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University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context. -
Museum Salutes James Bond and His Creators Critic Judith Crist Moderates Forum
The Museum of Modern Art % 50th Anniversary to MUSEUM SALUTES JAMES BOND AND HIS CREATORS CRITIC JUDITH CRIST MODERATES FORUM In any time capsule of the 20th century, there is sure to be a commentary on and, more than likely, a print of a James Bond movie. So great is the impact of Secret Agent 007, archetypical hero of the second half of this century, that it is estimated one out of three people throughout the world have at one time or another viewed one of his spy thrillers. The most popular Bond film so far, "The Spy Who Loved Me" reportedly has drawn one and a half billion viewers or over one eighth of the earth's population. Given these facts, the Department of Film of The Museum of Modern Art, considers the phenomenon of James Bond noteworthy and is rendering, at an appropriate time concurrent with the premiere of the new James Bond "Moonraker," an homage to the producer, Albert R. Broccoli and his colleagues. Recognizing that each of the Bond films is a collabora tive project, Larry Kardish, Associate Curator in the Department of Film, has included in this tribute Lewis Gilbert, the director, Ken Adam, production designer, and Maurice B inder, title creator and graphics artist. The James Bond program, organized by Mr. Kardish, opens on June 25, with a documentary titled "The Making Of James Bond." It takes the viewer behind the scenes of the production of "The Spy Who Loved Me." Produced by BBC, it consists of four half-hour films: the first deals 11 West 53 Street, New York, N.Y. -
Boskone 31 a Convention Report by Evelyn C
Boskone 31 A convention report by Evelyn C. Leeper Copyright 1994 by Evelyn C. Leeper Table of Contents: l Hotel l Dealers Room l Art Show l Programming l The First Night l Comic Books and Alternate History l Sources of Fear in Horror l Saturday Morning l Immoral Fiction? l Neglected SF and Fantasy Films l Turbulence and Psychohistory l Creating an Internally Consistent Religion l Autographing l Parties l Origami l The Forgotten Fantasists: Swann, Warner, and others l The City and The Story l What's BIG in the Small Press l The Transcendent Man--A Theme in SF and Fantasy l Does It Have to Be a SpaceMAN?: Gender and Characterization l Deconstructing Tokyo: Godzilla as Metaphor, etc. l The Green Room l Leaving l Miscellaneous l Appendix: Neglected Fantasy and Science Fiction Films Last year the drive was one hour longer due to the move from Springfield to Framingham, and three hours longer coming back, because there was a snowstorm added on as well. This year it was another hour longer going up because of wretched traffic, but only a half-hour longer coming back. (Going up we averaged 45 miles per hour, but never actually went 45 miles per hour--it was either 10 miles per hour or 70 miles per hour, and when it was 10, the heater was going full blast because the engine was over-heating.) Having everything in one hotel is nice, but is it worth it? Three years ago, panelists registered in the regular registration area and were given their panelist information there. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. UMI' The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties By Nancy McGuire Roche A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University May 2011 UMI Number: 3464539 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3464539 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties Nancy McGuire Roche Approved: Dr. William Brantley, Committees Chair IVZUs^ Dr. Angela Hague, Read Dr. Linda Badley, Reader C>0 pM„«i ffS ^ <!LHaAyy Dr. David Lavery, Reader <*"*%HH*. a*v. Dr. Tom Strawman, Chair, English Department ;jtorihQfcy Dr. Michael D1. Allen, Dean, College of Graduate Studies Nancy McGuire Roche Approved: vW ^, &v\ DEDICATION This work is dedicated to the women of my family: my mother Mary and my aunt Mae Belle, twins who were not only "Rosie the Riveters," but also school teachers for four decades. These strong-willed Kentucky women have nurtured me through all my educational endeavors, and especially for this degree they offered love, money, and fierce support. -
Complete Film Noir
COMPLETE FILM NOIR (1940 thru 1965) Page 1 of 18 CONSENSUS FILM NOIR (1940 thru 1959) (1960-1965) dThe idea for a COMPLETE FILM NOIR LIST came to me when I realized that I was “wearing out” a then recently purchased copy of the Film Noir Encyclopedia, 3rd edition. My initial plan was to make just a list of the titles listed in this reference so I could better plan my film noir viewing on AMC (American Movie Classics). Realizing that this plan was going to take some keyboard time, I thought of doing a search on the Internet Movie DataBase (here after referred to as the IMDB). By using the extended search with selected criteria, I could produce a list for importing to a text editor. Since that initial list was compiled almost twenty years ago, I have added additional reference sources, marked titles released on NTSC laserdisc and NTSC Region 1 DVD formats. When a close friend complained about the length of the list as it passed 600 titles, the idea of producing a subset list of CONSENSUS FILM NOIR was born. Several years ago, a DVD producer wrote me as follows: “I'd caution you not to put too much faith in the film noir guides, since it's not as if there's some Film Noir Licensing Board that reviews films and hands out Certificates of Authenticity. The authors of those books are just people, limited by their own knowledge of and access to films for review, so guidebooks on noir are naturally weighted towards the more readily available studio pictures, like Double Indemnity or Kiss Me Deadly or The Big Sleep, since the many low-budget B noirs from indie producers or overseas have mostly fallen into obscurity.” There is truth in what the producer says, but if writers of (film noir) guides haven’t seen the films, what chance does an ordinary enthusiast have. -
Magazine Media
FEBRUARY 2010: THE FANTASY ISSUE M M MediaMagazine edia agazine Menglish and media centre issue 31 | februaryM 2010 Superheroes Dexter Vampires english and media centre Aliens Dystopia Apocalypses | issue 31 | february 2010 MM MM MediaMagazine is published by the English and Media Centre, a non-profit making organisation. editorial The Centre publishes a wide range of classroom materials and runs courses for teachers. If you’re studying English at A Level, look out e thought our last issue, on Reality, was one of our best yet, for emagazine, also published by Wbut this Fantasy-themed edition is just as inspired. Perhaps the Centre. our curiosity about the real and our fascination with fantasy are two sides of the same coin … The English and Media Centre 18 Compton Terrace By way of context, Annette Hill explores the factors behind London N1 2UN our current passion for the afterlife and the paranormal, while Telephone: 020 7359 8080 Chris Bruce suggests ways of investigating fantasy across media Fax: 020 7354 0133 platforms from an examiner’s perspective and Jerome Monahan provides an Email for subscription enquiries: illustrated history of fantasy at the movies via Jung, the Gothic and the ghost story. [email protected] We have a volley of vampires from Buffy to True Blood’s Bill, by way of Let The Right One In, and some persuasive and chilling accounts of how they represent real world Managing Editor: Michael Simons prejudices and fears. In a cluster of superhero articles, Matt Freeman explores the Editor: Jenny Grahame cultural significance of Superman, while Steph Hendry unpicks the ideologies of Editorial assistant/admin: superheroes and their relevance in a post-9/11 world – and identifies the world’s Rebecca Scambler first superheroic serial-killer. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Guests We Are Pleased to Announce That the Following Guests Have Confirmed That They Can Attend (Subject to Work Commitments)
Hello and welcome to the second progress report for the festival. We have a great guest line-up and the programme is being finalised as we speak. Can’t say too much at this stage, but it’s going to be another corker. Unfortunately, due to circumstances beyond our control, our previously announced guest, George Hilton, will be unable to attend. Guests We are pleased to announce that the following guests have confirmed that they can attend (subject to work commitments). Peter Wyngarde Lone Flemming Camille Keaton Jenny Hanley Carlotta Morelli Ruggero Deodato Please Note: The hotel is releasing all rooms held, so please, if you have not done so already, book your room to avoid disappointment. Rooms are still available at the Ibis, just around the corner but these are expected to be booked up soon. 1 Welcome to the Festival : Once again the Festival approaches and as always it is great looking forward to meeting old friends again and talking films. The main topic of conversation so far this year seems to be the imminent arrival of some more classic Hammer films on Blu Ray, at long last. Like so many of you, I am very much looking forward to these and it is fortuitous that this year Jenny Hanley is making a return visit to our festival, just as her Hammer magnum opus with Christopher Lee and Dennis Waterman, Scars of Dracula is on the list of new blu rays being released. I am having to face the inevitable question of how much longer I can go on, but that is not your problem. -
Superpowers Vie for Grand Prize of the Americas Future of Manitoba
CINEMA CAN-- A D A This year' s jury president is actress Leslie "We have had great success. What they have Superpowers vie Caron. Other jury members are: Istvan Szabo, Future of asked us to do has happened. Now the Kryztof Kieslowski, Govind Nihalani, Giuliano governments must answer wha t it is they want for Grand Prize of Montaldo, Roger Frappier, Gil Parrondo, Manitoba funding to do with us, .. says Silden. Kyushiro Kusakabe, Carlos Morelli. She says that because of discontinued funding the Americas Special fi lm events will include a day-long agency uncertain in March, the crunch will come in the fall if there tribu te to the National Film Board of Canada on has not been a decision . MONTREAL- The 13th annual Montreal World its 50th anniversary, a film tribute to France on WINNIPEG - The Winnipeg Film Group has Film Festival will feature 240 films from 51 its bicentennial and a gala luncheon for Harold expressed concern that the agreement signed by countries including 25 films from the U. S. anda Greenberg of Astral Bellevue Pathe. the Manitoba government and the federal strong film presence from the U. S. S. R. The Montreal International Film Market will government in 1984 to create a film funding OFDC announces In the Official Competition, Save andPr otect by be held at the Hotel Meridien between Aug. 28 agency will not be renewed in March 1990. Alexandre Sokourov, has been called a faithful and Sept 2 with over 200 companies participat However, Communications Minister Marcel a study of film interpretation of F1aub~rt ' s literary classic ing. -
Is Resistance Futile?: the Clash of the Individual and Society in Educating Rita, Billy Elliot and Trainspotting
Is Resistance Futile?: The Clash of the Individual and Society in Educating Rita, Billy Elliot and Trainspotting Baflak A¤›n Dönmez Middle East Technical University ÖZET Direnifl, bireyin, katmanlaflm›fl ve belirli bir toplum içerisindeki iktidar sahiplerince üzerinde hüküm kurulan sosyal sistemle mücadele etme biçimidir. S›n›fsal ayr›mlar› gözeten ve s›n›f farkl›l›klar›n› önem- seyen ‹ngiliz toplumunda, direnifl, ça¤dafl sinema da dâhil olmak üzere, pek çok edebi ve kültürel metin tü- rüne konu edilmifltir. Lewis Gilbert’›n yönetti¤i ve Willy Russell’›n oyunundan uyarlanan Educating Rita (1983), Stephen Daldry’nin yönetti¤i Billy Elliot (2000) ve Danny Boyle’un yönetti¤i, Irvine Welsh’in ro- man›ndan uyarlanan Trainspotting (1996) filmlerinde direnifl ana tema olarak karfl›m›za ç›kmaktad›r ve yö- netici ve ba¤l› s›n›flar aras›ndaki çat›flman›n merkezinde yer almaktad›r. Bu makalenin amac›, hiyerarflik hatlar›n keskin biçimde çizilmifl oldu¤u ve s›n›f ayr›mc›l›¤›na önem veren bir toplumda direnifl ihtimalinin bulunup bulunmad›¤›n› tart›flmak ve bunu, ismi geçen bu üç filmde örneklendirmektir. Bir baflka deyiflle, s›n›f hareketlili¤inin olabilirli¤i bak›m›ndan birey ve toplum aras›ndaki çat›flma, ça¤dafl ‹ngiliz sinemas›- n›n bu üç örne¤inde incelenmektedir. ANAHTAR KEL‹MELER direnifl, s›n›f hareketlili¤i, Educating Rita (1983), Billy Elliot (2000), Trainspotting (1996) ABSTRACT Resistance is the individual’s way of coping with the stratified social system, which is dominated by the power holders within a given society, and in the class-conscious British society, resistance has become an inevitable topic for many genres, including the contemporary cinema. -
License to Chill: James Bond and Détente in Film
License to Chill: James Bond and Détente in Film Abstract: The following paper aims to investigate how the détente period from 1963-1979 was portrayed in film. Détente as a policy significantly contributed to the ending of the Cold War, for it opened avenues of dialogue previously not available between the United States and Soviet Union. However, how the average person experienced détente or whether or not the policy impacted citizens lives at all is up for debate. This paper utilizes film as a unit of popular culture to understand détente’s role in everyday life in the United States between 1963 and 1979. This paper specifically investigates James Bond films because of their creation during détente, their ongoing series nature, their inclusive rating system, as well their role as insights into the geopolitical landscape. !1 Background On June 10, 1963, President John F. Kennedy addressed American University’s graduating class. In a speech entitled “A Strategy of Peace,” Kennedy warned of the dangers of current U.S. foreign policy towards the Soviet Union, highlighting that tensions between the two superpowers had already demonstrated their potential to destroy the world during the Cuban Missile Crisis (Kennedy, 1963). “A Strategy of Peace” would later come to be recognized as turning-point moment in the U.S. foreign policy approach of détente, leading to an evolution in the pursuit of such policy. Détente has been largely defined as the “the relaxation of strained relations or tensions [as between countries]” (Merriam-Webster Dictionary s.v. détente). Author Jussi Hanhimaki, in his book The Rise and Fall of Détente: American Foreign Policy and the Transformation of the Cold War, found that détente was applied to U.S.-Soviet relations between the years of 1963 through 1979 (Hanhimaki, 2013). -
Week Beginning Monday 17Th December 2018
Highlights: Week beginning Monday 17th December 2018 Monday 17th December 2018 – 18:20 DANCE HALL (1950) (also showing Sunday 23rd December at 11:50) Director: Charles Crichton Starring: Diana Dors, Petula Clark, Natasha Parry, Jane Hylton and Bonar Colleano. The story of four young female factory workers who escape the monotony of their jobs by spending their evenings at the Chiswick Palais. Monday 17th December 2018 – 21:00 CIRCLE OF DANGER (1951) (also showing Sunday 23rd December at 22:10) Director: Jacques Tourneur Starring: Ray Milland, Patricia Roc, Marius Goring and Naunton Wayne. Clay Douglas an American, comes to England, to find out the truth behind his brothers death during a commando operation in occupied France. Tuesday 18th December 2018 – 15:15 MR PERRIN AND MR TRAILL (1948) Director: Lawrence Huntington Starring: David Farrar, Marius Goring, Greta Gynt and Raymond Huntley. An elderly British schoolmaster is upset when a new teacher comes to the school and is an immediate success with the boys. Tuesday 18th December 2018 –18:00 DEVIL GIRLS FROM MARS (1954) Director: James MacDonald Starring: Patricia Laffan, Hugh McDermott, Hazel Court and Peter Reynolds. A female alien, armed with a ray gun and accompanied by a menacing robot, comes to earth to find men for breeding purposes on her dying planet. th Wedne sday 19 December 2018 – 08:35 SPELLBOUND (1945) Director: Alfred Hitchcock Starring: Ingrid Bergman, Gregory Peck, Michael Chekhov and Leo G Carroll. A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory. Wednesday 19th December 2018 – 18:00 CONVOY (1940) Director: Pen Tennyson Starring: Clive Brook, John Clements, Edward Chapman and Judy Campbell.