Honoria Madelyn Starbuck, Ph.D. Curriculum Vitae [email protected] Academic History University of Texas at Austin Ph.D. 2003 Curriculum and Instruction Interdisciplinary Doctorate in Communications, Fine Arts and Education Dissertation: Clashing and Converging: Effects of the Internet on the Correspondence Art Network M.A. 1997 Curriculum and Instruction - Instructional Technology Thesis: Pedagogical Effectiveness of MIT's Brain Opera B.A. 1995 Fine Art with specialty in Art and Technology Capstone Project: Honoria in Ciberspazio: The First Internet Opera Professional Experience • Lecturer, Arts and Entertainment Technologies, School of Design and Creative Technologies, University of Texas at Austin, August 2019 - Present • Professor, Foundations, Art Institute of Austin, 2009 – 2020 • Instructor, Art Institute Online, Art Institute of Pittsburgh, 2005 - 2009 • Instructional Designer, Texas Engineering Extension Service (TEEX) August 2005 - 2007 • Usability Consultant, January 2003 – 2005 Polycot Networks LLC. Austin, TX • Program Coordinator, November 2004 - July 2005 Science, Technology and Society Program, University of Texas at Austin • Development Researcher, June 2001-August 2003 Accessibility Institute, University of Texas at Austin • Coordinator, Convergent Media Lecture Series. September 2000-June 2001 Advanced Communication Technologies Laboratory (ACTLab) University of Texas at Austin • Online Community Manager, May 1998-June 2000, WholePeople.com and WholeFoods.com, Austin, TX • Instructional Designer, 1997 Industrial-Strength Networks Austin, TX • Project Manager, Internet opera 1995-2003 Advanced Communication Technologies Laboratory (ACTLab) University of Texas at Austin • Editor, 1995-1996 National Issues Convention, University of Texas at Austin Qualifications and Skills • Develop faculty training in pedagogical skills for industry professionals •Individualize instructional design and pedagogical scaffolding for creatives • Public speaking • Facilitate team-building activities • Design and conduct qualitative research with grounded theory methodology • Develop and deliver synchronous and asynchronous online teaching • Develop and deliver art and design curriculum with emphasis on spontaneous generative creativity, improvisation, and iterative refinement o Anatomy and dynamic gesture drawing for storyboarding o Life drawing for animators o Fashion drawing for character design o Art history relevant to 21st century creatives o Design foundations o Observational drawing • Develop and deliver critique methods for individual and group projects o Strength-based critique for confidence and critical thinking o Aesthetic-based critique to deepen creative expression Awards and Honors • Global Bangemann Challenge, Stockholm 1999 • Texas Interactive Multimedia, Outstanding Achievement Award 1998 • Innovative Instructional Technology Awards Program 1998 • StudyWeb award for academic excellence 1998 • Global Information Infrastructure semi-finalist 1998 Publications and Presentations Publications • Starbuck, H. Thesis Honoria. (2010) TAM Publications. • Starbuck, H., (2006). Fluxus: Wanted Dead or Alive. review of Visible Language on Fluxus. Volume 39.3 part 1 and 2, 2005. • Starbuck, H., (2003). Urban Networks: Mail Art and the Internet. Manuscript commissioned for Courtland Institute of Art, London, England for online exhibition catalog, November 2003. • Brazell, J, Kim, N., and Starbuck, H., (2003). Digital Games Forecast. IC2 Institute, University of Texas at Austin. August 5, 2003. • Honoria's life as a Mail Artist. New Observations. editors Mark and Mel Corroto Issue #126. Summer 2000. • Introducing Mail Art: A Karen Elliott interview with Cracker Jack Kid and honoria. Postmodern Culture 3, no. 2, 1993. Publications and Presentations Published Interviews • Pushing the Envelope: Mail Art and The Eternal Network Ada Calhoun, Austin Chronicle (March 23, 2001) http://www.austinchronicle.com/issues/dispatch/2001-03-23/arts_string2.html • An Opera Grows in Cyberspace Wired News Mar. 16, 1998 http://www.wired.com/news/culture/0,1284,10946,00.html • The Opera Ain't Over 'Til the Cyber-Lady Sings: Honoria en Ciberspazio Jon Lebkowsky, Austin Chronicle (November 21, 1997) http://www.austinchronicle.com/issues/vol17/issue12/screens.opera.html • Cyborgs and Lava-Lamp Clones? This Must Be an Opera. Matthew Mirapaul New York Times on the Web April 25, 1996 http://www.nytimes.com/library/cyber/mirapaul/0425mirapaul.html Presentations on Art and technology • “Vision Statement Workshop” Faculty Development, School of Design and Creative Technologies, Austin, TX 2019 • “How-To” Social Engagement Art Performance, ACTLab Conference, Austin, TX 2019 • “Creative Collaboration” ACTLab 2018 Conference, San Antonio, TX 2018 • Faculty Development Training, Art Institute of Austin, 2009-2019 • ACTLab reunion, University of Texas at Austin, April 2014 • Keep Austin Weird, Digital art education booth, Austin, TX 2004 • Interactive Village, Digital art education booth, Austin, TX 2004 • South by Southwest Interactive, Aesthetics of Social Networks, Austin, TX 200 • Rhizome.org, Net.art database selection 2002 • Cyberopera Performance. 7th World Shakespeare Congress, Valencia, Spain 2001 • Shift-CTR, New Media Exhibition, University of California at Irvine 2000 • Cyberopera Performance. South by Southwest Interactive, Austin, Texas 1999 • Cyberopera Performance. McCullough Theater, Austin, Texas 1998 • Cyberopera Performance. South by Southwest Multimedia Conference, Austin, Texas 1997 • Cyberopera Performance. First International Conference on Virtual Reality in Valencia, Spain 1996 Publications and Presentations Presentations on Correspondence Art • Berlin/Mail Art Congress, August 2006 • NYC/DaDa Mail Art Congress, NYC, July 2006 • Correspondence Art Websites, 10th Anniversary Conference, Advanced Communication Technologies Laboratory (ACTLab), Austin TX, September 2002 • Mailed Art: Interview with Lynn Neary. National Public Radio, November 2001 • Effects of the Internet on the Correspondence Art Network. SXSW Art Panel, Austin, TX March 2001 • Ray Johnson Correspondences, Wexner Center for the Arts, Columbus, OH 2000 • Telenetlink, Mail Art and Virtual Community, Museo Pecci, Prato, Italy 1995 • Mail Art in Cyberspace, International conference in Florence, Italy 1994 • Women in Mail Art, Panel on Alternative Arts, University of Texas at Dallas, TX 1993 Grants and Scholarships • City of Austin Art Grant, 1997 • University of Texas Travel Grants for presentations in Italy 1994 and 1996 Licenses and Certifications • Coursera MOOC courses • Live! A History of Art for Artists, Animators, and Gamers April/May 2014 by CalArts Statement of Accomplishment with Distinction • Art and Inquiry: Museum Teaching Strategies for your Classroom September/October 2013 the Museum of Modern Art Statement of Accomplishment with Distinction • OSHA Course 521 OSHA Guide to Industrial Hygiene 2005 Professional Associations • Advisory Board, SXSW Edu 2013 - 2020 Austin, TX • Advisory Board, SXSW Interactive 2013 - 2020 Austin, TX • I.U.O.M.A. International Union of Mail Artists, Officer of Network Research 1999 - Present • Austin Museum of Digital Art, Education Director 1999-2001 Exhibitions 2020 • The Amazon Must Live, Organized by Ruggero Maggi, Milan, Italy • Celebrate Live, Organized by Becky Mate for AFABW International Mail Art, California, USA • Cruz-Diez Kinetic and Op Art Mailart Call, Centro Cultural Aldea Blanca, Spain • Integrity, Leadership, Companionship, Diversity, Peace, Sub-Comite de Actividades Culturales. Curated by Ida De Vincenzo, Argentina • Maria, Organized by Offene Behindeten Arbeit Mail-Art-Gruppe, Germany • Vision 20-20, Organized for California Fluxfest, USA • Copy Paste/Print Reproduction, Biblioteca Municipal José Marmelo Silva, Portugal • Greek Fe-Mail Art, Organized by Picasso Gaglione, USA • No Such Thing, Taiwan International Mail Art Festival, Taiwan • Brain Cell, ongoing mail art networking project by Ryosuke Cohen, Japan 2019 • Wearable Art, Performances of Zen Chicken Jacket and Scarf, Austin, TX • The Absurd, Organized by John Gayer, Finland • Visual Poetry II, EMBA School of Arts, Quilmes, Buenos Aires, Argentina • Leonardo da Vinci 500 years after his death, for TRAXPO 2019. Organized by G. Padovani & M. Valmori, Ravenna, Italy • 1824: German Migration to Brazil, Organized by Martina Berger, São Leopoldo, Brazil • Who is Animal? Exhibition in Rio Grande do Sul, Brazil • Leonardo da Vinci Mail Art, Alessandro Ceccotto, Emilia-Romagna, Italy • Po-Mo (Postmodern), for Selcuk University, Fine Arts, Konya, Turkey • Draw your favourite book, Droitwich Mail Art, UK • Birds of the Air, for Kunsthaus Stove, Stove, Germany • The Wall, organized by Vitaly Maklakov, Russia • Visual Poetry I, Organized by Claudio Mangifesta, Buenos Aires, Argentina • We Dada Wonderful Shozo, organized by Bruno Debenedetti, Italy • Sea, Fire, Humans, Organized by Maria Chorianopoulou, Athens, Greece • Landscapes Italy, Organized by Roberta Savolini Faenza, Italy • The Moon, Organized by Casa Museo Bendandi, Faenza, Italy • Brain Cell, ongoing networking project by Ryosuke Cohen, Japan 2018 • In the Forest of Symbols, Organized by Tiziana Todi, Bologna, Italy • Borders, Organized by the Secretary of State for Culture of the province of Santa Cruz, Argentina • Trees – Portugal, Organized by Fernando Ferreira, Gouveia, Portugal • Classic Horror Films, Organized by Evans City Public Library, PA, USA • Library, Organized by Donna Stroud, Airway Heights,