CURRICULUM VITAE: Professor George McKay page 1. Introduction . 2 1.1 Contact information 2 1.2 Selected career highlights 2 2. Employment history and qualifications . 3 2.1 Current post and scope of key activities 3 2.2 Previous appointments 4 2.3 Higher education and qualifications 4 2.4 Online information and open access 4 3. Research outputs . 5 3.1 Books 5 3.2 Editorial work 6 3.3 Journal articles 6 3.4 Book chapters 7 3.5 Audio-visual materials 9 3.6 Translations 9 3.7 Review essays, research reports 10 3.8 Reviews, others 10 3.9 Interview transcriptions 11 4. Teaching and supervision . 12 4.1 Undergraduate teaching 12 4.2 Research student supervision, postgraduate teaching 12 5. Funding and projects . 14 5.1 External grants, awards, consultancy 14 5.2 Internal grants and awards 16 5.3 Research Council work (UK and international) 17 5.4 International activities 18 6. Keynotes and conference activities . 19 6.1 Keynote lectures, and ‘Professorships in Residence’ 19 6.2 Conference and research events organisation 20 6.3 Other invitations 22 6.4 Other conference, seminar and workshop activities 24 7. Management and administrative experience . 26 7.1 UEA positions of responsibility 26 7.2 Salford positions of responsibility 26 7.3 UCLan positions of responsibility 26 7.4 External examining, consultancy and QA work 27 7.5 External professorial / readership promotions adviser 28 7.6 Staff development and training 28 8. Impact and public engagement . 30 8.1 REF Impact Case Studies 30 8.2 Research-related journalism 29 8.3 Media appearances 33 9. Other activities . 36 9.1 Membership of academic organisations, committees 36 9.2 Performance (music: double bass) 36 9.3 Languages 36 1 1. Introduction 1.1 Contact information Film, Television & Media Studies tel mobile: (+44 0)779 1077 074 University of East Anglia email: [email protected] Norwich, NR4 7TJ UK 1.2 Selected career highlights • Author / editor of more than 10 volumes • Professorship held in three UK universities since 1999 • Appointed AHRC Leadership Fellow (2012-19) • Major single-author monographs on protest, jazz, disability • Over £5m. in generated income, from more than 35 awards • Four major consortia research projects, three of which international • Significant organising role in over 40 conferences and research events • Involvement (supervision, examining, chair) with over 40 PhD students • Senior research management: Research Institute Director (2006-09), RAE2008/REF2014/REF2021 submission leadership • Co-founder Social Movement Studies, influential Routledge journal (2002), editor two book series • Teaching excellence: 24/24 in QAA subject review (1998) • Public engagement innovation: Professor in Residence, Kendal Calling pop festival (2011), EFG London Jazz Festival (2014). 2 2. Employment history and qualifications 2.1 Current post and scope of key activities 2014-: University of East Anglia: Professor of Media Studies, School of Art, Media & American Studies. 2012-2019: Arts & Humanities Research Council (AHRC) Leadership Fellow for the Connected Communities Programme. 0.8/0.2 FTE. http://connected-communities.org • Teaching/supervision: UG teaching: Media Representation (year 1) Theorising Media and Culture (year 1) Promotional Culture (year 2) Alternative Media (year 3) Dissertation (year 3). PhD students: 2 students. MA Film/Media: supervision of dissertations. • Research: Projects: 2018-2019: AHRC Postdoctoral Research Associate, Creative Spaces and Public Culture project supervisor. 2017-2018: AHRC Senior Research Associate, Participatory Arts and DIY Culture project supervisor. 2015-2017: EU Heritage+ JPI project, Cultural Heritage and Improvised Music Festivals in Europe. 2012-1019: AHRC-funded Leadership Fellowship Understanding Changing Community Cultures and Histories and Patterns of Connectivity Within and Between Communities. Activities and events: 2019: Lead organiser, Street Music conference, UEA. 2019: Member, organising committee, Rhythm Changes 6th international conference, Jazz Journeys, Kunstuniversität Graz. 2018: Lead organiser, New Perspectives in Participatory Arts conference, UEA. 2017: Member, organising committee, Rhythm Changes 5th conference, Re/Sounding Jazz, Amsterdam Conservatory. 2017: Member, organising committee, CHIME project conference, Festival, Music, Heritage, Siena, Italy. 2017: Lead organiser, LitCom 1 (Literature and Communities conference), UEA. 2017: Lead organiser, AHRC Reggae Research Network, Norwich/Liverpool/London events. 2015-2019: External examiner, Nottingham University, BA International Communication Studies (inc. Malaysia, Ningbo programmes). • Research management/leadership: 2018-2019: REF21 submission leader, UoA D34. 2019-: Critical Cultural Studies research group, initiator and co-lead. 3 2.2 Previous appointments 2005-2014: University of Salford: Professor of Cultural Studies. 2000-2005: University of Central Lancashire (UCLan): Professor of Cultural Studies. 1998-2000: UCLan: Reader in Contemporary Cultural Studies. 1994-1998: UCLan: Senior Lecturer in English and American Studies. 1992-1994: UCLan: Lecturer in English. 1990-1991: University of Glasgow: part-time tutor, Department of English. 1990: University of Edinburgh, Scottish Universities’ International Summer School: residential tutor in British cultural studies. 1989-: Semi-professional musician (double bass). 1988-1991: University of Glasgow: research student, Department of English. 1987, 1989: Adult Education Centre, Norwich: EFL summer school tutor then course director; Nord Anglia International. 1985-1988: Community Music East, Norwich: professional musician, and administrator. 2.3 Higher education and qualifications 1988-1991: PhD, Department of English, University of Glasgow. Thesis title: The Half-Life of Words: Narrative in Negative Fabulation. Awarded 1992. British Academy Major State Studentship. 1981-1984: First Class BA (Hons) in Combined Studies, specialising in culture and sociology, Hull College of Higher Education. Awarding body: CNAA. 2.4 Online information and open access Website: https://georgemckay.org. For research information, open access publications, reviews, blog, music, video. C.500,000 hits p.a. Repositories: https://eastanglia.academia.edu/GeorgeMcKay https://www.researchgate.net/profile/George_Mckay2 https://people.uea.ac.uk/en/persons/george-mckay/publications ORCID: https://orcid.org/0000-0002-7770-0502 4 3. Research outputs Extracts from and links to a large number of reviews of most of the books below are available at: http://georgemckay.org/reviews. Open access (Google Book) versions of most of the books, and many articles and chapters, are available at: http://georgemckay.org/open-access. 3.1 Books 2017 Co-authored with Emma Webster. Music From Out There, In Here: 25 Years of the London Jazz Festival. Norwich: UEA/AHRC. AHRC-supported. 2016 Ed., Yankee Go Home (& Take Me With U). 2nd edition of 1997 collection. London: Bloomsbury. ISBN 9781474287838. 2015 Ed., The Pop Festival: History, Music, Media, Culture. London: Bloomsbury. ISBN 9781623569594. AHRC- and HERA/EUFP7-supported. 2013 Shakin’ All Over: Popular Music and Disability. Ann Arbor, MI: University of Michigan Press, Corporealities: Discourses of Disability series. ISBN 9780472052097. AHRC-supported. 2011 Radical Gardening: Politics, Idealism and Rebellion in the Garden. London: Frances Lincoln. ISBN 9780711230309. Supported by a grant from Stanley Smith (UK) Horticultural Trust. 2009 Co-ed., with Christopher Williams, Michael Goddard, Neil Foxlee and Egidija Ramanauskaitė. Subcultures and New Religious Movements in Russia and East-Central Europe. Oxford: Peter Lang. Cultural Identity Studies series, vol. 15. ISBN 9783039119219. EUFP6-supported. 2005 Circular Breathing: The Cultural Politics of Jazz in Britain. Durham, NC: Duke University Press. ISBN 0822335735. AHRC-supported. 2005 Joint ed., with Pete Moser. Community Music: A Handbook. Lyme Regis: Russell House Publishing. ISBN 1903855705. Grant-aided by North West Arts/Youth Music Action Zone. 2004 Co-ed., with Neil Campbell and Jude Davies. Issues in Americanisation and Culture. Edinburgh: Edinburgh University Press. ISBN 0748619437. HEFCE FDTL-supported. 2000 Glastonbury: A Very English Fair. London: Gollancz. ISBN 0575068078. 1998 Ed., DiY Culture: Party & Protest in 1990s Britain. London: Verso. ISBN 1859842607. 1997 Ed., Yankee Go Home (& Take Me With U): Americanisation and Popular Culture. Sheffield: Sheffield Academic Press. ISBN 1850758115. European Assn. for American Studies-funded. 1996 Senseless Acts of Beauty: Cultures of Resistance Since the Sixties. London: Verso. ISBN 1859849083. Under contract 5 2020 Lead editor, with Gina Arnold. Oxford Handbook of Punk Rock. New York: Oxford University Press. 3.2 Editorial work 2019: Co-editor, special issue, ‘Cultural heritage and improvised music festivals’, International Journal of Heritage Studies. 2019: Judge, Social Movement Studies best article. 2015-: Co-editor, Creating a New Research Landscape series (Policy Press). 2015-: Consulting editor, Social Movement Studies. 2009: Special issue journal editor, ‘Popular music and disability’, Popular Music. 2008-10: Advisory Board member, Second Nature: The International Journal of Creative Media, online journal. 2007-: Editorial Board member, Jazz Research Journal. 2002-2010: Founding co-editor, Social Movement Studies: Journal of Social, Cultural and Political Protest (Routledge). 2002-2008: Editorial Advisory Board member, Anarchist Studies (Lawrence & Wishart). 1993-2002: