ADULT EDUCATION | FALL 2018–WINTER 2019 Welcome! Contents

Total Page:16

File Type:pdf, Size:1020Kb

ADULT EDUCATION | FALL 2018–WINTER 2019 Welcome! Contents ADULT EDUCATION | FALL 2018–WINTER 2019 Welcome! Contents Welcome to another season of If you have never taken a class with us before…welcome to the 2 Landscape Design Portfolios Lecture Series NYBG Adult Education… and another catalog. Each section leads off with short, intro classes you can take just Time, Place & Story: Design at the Crossroads for fun. As a matter of fact, you may register for any class that doesn’t catalog packed with ways to enrich 3 Winter Lecture Series have a prerequisite, including those labeled “Certificate Elective” or your relationship to plants and the The Education of a Gardener “Certificate Requirement.” natural world! 4 Andrew Carnegie Distinguished Lecture If you are a returning student…welcome back! We have dozens of new AMERICAN EDEN: David Hosack, Botany, and Medicine classes and workshops for you to explore and discover. Don’t miss our lecture lineup featuring in the Garden of the Early Republic National Book Award Winner Richard If you are on a new career path or thinking about a career change… 4 Symposium Powers—his best-seller Think about upgrading your professional profile and actively pursuing a The Overstory Cultivating a New Garden Ethic is already called the “Great American prestigious NYBG Certificate. Develop new skills, contacts, and cross- disciplinary experience. Catch up with the latest industry changes. A NYBG 5 Floral Design Showcase with Putnam & Putnam Eco-Novel”—and historian Victoria ABOUT THE COVER: The artwork on our cover Certificate is a serious credential that tells employers and clients that Johnson, whose American Eden tells 5 The Overstory: A Conversation with Richard Powers and throughout the catalog is by artist and you’ve made a serious commitment to your professional development. Instagram sensation Bridget Beth Collins, who the captivating story of David Hosack, 5 World Premiere Film Screening forages natural materials for her charming Choose from a wide variety of day, evening, and weekend classes at the founder of America’s first public Beatrix Farrand’s American Landscapes creations from the sidewalks, meadows, and Garden or at our Midtown Education Center. Our programs are made to fit garden. In October, the celebrated woods in her Seattle neighborhood. Find your needs, as well as your schedule. 7 Botanical Art & Illustration out more about her at FloraForager.com or floral design duo of Putnam & Putnam check out her book The Art of Flora Forager brings a large-scale floral demonstration 13 Botany (Sasquatch Books). Registration is now open. Please visit nybg.org/adulted or call 718.817.8747. to the Ross Hall stage. November 16 Crafts & DIY Prices listed are Member/Non-Member. Not a Member yet? Call 718.817.8703. brings conservation into your backyard 19 Floral Design at the Cultivating a New Garden Ethic symposium. Then, in January, Martha 24 Food & Drink Stewart kicks off our Winter Lecture 27 Gardening Series, The Education of a Gardener. 35 Horticulture And be sure to check out our new Food & Drink classes—so you can 41 Horticultural Therapy explore everything from jam making 45 Landscape Design to cucumber pickling to kombucha 50 Photography brewing to tequila tasting! 53 Urban Naturalist We’ve got so much for you to explore and enjoy this fall and winter… so dig 56 Wellness deep! 58 Academic Policies & Procedures 59 Professional Societies, CEUs, & Academic Programs Need the perfect gift for that plant-loving someone? 60 Classes at Midtown Education Center Purchase a gift certificate for a NYBG class today at nybg.org/adulted and give the gift of learning. inside back cover Registration & General Information 2 | LANDSCAPE DESIGN PORTFOLIOS LECTURE SERIES WINTER LECTURE SERIES | 3 20th Annual Landscape Design Portfolios Lecture Series 19th Annual Winter Lecture Series TIME, PLACE & STORY: DESIGN AT THE CROSSROADS THE EDUCATION OF A GARDENER For the 20th anniversary of this series, we invite you to hear from three innovative leaders 3 Mondays, October 1, October 15, “I know now that one cannot be taught to design gardens academically or theoretically. 3 Thursdays, January 31, You have to learn the ways and nature of plants and stone, of water and soil at least as in the field of contemporary landscape design. From the tireless advocacy of The Cultural November 5, 6:30–7:30 pm February 28, March 28, 10–11:30 am much through the hands as through the head.” —The Education of a Gardener by Russell Page Landscape Foundation to the timeless designs of Reed Hilderbrand and Nelson Byrd Woltz Scandinavia House, 58 Park Avenue Ross Hall, NYBG Landscape Architects, the collective work of this year’s speakers demonstrates a steadfast There are many points of entry into the gardening life. For some it begins in childhood; some at 38th Street, Manhattan dedication to ensuring that the public has access to beautiful landscapes that heal the land, come to it through other disciplines. Three distinguished and passionate practitioners share tell powerful stories, and celebrate history, culture, and ecology. their philosophies, their stories, and the lessons they have learned along the way. CHARLES BIRNBAUM BEKA STURGES THOMAS WOLTZ MARTHA STEWART | A Life in Gardening JINNY BLOM | The Thoughtful Gardener MARGARET ROACH | A Way to Garden Change and Giving Voice to At the Interface of “I think I may be “The landscapes we “I garden because I Continuity the Land Ecology and Culture a better person for make outlast us by cannot help myself.” As urban growth continues “We gave the landscape For 20 years, Thomas Woltz, having given serious many years therefore Called back to her at a relentless pace, Charles voice... and turned the FASLA, CLARB, NZILA, time and thought and they must be dignified childhood home at age A. Birnbaum, FASLA, museum toward the has practiced landscape effort to gardening.” with thought and love.” 25 to care for an ailing FAAR, believes it is crucial land.” This is how Reed architecture at the intersection Martha Stewart’s lifelong Self-taught, and with a widowed parent, Margaret for landscape architects Hilderbrand Principal Beka of art, ecology and culture. love of gardening began lifelong interest in natural Roach sought refuge in to weave a site’s history Sturges, ASLA, LEED AP, As the owner of Nelson Byrd as she planted alongside landscapes, gardens, and self-prescribed backyard into new designs, but not describes her firm’s award- Woltz Landscape Architects her father in their backyard architecture, Jinny Blom horticultural-therapy in ways that are nostalgic winning expansion of The (NBW), he has led the design family plots. Those early launched her landscape experiments. Thirty years or staid. He points to the Clark Art Institute for which of public parks across North Photo ©N. Jouan lessons, along with the advice she’s gleaned from design practice in 2000 ago she dug up her young Sciadopitys from that Lincoln Road Mall (Miami), the Russell Page Garden she served as landscape architect and manager. America, Australia and New Zealand, each design master gardeners and plantsmen, and her extensive after 20 years as a psychologist. Today, she is one of first foray, to transplant at the overgrown place she at The Frick Collection, the High Line, Peavy Plaza The Clark is just one of many high-profile projects demonstrating NBW’s commitment to extensive site travels to historic gardens around the world—all the U.K.’s leading landscape gardeners—celebrated bought in the Hudson Valley, where she lives fulltime. (Minneapolis), and Spain’s Madrid RIO as engaging Sturges has led—each one a powerful spatial research, community collaboration, native ecologies, form the foundation of her development as a serious for her skill with plants, her spatial understanding, There, the birds taught her to truly garden, offering a examples of how historic preservation can blend demonstration of the cultural and environmental and site history. The resulting designs restore the gardener. Her wide-ranging, thoughtful approach to and an ability to create gardens that respond to the window into natural sciences and organic practices, with modern design to showcase a city’s unique value of landscapes. This sensitive integration of essential stories and ecologies of public lands while design, planting, sustainability, and landscape can be history of a site and its wider landscape. In formal and she strives to create a 365-day garden to cultural assets. The founder and CEO of The Cultural architecture, ecology, and history can also be seen at building inclusive, resilient parks for the future. seen in the spectacular yet diverse gardens she has walled spaces and contemporary installations, in sustain them—and herself. The 2.3-acre place Landscape Foundation (TCLF), Birnbaum is also at The Mill, a residential project that draws inspiration In this talk, Woltz will present a selection of NBW’s created, which include Turkey Hill in Connecticut, the town gardens and vast country estates, Blom pushes juxtaposes habitat-style and collector plantings, the the forefront of efforts to save significant works of from Eastern Connecticut’s rolling terrain and current work, including Hudson Yards (NYC), the Aga historic Skylands on Maine’s Mount Desert Island, and creative boundaries, incorporating unexpected design latter emphasizing foliage, including much that is landscape architecture, including Chicago’s Olmsted agrarian traditions and unifies upland meadows with Khan Garden (Alberta, Canada), and Naval Cemetery the 150-acre Cantitoe Farm in Katonah, New York. elements and
Recommended publications
  • University of Oklahoma Graduate College
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SCIENCE IN THE AMERICAN STYLE, 1700 – 1800 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By ROBYN DAVIS M CMILLIN Norman, Oklahoma 2009 SCIENCE IN THE AMERICAN STYLE, 1700 – 1800 A DISSERTATION APPROVED FOR THE DEPARTMENT OF HISTORY BY ________________________ Prof. Paul A. Gilje, Chair ________________________ Prof. Catherine E. Kelly ________________________ Prof. Judith S. Lewis ________________________ Prof. Joshua A. Piker ________________________ Prof. R. Richard Hamerla © Copyright by ROBYN DAVIS M CMILLIN 2009 All Rights Reserved. To my excellent and generous teacher, Paul A. Gilje. Thank you. Acknowledgements The only thing greater than the many obligations I incurred during the research and writing of this work is the pleasure that I take in acknowledging those debts. It would have been impossible for me to undertake, much less complete, this project without the support of the institutions and people who helped me along the way. Archival research is the sine qua non of history; mine was funded by numerous grants supporting work in repositories from California to Massachusetts. A Friends Fellowship from the McNeil Center for Early American Studies supported my first year of research in the Philadelphia archives and also immersed me in the intellectual ferment and camaraderie for which the Center is justly renowned. A Dissertation Fellowship from the Gilder Lehrman Institute for American History provided months of support to work in the daunting Manuscript Division of the New York Public Library. The Chandis Securities Fellowship from the Huntington Library, Art Collections, and Botanical Gardens brought me to San Marino and gave me entrée to an unequaled library of primary and secondary sources, in one of the most beautiful spots on Earth.
    [Show full text]
  • The Textiles of the Han Dynasty & Their Relationship with Society
    The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33
    [Show full text]
  • Sources and Bibliography
    Sources and Bibliography AMERICAN EDEN David Hosack, Botany, and Medicine in the Garden of the Early Republic Victoria Johnson Liveright | W. W. Norton & Co., 2018 Note: The titles and dates of the historical newspapers and periodicals I have consulted regarding particular events and people appear in the endnotes to AMERICAN EDEN. Manuscript Collections Consulted American Philosophical Society Barton-Delafield Papers Caspar Wistar Papers Catharine Wistar Bache Papers Bache Family Papers David Hosack Correspondence David Hosack Letters and Papers Peale Family Papers Archives nationales de France (Pierrefitte-sur-Seine) Muséum d’histoire naturelle, Série AJ/15 Bristol (England) Archives Sharples Family Papers Columbia University, A.C. Long Health Sciences Center, Archives and Special Collections Trustees’ Minutes, College of Physicians and Surgeons Student Notes on Hosack Lectures, 1815-1828 Columbia University, Rare Book and Manuscript Library Papers of Aaron Burr (27 microfilm reels) Columbia College Records (1750-1861) Buildings and Grounds Collection DeWitt Clinton Papers John Church Hamilton Papers Historical Photograph Collections, Series VII: Buildings and Grounds Trustees’ Minutes, Columbia College 1 Duke University, David M. Rubenstein Rare Book & Manuscript Library David Hosack Papers Harvard University, Botany Libraries Jane Loring Gray Autograph Collection Historical Society of Pennsylvania Rush Family Papers, Series I: Benjamin Rush Papers Gratz Collection Library of Congress, Washington, DC Thomas Law Papers James Thacher
    [Show full text]
  • River to River
    RIVER TO RIVER June 19–29 Photo credit: George Kontos RiverToRiverNYC.com Get Social: #R2R2014 Follow us on Twitter @R2RFestival Like us on Facebook/RiverToRiver Share photos with us on Instagram @R2RFestival Subscribe to our email newsletter to receive updates, insider tips, and volunteer opportunities. Supporting LMCC is one of the best ways to stay connected to Lower Manhattan’s vibrant cultural future. Donate online and learn more about the benefits of joining LMCC’s diverse network of supporters at LMCC.net/support RiveR To RiveR 2014 June 19–29 11 days, 35 projects, 90+ artists All events are free and in Lower Manhattan. River To River inspires residents, workers, and visitors in the neighborhoods south of Chambers Street by connecting them to the creative process, unique places, and each other in order to demonstrate the role that artists play in creating vibrant, sustainable communities. Lower Manhattan Cultural Council (LMCC) has been the lead producer and curator of River To River since 2011. LMCC empowers artists by providing them with networks, resources, and support, to create vibrant, sustainable communities in Lower Manhattan and beyond. Whether you see the work of one, two, or 20 artists, we hope that you’ll remember your experience and enjoy getting closer to the transformative work of artists and discovering something that you didn’t know or hadn’t seen before. In addition to the River To River performances, installations, talks, digital journeys, and open studios, there are plenty of opportunities to hang out with artists, partners, audiences, and staff in a casual setting. A little like themed “house parties” that feature pop-up performances and DJ sets, the R2R Living Rooms provide an ideal setting to unwind, eat, drink, and dance it out after a day out on the town, soaking in the art.
    [Show full text]
  • Battery Park City Event Planning Guide 2020
    Battery Park City Event Planning Guide 2020 Battery Park City is the premier model of modern city living. An urban oasis, our parks, programs, and waterfront perspective offer residents and visitors an unrivaled experience of New York. Contact Information: Battery Park City Authority Phone Number: (212) 417-2000 Email: [email protected] Table of contents Sustainability 1 Overview 2 Fee Information 3 Event Locations 4 Cultural Highlights 9 Additional Guidelines 13 Additional Permits 14 Proposal Outlines 16 Sustainability in Battery Park City Battery Park City Authority has a longstanding history of environmental leadership and your event can contribute to sustainability in Battery Park City. Highlights include: • Reduce your event’s impact: Use large pitchers or carafes for drinks, rather than individually bottled drinks. Use reusable utensils and plates. Serve condiments in bulk instead of single-serving packets. If using decorations, choose reusable decorations. • Recycle: Make sure any disposables are recyclable (plates, utensils, cups, etc.). Recycle appropriately. • Compost: BPCA has a robust composting program which you can participate in. Collect food waste from your event (raw fruits and vegetables) and drop it off at one of three composting locations in BPC. We do not accept meat, bones, or large amounts of oils in the compost stream. For more information regarding Battery Park City’s sustainable guidelines, https://bpca.ny.gov/nature-and-sustainability/sustainability/ pg.1 Overview West of the West Side Highway in Lower Manhattan lies Battery Park City (BPC), a mixed-used community boasting 36 acres of impeccably maintained parks and open spaces managed by New York State’s Battery Park City Authority (BPCA).
    [Show full text]
  • Aroundmanhattan
    Trump SoHo Hotel South Cove Statue of Liberty 3rd Avenue Peter J. Sharp Boat House Riverbank State Park Chelsea Piers One Madison Park Four Freedoms Park Eastwood Time Warner Center Butler Rogers Baskett Handel Architects and Mary Miss, Stanton Eckstut, F A Bartholdi, Richard M Hunt, 8 Spruce Street Rotation Bridge Robert A.M. Stern & Dattner Architects and 1 14 27 40 53 66 Cetra Ruddy 79 Louis Kahn 92 Sert, Jackson, & Assocs. 105 118 131 144 Skidmore, Owings & Merrill Marner Architecture Rockwell Group Susan Child Gustave Eiffel Frank Gehry Thomas C. Clark Armand LeGardeur Abel Bainnson Butz 23 East 22nd Street Roosevelt Island 510 Main St. Columbus Circle Warren & Wetmore 246 Spring Street Battery Park City Liberty Island 135th St Bronx to E 129th 555 W 218th Street Hudson River -137th to 145 Sts 100 Eleventh Avenue Zucotti Park/ Battery Park & East River Waterfront Queens West / NY Presbyterian Hospital Gould Memorial Library & IRT Powerhouse (Con Ed) Travelers Group Waterside 2009 Addition: Pei Cobb Freed Park Avenue Bridge West Harlem Piers Park Jean Nouvel with Occupy Wall St Castle Clinton SHoP Architects, Ken Smith Hunters Point South Hall of Fame McKim Mead & White 2 15 Kohn Pedersen Fox 28 41 54 67 Davis, Brody & Assocs. 80 93 and Ballinger 106 Albert Pancoast Boiler 119 132 Barbara Wilks, Archipelago 145 Beyer Blinder Belle Cooper, Robertson & Partners Battery Park Battery Maritime Building to Pelli, Arquitectonica, SHoP, McKim, Mead, & White W 58th - 59th St 388 Greenwich Street FDR Drive between East 25th & 525 E. 68th Street connects Bronx to Park Ave W127th St & the Hudson River 100 11th Avenue Rutgers Slip 30th Streets Gantry Plaza Park Bronx Community College on Eleventh Avenue IAC Headquarters Holland Tunnel World Trade Center Site Whitehall Building Hospital for Riverbend Houses Brooklyn Bridge Park Citicorp Building Queens River House Kingsbridge Veterans Grant’s Tomb Hearst Tower Frank Gehry, Adamson Ventilation Towers Daniel Libeskind, Norman Foster, Henry Hardenbergh and Special Surgery Davis, Brody & Assocs.
    [Show full text]
  • Playgrounds Gone Wild
    Account: 283300 New York Date: 06/28/2010 Pub Num: 34B­2920 Circulation: 408622 City: New York Section/Page: 70 DMA: New York, NY State: NY Page Count: 1 / 3 till Playgrounds Gone rf s Wild k The era of the skill challenging danger embracing starchitect designed play zone has dawned and the city s children are the better for it By Justin Davidson if children could sculpt a landscape to their liking it would probably feature a big shiny mound likethe one adorningthe seven month oldplayground at Union Square This magnificently minimalist stainless steel hump is a tough climb Kids hurl themselves up it legs churning trying to get purchase on the slick skin Once they have conquered its summit they leap roll or slide aS occasionally taking out other children on the way down After years of creating playgrounds that placated alarmists and muffled thrills the Parks Department has rediscovered the joys ofrisk You might see the slippery slope at Union Square W« «¦ as well a slippery slope leading to a vale ofrecklessness and lawsuits And yes parents recently complained that the overheated metal was scalding little palms and thighs—it s since been shaded with a canopy But the dome provides children with something crucial a bracing challenge It issues a license to fall and fail New Yorks playgrounds are getting less predictable more imaginative and more complex making the city a national leader in showing children a good time Other big cities are playing catch up says Darell Hammond CEO of the Washington D C based playground advocacy organization
    [Show full text]
  • Beatrix Farrand's Early Years at the Arnold Arboretum
    Lady into Landscape Gardener: Beatrix Farrand’s Early Years at the Arnold Arboretum Jane Brown One of America’s great landscape gardeners, Beatrix Farrand was deeply influenced by Professor C. S. Sargent, the Arboretum’s first director. For the whole of her long and successful refers to herself as "the old lady" whose mind career, Beatrix Farrand was consistently and works very slowly-are dated in the spring of loyally appreciative of the place she regarded 1953, just six years before her death. as her alma mater, the Arnold Arboretum. This well-documented relationship of her Her gratitude and affection shine through her later years will be the subject of a future public writings, from a piece she called "The Arnoldia article, but for the moment, I would Debt of Landscape Art to a Museum of Trees" like to concentrate upon how it all began. For for the Architectural Record of November my forthcoming book on Beatrix Farrand’s life 1918/ to her pieces for Arnoldia in 1949, and work, I have had to piece together much describing her work on the azalea border and more elusive evidence on how she came to her layout plan for Peters Hill.2 Her friendship study at the Arnold in the 1890s and what she with Professor Charles Sprague Sargent, her did there. She left no diaries or letters of that adored "Chief," who had taught her "by time, and her references to it were persistently precept and example," was maintained until vague, even to the drafting of what amounted the end of his life in 1927; and after that, she to her own obituary, for the Reef Point Bulle- conducted a lengthy and vigorous correspon- tin, where she mentioned "a fortunate meet- dence with Alfred Rehder and Karl Sax, and ing" (one of many in her life) with Mrs.
    [Show full text]
  • Portraits in the Life of Oliver Wolcott^Jn
    'Memorials of great & good men who were my friends'': Portraits in the Life of Oliver Wolcott^Jn ELLEN G. MILES LIVER woLCOTT, JR. (1760-1833), like many of his contemporaries, used portraits as familial icons, as ges- Otures in political alliances, and as public tributes and memorials. Wolcott and his father Oliver Wolcott, Sr. (i 726-97), were prominent in Connecticut politics during the last quarter of the eighteenth century and the first quarter of the nineteenth. Both men served as governors of the state. Wolcott, Jr., also served in the federal administrations of George Washington and John Adams. Withdrawing from national politics in 1800, he moved to New York City and was a successful merchant and banker until 1815. He spent the last twelve years of his public life in Con- I am grateful for a grant from the Smithsonian Institution's Research Opportunities Fund, which made it possible to consult manuscripts and see portraits in collecdüns in New York, Philadelphia, Boston, New Haven, î lartford. and Litchfield (Connecticut). Far assistance on these trips I would like to thank Robin Frank of the Yale Universit)' Art Gallery, .'\nne K. Bentley of the Massachusetts Historical Society, and Judith Ellen Johnson and Richard Malley of the Connecticut Historical Society, as well as the society's fonner curator Elizabeth Fox, and Elizabeth M. Komhauscr, chief curator at the Wadsworth Athenaeum, Hartford. David Spencer, a former Smithsonian Institution Libraries staff member, gen- erously assisted me with the VVolcott-Cibbs Family Papers in the Special Collectiims of the University of Oregon Library, Eugene; and tht staffs of the Catalog of American Portraits, National Portrait Ciallery, and the Inventory of American Painting.
    [Show full text]
  • Atlantic Studies Making Yellow Fever American
    This article was downloaded by: [Ohio State University Libraries] On: 10 January 2012, At: 11:07 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Atlantic Studies Publication details, including instructions for authors and subscription information: http:/ / www.tandfonline.com/ loi/ rj as20 Making yellow fever American: The early American Republic, the British Empire and the geopolitics of disease in the Atlantic world Katherine Arner Available online: 17 Dec 2010 To cite this article: Katherine Arner (2010): Making yellow fever American: The early American Republic, the British Empire and the geopolitics of disease in the Atlantic world, Atlantic Studies, 7:4, 447-471 To link to this article: http:/ / dx.doi.org/ 10.1080/ 14788810.2010.516197 PLEASE SCROLL DOWN FOR ARTI CLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and- conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.
    [Show full text]
  • Michael Van Valkenburgh Associates
    MICHAEL VAN VALKENBURGH ASSOCIATES THE LANDSCAPE ARCHITECTURE FIRM AWARD SUBMITTAL ASLA Board of Trustees c/o Carolyn Mitchell American Society of Landscape Architects 636 Eye St., NW Washington, DC 20001 Re: Nomination of Michael Van Valkenburgh Associates for Firm of the Year Dear Trustees, The list of winners of ASLA’s Landscape Architecture Firm Award is stacked with firms that have produced significant work and made great contributions to our profession. As impressive as it is, however, the list remains glaringly incomplete, as it fails to recognize one of our most accomplished firms: Michael Van Valken- burgh Associates (MVVA). As a collective of talented designers and thinkers, MVVA has produced three decades worth of exceptional, groundbreaking built work, been a leader in promoting innovative responses to environmental challenges, and significantly raised awareness of the important work we do as landscape archi- tects. It is because of this that I enthusiastically nominate MVVA for the Landscape Architecture Firm Award. Michael Van Valkenburgh, FASLA, opened MVVA in 1982. As we all know, he has built a career as one of only a handful of landscape architects with name recognition extending far outside of our profession. His accom- plishments and contributions have been recognized with many awards, including the ASLA Design Medal and induction into the prestigious American Academy of Arts and Sciences. His is the public face for the firm, and the name on the letterhead, but he is far from the only person involved. Van Valkenburgh leads the firm with Laura Solano, ASLA and Matthew Urbanski, ASLA, who have been in- volved in most of the firm’s major projects, along with other principals Paul Seck, ASLA, and Gullivar Shepard, ASLA.
    [Show full text]
  • Burr Hamilton Duel 1804
    Burr Hamilton Duel 1804 The Burr–Hamilton duel was a duel between two prominent American politicians, the former Secretary of the Treasury Alexander Hamilton and sitting Vice President Aaron Burr, on July 11, 1804.[1] At Weehawken in New Jersey, Burr shot and mortally wounded Hamilton. Hamilton was carried to the home of William Bayard on the Manhattan shore, where he died at 2:00 p.m. the next day. One of the most famous personal conflicts in American history, the Burr–Hamilton duel arose from a long-standing political and personal bitterness that had developed between both men over a course of several years. Tensions reached a bursting point with Hamilton's journalistic defamation of Burr's character during the 1804 New York gubernatorial race in which Burr was a candidate. Fought at a time when the practice of dueling was being outlawed in the northern United States, the duel had immense political ramifications. Burr, who survived the duel, was indicted for murder in both New York and New Jersey, though these charges were either later dismissed or resulted in acquittal. The harsh criticism and animosity directed toward him following the duel brought an end to his political career. The Federalist Party, already weakened by the defeat of John Adams in the Presidential Election of 1800, was further weakened by Hamilton's death. The duel was the final skirmish of a long conflict between Democratic-Republicans and Federalists. The conflict began in 1791 when Burr captured a Senate seat from Philip Schuyler, Hamilton's father-in-law, who would have supported Federalist policies.
    [Show full text]