
www.palgrave-journals.com/dam Getting into DAM project activities and experiences of digitizing news broadcast production Niklas Krantz is a TV reporter who worked at Rapport, the leading national news-show in Sweden. In 1994, he created one of the fi rst news services on the web, based on a daily Rapport news bulletin and the SVT teletext content. In 1997, he formed the Diginy project which identifi ed the needs for new technology, and in the coming 5 years he served as project leader for the launch of the digital news channel SVT 24, for DigiNoF, digitalization of all the News and Sports at SVT in Stockholm. Since 2002 he has been project manager for editorial systems, forming a multimedia integrated system for TV production on all levels at SVT. Keywords: archive , cost reductions , digital production , workfl ow , transition Abstract Swedish Television was one of the fi rst broadcasters in the world using a DAM for news production and archives. The project was set to make a break even in 5 years. But already in 4 years the investments had paid for itself and led to cost savings of more than 10 per cent a year, combined with an increased output to air and the web. The cost reductions are not the result of the new technology itself, but caused by a new organization and new workfl ows made possible by the new digital production system. The remodeling of the business process has not been without problems. This article describes the traps and experiences that will meet any broadcaster entering the transition to digital production and asset management. Journal of Digital Asset Management (2006) 2, 138– 142. doi:10.1057/palgrave.dam.3650031 THE SVT BUSINESS CASE FOR robotic video archives in our digital pilot, the DAM IN BROADCAST 24 h news channel SVT 24. They were called Once engineers in broadcast thought that going Ardendo and worked together with IBM. digital meant switching from an analo to a We also made an investigation on how much digital video signal, SDI. Today we know it we could cut down costs by moving to digital means handling video fi les on a network, production. And we found out that we would playing them out from servers and fi ling them gain nothing only by switching technology. in their data format. To do this we need a brain that keeps track Public service means spending the of all the fi les and their assets, in the system, a money in the most effi cient way Digital Asset Management System. We also need Swedish Television is a public service company a circulation, a system that moves the media of the European model, inspired by the BBC. around, does the naming of the fi les and deletes The government do not own us, but control the them, unless we want to employ a lot of people economy by regulating the license fee that doing that. This is sometimes called a Media everybody with a TV set has to pay. We were Management System. once a television monopoly in Sweden, but Five years ago, when we went out requesting today we have to compete with three other big Niklas Krantz a tender for a new system for the News and channels and a lot of smaller ones, all of them Newsroom Development, Sveriges Television, Sports Department at SVT, we stipulated we fi nanced by advertising. We are not allowed to Stocholm 105 10, needed both of those functions. And we found have any commercials besides sponsoring signs Sweden Tel: + 46 8 784 85 60 out that nobody could offer it. So we had to before and after some events. Mobile: + 46 708 84 77 37 build it ourselves. For our help we had a This means we cannot argue for investments E-mail: [email protected] company that 2 years earlier had made our that would raise our income. The only argument 138 JOURNAL OF DIGITAL ASSET MANAGEMENT Vol. 2, 3/4 138–142 © 2006 Palgrave Macmillan Ltd 1743-6540 $30.00 Getting into DAM project activities is that new, more effi cient technology could Faster workfl ow make some necessary changes possible, by If you can grab an incoming feed immediately, reducing the costs. cut it on the fl y and pass it over to play out, the news department has an excellent tool to SVT is no longer a TV company compete with other newsrooms, television as Once there was one channel in Sweden. Then well as radio and the net. When designing a came TV2, also from SVT. Then came nothing, new system, it is important to minimize the but color TV. Then came the commercial TV3, number of steps and time-consuming processes. TV4, Channel 5 and the cables. Our answer was At SVT we do not import the material before our technology pilot and digital terrestrial news we start editing. We do it on the fl y in the edit channel, SVT 24 and the Children’ s Channel, suite. If you import all the raw material before combined with the Knowledge Channel editing, it is important that the ingest and (a cooperation with the UR, Swedish editing can be done in parallel. Educational Broadcasting Company). And of course the next step was the rewarded number Control over the creative process one web-site in Sweden, svt.se, with material I like to drive my car myself. Others prefer from our archives available online and on having a driver. As a journalist I like to push demand streaming over the net. the buttons myself, instead of instructing an To become a multimedia company, instead of editor. But a professional video editor can a television company, based on the same income, really do wonders when working with a you need to change the way you use your complex story. Our experience is that you money. need to work in both ways, for many years to Obviously IT technology is cheaper than come. But the time will come when a video broadcast technology (if you do not buy it from editor will be as rare as a private secretary the old broadcast vendors who sell new today. technology at old high prices). But our old machines have been rolling for 15– 30 years, and Stability new computers have to be replaced at an For a journalist an earthquake is exciting, interval of 3 – 10 years. So even if we cut down but a 10 min breakdown in the media our invested capital to a third, the yearly cost management system means at least the end of will not change dramatically. the world. But with a working strategy of how The secret is that with the new systems, you to work around it, when things happen can change the organization and the workfl ows. (because they will, whatever anybody promises), But then you also have to change the way you then they (and you who are responsible) may think. And this is the hardest part, for everybody, survive. from top to bottom. The technicians could easily be divided into two groups. Those who know the new Reasons for change technology and those who do not. Some of Everybody in a company wants to do what is those who do not will be able to learn, some best for the company. Although sometimes other not. And almost nobody will learn enough to interests, closer to oneself, will dominate. So if become a real specialist. the management sees the cost reductioning and The motives for the board are as mentioned: multimedia publishing as number 1, there could be other reasons for other groups that would Fewer people motivate them for a change. Especially among the technology professions The journalists will take advantage of new you will need less staff. Our strategy has been technology to achieve: to try to multiskill everybody and make the same people performing both journalistic and Better storytelling technology tasks. This makes the organization A digital environment will make it easier to more fl exible. gather information and pictures they need, to But don ’ t forget: You will need some more put together a good piece. people on IT support and system management. © 2006 Palgrave Macmillan Ltd 1743-6540 $30.00 Vol. 2, 3/4 138–142 JOURNAL OF DIGITAL ASSET MANAGEMENT 139 Krantz Fewer investments Stockholm, and 10 newsrooms with their own This is harder to achieve, if you count costs per newscast in the regions. All of them are year. When you make the change, you will have connected through a WAN (at the time we higher costs, and after some years you will started in 2001, it had a bandwidth of 34 Mb / s, realize some vendors charge immensely high today 2.5 Gb / s). The video play play-out and support license fees and you will have to ingest was done by the SGI video servers (we reinvest earlier than you thought. had 34 of them). A big SGI server was the hub, our central Increased output server, which handled all the fi le transfers News will go on for 24 h per day, and new around the system via ftp. The ground base on channels and new media types will be added. which we built the system was our already SVT has launched the parole: “ More program existing IBM Magstar tape robotic archives, later for the money” . IBM LTO and today a Spectra Logic. This is the place where we fi le all aired stories and keep They all are threatened feeds for 30 days.
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