10/01/21 Japanese Cinema | Prifysgol Bangor University Japanese Cinema View Online Abe, Kasho, William O. Gardner, and Daisuke Miyao, Beat Takeshi vs. Takeshi Kitano ([Japan]: Kaya Press, 2005) Abe Mark, Nornes, ‘The Riddle of the Vase: Ozu’s Late Spring (1949)’ (Hoboken: Taylor & Francis, 2007) <http://www.Bangor.eblib.com/patron/FullRecord.aspx?p=325201> Allison, Ann, ‘Sailor Moon: Japanese Superheros for Global Gir’ (Armonk, N.Y.: M.E. Sharpe, 2000) ‘Amazing Anime - TIME’ <http://content.time.com/time/magazine/article/0,9171,992626,00.html> Bowyer, Justin, The Cinema of Japan and Korea (London: Wallflower, 2004), 24 frames ———, ‘The Cinema of Japan and Korea’ (London: Wallflower, 2004), 24 frames Broderick, Mick, Hibakusha Cinema: Hiroshima, Nagasaki, and the Nuclear Image in Japanese Film (Abingdon, Oxon: Routledge, 2009) ———, Hibakusha Cinema: Hiroshima, Nagasaki, and the Nuclear Image in Japanese Film (Abingdon, Oxon: Routledge, 2009) Brown, Steven T., Cinema Anime (Basingstoke: Palgrave Macmillan, 2008) <http://bangor.eblib.com/patron/FullRecord.aspx?p=307659> Burch, Noël, and Annette Michelson, To the Distant Observer: Form and Meaning in the Japanese Cinema (London: Scolar Press, 1979) ———, To the Distant Observer: Form and Meaning in the Japanese Cinema (London: Scolar Press, 1979) Cavallaro, Dani, The Animé Art of Hayao Miyazaki (Jefferson, N.C.: McFarland & Co, 2006) ‘CJ 40.4.4 Davis - 1104026945_kitanohanabi.pdf’ <http://www.kitanotakeshi.com/pdf/1104026945_kitanohanabi.pdf> Desser, David, Eros plus Massacre: An Introduction to the Japanese New Wave Cinema (Bloomington: Indiana University Press), A Midland book Donald Richie, Hundred Years of Japanese Film: A Concise History, with a Selective Guide to Dvds and Videos [Paperback] (Kodansha America, Inc; Rev Upd edition (15 Oct 2012)) <http://www.amazon.co.uk/Hundred-Years-Japanese-Film-Selective/dp/1568364393/ref=sr 1/6 10/01/21 Japanese Cinema | Prifysgol Bangor University _1_1?ie=UTF8&qid=1406107240&sr=8-1&keywords=hundred+years+of+japanese+film> Fujita, Toshiya, and Meiko Kaji, ‘Lady Snowblood: Lady Snowblood, Love Song of Vengeance’ ([London]: Arrow Video, 2012) Gardner, Richard. A, Aum Shinriko and a Panic about Manga and Anime’ (Armonk: M.E. Sharpe, Inc, 2008) <http://www.Bangor.eblib.com/EBLWeb/patron?target=patron&extendedid=P_435228_0& > Gerow, Aaron Andrew, Kitano Takeshi (London: British Film Institute, 2007), World directors series Hill, John, Pamela Church Gibson, Richard Dyer, E. Ann Kaplan, and Paul Willemen, World Cinema: Critical Approaches (Oxford: Oxford University Press, 2000) Hirokazi, Kore-Eda, Izuka Miho, Koike Kentaro, Taguchi Hijiri, Ohshirô Maeda, Koki Maeda, and others, ‘I Wish’ ([London]: Arrow Films, 2013) Howard Chua-Eoan, ‘Beware of the Poke Mania : TIME Magazine Cover Story [Download: PDF] [Digital]’ <http://www.amazon.com/Beware-Poke-Mania-Magazine-Cover/dp/B00006FCRJ> Ichikawa, Kon, ‘Fires on the Plain’ (Place of publication not identified: publisher not identified, 2007) Ichikawa, Kon, Masaichi Nagata, Ayako Wakao, Kazuo Hasegawa, Fujiko Yamamoto, Otokichi Mikami, and others, ‘An Actor’s Revenge: Yukinojo Henge’ (London: BFI Video Publishing [distributor], 2003) Ichikawa, Kon, Michio Takeyama, Natsuto Wada, Rentaro Mikuni, Shoji Yasui, and Nikkatsu Kabushiki Kaisha, ‘The Burmese Harp’ ([United Kingdom]: Eureka Entertainment [distributor], 2012) Iguchi, Noboru, Minase Yashiro, and Fever Dreams (Firm), ‘The Machine Girl’ (Hitchen: Cine-Asia, 2009) Imamura, Shohei, Keiji Hasebe, Rentaro Mikuni, Choichiro Kawarasaki, Kazuo Kitamura, Hideko Okiyama, and others, ‘Profound Desires of the Gods’ ([London]: Eureka Entertainment, 2011) Itami, Juzo, Seigo Hosogoe, Tsutomu Yamazaki, Koji Yakusho, Ken Watanabe, and Nobuko Miyamoto, ‘Tampopo’ ([Australia]: Umbrella World Cinema [distributor], 2010) Iwabuchi, Koichi, Recentering Globalization: Popular Culture and Japanese Transnationalism (Durham: Duke University Press, 2002) Kaneko, Shusuke, Tatsuya Fujiwara, Kenichi Matsuyama, Erika Toda, 4Digital Media, and Nippon Television Network, ‘Death Note 2: The Last Name’ (UK: 4Digital Media / NTV., 2008) 2/6 10/01/21 Japanese Cinema | Prifysgol Bangor University Katzenstein, Peter J., and Takashi Shiraishi, Beyond Japan: The Dynamics of East Asian Regionalism (Ithaca: Cornell University Press, 2006), Cornell studies in political economy Koreeda, Hirokazu, and Arrow Films (Firm), ‘Like Father, like Son’ ([Radlett Lane, Shenley]: Arrow Films, 2014) Koreeda, Hirokazu, Teru Miyamoto, Yoshihisa Ogita, Masao Nakabori, Chen Ming-Chang, Makiko Esumi, and others, ‘Maborosi: Maboroshi No Hikari’ ([S.l.]: TV Man Union, 2001) Matsumoto, Toshio, Mitsuru Kudo, Yoshio Tsuchiya, Osamu Ogasawara, Toyosaburo Uchiyama, Don Madrid, and others, ‘Funeral Parade of Roses’ ([U.K.]: Eureka Entertainment, 2012) McDonald, Keiko I., Reading a Japanese Film: Cinema in Context (Honolulu: University of Hawaii Press, 2006) Misumi, Kenji, Tomisaburo Wakayama, Fumio Watanabe, Yunosuke Ito, Shigeru Tsuyuguchi, Tomoko Mayama, and others, ‘Lone Wolf & Cub’ (Tokyo: Toho Co, 2009) ———, ‘Lone Wolf & Cub’ (Tokyo: Toho Co, 2009) Miyao, Daisuke, ed., ‘The Jidaigeki Film Twilight Samurai - a Salaryman-Producers Point of View In The Oxford Handbook of Japanese Cinema’, in The Oxford Handbook of Japanese Cinema (Oxford: Oxford University Press, 2014), [Oxford handbooks] Miyazaki, Hayao, Yasuyoshi Tokuma, and Sutajio Jiburi, Kabushiki Kaisha, ‘My Neighbour Totoro’ (London: Optimum Releasing, 2006) Morita, Yoshimitsu, Yusaku Matsuda, Juzo Itami, Yohei Honma, Nikkatsu Kabushiki Kaisha, Nyu Senchuri Purodyusazu, and others, ‘Family Game’ (Long Beach, CA: Geneon Entertainment, 2006) Morley, David, and Kevin Robins, ‘Spaces of Identity: Global Media, Electronic Landscapes, and Cultural Boundaries’ (London: Routledge, 1995) Nagai, Go, Eriko Sato, Mikako Ichikawa, Jun Murakami, Hideaki Anno, Aumi Takahashi, and others, ‘Cutie Honey’ ([United States]: Amvm Entertainment, 2004) Nagata, Hidemasa, Yasuzo Masumura, Ishio Shirasaka, Ken Kaiko, Hiroshi Kawaguchi, Hitomi Nozoe, and others, ‘Giants & Toys’ ([United States]: Fantoma Films, 2004) Nakamura, Yoshihiro, Tamio Hayashi, Yasushi Udagawa, Atsushi Ito, Kengo Kora, Mikako Tabe, and others, ‘Fish Story’ ([S.l.]: Third Windows Films, 2010) Nakamura, Yoshihiro, Ryuhei Matsuda, Gaku Hamada, Megumi Seki, Nene Otsuka, Kotaro Isaka, and others, ‘The Foreign Duck, the Native Duck and God in a Coin Locker’ (London: Third Window Films, 2012) Napier, Susan, ‘Panic Sites: The Japanese Imagination of Disaster from Godzilla to Akira’, in Contemporary Japan and Popular Culture (Richmond, Surrey [England]: Curzon, 1996), pp. 235–62 3/6 10/01/21 Japanese Cinema | Prifysgol Bangor University ———, ‘Susan J Napier, “Vampires, Psychic Girls, Flying Women and Sailor Scouts: Four Faces of the Young Female in Japanese Popular Culture”’ (Cambridge, UK: Cambridge University Press, 1998), Contemporary Japanese society Napier, Susan J., ‘The Enchantment of Estrangement: The Shojo in the World of Miyazaki Hayao’ (New York: Palgrave Macmillan, 2001) <http://Bangor.eblib.com/patron/FullRecord.aspx?p=307602> Nelson, Paul, Narrative and Morality: A Theological Inquiry (University Park: Pennsylvania State University Press, 1987) Nolletti, Arthur, and David Desser, Reframing Japanese Cinema: Authorship, Genre, History (Bloomington: Indiana University Press, 1992) ‘Organic Machine: The World of Hayao Miyazaki | Film Comment’ <http://www.filmcomment.com/article/organic-machine-the-world-of-hayao-miyazaki> Oshima, Nagisa, Eiko Matsuda, and Tatsuya Fuji, ‘In the Realm of the Senses’ ([London]: Studio Canal, 2011) Ozu, Yasujiro, Takeshi Sakamoto, Choko Iida, Hideo Mitsui, Rieko Yagumo, Yoshiko Tsubouchi, and others, ‘Floating Weeds’ ([London]: Eureka!, 2012) Phillips, A., ‘Pictures of the Past in the Present: Modernity, Femininity and Stardom in the Postwar Films of Ozu Yasujiro’, Screen, 44.2 (2003), 154–66 <https://ezproxy.bangor.ac.uk/login?url=http://screen.oxfordjournals.org/content/44/2/154 > Phillips, Alastair, and Julian Stringer, Japanese Cinema: Texts and Contexts (Hoboken: Taylor & Francis, 2007) <http://whelf-bangor.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveS ervice&package_service_id=5237218610002422&institutionId=2422&customerId=2415> ———, Japanese Cinema: Texts and Contexts (London: Routledge, 2007) <http://www.bangor.eblib.com/patron/FullRecord.aspx?p=325201> Russell, Catherine, ‘Remembering the War: Three Post-War Films’, in Classical Japanese Cinema Revisited (New York: Continuum, 2011), pp. 133–48 Schrader, Paul, Transcendental Style in Film: Ozu, Bresson, Dreyer (New York, N.Y.: Da Capo Press, 1988), A Da Capo paperback Shindo, Kaneto, Nobuko Otowa, Kei Sato, Jisuko Yoshimura, Taiji Tonoyama, and Eureka Video (Firm), ‘Onibaba’ ([London]: Eureka Video, 2013) Shiro, Yoshioka, ‘Heart of Japanesness: History and Nostalgia in Hayao Miyazaki’s Spirited Away’ (Armonk: M.E. Sharpe, Inc, 2008) <http://www.Bangor.eblib.com/EBLWeb/patron?target=patron&extendedid=P_435228_0& > ———, ‘Heart of Japanesness: History and Nostalgia in Hayao Miyazaki’s Spirited Away’’ 4/6 10/01/21 Japanese Cinema | Prifysgol Bangor University (Armonk: M.E. Sharpe, Inc, 2008) <http://www.Bangor.eblib.com/EBLWeb/patron?target=patron&extendedid=P_435228_0& > Skov, Lise, and Brian Moeran, Women, Media, and Consumption in Japan (Richmond, Surrey: Curzon Press, 1995), ConsumAsiaN book series Slaymaker, Douglas, A Century of Popular Culture in Japan (Lewiston: Edwin Mellen Press, 2000),