No. XIV. STYLE-CIRCASSIAN WOOD. New model of the choicest Circassian wood. The purity and mellowness of tone which is obtained Figured Circassian Wood, French Fittings, dull through using all available space as a sounding Polished. silver. Triple-spring board is fact horn motor. unrivalled, added to the that the 12-inch turntable. Speed in- is of wood, built on the most scientific principles, dicator. Gramophone taper arm. "Exhibition" sound box. and insulated from the motor so that no foreign vibrations are allowed to affect reproduction. HIS MASTERSVOICE'-1NTEW RECORDS. 10-inch, 3s. 6d.; 12-inch, 5s. 6d. THE BAND OF H.M. COLDSTREAM GUARDS. (Conducted by Lieut. Dr. J. Mackenzie Rogan, M.V.O.) 12-inch records. 5s. 6d. 0288 Morning, Noon and Night Overture (Suppe) While the overtures of Suppe lack the depth of the classical composers, their spon- taneity is undeniable. Much of the work of this composer was executed for Vienna, which possesses an unquestionable reputation for brightness and vivacity in everything pertaining to music, and these qualities are unmistakeably present in "Morning, Loon, and Night." The performance of this work seems to set the limit of perfection of these clever instrumentalists beyond s hich they could hardly hope to go. In particular the execution of some of the scale passages is altogether remarkable for its superlative brilliance. Such performances as this add to the joy of life. (Speed 80.) Published bey Lafleur. 0250 Capricho Espanol, 11Moriama " ( Espinosa) Photo S.wdocch Clarke An entirely new record of this popular Lieut. Mackenzie Rogan composition for military band, in place of the one on the catalogue. The reason for its attractiveness is not far to seek, since it combines the rich colouring of its Spanish melody with a delightful piquancy of its own. In the present record there is considerable gain in fullness and roundness of tone, both in solo passages and in blending, indeed recent improvements in record- ing are well exemplified in this performance ; while the high finish of the playing bespeaks the familiarity of the band with its fascinating strains. (Speed 81.)Published by Hawkes & Son. "HISMASTERS VOICE"-NEW RECORDS. 0266 " The Messiah," Sel. I. (Handel) Nothing could be more appropriate to the festive season than the for Christmas music from the " Messiah," here so excellently arranged the Coldstream Guards Band. It opens with the lovely old-world Symphony," Handel brought strains of the " Pastoral the air of which back from Rome. Larghetto e mezzo piano. tr tr V Vetc. The soprano recitative following is given with excellent balance, while the performance of the angelic chorus, " Glory to God," produces an effect of unexpected grandeur. .f etc. This is one of the best reproductions of Handel's oratorio ever by made instrumentalists, in which not only are the notes given, but also the spirit of the music is preserved. (Speed 80.) Published by Nove'llo u'` Co. 0267 The Messiah," Sei. II. (Handel) While the "Hallelujah" is the most popular chorus of the " Messiah," with singers there is frequently found a preference for one of the others, particularly " For unto us." This is indeed no less striking a manifestation of Handel's genius, the treatment of the words "Wonderful I Counsellor" being an example of an amazing effect produced by simple means. Voices. Orchestra. Orchestra. iti { ý- ^ _:;I11 . sýe.. .0 Wonderful! Counsellor ! In this performance the detail is naturally more exact than in the usual choral performance, but the sublimity of Handel's chorus is by no means lost by the transference from voices to instruments. (Speed 82.) Published by Novella ö' Co. THISMASTER'SVOICE-NEW RECORDS. BOHEMIAN ORCHESTRA. 10-inch records. 3s. 6d. G.C. 805 Kiss of Spring Waltz (Rolfe) The first number contains a graceful motive for clarionet which is utilised with good effect throughout the strain, while the second is marked by an excellent broad sostenuto effect. An eminently taking and danceable waltz. (.Speed 82.) Published by [Vood &z Co. G.C. 806 The Lock Step The new two-step which is a feature of " The Man from Mexico now running at the Strand Theatre, and which is likely to be danced a great deal this Christmas. It goes to a well-marked tune, which is repeated over and over again, with ever varied accompaniment, of which a continuous rap or beat is a curious feature. A record which is likely to stimulate curiosity and also to be in request in performances of the new dance. (Speed 81.) Mr. EVAN WILLIAMS (Tenor). 12-inch record (Violet Label), 6e. 6d. 02275 The Message (Blumenthal) Among the favourite songs of the late Sims Reeves none was more identified with the singer than " The Message." The words are by Adelaide Anne Procter and are written in that fanciful strain of which " The Lost Chord" furnishes a familiar example. A song with such traditions as this, inspires Evan Williams to do his best, and the poetic fancy of the message being borne to the beloved in Heaven through the power of music receives from him both delicate and inspiring treatment. The earlier part of the song is notable for the silvery quality of the voice, while the climax " Then I heard a strain of music, So mighty, so pure and sweet," is masterly, and contains some of Evan Williams's surpassingly beautiful notes.(Speed 81.) Published by .Ischerberg, Hopwood 6' Creuw. 10-inch record (Violet Label), 4s. 6d. 0 Mistress Mine (Sullivan) Shakespeare's lyrics are perfection itself, so simple, so genial and so full of happy touches, and no better settings of these could be found than those of the English Composer, Sullivan. These pastoral strains are given by Evan Williams to a cheerful and jovial note, the lines " Trip no further pretty sweeting, Journeys end in lovers' meeting," Sullivan's goes to one of most genial and melodious phrases. A song well worthy of so excellent a revival. (Speed 81.) Published byjosejh Williams. "HIS MASTER'SVOICE'-NEW RECORDS. Mr. JOHN HARRISON (Tenor). 10-inch record, 3s. 6d. G.C. 4-2098 Beyond(F)-azzk lambert) A song of parting. The music of Frank Lambert is full of subtle turns of melody which accord well with the sad regret of the opening phrase. Mr. Harrison here secures a very beautiful tone, and the climax to this song is an exceptionally striking one, the hope of reunion in Heaven, of the concluding lines, calls forth to the full the emotional intensity of the singer whose final notes are of remarkable power and beauty. Photo i) ser Street Studios (Speed SI.) Mr. John Harrison Published by Boosey S' Co. Mr. JOHN McCORMACK (Tenor). 12-inch record (Violet Label), 6s. 6d. 02245 Drink to me only with thine eyes These sterling lines of rare old Ben Jonson are as fine an expression of sentiment as exist in the language, and set to the sweet old English melody make a love song of undying worth. Apart from the beauty of Mr. John McCormack's rendering, it is also perfect in every detail; every note, every syllable is clear, ringi-lg and impeccable. Some of his best and purest notes are heard on the phrase- "The thirst that from the soul cloth rise Doth ask a drink divine," and he makes of this song something that no other English tenor could surpass. (Speea'8l.) Photo Foley, New V Published byföseph 11711enms. John McCormack "HISMASTEP.S VOICE'-"NEW RECORDS. Mr. CHARLES TREE (Baritone). 10-inch record, 3s. 6d. G.C. 4-2099 No, John, No (Shag) This is founded on a well-known story of the lady who had been instructed by her father to answer in the negative upon all occasions, and of the lover who framed his questions accordingly. " No John, No," is a man's version of the trick, and the song goes to a robust swing like some old ballad. The voice of Mr. Charles Tree is always good to listen to, and the opportunities afforded for humorous touches in the various ways of saying " no " are made the most of, while the to Langfies Ld. climax is vocally very impressive. (Speed 80.) Chas. Tree Published by Schott & Co. Mr. HARRY DEARTH (Bass). 10-inch record, 3s. 6d. G.C. 4-2101 Old Farmer John(Russell) When a man is in love and too bashful to propose, it appears to be a do risky thing to ask his father to so for him, since there is a great tempta- tion for the girl to accept the father instead. At least, this is what hap- pened to Farmer John, and the amusing story of this courtship.by- deputy is told by Mr. Harry Dearth with much humour of expression and telling effect. A good song. (Speed 80.) l9ur,ree 1 S t 5 audios Published 6}ý Ckappell &- Co. 1,, er t Harry Dearth "HISMASTER'S VOICE-NEW RECORDS, DAWSON (Bass). record, 3e. 6d. G.C. 4-2100 Rip Van Winkle( Carroll) The mysterious element in the subject of the sleeper in the forest makes it a highly suitable one for musical treatment, and this scena, though dramatic, is at the same time of a popular nature. The slow impressive introduction develops into a tuneful strain on the words "And tap, tap, tap, goes the woodpecker brown, On the limb of the old oak tree." A voice like that of Mr. Peter Dawson's it is always pleasant to hear the this is Sha 1-11 Clerke again, and whole of finely (Speed 81.) Peter Dawson very sung. I'ribhr,hrd b,r ü Co. .411eI/ Madame KIRKBY LUNN.