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(Shakespeare) Robert M. Mondoy, 1979 Sonnet 30: When to the sessions of sweet silent thought BY WILLIAM SHAKESPEARE (1554-1616), ca. 1595 When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste: Then can I drown an eye, unus'd to flow, For precious friends hid in death's dateless night, And weep afresh love's long since cancell'd woe, And moan th' expense of many a vanish'd sight; Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before. But if the while I think on thee, dear friend, All losses are restor'd, and sorrows end. Sonnet 30 is one of the 154 sonnets written by the English poet and playwright William Shakespeare. It was published in the Quarto in 1609. It is also part of the Fair Youth portion of the Shakespeare Sonnet collection where he writes about his affection for an unknown young man. While it is not known exactly when Sonnet 30 was written, most scholars agree that it was written between 1595 and 1600. It is written in Shakespearean form, comprising fourteen lines of iambic pentameter, divided into three quatrains and a couplet. Within the sonnet, the narrator spends time remembering and reflecting on sad memories of a dear friend. He grieves of his shortcomings and failures, while also remembering happier memories. The narrator uses legal metaphors throughout the sonnet to describe the sadness that he feels as he reflects on his life. Then in the final couplet, the narrator changes his tone about the failures, as if the losses are now merely gains for himself. (thanks to wikipedia " Sonnet 30," https://en.wikipedia.org/wiki/Sonnet_30 dedicated to Laura Yim, with friendship William Shakespeare (1554-1616), 1595 Sonnet 30 Robert M. Mondoy, 1997, rev. 2020 Con moto e= 100 # # # #3 · Î Ï Ï Ï Ï Ï ä & 4 Ï Ï Ï Ï Ï Ï Ï Ï Ï mf j Ï Ï Ï Ï Ï # Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï ?# # #3 úä Ï Ï ú Ï Ï Ï Ï ú 4 2 ú ú ú # ## # nÏ nÏbÏ Ï j ä & Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï nÏ Ï nÏ Ï nÏ 4 n Ï 4 ?# # nbÏ Ï nÏ Ï#Ï # Ï Ï Ï Ï nÏ Ï Ïj # # Ïn Ï Ï Ï Ï Ï Ï nÏ Ï Ï Ï Ï nú nú Ï Ï Ï Ï Ï Ï Ï nú # # j Ï Ï Ï Ï Ï Ï Ï Ïj nÏnÏ Ï # # ä nÏ ä Ï Ï bnúÏ nÏ Ï & nÏ Ï Ï J Ï Ï nÏnÏ nÏ J dim. f Ï Ï Ï Ï j Ï úú Ï nÏ Ï bÏ Ï nÏ Ï ?# ##n ú nÏ nÏ Ï Ï Ï Ï # nú ú rit. Meno mossoú e = 100 # # j # # · · î 5 Ï Ï 6 & Ï 8 Ï Ï 8 Ï Ï nÏ Ï rit. When to the ses- sions ofÏ sweetÏ si- lent # ## # 5 6 & Ï Ï nÏ Î8 Î Ï ä 8 n ÏnÏ Ï Ï Ï Ï Ï nÏ Ï Ï ÏbÏ Ï mp ú mf p rit. ?# # Ï Ï nÏ j Ï Ï # #nÏ ÏÏ ú nÏ Ï ú Î5 ä Ï ä 6 Ï ÏnÏ Ï Ï Ï Ï Ï nú ú 8 Ï 8 Ï Ï Ï nÏ Ï © 2007 Mondoy Music 1555 Pohaku St. B-104 Honolulu HI 96817. All rights reserved. Mahalo for calling before photocopying 808.845.8405. Go listen: www.mondoymusic.com # ##5 3 & # 8 ä4 ä j Ï nÏ Ï Ï nÏ ú Ï Ï nÏ bÏ thought I sumÏ Ï- mon up re- mem - brance of things # ## #5 3 nÏ & 8 · 4 Ï nÏ Ï nÏ bÏ n Ï j Ï nÏÏ ÏÏ n Ï Ï ?# # 5 nÏ nÏ Ï 3 nÏ nÏ # #8n Ï Ï Ï Ï 4 Ï Ï nÏ bbÏ n Ï n Ï nÏ ú Ï bú Ï # # # # nú ä bú & j Ï nÏ ÏÏ ÏnÏ Ï Ï past,Ï I sighú Ï theÏ lack nofÏ man -y a thing I sought, And with # nú # nú # # Î nÏ nÏ n ú bú Î Ï b Ï & n Ï n ú Ï #Ï Ï ÏnÏ nú nÏ Ï nú Ïn Ï nÏ #Ï ÏnÏ ú Ï Ï ä 3 ?# # Ï nÏ nÏ # nÏ #Ï Ï nÏ #Ï # bÏú nÏ #Ï Ï b Ï nÏ Ï ú Ï ú Ï bÏ b ú a bit faster e= 112 # # j Ï # # Ï Ï Ï & nÏ nú Ï Ï nÏ ú nÏ old woes new wail my dear time's waste: Ï Then can I # # j Ï Ï j # # Î ä ä nÏ Ï Ï Ï Ï & núú nÏ Ï Ï nÏ Ï ÏnÏ Ï Ï ÏÏ mf Ï Ï bú Ï Ï Ïj Ï Ï ?# ##nÏ nÏ n Ï nÏ Ï Ï Ï nÏ ä Ï nÏ Ï Ï # b ú ú Ï ú nú # ## j j n nn & # Ï Ï Ï ä Ï nÏ Ï n drown an eye unJ - used to flow,nú # # j Ï j n n # # Ï ä Î Ï nú ä Ï n n & nÏ Ï nú Ï Ï nÏ Ï Ï nÏ j mp Ï Ï Ï Ï Ï Ï ?# ###nÏ Ï Ï nÏ Ï Ï Ï nÏ Ï Ï Ï nÏ nnnn ú Ï ú ú 1 ú 2 cresc. 2 î bÏ bÏ Ï & Ï Ï Ï bÏ bÏ nÏ For prec- ious friends 3 hid in death's ppp j j & Ï Ï Ï Ï bÏ Ï Ï Ï Ï bÏ Ï nÏ bÏ Ï Ï Ï 3Ï Ï bb Ï Ï Ï Ï Ï ÏÏ bÏ bÏ Ï Ï pp Ï JÏ J Ï bÏ. bÏ. bÏ. ? ä j . ä j . ä j . leggierobÏ. Ï. Ï bÏ. Ï. Ï bÏ. Ï. Ï bÏ. bÏ. bÏ. Ï Ï Ï ú ú 4 & J · 4 date -less night. 4 & Ï j · 4 #Ï Ï Ï bú ú Ï bÏ Ï b ú ú bÏ. bÏ. bÏ. Ï. bÏ. Ï. ? ä j . ä j . ä j . ä j . 4 bÏ. Ï. Ï bÏ. Ï. Ï bÏ. Ï bÏ. Ï 4 bÏ. bÏ. 4 Ï #Ï Ï Ï Ï Ï Ï &4 J Ï Ï Ï bÏ Ï ú And weep a- fresh love's long since can -celled woe, 4 ú Ï Ï Ï Ï Ï &4búú ú Ï bÏÏ Ï nÏ Î ú Ï Ï # Ï ú ú ? 4 4 · · Î Ïú bÏ Ï molto rit. 3 ú j j # # ä j Ï 3 # # 3 & Ï Ï Ï ÏbÏ Ï Ï Ï Ï Ï bÏ 4bú 4 AndÏ moan the ex- pense of man- y a van -ish'd sight. 3 # j Ï Ï 3 ## # 3 & Ï Ï ä Ï Ï Ï Ï bÏ 4 4 ú Ï bÏ Ï Ï bcresc.ú Ï bÏ Ï bÏ Ï ú ú ú Ï ?ú ú ú ú 3 #Ï # Ï # ## 3 ú bú ú bú 4 Ï #Ï Ï # 4 J 2 a tempo e = 100 # ## #3 Ï & 4 · · Ï ú Ï ThenÏ can I grieve at # ##3 j Ï Ï & # 4 ä Ï #Ï Ï Ï Ï ä Ï Ï · Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ff #Ï Ï Ï Ï Ï j Ï j ?# # 3 ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï j Ï Ï Ï Ï Ï Ï # #4 Ï Ï Ï Ï Ï Ï ÏÏ Ï nÏ Ï Ï Ï ú Ï Ï Ï ú ú Ï molto rall. # ## ú 2 U & # ·4 · grievnÏ - anÏ - cesÏ foreÏ - gone,ú ú # # Ï Ï Ï Ï Ï Ï U # # · ä #Ï ÏnÏ ä Ï Ï Ï ÏÏ Ï #Ï Ï Ï 2 & Ï#ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï 4 ú mf J nÏ J Ï Ï #Ï Ï ÏnÏ ú j Ï ú ä Ïj ÏnÏ nÏ ÏnÏ Ï ?# # Ï Ï úÏ ÏÏ Ï Ï ä Ï ÏÏ #bú Ï#Ï 2 # #nÏ # Ï ú ú Ï Ï ÏnÏ 4 ú Ï Ï ú J Ï ú a tempo e = 100 ú accel. # # 3 ## # ## # 4 j Ï & 4 Ï Ï Ï nÏ Ï ú Ï Andnú heavnÏ - i - ly fromú woe to woe tell o'er The # # ## # ## # 4 j Ï & 4 Ï nÏ Ï ú Ï Ï nú núú ú Î nÏ ú Ï Ï ú Ï j Ï ?# ## nÏ # ## 4 Ï Ï ú nÏ nÏ Ï nÏ #ú Î # ú # 4nú Ï ú ú cresc.molto ú ú # # j j # # Ï Ï Ï Ï Ï Ï Ï Ï & Ï Ï Ï Ï Ï Ï Ï J sad ac- count of fore -be- moan - ed moan, which I new pay as # # # # Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï & núÏÏÏ Ï Ï Ï Ï Ï f ú Ï Ï Ï Ï Ï ú ú ?# # ú Ï Ï Ï Ï Ï ú ú # # nú J 3 rall. slower e = 112 # # Ï Ï Ï Ï # # Ï Ï Ï Ï Ï 3 J Î Ï Ï & J 4 Ï J if not paid be fore. rit. un poco But if the Ï # # Ï Ï Ï Ï Ï Ï # # Ï Ï Ï Ï 3 Ï Ï Ï ÏÏ Ï · & 4 Ï Ï Ï J Ï Ï Ï Ï Ï ff mf mp Ïj j Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ?# # úú 3 ÏÏÏ Ï ÏÏ ÏÏ Ï Ï Ï ä Ï Ï Ï Ï Ï # #ú 4 ú Ï Ï Ï ú 3 ú ú rubato..

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