TEMPO Adagio for cor anglais, basset horn, bassoon, and Periodicals horn. KEY NOTES No. 17, 1983/1 KURT SCHWERTSIK. Das Marchen vom Fanfer- Peter Schat, The Tone Clock or: The Zodiac of the lieschen Schoenejiisschen (premiere)—24 November Twelve Tonalities, pp. 7-14. Lisa R. Dominick, / Stuttgart, Staatstheater / State Opera c. Dennis Mode and Movement in Recent Works of Ton de Russell Davies. Leeuw, pp. 15-23. Heske Berkenkamp, Joep Straesser: Expressivity and Complexity as Constants HOWARD SKEMPTON. Surface Tensions 2 in a Development, pp. 24-32. Roland de Beer, Karl- (premiere)—19 September / British Music heinz Stockhausen in Holland, pp. 33-37. Information Centre / Dreamtiger. MUSICA 3, May-June 1983 ROGER SMALLEY. The Narrow Road to the Norbert Jers, Bearbeitungen in Strawinskys Spdt- Deep North (premiere)—29 November / Queen werk, pp. 239—244. Carl Dalhaus, Fiktive ZwolJ- Elizabeth Hall / Brian Rayner Cook (baritone), tonmusik, pp. 245—252. Fires of London c. John Carewe. 5, September-October 1983 Frage an junge Komponisten—symposium issue, contributors including Hans-Jurgen von Bose, KARLHEINZ STOCKHAUSEN. Halt for Hans-Christian von Dadelsen, Reinhard Febel, trumpet and double bass (premiere)—20 July / Peter Michael Hamel, Volker David Kirchner, Bologna Festival / Markus Stockhausen, Peter Detlef Muller-Siemens, Wolfgang Rihm, Wolf- Riegelbauer. Kathinkas Gesang als Luzifers gang von Schweinitz, Manfred Trojan. Requiem for flute and 6 percussionists (pre- miere)—15 October / Donaueschingen / Kathinka Pasveer, the Kolberg Ensemble. Piano Piece XIII THE MUSICAL QUARTERLY (UK premiere)—28 October / Cambridge / Philip Vol. LXIX, No. 2, Spring 1983 Mead. Nancy Perloff, Klee and Webern: Speculations on Modernist Theories of Composition, pp. 180—208. C. Howard Treibitz, Structure and Function in Con- MANFRED TROJAHN. Flute Concerto (pre- cepts of Musical Structure, pp. 209—226. miere)—14 September / Berlin Festival / Kar- lheinz Zoller, Berlin PO c. Eliahu Inbal. Vol. LXIX, No. 3, Summer 1983 Michael Beckerman, Jandcek and the. Herbartians, pp. 388-407. Pamela M. Potter, Strauss's 'Friedens- tag': a Pacifist Attempt at Political Resistance, pp. JUDITH WEIR. Sextet for piano and wind (pre- 408-424. Harold W. Whipple, Beasts and Butter- miere)—11 February 1984 / Wigmore Hall / Nash flies: Morton Subotnick's Ghost Scores, pp. 425—441. Ensemble. NUOVA RIVISTA MUSICALE ITALIANA DOUGLAS YOUNG. Sculptural Object for 1, January/March 1983 quarter-tone pianos (premiere)—18 November / Ferruccio Tammaro, Eclettismo e tradizione nelle Huddersfield Festival / Douglas Young and Keith Sinfonie di Vaughan Williams, pp. 43—68. Swallow. SCHWEIZERISCHE MUSIKZEITUNG ISANG YUN is writing a symphony commis- Nr. 3, May/June 1983 sioned by the Berlin Philharmonic Orchestra. Janos Breuer, Zoltdn Koddlys Symphonic—ein Schweizer Auftragswerk, pp. 157-163. ALEXANDER VON ZEMLINSKY (d. 1942). Einflorentinische Tragodie; Der Geburtstag der Infan- CONTACT tin (UK premiere)—24 August / Edinburgh No. 26, Spring 1983 Festival / Hamburg State Opera c. Gerd Albrecht. John Tilbury, Cornelius Cardew, pp. 4-12. Gavin Bryars, 'Vexations' and its Performers, pp. 12—20. Dave Smith, Music in Albania, pp. 20-22. Roger BERND ALOIS ZIMMERMAN (d. 1971). Heaton, Horatiu Radulescu, 'Sound Plasma', pp-. Cello Concerto (UK premiere)—28 October / 23-24. Susan Bradshaw, Arvo Paart, pp. 25-28. Royal Festival Hall / Heinrich Schiff, BBC SO c. Peter Phillips, The Ritual Music of John Tavemer, Michael Gielen. pp. 29-30. Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.139, on 26 Sep 2021 at 22:00:12, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S004029820002132X.