AARONS FINAL BOOK DEEP ANALYSIS FRIGHTENING CONCLUSION Deep Analysis: Frightening Conclusion Deep Analysis: Frightening Conclusion Aaron Kaplan Copyright © 2009 by Aaron Kaplan. Library of Congress Control Number: 2009905598 ISBN: Hardcover 978-1-4415-4432-2 Softcover 978-1-4415-4431-5 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner. This is a work of investigative reporting and the author’s own analysis, and opinion. Names, Characters, places and incidents are the product of the author’s research performed to the best of his ability using a variety of sources, offi cial and non offi cial, and are not used fi ctitiously, and any resemblance to any actual persons, living or dead, events, or locales is entirely coincidental. This book was printed in the United States of America. To order additional copies of this book, contact: Xlibris Corporation 1-888-795-4274 www.Xlibris.com [email protected] 62686 CONTENTS INTRODUCTION “God,” “god,” and Us: the Little People ................................................17 CHAPTER ONE Roswell, Anunnaki, the Middle East and the Deluge .............................23 CHAPTER TWO The Pyramid, Moses’s Biggest Secret! .....................................................56 CHAPTER THREE Dying Experts, the Renaissance, and the Search for Energy ...................67 CHAPTER FOUR The Modern Age, Hitler and the Bomb ................................................76 CHAPTER FIVE Adolf Hitler ...........................................................................................86 CHAPTER SIX The South Pole, Antarctica, and Admiral Byrd ......................................95 CHAPTER SEVEN Operation Highjump, the Black Hole, and Meeting with Aliens .........112 CHAPTER EIGHT Nuclear Bombs Exploding on Our Mainland, Central USA ................137 CHAPTER NINE Back to Roswell, Silicon Valley, the Death of Countless Microbiologists ...............................................145 CONCLUSIONS AND CLARIFICATIONS ....................................161 DOCUMENTS AND NOTES ..........................................................181 INDEX ...............................................................................................203 DEDICATION I would like to dedicate this book to my beautiful wife Sally, without whose help and inspiration this book would never have been written. Yes! She inspired me, directed me, told me how to, showed me how to, and on many nights even typed for me, and always said “Go finish the book!” What dedication. This book is also dedicated to my dear mom Toby, who passed away during the writing of this book, and let me tell you about some real inspiration. She always urged me to do my best. After her death, I started working twenty four/seven, and never felt it. This book is also dedicated to all those serious researchers and authors who had the fortitude to engage in subjects similar to mine; who in their own ways tried to alert the human race of what is about to come; who have been socially pilloried for their questing activities and beliefs. I would also like to dedicate this book to all the people, ordinary citizens, who have seen aliens and their crafts and have suffered because of it. The wheels are in motion—events have began—they can’t be stopped! Like the old saying (joke) goes: It won’t be long now! The predetermined final ending may only be modified, but not eliminated! 9 FRONT COVER “Egyptian Rocket Goddess”. BY: AUDREY FLACK, SCULPTRESS. BIOGRAPHY Audrey Flack holds a graduate degree and an honorary doctorate from Cooper Union in New York City, and a Bachelor of Fine Arts degree from Yale University. She attended New York University’s Institute of Fine Arts where she studied the history of art. She was awarded the St. Gaudens Medal from Cooper Union, and the honorary Albert Dome professorship from Bridgeport University. She is an honorary professor at George Washington University, and is currently a visiting professor at the University of Pennsylvania. Audrey Flack has taught and lectured extensively both nationally, and internationally. A pioneer of Photorealism and a nationally recognized painter and sculptor, Ms. Flack’s work is in the collections of major museums around the world, including the Metropolitan Museum of Art, The Museum of Modern Art, the Solomon R. Guggenheim Museum, and Whitney Museum of American Art and the National Museum of Art in Canberra, Australia. She was the first photorealist painter to have work purchased by the Museum of Modern Art. Throughout her career, Ms. Flack’s work has been featured in numerous traveling museum exhibitions, including “Twenty-two Realists” (1972) at the Whitney Museum of American Art, New York; “Super Realism” (1975-76) at the Baltimore Museum of Art; “American Painting of the Seventies” (1979) at the Albright-Knox Gallery, Buffalo, NY; Contemporary American Realism” (1981-83) at the Pennsylvania Academy of the Fine Arts, Philadelphia; Toyama Now, 1981” (1981) at the Museum of Modern Art, Tokyo, Japan; and “Making Their Mark: Women Artists Move into the Mainstream”(1989) which traveled to the Cincinnati Art Museum, the New Orleans Museum of Art, the Denver Art Museum and the Pennsylvania Academy of the Fine Arts. Ms. Flack has also held numerous solo exhibitions including at the 10 AARON KAPLAN Roko Gallery, New York; French & Company, New York; and the Louis K. Meisel Gallery, New York, among others. A major retrospective of her work organized by the J.B. Speed Art Museum in Louisville, Kentucky has traveled to four museums around the country during 1992-93. There are numerous books on her work. The most recent being “Breaking the Rules” by Thalia Gouma Peterson, published by the Abrams Publishing Company in New York. Among her public commissions are a Monumental Gateway to the city of Rock Hill, South Carolina, consisting of four twenty-foot high bronze figures on granite pedestals, and Islandia, a nine-foot high bronze sculpture for the New York City technical college in Brooklyn New York. Audrey Flack lives and works in New York City and Long Island. A Bevy of Goddesses By Laurie S. Hurwitz American Artist, September 1991 “I’ve always collected sculptures and I’ve always put sculptures in my paintings, just as Cezanne put them in his still lifes,” says the artist. “Making sculpture attracted me because of its substantiality. Our society is fragmented, empty, and falling apart, so I wanted to make solid objects, things that people could literally hold on to, things that wouldn’t fly away or disintegrate.” Her first sculpture, made in 1981, depicts a seated cherub clasping a shield over his heart and nearly fits into the palm of your hand, not unlike a votive object. Then came a series of progressively larger images embodying female strength, ranging from a black medicine woman and a sun goddess to mythological deities such as Athena and Diana. These works culminated in Civitas, a group of four, thirteen foot high bronze goddesses that preside over a section of the parkway in Rock Hill, South Carolina. Together, the various figures Flack has depicted during the past ten years comprise “a virtual temple dedicated to the archetypal female muse in her myriad guises,” as art historian Susan P. Casteras DEEP ANALYSIS: FRIGHTENING CONCLUSION 11 writes in the catalog to Flack’s recent solo show, “A Pantheon of female Deities,” at Manhattan’s Louis K. Meisel Gallery. Blending the philosophies and legends of various cultures, including Greek, Indian, Chinese, African, American, and prehistoric, many of the figures, such as the medicine woman, are healers; others are images of women beginning to assert their own power. Egyptian Rocket Goddess, which the artist says is about “breaking free,” has a determined facial expression and a frontal physical stance that, with arms extended and head thrust out, literally pushes forward. Combining ancient and modern imagery, the taut Egyptian Rocket Goddess has snakes wrapped around her arms, a traditional sign of female power and fertility dating back to a sculpted Minoan snake goddess from 1600 B.C.; her drapery and head-dress are adorned with the sleek, contemporary image of a rocket. EMAIL: [email protected] Audrey Flack <audreyfl [email protected]> ALL SEEING EYE From Egypt we find The Great American Seal Masonic “THE SEEING EYE” ABOUT THE AUTHOR I attended and graduated from Samuel James Tilden High School in Brooklyn, New York, in June of 1964. I continued my education and graduated from the College of Aeronautics, class of September of 1967, near LA-GUARDIA Airport, Flushing, New York. I was employed for over thirty-five years in the Aerospace/Aircraft Industry civilian and military projects. Work performed on all types of aircraft, including designing major parts for Jet Engines, including the rights to a patent received from Pratt and Whitney, Jet Engines Mfg. in Hartford, Connecticut. I have also been employed by such other companies such as Fairchild Republic, Grumman Aircraft, Sikorsky Helicopters. I also worked for EDO Corp., involving submarines, and Electro Visual Engineering, involving flight simulators (the newest 3-D type). The work that I performed included designing modifications on all type of aircraft, military and civilian. These projects also involved designing new aircraft and analyzing major problems and, yes, finding solutions!