Bibliographie Sélective Photographie & Culture Visuelle en Inde Zoe Headley Allana, R. 2010. The Artful Pose. Early Studio Photography in Mumbai, c. 1855-1940. Mumbai: Mapin Publishing. Alkazi, E., Allana, R., Kumar, P. Painted Photographs: Coloured Portraiture in India. Mumbai: Mapin Publishing. Babb, L. A. 1981. « Glancing: Visual Interaction in Hinduism ». Journal of Anthropological Research, 37(4): 387-401. Batti, S. et Pinney, C. « Optic-Clash: Modes of Visuality in India ». In Clark-Deces, I. (dir.), A Companion to the Anthropology of India. Malden: Blackwell Publishing, 225-240. Carotenuto, G. M. 2003. Power, Patronage and Portraiture: The Photographs of the Nizam of Hyderabad by Raja Lala Deen Dayal. Los Angeles: University of California Press. Chaudhary, Z.R. Afterimage of Empire: Photography in Nineteenth-Century India. University of Minnesota. Davis, R. H. 1997. Lives of Indian Images. Princeton: Princeton University Press. Dehejia, V. 2000. India Through the Lens: Photography 1840-1911. Mapin: Freer/Sackler. Desmond, Ray. 1982. Victorian India in Focus: A Selection of Early Photographs from the Collection inthe India Office Library and Records. London: H.M.S.O. Dewan, J. 1992. « Delineating Antiquities and Remarkable Tribes: Photography for the Bombay and Madras Governments, 1855-70 ». History of Photography, 16(4): 302-17. Dewan, J. 2003. The Photographs of Linnaeus Tripe: A Catalogue Raisonne. Toronto: Art Gallery of Ontario. Dewan, D. 2012. Embellished Reality: India Painted Photographs – Toward a Transcultural History of Photography. Toronto: Royal Ontario Museum. Eck, D. 1981. Darsan, Seeing the Divine Image in India. Chambersburg: Anima Press. Edwards, E. 2013(a). « Looking at Photographs: Between Contemplation, Curiosity and Gaze ». In: T. Garb (ed.) Distance and Desire: Encounters with the African Archive. New York: Steidl Edwards, E. et Mead, M. 2013(b). « Absent Histories and Absent Images: Photographs, Museums and the Colonial Past ». Museums and Society, 11 (1): 19-38. 1 Edwards, E. 2012. The camera as historian : amateur photographers and historical imagination, 1885-1918. Durham, North Carolina : Duke University Press. Falconer, J. 1995. A Shifting Focus: Photography in India 1850-1900. London: The British Council. Falconer, J. 2001. India: Pioneering Photographers 1850-1900. London: British Library. Freitag, S. B. 2014. « The Visual Turn: Approaching South Asia across the Disciplines ». South Asia: Journal of South Asian Studies, 37(3): 398–409. Furneaux, J. Glimpses of India: A Grand Photographic History of the Land of Antiquity. Philadelphia: Historical Publishing Company, [1895?]. Guha-Thakurta, T. 1995. « Visualizing the Nation: The Iconography of a ‘National Art’ in Modern India ». Journal of Arts and Ideas, 27–28: 7–40. Gupta N. 2000. Beato’s Delhi 1857-1997. New Delhi: Ravi Dayal Publisher. Gutman, J. M. 1982. Through Indian Eyes, 19th and 20th Century Photography from India. New York: Oxford University Press. Jain, K. 2007. Gods in the Bazaar: The Economies of Indian Calendar Art. Durham and London: Duke University Press. Johnson, R. F. 2003. Reverie and Reality: Nineteenth-Century Photographs of India from the Ehrenfeld Collection. San Francisco: Fine Art Museums of San Francisco. Karlekar, M. 2005. Revisioning the Past: Early Photography in Bengal 1875-1915. New Delhi: Oxford University Press. Karlekar, M. (dir.). 2006. Visualizing Indian Women 1875-1947. New Delhi: Oxford University Press. Malavika Karlekar, 2013 Visual Histories: Photography in the Popular Imagination. New Delhi: Oxford University Press. MacDougall, D. 1992. « Photo Wallahs’: An Encounter With Photography ». Visual Anthropology Review, 8(2): 96–98. MacDougall, D. 1992. « Photo Hierarchicus: Signs and Mirrors in Indian Photography ». Visual Anthropology, 5(2): 103–129. McHoul, A. & McNaughton, A. 2002. “Street and Studio: Popular Commercial Photography in India and Bangladesh”. In Intersections: Gender, History and Culture in the Asian Context. Issue 8, October. 2 Mahadevan, S. 2013. « Archives and Origins. The Material and Vernacular Cultures of Photography in India ». Archives, 4(1). (http://hdl.handle.net/2027/spo.7977573.0004.103) Mazzarella, W. 2003. Shoveling Smoke: Advertising and Globlization in Contemporary India. Durham and London: Duke University Press. Michell G. (dir.). 2008. Vijayanagara: Splendour in Ruins. New Delhi: Alkazi Collection of Photography; Ahmedabad: Mapin Publishing. Pelizzari, M. A. (dir.). 2003. Traces of India: Photography, Architecture, and the Politics of Representation, 1850–1900. Montréal: Canadian Centre for Architecture; New Haven: Yale University Press. Pinney, C. 1997. Camera Indica: The Social Life of Indian photographs London: Reaktion Books/Chicago: University of Chicago Press 1997. Pinney, C. 2008. The Coming of Photography in India. New Delhi: Oxford University Press. Pinney, Christopher. “To Know A Man From His Face: Photo Wallahs and the Uses of Visual Anthropology.” Visual Anthropology Review 9.2 (1993): 118–125. (SB) Pinney, C. "The Parallel Histories of Anthropology and Photography" pp.74-95 & "Underneath the Banyan Tree: William Crooke and photographic depictions of caste", pp.165-173, both in E.Edwards (ed.) Anthropology and Photography 1860-1920, Yale University Press, 1992. Pinney, C. "Some Indian 'Views of India': The Ethics of Representation" in Maria Antonella Pelizarri (ed.) Traces of India: Photography, Architecture, and the Politics of Representation, 1850-1900, Montreal: Canadian Centre for Photography/Yale: Paul Mellon Centre. pp. 262-275. Pinney, C. 2004.'Photos of the Gods': The Printed Image and Political Struggle in India. London: Reaktion/Delhi: Oxford University Press Pinney, Christopher. “The Indian Work of Art in the Age of Mechanical Reproduction: Or, What Happens when Peasants ‘Get Hold’ of Images,” In Media Worlds: Anthropology on New Terrain. Edited by Faye Ginsburg, Lila Abu-Lughod, and Brian Larkin. Berkeley: University of California Press, 2002355–369 (SB) Ramaswamy, S. (dir.). 2003. Beyond Appearances. Visual Practices and Ideologies in Modern India. New Delhi: Sage Publications. Ryan, J. 1997. Picturing Empire: Photography and Visualization of the British Empire. London: Reaktion Books. Sahai, Y. et Singh, R. 1996. Maharaja Sawai Ram Singh II of Jaipur: The Photographer Prince. Jaipur: Dr. Durga Sahai Foundation. 3 Sinha, A. J. 2007. « Visual Culture and the Politics of Locality in Modern India: A Review Essay ». Modern Asian Studies, 41(1): 187-220. Thomas, G. 1979. « The First Four Decades of Photography in India ». History of Photography 3(3): 215-226. Thomas, G. 1981. A History of Photography in India 1840-1980. Hyderabad: Andhra Pradesh State Akademi of Photography. Thomas, G. 1992. « The Madras Photographic Society 1854-61 ». History of Photography, 16(4): 299-301. Worswick, C. et Embree, A. 1976. The Last Empire: Photography in British India, 1855-1911. New York: Aperture. Worswick, C. (dir.). 1980. Princely India: Photographs by Raja Deen Dayal 1884-1910. New York: Penwick. 4 .