LilyPond Das Notensatzprogramm Snippets Das LilyPond-Entwicklerteam ☛ ✟ This document shows a selected set of LilyPond snippets from the LilyPond Snippet Repository (http://lsr.di.unimi.it) (LSR). It is in the public domain. We would like to address many thanks to Sebastiano Vigna for maintaining LSR web site and database, and the University of Milano for hosting LSR. Please note that this document is not an exact subset of LSR: some snippets come from input/new LilyPond sources directory, and snippets from LSR are converted through convert-ly, as LSR is based on a stable LilyPond version, and this document is for version 2.21.82. Snippets are grouped by tags; tags listed in the table of contents match a section of LilyPond notation manual. Snippets may have several tags, and not all LSR tags may appear in this document. In the HTML version of this document, you can click on the file name or figure for each example to see the corresponding input file. ✡ ✠ ☛ ✟ Zu mehr Information, wie dieses Handbuch unter den anderen Handb¨uchern positioniert, oder um dieses Handbuch in einem anderen Format zu lesen, besuchen Sie bitte Abschnitt “Manuals” in Allgemeine Information. Wenn Ihnen Handb¨ucher fehlen, finden Sie die gesamte Dokumentation unter http://lilypond.org/. ✡ ✠ This document has been placed in the public domain. F¨ur LilyPond Version 2.21.82 i Inhaltsverzeichnis Pitches ................................................... ........... 1 Ambitus pro Stimme hinzuf¨ugen ................................................... ..... 1 Adding an ottava marking to a single voice .............................................. 1 Aiken head thin variant noteheads................................................... .... 2 Altering the length of beamed stems................................................... .. 2 Ambitus after key signature ................................................... .......... 3 Ambitus mit vielen Stimmen ................................................... ......... 3 Ambitus ................................................... ............................. 3 Notenkopfstile basierend auf der Tonleiterstufe erstellen ................................. 4 Automatically changing the stem direction of the middle note based on the melody ...... 5 Changing ottava text................................................... ................. 6 Changing the ambitus gap ................................................... ........... 6 Changing the interval of lines on the stave ............................................... 7 Clefs can be transposed by arbitrary amounts ........................................... 8 Coloring notes depending on their pitch ................................................. 8 Creating a sequence of notes on various pitches .......................................... 9 Creating custom key signatures................................................... ....... 9 Force a cancellation natural before accidentals .......................................... 10 Forcing a clef symbol to be displayed ................................................... 10 Generating random notes ................................................... ........... 11 Hiding accidentals on tied notes at the start of a new system ........................... 11 Keep change clefs full sized................................................... .......... 11 Makam-Beispiel ................................................... ..................... 12 Modifying the Ottava spanner slope ................................................... 12 Untypische Tonarten ................................................... ................ 13 Numbers as easy note heads................................................... ......... 14 Orchester, Chor und Klavier ................................................... ........ 15 Verhindern, dass zus¨atzliche Aufl¨osungszeichen automatisch ............................ 18 Aufl¨osungzeichen nicht setzen, wenn die Tonart wechselt................................ 19 Eine Stimme mit Transposition zitieren ................................................ 19 Separating key cancellations from key signature changes ................................ 20 Noten mit minimaler Anzahl an Versetzungszeichen transponieren....................... 20 Turkish Makam example ................................................... ............ 22 Eigenschaften des Schl¨ussels optimieren ................................................ 22 Using autochange with more than one voice ............................................ 24 Rhythms................................................... ........ 26 Adding beams, slurs, ties etc. when using tuplet and non-tuplet rhythms................ 26 Adding drum parts ................................................... ................. 26 Adjusting grace note spacing ................................................... ........ 27 Taktnummern ausrichten................................................... ............ 27 Alternative breve notes ................................................... ............. 28 Appoggiatura or grace note before a bar line ........................................... 28 Automatic beam subdivisions ................................................... ....... 29 Automatically change durations ................................................... ..... 29 Balkenenden auf Score-Ebene ................................................... ....... 30 Balken ¨uber Zeilenumbr¨uche ................................................... ........ 31 Balken f¨ur weit auseinander liegende Noten ¨andern ..................................... 31 ii Die Erscheinung von Pausentakten ¨andern.............................................. 32 Changing the number of augmentation dots per note ................................... 32 Das Tempo ohne Metronom-Angabe ver¨andern ......................................... 32 Die Zahl der N-tole ver¨andern................................................... ....... 33 Changing time signatures inside a polymetric section using \scaleDurations ............. 33 Psalmennotation ................................................... .................... 34 Zusammengesetzte Taktarten ................................................... ....... 35 Dirigierzeichen, Taktgruppenzeichen................................................... 35 Consistently left aligned bar numbers .................................................. 36 Controlling tuplet bracket visibility................................................... .. 37 Eine Metronombezeichnung als Textbeschriftung erstellen............................... 38 Bindeb¨ogen manuell setzen................................................... .......... 38 Engraving tremolos with floating beams ................................................ 38 Entering several tuplets using only one \tuplet command ............................... 39 Gerade F¨ahnchen und ¨uberstehende Balkenenden....................................... 39 Forcing rehearsal marks to start from a given letter or number.......................... 41 Generating custom flags................................................... ............. 41 Schlagrhythmus f¨ur Gitarren ................................................... ........ 42 Heavily customized polymetric time signatures ......................................... 43 Making an object invisible with the ’transparent property .............................. 44 Legatob¨ogen mit kompliziertem Strichelmuster ......................................... 45 Manually controlling beam positions ................................................... 46 Merging multi-measure rests in a polyphonic part ...................................... 46 Modifying tuplet bracket length ................................................... ..... 46 Moving dotted notes in polyphony ................................................... .. 47 Multi-measure rest length control ................................................... ... 47 Textbeschriftung und Mehrtaktpausen.................................................. 48 Nicht-standard-N-tolennummern ................................................... .... 48 Numbering single measure rests ................................................... ..... 49 PartCombine und autoBeamOff ................................................... ..... 50 Percussion example ................................................... ................. 50 Zeilenumbr¨uche bei N-tolen mit Balken erlauben ....................................... 52 Positioning grace note beams at the height of normal note beams ....................... 52 Positionierung von Verzierungen mit verschiebbarem Platz.............................. 53 Positionierung von Ganztaktpausen ................................................... 53 Preventing final mark from removing final tuplet ....................................... 54 Setzen der Taktnummern in regelm¨aßigen Intervallen ................................... 55 Setzen von Taktnummern in K¨asten oder Kreisen....................................... 55 Printing bar numbers with changing regular intervals ................................... 56 Metronom- und Ubungszeichen¨ unter das System setzen ................................ 56 Printing music with different time signatures ........................................... 57 Setzen der Taktnummer f¨ur den ersten Takt ............................................ 60 Globale Umdefinition von Verzierungsnoten ............................................ 61 Entfernung von Taktnummern in einer