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Live Nation Launches 'National Concert Week' with $20 All-In
Live Nation Launches ‘National Concert Week’ With $20 All-In Ticket Offer Celebrating Kickoff to Summer Season One Week Only – Over 1.5 Million Tickets Available to 2,000+ Summer Shows at NCW.LiveNation.com Starting April 30 LOS ANGELES (Apr 23, 2018) -- Today Live Nation announced ‘National Concert Week’ will take place April 30 through May 8 with an exclusive $20 all-in ticket offer for fans to celebrate the kickoff to its biggest summer season. The deal will include over 1.5 million tickets to 2,000+ shows across Live Nation’s roster of summer tours including Comedy, Country, Hip-Hop, Latin, Metal, Rock, Pop, and more. For one week only, fans can get their hands on the $20 all-in tickets Monday, April 30 at 8:00 am local time at NCW.LiveNation.com, through Tuesday, May 8 at 11:59 pm local time. DJ Khaled shared his excitement about the ticket offer from 45,000 feet, encouraging music fans to nab their tickets to the hottest summer shows. Watch the video HERE. Produced by Live Nation, National Concert Week is a time for artists and fans to celebrate their love of live music. To launch the week, Live Nation will hold a special media event in New York featuring dozens of their touring artists. Talent in attendance talking about their upcoming summer tours will include Paramore, Lindsey Stirling, Bush’s Gavin Rossdale, Jeff Beck, Counting Crows' Adam Duritz, Ann Wilson of Heart, Evanescence’s Amy Lee, Foreigner’s Mick Jones, 3 Doors Down, Bad Company and Free’s Paul Rodgers, Coheed and Cambria, Collective Soul, Pentatonix, O.A.R., Poison, Soul Asylum, Stone Temple Pilots, Styx, Taking Back Sunday, The Cult, The Offspring, Whitesnake, and more. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Merch Selling Guide
SELLING GUIDE MATT YOUNG MERCH PLEDGE: Welcome to the world of licensed merchandising! It’s diffi cult to express in words my excitement to be here, at WEA, working with the best sales organization in the music biz. In addition to an all new product line, we will now be working with some new accounts. Retailers who do not buy prerecorded music make up half of all the merchandise business. If you think you met some crazy eccentric folks in the CD business, get ready to have some real fun. Every new store will have different buyers, different priorities, different real estate, and any other combination of variables. Fear not, the strength and potential of the new opportunities will outweigh the challenges. You are not alone. I am personally committing myself to each of you. I want you to be 100% comfortable with what you are about to do. If anyone has any uneasiness or lacks confi dence in their knowledge of the product or pitch, I am here for you. I will spend all the time necessary to talk you through any obstacles. Matt Young OFFICE 212.275.2365 CELL 908.930.6712 E-MAIL [email protected] LAST UPDATE: 8.22.08 LAST UPDATE: 1 Merch is nonreturnable as an industry standard. 2 Size Matters. Depending on the type of music a band plays, sales will vary for the different sizes of the apparel. 3 There is no Soundscan or point of sale tracking for merch sale at retail. 4 Merch sales are consistent and sustainable on or off recording cycles. -
Sum 41 Alive
SSUMUM 4411 AALIVELIVE IS SCREAMO B.S.? FLORIA’S FUEL IAN BLURTON~MINISTRY~THE TEA PARTY~WILDHEARTS CLAIRE STANSFIELD~MOONEY SUZUKI~DFA 1979 THE JERRY CAN The summer is the season of rock. Tours roll across the coun- try like mobile homes in a Florida hurricane. The most memo- rable for this magazine/bar owner were the Warped Tour and Wakestock, where such bands as Bad Religion, Billy Talent, Alexisonfire, Closet Monster, The Trews and Crowned King had audiences in mosh-pit frenzies. At Wakestock, in Wasaga Beach, Ont., Gasoline, Fox Racing, and Bluenotes rocked so hard at their two-day private cottage party that local authorities shut down the stage after Magneta Lane and Flashlight Brown. Poor Moneen didn't get to crush the eardrums of the drunken revellers. That was day one! Day two was an even bigger party with the live music again shut down. The Reason, Moneen and Crowned King owned the patio until Alexisonfire and their crew rolled into party. Gasoline would also like to thank Chuck (see cover story) and other UN officials for making sure that the boys in Sum41 made it back to the Bovine for another cocktail, despite the nearby mortar and gunfire during their Warchild excursion. Nice job. Darryl Fine Editor-in-Chief CONTENTS 6 Lowdown News 8 Ian Blurton and C’mon – by Keith Carman 10 Sum41 – by Karen Bliss 14 Floria Sigismondi – by Nick Krewen 16 Alexisonfire and “screamo” – by Karen Bliss 18 Smash it up – photos by Paula Wilson 20 Whiskey and Rock – by Seth Fenn 22 Claire Stansfield – by Karen Bliss 24 Tea Party – by Mitch Joel -
Contwe're ACT
Media contacts for Linkin Park: Dvora Vener Englefield / Michael Moses / Luke Burland (310) 248-6161 / (310) 248-6171 / (615) 214-1490 [email protected] / [email protected] / [email protected] LINKIN PARK ADDS BUSTA RHYMES TO 2008 SUMMER TOUR ACCLAIMED HIP HOP INNOVATOR WILL PERFORM WITH LINKIN PARK, CHRIS CORNELL, THE BRAVERY, ASHES DIVIDE ON PROJEKT REVOLUTION MAIN STAGE REVOLUTION STAGE HEADLINED BY ATREYU AND FEATURING 10 YEARS, HAWTHORNE HEIGHTS, ARMOR FOR SLEEP & STREET DRUM CORPS TOUR BEGINS JULY 16 IN BOSTON Los Angeles, CA (June 3, 2008) – Multi-platinum two-time Grammy-winning rock band Linkin Park has announced that acclaimed hip-hop innovator Busta Rhymes will join their Projekt Revolution 2008 lineup. Rhymes and Linkin Park recently collaborated on “We Made It,” the first single and video from Rhymes’ upcoming album, Blessed. By touring together, Linkin Park & Busta are taking a cue from the chorus of their song: “…we took it on the road…”. As recently pointed out in Rolling Stone’s “Summer Tour Guide,” the tour will see nine acts joining rock superstars Linkin Park, who are also offering concertgoers a digital souvenir pack that includes a recording of the band’s entire set. As the band’s co-lead vocalist Mike Shinoda told the magazine, “That puts extra pressure on us to make sure our set is different every night.” The fifth installation of Linkin Park’s raging road show will see them headlining an all-star bill that features former Soundgarden/Audioslave frontman Chris Cornell, electro-rockers The Bravery and Ashes Divide featuring Billy Howerdel, known for his work with A Perfect Circle. -
This Ain't a Scene, It's a Buzzer Race.Pdf
This Ain’t a Scene, It’s a Buzzer Race Sadboys are temporary. Sad trumpets are forever. Written by Brian Luong Tossups: 1. This band’s extensive and impressive merchandise catalogue can be attributed to guitarist Nick Steinhardt’s side occupation as a graphic designer. A live EP following this band’s sophomore studio album was titled Live on BBC Radio 1 and featured vocals from Jordan Dreyer of La Dispute. It’s not Red Hot Chili Peppers, but this band’s distinct asterisk-shaped logo was meant to evoke converging road markings leading to a sunset, and was first used in promotional artwork for the band’s second album, with that album’s initials “PTSBBAM” arranged in the negative spaces of the logo. This band’s 2016 single “Palm Dreams” was described by their frontman as a song about his inability to ask his mother about why she moved to California after she passed. The album from which that single is taken, as a whole, deals with themes of frontman Jeremy Bolm grieving the loss of his mother due to cancer. For 10 points, give the name of this Los Angeles-based post-hardcore band, which you may know from the albums Parting the Sea Between Brightness and Me and Stage Four. ANSWER: Touché Amoré 2. This website once hosted a stand-up and sketch comedy tour titled All Comics Are Bastards. This website’s sister site was also responsible for the creation and management of the Twitter account of Ace Watkins, whose bio reads, “The only Gamer running for President of the United States”. -
MAT MUSTO Almost Hero, Scream Infamy, the Krays, the Shivers, and More!
STITCHED SOUND Issue #20 MAT MUSTO Almost Hero, Scream Infamy, The Krays, The Shivers, and more! 1 Fires upon fires. Not good. Yeah, so many of you have probably heard Stitched Sound is an online magazine that Issue 20 of the disastrous fire that happened in Slave brings you the latest news about upcoming Lake. It’s such a pity, and being from Alberta, I and distinguished bands. We do this through loved Slave Lake, it was just gorgeous and interviews, journalism, reviews, updates, and most of the people I encountered there were photography. Keeping the mood light and fun nothing but nice. There was also another fire is something we love to do. Whether it's up by Fort McMurray that spread insanely fast through an intriguing interview, simple update, and wide. Then today, while I was driving home or complete issue, we strive to bring you news from school, what else do I see but solid grey and updates about the fast growing music STITCHED SOUND smoke bursting up from a neighborhood? It’s scene today. crazy, and it puts a downer on the whole summer-time, bon fire thing. Plus many people Cynthia Lam have lost their homes and Anyway, that was a complete irrelevant subject, but it’s something that has been happening lately. This issue is pretty short, our shortest so far, but it’s short & sweet! Featuring the most amazing Mat Musto on the cover, and interviews with some great bands. I’m sorry that this issue is shorter, but with finals and school coming to a close, things are geting a bit stressful. -
Makedamnsure
MAKEDAMNSURE As recorded by Taking Back Sunday (From the 2006 Album LOUDER NOW ) Transcribed by Matt Pollard Words by Adam Lazarra Music by Taking Back Sunday Arranged by Taking Back Sunday Eb Ab Db Gb Bb Eb Tuning (All Guitars A Intro Pre-Verse Moderately Fast Rock = 141 N.C. P 1 g I 4 W W V V V V V V W V V GtVr I V V V let ring T A 4 4 4 4 5 B 2 2 5 5 3 3 3 3 0 0 A5 5 g I W V V W W V V V V let VringV V V V V T 2 A 4 4 4 4 2 B 2 2 0 3 3 2 2 0 0 g k I V V V Gtr II V V V T 2 2 2 A 2 2 2 B 0 0 0 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org PDF created with FinePrint pdfFactory trial version www.pdffactory.com MAKEDAMNSURE - Taking Back Sunday Page 2 of 10 B Verse G5 B5 D5 E5 C5 9 g I W W V V V V V V W V V Gtr III Vf V V V let ring T A 4 4 4 4 5 B 2 2 5 5 3 3 3 3 0 0 g I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.VM. -
AXS TV Canada Schedule for Mon. May 18, 2020 to Sun. May 24, 2020
AXS TV Canada Schedule for Mon. May 18, 2020 to Sun. May 24, 2020 Monday May 18, 2020 3:00 PM ET / 12:00 PM PT 6:00 AM ET / 3:00 AM PT The Big Interview Tom Green Live Styx - Dan Rather joins three of Styx’s legendary members for a Las Vegas performance and a Steve-O - Prepare for the unexpected when fearless daredevil and comedian Steve-O and offbeat candid interview about the past, present and future of one of rock’s most enduring bands. actress, comic, musician, and writer Charlyne Yi swing by to see Tom. 4:00 PM ET / 1:00 PM PT 7:00 AM ET / 4:00 AM PT The Top Ten Revealed The Very VERY Best of the 70s 60s Folk Songs - The 60s brought us so much change culturally, politically and musically. The Catchphrases - From slapstick to sassy, these catchphrases still have everyone talking. Find out folk scene was strong my friends! Let’s rank the tunes that got our minds thinking and our souls which catchphrases of the 70s made our list as Marion Ross, Anson Williams, Jaleel White, and singing. Find out which 60s folk songs make our list as rock experts like Don Dokken, Steve more, give us their opinions! Porcaro (Toto) and Kevin Cronin (REO Speedwagon) count us down! 7:30 AM ET / 4:30 AM PT 4:30 PM ET / 1:30 PM PT TrunkFest with Eddie Trunk The Day The Rock Star Died INKcarceration - This week on TrunkFest, Eddie heads to Ohio for INKcarceration Festival. -
Lava Game Song List
L[v[ G[m_ Song List Song Artist 99 Red Balloons Goldfinger Aint it Fun Paramore Aint Too Proud to Beg Rolling Stones All Mixed Up 311 All Summer Long Kid Rock All the Small Things Blink 182 Amber 311 American Girl Tom Petty Any Way You Want It Journey Are You Gonna Be My Girl Jet Baba O'Reilly The Who Baby Got Back Sir Mix A Lot Banditos The Refreshments Be Faithful Fatman Scoop Better Man Pearl Jam Billie Jean Michael Jackson Blister in the Sun Violent Fems Blurred Lines Robin Thicke Boys of Summer The Ataris Buddy Holly Weezer Chicken Fried Zack Brown Band Closer Nine Inch Nails Counting Stars One Republic Crazy Little Thing Called Love Queen Cult of Personality Living Colour Dammit Blink 182 Dance Dance Fall Out Boy Don't Stop Believing Journey Don't Stop til You Get Enough Michael Jackson Drift Away Uncle Kracker Dynamite Taio Cruz Drive Incubus Eight Days a Week The Beatles Electric Feel MGMT Everlong Foo Fighters Everybody Backstreet Boys Faith Limp Bizkit Fat Bottom Girls Queen Fight For Your Right Beastie Boys Float On Modest Mouse Folsom Prison Blues Johnny Cash Forget You Cee Lo Green Friends in Low Places Garth Brooks Get Lucky Daft Punk Girl Medley (Like a prayer/I Wanna Dance With Somebody) Madonna/Whitney Houston Ghostbusters Ray Park Jr. Gin and Juice Snoop Dogg Happy Pharell Williams Harder to Breathe Maroon 5 Hey Jealousy Gin Blossooms Hey Ya Outkast Higher Ground Red Hot Chili Peppers Ho Hey The Lumineers I Believe in a Thing Called Love The Darkness I Want You Back Jackson 5 I Want You to Want Me Cheap Trick I Write -
Coheed and Cambria and Taking Back Sunday Announce U.S
COHEED AND CAMBRIA AND TAKING BACK SUNDAY ANNOUNCE U.S. SUMMER CO-HEADLINE AMPHITHEATER TOUR TICKETS ON SALE TO GENERAL PUBLIC STARTING THIS FRIDAY, FEBRUARY 23 AT LIVENATION.COM ARTIST PRE-SALES BEGIN TOMORROW, WEDNESDAY, FEBRUARY 21 AT 10 A.M. LOCAL TIME LOS ANGELES, CA (February 20, 2018) – Celebrated American rock bands Coheed and Cambria and Taking Back Sunday today announced their upcoming summer co-headlining amphitheater tour. The 28-city U.S. outing, produced by Live Nation, will begin on Friday, July 6 in Miami, FL and make stops in Atlanta, Nashville, Boston, Philadelphia, Brooklyn, Chicago, Cleveland, Austin, Denver, Las Vegas, and more. The summer journey will culminate at Comerica Theatre in Phoenix, AZ on Sunday, August 12. Northern California act The Story So Far will be the opener on all dates. Tickets for the tour will go on sale to the general public beginning this Friday, February 23 at 10am local time at LiveNation.com. Artist pre-sales start tomorrow, Wednesday, February 21 at 10 a.m. local time and will end at 10 p.m. on Thursday, February 22. A full listing of dates can be found below along with additional information on both TakingBackSunday.com and CoheedAndCambria.com. It’s been over two years since Coheed and Cambria’s 2015 album, The Color Before the Sun, was released as the band’s first “non-concept” album over the span of their 15-year career. The album left the sci-fi universe of “The Amory Wars” and instead focused on frontman Claudio Sanchez’s personal life, including the birth of his first child. -
Middle Class Music in Suburban Nowhere Land: Emo and the Performance of Masculinity
MIDDLE CLASS MUSIC IN SUBURBAN NOWHERE LAND: EMO AND THE PERFORMANCE OF MASCULINITY Matthew J. Aslaksen A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Jeremy Wallach, Advisor Becca Cragin Angela Nelson ii Abstract Jeremy Wallach, Advisor Emo is an emotional form that attracts a great deal of ridicule from much of the punk and indie music communities. Emo is short for “emotional punk” or “emotional hardcore,” but because of the amount of evolution it has undergone it has become a very difficult genre to define. This genre is well known for its almost whiny sound and its preoccupation with relationship problems and emotional instability. As a result, it is seen by many within the more underground music community as an inauthentic emotionally indulgent form of music. Emo has also very recently become a form that has gained widespread mainstream media appeal with bands such as Dashboard Confessional, Taking Back Sunday, and My Chemical Romance. It is generally consumed by a younger teenaged to early college audience, and it is largely performed by suburban middle class artists. Overall, I have argued that emo represents challenge to conventional norms of hegemonic middle-class masculinity, a challenge which has come about as a result of feelings of discontent with the emotional repression of this masculinity. In this work I have performed multiple interviews that include both performers and audience members who participate in this type of music. The questions that I ask the subjects of my ethnographic research focus on the meaning of this particular performance to both the audience and performers.