660245-47 bk Meyerbeer 31/12/09 21:09 Page 16 MEYERBEER 3 CDs Il crociato in Egitto (The Crusader in Egypt) Maniaci • Ciofi • Vinco • Zennaro • Pasini Portari • Polverelli • Favaron • Pedrini Orchestra e Coro del Teatro La Fenice • Villaume All performance photographs © Michele Crosera 8.660245-47 16 660245-47 bk Meyerbeer 31/12/09 21:09 Page 2 Giacomo the Teatro La Fenice became an autonomous entity and the orchestra was developed further with active MEYERBEER participation in the Festival of Contemporary Music (1791-1864) of the Biennale. In the 1940s and 1950s under the guidance of Toscanini, Scherchen, Bernstein, and Celibidache (with a complete cycle of Beethoven Il crociato in Egitto symphonies), Konwitschny (with Wagner’s Ring (The Crusader in Egypt) cycle), and Stravinsky, the orchestra presented a series of historic concerts. In the following years the most Heroic melodrama in two acts distinguished conductors worked with the orchestra, among them Bruno Maderna, Herbert von Karajan, Libretto by Gaetano Rossi (1774-1855) Karl Böhm, Claudio Abbado, Riccardo Muti, Georges Edizione a cura di Franco Rossi e Carlo Steno Rossi Prêtre, Eliahu Inbal, Seiji Ozawa, and Lorin Maazel. Contemporary operas in the 1950s included Britten’s The Turn of the Screw and Stravinsky’s The Rake’s Armando d’Orville . Michael Maniaci, Countertenor Progress, and in more recent years the first Italian production of Aus Deutschland and the world première of Mauricio Kagel’s Entführung im Konzertsaal, and of Palmide . Patrizia Ciofi, Soprano Adriano Guarneri’s Medea. In concerts the orchestra has undertaken cycles, including those dedicated to Berg and Aladino . Marco Vinco, Bass to Mahler, under the direction of conductors such as Sinopoli, Kakhidze, Masur, Barshai, Tate, Ahronovitch, Kitaenko, Inbal, and Temirkanov. The orchestra tours regularly in Italy and abroad. Principal conductors have Osmino . Iorio Zennaro, Tenor included Eliahu Inbal, Vjekoslav Sutej, and Isaac Karabtchevsky, and among guest conductors Jeffrey Tate. From Alma . Silvia Pasini, Mezzo-soprano 2002 to 2004 the Musical Director was Marcello Viotti. Adriano di Monfort . Fernando Portari, Tenor Felicia . Laura Polverelli, Mezzo-soprano Emmanuel Villaume Primo schiavo . Luca Favaron, Tenor Born in Strasbourg in 1964, Emmanuel Villaume began his musical education at the Strasbourg Conservatory and continued his studies in Paris, where he received degrees in Secondo schiavo . Emanuele Pedrini, Bass literature, philosophy and musicology. He also studied dramatic arts and performed in theatrical productions. He was appointed Dramaturg of the Opéra du Rhin in Strasbourg at the age of 21, and during his tenure there came to the attention of Spiros Argiris, Music Orchestra e Coro del Teatro La Fenice Director of the Festival dei Due Mondi in Spoleto, Italy, who invited him to conduct and narrate Debussy’s Chansons de Bilitis in 1987, followed by an invitation to make his Emmanuel Villaume American début at the 1990 Spoleto Festival USA with Le nozze di Figaro. Emmanuel Villaume has appeared with leading opera companies in the United States, throughout Europe and in Japan, including a series of engagements at the Metropolitan Opera in New Emanuela Di Pietro, chorus master York and at Covent Garden in London. He has led numerous symphonic concerts and opera performances for Spoleto Festival USA, including a noted Mahler symphonies Stefano Gibellato, fortepiano master cycle, the American première of Henze’s Der Prinz von Homburg, and acclaimed productions of Manon Lescaut, Der fliegende Holländer, Lakmé, Ariadne auf Naxos and Photo: akosphotography.com Don Giovanni. His Il crociato in Egitto opened the 2007 season at La Fenice in Venice. 8.660245-47 215 8.660245-47 660245-47 bk Meyerbeer 31/12/09 21:09 Page 14 Emanuele Pedrini CD 1 73:12 CD 2 71:57 Born in Leghorn, Emanuele Pedrini studied opera singing, choral music, choral conducting Act I Scene 5: The gardens of the Sultan’s palace and band orchestration at the Arrigo Boito Conservatory in Parma. He subsequently studied 1 Quai rimembranze amare Scene 1: A courtyard in the palace composition at the Benedetto Marcello Conservatory in Venice, working as a chorus (Felicia, Alma, Palmide) 0:39 of Sultan Aladino member at the Teatro La Fenice. In 2005 he obtained his Diploma in Orchestral Conducting 2 D’Armando Orville!... (Palmide, Felicia) 3:56 at the Conservatory in Venice, the first ever student to do so in the Conservatories of the 1 Patria amata! 3 Giovinetto cavalier Triveneto region. From 1990 to 1996 he conducted the Lirico Lombardo Choir. In 1998 he (Chorus of Slaves, Two Slaves) 10:19 (Felicia, Palmide, Armando) 12:18 was the conductor of the Arena Sferisterio Choir in Macerata in central Italy, achieving 2 I doni d’Elmireno 4 Armando!... Armando!... widespread acclaim and excellent reviews in both the local and national press. In 2001 he (Palmide, Chorus of Slaves, Osmino, Aladino) 9:04 prepared the Choir of La Fenice for the staging of the opera Camera obscura by Marco di (Palmide, Felicia, Alma, Armando) 1:53 3 Ah! sì: tutti i miei voti Bari, which received its première at the Venice Biennale. He is the artistic and musical Scene 6: Sultan Aladino’s palace director of the Quodlibet Cultural Musical Association chamber orchestra and choir. (Aladino, Palmide, Osmino) 2:07 4 Urridi vezzose (Chorus of Favourites) 4:28 5 Gran profeta, ognor dal ciel (Chorus of Imams, Chorus of Knights) 5:08 Scene 2: The garden of the Sultan’s palace 6 Invitto, illustre gran maestro (Aladino, Adriano, Chorus of the Teatro La Fenice 5 Cessi, o miei fidi, la sorpresa (Armando) 4:16 Felicia, Palmide, Armando, Osmino) 7:57 6 E Palmide!... ella sola or manca 7 Sogni, e ridenti di pace (Armando, Palmide, The chorus of the Teatro La Fenice is a permanent body of singers selected by international audition. Engaged in the (Armando, Palmide) 4:29 Felicia, Adriano, Aladino, Osmino) 5:02 operatic performances both at home and abroad, the chorus has a growing involvement with sacred, symphonic and 7 Ah! non ti son più cara 8 Ite, superbi (Aladino, Felicia, Adriano, Osmino, chamber repertoire. It holds an important position in the concert work of La Fenice in Italy and elsewhere, with the (Palmide, Armando) 7:43 Chorus of Imams, Armando) 7:08 orchestra of La Fenice and other orchestras. Chorus-masters, since the war, have included Sante Zanon, Corrado Mirandola, Aldo Danieli, Ferruccio Lozer, Marco Ghiglione, Vittorio Sicuri, Giulio Bertola, Giovanni Andreoli, Scene 3: The port of Damietta Guillaume Tourniaire, Piero Monti and the present incumbent, Emanuela Di Pietro. The chorus has collaborated 8 Vedi il legno, che al cielo vivente Act II with distinguished conductors, including Abbado, Ahronovitch, Arena, Bertini, Campori, Clemencic, Ferro, (Chorus of People, Felicia) 3:36 Scene 1: Sultan Aladino’s palace Fournier, Gavazzeni, Gelmetti, Horvat, Inbal, Kakhidze, Kitajenko, Maazel, Marriner, Melles, Muti, Oren, Peskó, 9 Popoli dell’Egitto (Felicia) 0:51 9 Ove, incauta m’inoltro?... (Felicia) 1:41 Prêtre, Santi, Semkov, Sinopoli, Tate, Temirkanov, and Thielemann. Its repertoire ranges from the sixteenth century 0 Pace io reco, a noi più grata 0 Ah! ch’io l’adoro ancor to the present. Among its recordings are Il barbiere di Siviglia with Claudio Abbado and, most recently, Massenet’s (Felicia, Chorus of People) 4:19 Thaïs with Marcello Viotti. (Felicia, Osmino, Chorus of Emirs) 4:51 ! Ah! più sorridere, labbro d’amore ! Come dolce a lusingarmi (Felicia, Chorus of People) 3:33 (Felicia, Osmino, Chorus of Emirs) 3:53 @ Tu, degli illustri cavalier di Rodi Orchestra of the Teatro La Fenice Scene 2: The gardens of the Sultan’s palace (Osmino, Felicia) 0:20 The history of the orchestra of the Teatro La Fenice is associated with that of the theatre, which held such an @ O solinghi recessi! (Palmide) 2:25 important place in opera in the nineteenth century, with premières including Semiramide, I Capuleti e i Montecchi, Scene 4: The sea shore # Tutto qui parla ognor (Palmide) 3:53 Rigoletto, and La traviata. The second half of the century brought an internationalisation of repertory, broadened # Tutto d’intorno tace omai (Adriano) 2:57 $ Ma ciel!... s’ei mai perì! also by symphony concerts and collaboration with leading soloists. In the course of the nineteenth and twentieth $ L’angustia mia, questa smania (Palmide, Alma, Osmino, Aladino) 2:17 centuries the orchestra was directed by leading conductors and composers, including Lorenzo Perosi, Giuseppe (Armando, Adriano) 2:46 % D’una madre disperata (Palmide) 4:58 Martucci, Antonio Guarnieri, Richard Strauss, Pietro Mascagni, Giorgio Ghedini, Ildebrando Pizzetti, Goffredo % Va’: già varcasti, indegno (Adriano, Armando) 4:42 ^ Ai suoi pié, ai suoi pianti Petrassi, Alfredo Casella, Gian Francesco Malipiero, Willy Ferrero, Leopold Stokowski, Fritz Reiner, Vittorio Gui, ^ Non sai quale incanto (Armando, Adriano) 7:42 (Chorus of Emirs, Aladino, Palmide) 3:58 Tullio Serafin, Giuseppe Del Campo, Nino Sanzogno, Ermanno Wolf-Ferrari, Carlo Zecchi, John Barbirolli, Herbert Albert, Bruno Walter, Franco Ferrara, Guido Cantelli, Thomas Schippers, and Dimitri Mitropoulos. In 1938 8.660245-47 14 3 8.660245-47 660245-47 bk Meyerbeer 31/12/09 21:09 Page 4 CD 3 59:01 Laura Polverelli 1 A che mi chiami? 9 Guidati sian que’ perfidi Born in Siena, the mezzo-soprano Laura Polverelli has appeared in many theatres since (Adriano, Aladino, Armando, Palmide) 3:03 (Aladino, Adriano, Chorus of Knights) 0:53 winning a number of competitions, including the Neue Stimmen and Toti dal Monte. Her 0 United States début in 1996 at the Seattle Opera in the title rôle of La Cenerentola was Scene 3: A remote part of the sea shore L’acciar della fede ai prodi si chiede? (Adriano, Chorus of Emirs, Chorus of Guards, acclaimed by the public and critics alike. She sings mostly Handel, Mozart and Rossini and 2 In sen del nostro possente nume has recorded rare works by Vivaldi.