VOCAL RANGE F.G.J. Absil Vocal Range: an Overview F.G.J. Absil 2nd July 2004 Abstract Vocal ranges, as specified in literature, may vary considerably. This document gives an overview of various sources; vocal range will be presented for choir and solo voices. Overview of vocal range Figure 1 gives an overview of vocal ranges from a number of sources. These include classical orchestra- tion textbooks, [1, 3, 5, 6] and jazz arranging books [4, 7]. The last line (Habermann and Garcia-Duprez) were taken from [2]. Open notes indicate the typical range for an average skilled singer (trained ama- teur), black notes indicate the extended range for an advanced, highly trained singer (professional). Also the difference between a solo and a chorus voice is indicated. Legend: Female voices: Col: Coloratura Voice, S: Soprano, M-S: Mezzo-Soprano, A: Alto, Male voices: T: Tenor, Bar: Baritone, B: Bass, B-Prof : Basso Profundo. References [1] Alfred Blatter, Instrumentation and Orchestration, 2nd Edition, Wadsworth/Thomson Learning, Schirmer, Belmont CA, ISBN 0-00-02-82-864570-70-7, 1997. [2] Ernst Haefliger, Die Kunst des Gesangs, 4., erweiterte Auflage, Schott, Mainz, ISBN 3-7957-8720- 3, 2000. [3] Kent Kennan, Donald Grantham, The Technique of Orchestration, 5th Edition, Prentice-Hall Inc., Upper Saddle River, NJ, ISBN 0-13-466327-6, 1997. [4] Nelson Riddle, Arranged by Nelson Riddle, Warner Bros. Publications Inc., Miami FL, ISBN 0- 89724-954-2, 1985. [5] Nikolay Rimsky-Korsakov, Principles of Orchestration, 2 Volumes, Edt.: M. Steinberg, Dover Pub- lications, Inc., New York, ISBN 486-21266-1, 1964. [6] Joseph Schillinger, The Schillinger System of Musical Composition, 4th Edition. Volume I and II, Da Capo Press, New York, 1946. [7] Don Sebesky, The Contemporary Arranger, Definitive Edition, Alfred Publishing Co., Inc., Van Nuys, CA, ISBN 0-88284-485-7, 1994. c 2004 F.G.J. Absil 1/2 VOCAL RANGE F.G.J. Absil œKennan Solo Chorus ˙ bœ ˙ œ ˙ œ ˙ œ b˙ œ ˙ œ & œ ˙ œ ˙ #˙ œ ˙ bœ ˙ œ˙ œ ˙ ˙ ? œ˙ œ ˙ #œ œ ˙ œ ˙ œ ˙ bœ ˙ S M-S A T Bar B SA TB Blatter Solo Chorus œ ˙ b˙ œ #˙ œ˙ ˙ ˙ ˙ ˙ & œ˙ œ˙ œ˙ œ #˙ ˙ œ˙ œ ˙ ? œ b˙ ˙ ˙ b˙ ˙ ˙ bœ ˙ ˙ bœ ˙ œ bœ ˙ œ b˙ ˙ œ ˙ S M-S A T Bar B B-ProfS1 S2 M-S A T Bar B Rimsky-Korsakowœ œ Solo Chorusœ ˙ ˙ œ œ ˙œ & ˙ œ ˙ œ ˙ ˙ ˙ œ ˙ ˙ œ ˙ ˙ ˙ ? œ œ œ ˙ ˙ œ œ ˙ ˙ œ œ ˙ ˙ œ ˙ œ œ S M-S A T Bar B SA TB œSchillinger Chorus ˙ œ ˙ œ ˙ œ ˙ œ ˙ œ & ˙ œ ˙ œ ˙ œ ˙ ˙ ? œ œ ˙ œ ˙ ˙ œ œ ˙ œ ˙ œ ˙ S1 S2 A-Boy A T Bar B B-Prof Riddleœ Sebeskyœ ˙œ ˙ œ ˙ & ˙ œ ˙ œ ˙ œ œ ˙ œ ˙ ˙œ˙ ? œ ˙ ˙ œ ˙ œ ˙ œ œ ˙ œ ˙ œ ˙ œ ˙ œ˙ œ ˙ SA T Bar B SA T Bar B Habermann Garcia-Duprez ˙ ˙ ˙ œ ˙ œ ˙ œ ˙ ˙ ˙ œ #˙ & ˙ ˙ œ ˙ œ ˙ ˙ ˙ ˙ ˙ bœ ˙ œ ˙ ? ˙ ˙ œ ˙ œ ˙ b˙ ˙ œ œ ˙ Col S M-S A T Bar B S M-S A T Bar B Figure 1: Overview of vocal ranges from various sources c 2004 F.G.J. Absil 2/2.