Selected Filmography 9 Songs, Michael Winterbottom, 2004. A Hole in my Heart, Lukas Moodysson, 2004. A Snake of June, Shinya Tsukamoto, 2002. Anatomie de l'enfer, Catherine Breillat, 2004. Antichrist, Lars von Trier, 2009. Baise-moi, Virginie Despentes and Coralie Trinh Thi, 2000. Battle in Heaven, Carlos Reygadas, 2005. The Brown Bunny, Vincent Gallo, 2003. Cache, Michael Haneke, 2005. The Center of the World, Wayne Wang, 2001. Demon/over, Olivier Assayas, 2002. Destricted, Marina Abramovic, Matthew Barney, Marco Brambilla, Larry Clark, Gaspar Noe, Richard Prince and Sam Taylor-Wood, 2006. Dog Days, Ulrich Seidl, 2001. Funny Games, Michael Haneke, 1997. Gerry, Gus Van Sant, 2002. The Girlfriend Experience, Steven Soderbergh, 2009. The Idiots, Lars von Trier, 1998. Import/Export, Ulrich Seidl, 2007. In the Cut, Jane Campion, 2003. In the Realm of the Senses, Nagisa Oshima, 1976. Intimacy, Patrice Chereau, 2001. Irreversible, Gaspar Noe, 2002. Last Tango in Paris, Bernardo Bertolucci, 1972. Lie With Me, Clement Virgo, 2005. La Pianiste, Michael Haneke, 2001. Pola X, Leos Carax, 1999. The Pornographer, Bertrand Bonello, 2001. Princess, Anders Morgenthaler, 2006. Ma mere, Christophe Honore, 2004. The Night Porter, Liliana Cavani, 1974. Romance, Catherine Breillat, 1999. Salo, or the 120 Days ofSodom, Pier Paolo Pasolini, 1975. Seul contre taus, Gaspar Noe, 1998. Shortbus, John Cameron Mitchell, 2006. Taxidermia, Gyorgy Palfi, 2006. This Girl's Life, Ash Baron-Cohen, 2003. Trouble Every Day, Claire Denis, 2001. Twentynine Palms, Bruno Dumont, 2003. Un Chien andalou, Luis Bufiuel, 1929. Vendredi Soir, Claire Denis, 2002. The Wayward Cloud, Ming-liang Tsai, 2005. 165 Selected Bibliography Aaron, Michele. Spectatorship: The Power of Looking On. London: Wallflower, 2007. Abbey, Edward. Desert Solitaire: A Season in the Wilderness. New York: Ballantine Books, 1968. Adorno, Theodor W. Minima Moralia: Reflections From Damaged Life. Trans. E.F.N. Jephcott. London: NLB, 1974. Adorno, Theodor W. Aesthetic Theory [1970]. Trans. Robert Hullot-Kentor. London: Continuum, 1997. Adorno, Theodor W. and Max Horkheimer. Dialectic of Enlightenment [1944). New York: Continuum, 1972. Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel Heller­ Roazen. Stanford: Stanford University Press, 1998. Attwood, Feona, ed. Mainstreaming Sex: The Sexualization of Western Culture. London: !.B. Tauris, 2009. Auge, Marc. Non-Places: Introduction to an Anthropolop;y of Supermodernity. Trans. John Howe. London: Verso, 1995. Bainbridge, Caroline. The Cinema of Lars Von Trier: Authenticity and Artifice. London: Wallflower Press, 2007. Bainbridge, Caroline. A Feminine Cinematics: Luce Irigaray, Women and Film. Basingstoke: Palgrave Macmillan, 2008. Bal, Mieke. Quoting Caravaggio: Contemporary Art, Preposterous History. Chicago: University of Chicago Press, 1999. Bazin, Andre. "Marginal Notes on Eroticism in the Cinema." In What is Cinema? Volume 2 [1971], trans. Hugh Gray, Foreword by Fraw;:ois Truffaut, new fore­ word by Dudley Andrew, Berkeley: University of California Press, 2005. Bazin, Andre. "The Western: or the American Film Par Excellence." In What is Cinema? Volume 2 (1971]. Trans. Hugh Gray, Foreword by Fran~ois Truffaut, new foreword by Dudley Andrew. Berkeley: University of California Press, 2005. Baudrillard, jean. America [1986]. London: Verso, 1988. Baudrillard, jean. Seduction [1979]. Trans. Brian Singer. Montreal: New World Perspectives, 1990. Best, Victoria and Martin Crowley. The New Pornographies: Explicit Sex in Recent French Fiction and Film. Manchester: Manchester University Press, 2008. Beugnet, Martine. Claire Denis. Manchester: Manchester University Press, 2004. Beugnet, Martine. Cinema and Sensation: French Film and the Art of Transgression. Edinburgh: Edinburgh University Press, 2007. Bickerton, Emilie. "Anatomy of Hell." Sight and Sound 15.1 (2004): 40-2. Blumenthal, Ralph. "Porno Chic." The New York Times. january 21, 1973, 272. Booth, Wayne. The Company We Keep: An Ethics of Fiction. Berkeley: University of California Press, 1988. Bordwell, David. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985. 166 Selected Bibliography 167 Bordwell, David. Figures Traced in Light: On Cinematic Staging. Berkeley: University of California Press, 2005. Breillat, Catherine. Pornocratie. Paris: Denoel, 2001. Brenez, Nicole. De Ia figure en general et du corps en particulier. Brussels: De Baek, 1998. Brottman, Mikita. Offensive Films: Toward and Anthropology of Cinema Vomitif. Westport, Conn.: Greenwood£ Press, 1997. Brunette, Peter. Michael Haneke. Urbana: University of Illinois Press, 2010. Butler, Alison. Women\ Cinema: The Contested Screen. London: Wallflower, 2002. Butler, Judith. Excitable Speech: A Politics of the Performative. New York: Routledge, 1997. Cameron, Allan. "Contingency, Order, and the Modular Narrative: 21 Grams and Irreversible." The Velvet Light Trap 58 (2006): 65-78. Caputi, Mary. Voluptuous Yearnings: A Feminist Theory of the Obscene. Lanham: Rowman & Littlefield, 1994. Cardullo, Bert. "Shoot the Piano Player." The Hudson Review 56.3 (2003): 521-30. Carter, Angela. The Sadeian Woman and the Ideology of Pornography. New York: Pantheon Books, 1978. Casarino, Cesare. "David Wojnarowicz, AIDS, and the Cinematic Imperative." Raritan 20.4 (2001): 148-57. Cash ell, Kieran. Aftershock: The Ethics of Contemporary Transgressive Art. London: I. B. Tauris, 2009. Cavell, Stanley. "A Matter of Meaning It." In Must We Mean What We Say? A Book of Essays. Cambridge: Cambridge University Press, 1960. Caws, Mary Ann. The Art of Interference: Stressed Readings in Verbal and Visual Texts. Cambridge: Polity Press, 1989. Celik, Ipek A. '"I Wanted You to Be Present': Guilt and the History of Violence in Michael Haneke's Cache." Cinema Journal 50.1 (2010): 59-80. Charney, Leo. Empty Moments: Cinema, Modernity, and Drift. Durham: Duke University Press, 1998. Childs, Elizabeth C. "Introduction." In Suspended License: Cemorship and the Visual Arts, ed. Elizabeth C. Childs. Seattle: University of Washington Press, 1998, 3-31. Christensen, Ove. "Spasserfilm: N<erhed og Distance i Idioteme." In Negne Billeder: De Danske Dogmefilm, ed. Ove Christensen. Copenhagen: Medusa, 2004. Christopher Sharrett, "The World That is Known: Michael Haneke Interviewed," Kinoeye: New Perspectives on European Film, 4.1 (2004), http://www.kinoeye. org/04/01/interviewOl.php. Accessed October 4, 2006. Cixous, Helene. "The Laugh of the Medusa." In New French Feminisms, eds. Elaine Marks and Isabelle de Courtivron. New York: Schocken, 1981, 245-64. Clark, T.J. The Sight of Death: An Experiment in Art Writing. New Haven: Yale University Press, 2006. Clark, Kenenth. The Nude: A Study in Ideal Form. New York: Pantheon, 1956. Clouzot, Claire. Catherine Breillat: Indecence et purete. Paris: Cahiers du cinema, 2004. Clover, Carol J. "Her Body, Himself: Gender in the Slasher Film." Representations 20 (1987): 187-228. Cohen, Paula Marantz. Silent Film and the Triumph of the American Myth. Oxford: Oxford University Press, 2001. 168 Selected Bibliography Comolli, Jean-Luc, and Paul Narboni. "Cinema/Ideology/Criticism." Screen 12.1 (1971): 27-36. Coopersmith, Jonathan. "Pornography, Videotape, and the Internet." IEEE Technology and Society Magazine 19 (2000): 27-34. Cordelle, Frank. Bodies and Souls: The Century Project. Ancaster, ON: Heureka Productions, 2006. Coward, Rosalind. "Sexual Violence and Sexuality." Feminist Review 11 (1982): 9-22. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: The MIT Press, 1990. Creed, Barbara. Media Matrix: Sexing the New Reality. Craw's Nest, Australia: Allen and Unwin, 2003. Danks, Adrian. "Travellin' Light." Senses of Cinema 31 (2004), http:/ /www.senses ofcinema.com/2004/cteq/vendredi_soir/ Accessed August 31, 2006. Dargis, Manohla. "Strangers Squirrel Themselves Away for Four Nights of Sex and Zero Nights of Fun." The New York Times. October 15, 2004, 12. Debord, Guy. La societe du spectacle [Society of the Spectacle]. Paris: Buchet/Chastel, 1967. de Lauretis, Teresa. Technologies of Gender: Essays on Theory, Film, and Fiction. Bloomington: Indiana University Press, 1987. Deleuze, Gilles. Cinema 1: The Movement-Image [1983]. Trans. Hugh Tomlinson and Barbara Habberjam. London: The Athlone Press, 1986. Deleuze, Gilles. Cinema 2: The Time-Image [1985!. Trans. Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press, 1989. Deleuze, Gilles and Felix Guattari. "1440: The Smooth and the Striated." A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: University of Minnesota Press, 1988, 474-500. de Man, Paul. The Resistance to Theory. Foreword by Wlad Godzich. Minneapolis: University of Minnesota Press, 1986. Derrida, Jacques. Tlre Truth in Painting. Trans. Geoff Bennington and Ian McLeod. Chicago: University of Chicago Press, 1987. Didi-Huberman, Georges. Confronting Images: Questioning the Ends of a Certain History of Art. Trans. John Goodman. University Park, PA.: Pennsylvania State University Press, 2005. Doane, Mary Anne. "Film and the Masquerade: Theorising the Female Spectator." Screen 23.3-4 (1982): 74-88. Doane, Mary Ann. "Women's Stake: Filming the Female Body." In Feminism and Film Theory, ed. Constance Penley. New York: Routledge, 1988, 216-28. Downing, Lisa and Libby Saxton. Film and Ethics: Foreclosed Encounters. London: Routledge, 2009. Dunne, J. W. An Experiment With Time. London: