Volume 37, No. 10 October 2011 MadFolk and Wisc Union Theatre bringing Jay Ungar and Molly Mason Oct 23 JAY UNGAR & MOLLY MASON are musicians of enormous talent. Their love for music is infectious, and their expertise is superlative. With violin, mandolin, guitar, banjo and piano - not to mention their beautiful vocals - the two delight audiences wherever they go. ay Ungar and Molly Mason achieved interna- Jtional acclaim when their performance of Jay’s composition, Ashokan Farewell, became the mu- sical hallmark of Ken Burns’ “The Civil War” on PBS. The soundtrack won a Grammy and Ashokan Farewell was nominated for an Emmy. The piece was originally inspired by Jay & Molly’s Ashokan Fiddle & Dance Camps in New York’s Catskill Mountains, which are still going strong today. Jay and Molly draw their repertoire and in- spiration from a wide range of American musical styles: 19th-century classics, lively Appalachian, Cajun and Celtic fiddle tunes, and favorites from the golden age of country and swing, along with their own compositions. They have appeared on Great Performances, A Prairie Home Companion, their own public radio specials, and on film soundtracks such as Broth- er’s Keeper, Legends of the Fall, and a host of Ken Burns’ PBS documentaries. They’ve had the honor of performing at the White House for two sitting Presidents. Tickets are and are available at Wisconsin Union Box Office, Park Street Monday – Friday 11:30 – 5:30 or on line at http://www.uniontheater.wisc.edu/Season11_12/ JayUngarMollyMason.html General Public - $24 Please join us on Sunday, October 23, 2011 at 7:30 p.m. at Morphy Union Members - $20 Hall in the Humanities Building on UW – Madison Campus! UW-Madison Students - $10 Two October shows at Kiki’s House of Righteous Music October 22 - Peter Case October 27 - Gurf Morlix by Kiki Schueler eter Case has lived a musician’s life, out much fanfare. If he were interested in the still very much alive Sam Baker, so I Pdropping out of school and leaving fame he likely would have it already, since think we can trust his taste in songwriters. home when he was fifteen, starting The his songwriting is among the best. He fi- Interestingly enough, Morlix toured Nerves in the 70’s and The Plimsouls in the nally got around to self-releasing The Man briefly with Peter Case, Victoria Williams 80’s before moving into a more acoustic, Who Invented Gold, a record he recorded (Case’s first wife), and Warren Tornado blues-based music as a solo performer. The two years earlier. It’s a worthy follow-up Klein as the Incredibly Strung Out Band. Nerves and The Plimsouls achieved minor to 2008’s What the Buzzsaw Sings, which I While that never resulted in a record, Mor- success then and still continue to find new proclaimed the record of the year. lix did produce Case’s self titled record. fans today. October 27, only five days later an- But it is the more recent events that other noteworthy musician will be play- MadFolkNewsispublishedmonthlyby the shaped his newest release Wig! In 2009 ing at the House of Righteous Music, Madison Folk Music Society, a non- Case tells what was supposed to be just a and it promises to be one of the most profit, volunteer-led society dedicated diagnostic test turned into a “heart surgery interesting shows I’ve done. Gurf Mor- to fostering folk music in the Madison freak out.” Like most musicians, Case has lix is a multi-instrumentalist, vocalist, no insurance and a number of benefits have songwriter and record producer. The area. Contact us at [email protected]. been staged to help him with his extensive latter is probably what he is best known Learnaboutconcerts,membership, sch bills. for, having produced records by Ray olarships,andvolunteeropportunities at Case played only three shows that year Wylie Hubbard, Robert Earl Keen and www.madfolk.org. after spending most of the year recovering, Lucinda Williams, to name a few. He unable to tour. The last was at his home- has also released many records of his town venue McCabe’s Guitar Shop. He own music. He was also Williams’ gui- Madison Folk Music Society Board was accompanied by drummer DJ Bone- tar player for many years until he left break (X, the Knitters) and guitarist/singer- in frustration during the repeatedly de- songwriter Ron Franklin who flew in from layed recording of her Car Wheels on Minneapolis. The show was an unqualified a Gravel Road. Early in his career he DarleneBuhler...............President,Concerts, success. Franklin stuck around for a few played with Blaze Foley (Williams in- Advertising days and the pair began writing the songs spiration for “Drunken Angel”), whose 846-9214 ~ [email protected] that would become Wig! The three recon- career was cut short when he was shot PegMichel….…..............................Treasurer vened to record eleven songs in two days by a friend’s son in a senseless fight. 831-1876 ~ [email protected] live to tape, and Case dubbed over the har- Morlix’s most recent release is entitled Tracy Comer .............. Membership & Web monica and bass later. It was the first time Blaze Foley’s 113th Wet Dream, a col- Site Case had played bass since the Nerves and lection of 15 of Foley’s Songs. 276-8192 ~ [email protected] he had to go buy one at a friend’s music Morlix has been touring with pro- NorbertWodke….......................…Secretary store to do it. “There’s one edit on the al- ducer Kevin Triplette who recently bum,” Case claims, “and it was made with completed the movie Blaze Foley: Duct 836-8422 ~ [email protected] a razor blade.” He’s spent much of 2011 Tape Messiah, a documentary twelve DedeGoldberg..............................Newsletter on the road in support of the record, includ- years in the making. The title comes distribution ing an extensive European tour. His stop in from the suit that Foley made entirely 246-4332 ~ [email protected] Madison at the House of Righteous Music from duct tape and would wear around Neil Morris....................................Newsletter on October 22 follows a show at the vener- town. The interviews and footage paint editor able Lee’s Liquor Lounge in Minneapolis Foley as sort of a crazy genius who has 358-5855 ~ [email protected] and is a lead in to a show at the fantastic been unfairly forgotten. Townes Van Meg Skinner.………................. Scholarship Old Town School of Folk Music. It’s an Zandt once said “he only went crazy 238-6950 ~ [email protected] honor to welcome Peter Case to the house. once, decided to stay.” Hopefully this Ron Dennis …........….....................………. Opening the show will be Dietrich Gos- movie will introduce a whole new gen- ser who recently returned to Madison after eration to his music. The show will 226-9472 ~ [email protected] moving to Chicago and parts unknown consist of a screening of the movie, a Vicky Jones .…................…..………….…. several years ago. Gosser has never been short Q & A and then Morlix will play 215-7621 ~ [email protected] much on promoting his music. He prefers an acoustic set. The last time Morlix to write and record and play shows with- played at the house he introduced us to Dayna Kurtz & Bill Camplin At Cafe Carpe Wed. October 12 AND Thur. October 13 hese two evenings will feature Ms. TKurtz and her trance inducing, contralto tones. Her depth is akin to the now passed Nina Simone not only as a vocalist but as an interpreter and writer. A real equal opportunity purveyer of human musical expression.She gives a big boned highly emotive concentration to all she interprets or originates. Where does this New Jersey native fit in terms of genre? Dayna began per- forming her original compositions in public as a teenager, and subsequently spent the better part of a decade touring solo across the back roads of America, selling CD’s out of her trunk and mes- “Every step I’ve taken has felt really organic, merizing club and festival crowds with her riveting live performances. Along and like they’ve been made at the right time,” she the way, she opened shows for the likes states, adding, “The records I’ve made feel like of Richie Havens (who became a fan honest expressions of where I’m at musically, and lent guest vocals to her debut studio and the making of them has been joyful and in- album, Postcards from Downtown ). It teresting.” -- Dayna Kurtz is unfair and inaccurate to try and pigeon hol e her as she is pure Americana, ope n Tom Waits, Brecht and Weill, and even a some attitude into the bluesy realm. Her to influence both pursued or serendipi- bit of Muddy Waters—or is it Big Mama newest release “ Another Black Feather” tous. She doesn’t even seem to know. Thornton?—in this eclectic collection finds Dayna leaning more heavily on her “I’m not of the jazz, blues, folk, R&B, of songs. But Kurtz has an amazing abil- roots and country influences than usual, rock, or pop worlds enough to belong to ity to channel a wide range of musical in particular making generous use of her any of them, but all of those things are zeitgeists into her own sound, thanks new lap steel guitar, and showcasing her in there,” she says in her press bio. But largely to her low, rich, and flexible prodigious slide work on other songs. Kurtz is the kind of singer you could voice, which is light and melancholy one “One of the things that I seem to en- hear for the first time on the radio and moment, passionate and full of irony counter constantly is that I don’t re- swear you know that sepia-toned voice.