fOr the first time {along with Mongo­ home outside of Europe, beyond the bounds of the Holy Roman Empire. lian, Ethiopian, Amtrican, and Malay}. Blumenbach also proposed that the The Circassians and Georgians. those Caucasians with whom we shall be CauClSian should be considered the "primeval" race, &om which the other most concerned, lived outside of the community of "civilized" cultures; they fOur had developed over time.' So why did he locate the origin of the species were described by Europeans as wild and primitive. I. Finally, they existed out­ in the Caucasus mountains? side of orthodox Christendom and were identified by travel writers as animist This question has been asked several times in recent decades, both in heathens with vestiges of Christian and Muslim in8uence." Their ambiguous the context of the history of science, as with Stephen Jay Gould's revised otherness-their dist2nce from all values ascribed to the superior European edition of Tht MismtllSUrt of Man (I996), and in the context of whiteness whire Christian male--are hardly attributes that one would expect to find studies, as with Bruce Baum's Tht Rist and FaD oftht CaW:l1Sian Raet (2006).' central to a narrative of European racial identity. Both of these works recognize that the naming of the CauClSian race was a How, then, could such a conceptual move be possible? And not only response to a tangle of ideas-fOr the most part unscientific-about beauty. possible, but accept2ble to a scientific community heovily invested in Euro­ & David Bindman has noted, Europeans believed that "the peoples beyond pean distinctiveness? Postcolonial theorists have advanced dynamic ideas of the eastern border of the Holy Roman Empire-the Circassi.ns and oth­ hybridity and creolization as a radical challenge to historically enuenched ers-were of exceptional contentment and beaury," a belief that contributed ideols of "authenticity," and, in this light particularly, it is intriguing to rec­ to the nineteenth-century underst2nding of an Aryan race.' While investiga­ ognize that the eighteenth-century construction of the racial "authentic" is tions of eorly race theories have pursued the long-term consequences of this based at the outset on a circulating set of tales and references involving reli­ theoretical shift that emphasiz.ed aesthetic superioriry as "n.tural" evidence gious, linguistic, and biological amalgamation. fOr explanations of racial diffi:rentiation, none to date has fully investigated what Gould calls the "mental machinery"-in this case, the culrural and liter­ ary cat2lysrs--that produced the Caucl1Sian nomenelarure. "THE HANDSOMEST WOMEN OF THE WORLD": The tale told by late eighteenth-cenrury scientists and philosophers of BEAUTY AND DESIRE "white" racial identity emphasized a set of attributes that included European geography, white skin color, and both cultural and physical superiority. It is Although the women of the Caucasus belonged to a culture that was decid­ surprising, then, that the: figure at the center of this constructed narrative of edly non-European, their beauty was legendary, the sruff of myth and erotic origins and heredirary transmission is the beautiful Circassian &om the Cau­ funrasy. In Europe during the seventeenth, eighteenth, and even nineteenth casus mountains. European readers of travelogues and novels were familiar cenruries, these women-identified interchangeably and imprecisely as Geor­ with this figure: Circassian and Georgian women in particular were celebrated gians or Circassians-were celebrated in texts by German {and French and 166 SARA AGAL THE CAUCASIAN SLAVE RACE 167 English and Rwsian) writers, whether in travel litel':lture, anthropological Chardin expands on his superlative evaluation of the Georgian women, find­ treatises, natural history texts, novels, plays, or philosophical essays, as the i~g something that transcends the ordinary in their "Angels Faces." This special most beautiful human beings in the world." Two works of nonfiction from gIft of nature exerts a power on the beholder, whose observation-which, in the late seventeenth century illustrate what would become a customary per­ the case of a travel writer like Chardin, aims to be dispassionate-is suddenly spective.

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