DOCSLIB.ORG

Thank You to Our Silver Sponsor Thank You to Our Bronze Sponsor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Thank You to Our Silver Sponsor Thank You to Our Bronze Sponsor Thank you to our Silver Sponsor Thank you to our Bronze Sponsor 2 19 Directors Notes "This above all: to thine own self be true,/And it must follow, as the night the day,/Thou canst not then be false to any man" (Hamlet Act 1, scene 33, 78-81). When I set out to direct this production, I often revisited this quote which book-writer, Heather Hach, so wisely placed in this show's final number. Having grown up with a highly motivated blonde sister of my own, I was familiar with the MGM film and, as a frequent show-tune listener, the musical itself. I took it upon myself to forget everything I knew about Reese Witherspoon, Laura Bell Bundy (Elle Woods, Original Broadway Cast), and pink as a fashion statement. As I scoured the script for a deeper, more im- plicit meaning than Hoku's "It's a Perfect Day,” I learned that this is not merely a story about a girl who chases her love interest to Harvard Law and learns some life lessons along the way; it is a story about defining one's self. The quest to find what defines one's self is far from bubbly and ditzy; it is an endeavor that authors and poets like Wil- liam Shakespeare have been writing about for centuries. Furthermore, I cannot think of a more appropriate age group than young adults to mount a production about finding one's place in the world. I charged this production's lead with stepping beyond the limits of an air-headed debutante with an uncanny knack for law and, instead, search- ing for the true seriousness that defines Elle Woods. Although the actors are not speaking in iambic pentameter, the basic set was some- what inspired by the open, yet intimate Globe Theatre in London, where the works of William Shakespeare continue to be performed. Also unique to this production is its staging in a three-quarter thrust (audience on three sides) as opposed to the traditional proscenium-style theatre, in which certain technical elements of this show could have been more easily achieved. However, it is my hope that by sacrificing a massive per- formance space, complete with fly system and the works, for a more personal and inti- mate performance, the audience will ultimately have a more rewarding experience. Best, Joe 3 18 Shout Outs Sarah, you rock that jump rope! We are always so proud of your hard work. Love Mom, Dad & Hannah Break a Leg to the wonderful cast of L.B. Your asst. producer, Pam Carli: Never look down, always keep your head up. Extremely talented and beautiful. You’ve earned it all We Love You MADDIE K. Woof, woof, lick, lick, wag, wag. Tally & Family Carli - Break a Leg! Love Bud, Nikki, Lyssa, Ben Break Legs: Margot, Serena & Pilar! Angela - We’re so proud of you! Love From the Towle Family Mom, Dad & Danielle 4 17 Shout Outs Elle’s cut-n’-color brought to you by Amy We are so proud of you Jill! We from Mirabella’s salon and day spa. love you, Mom, Dad & Meredith Thanks Amy! Carli - We love you! “Carli” - The best Vivien EVA! Dad, Cathy Mom & Keith 16 5 Meet the Cast Production Crew Stage Crew .................................................... Jessica Brownstein, Emily Hutchens Hair and Makeup ............................................................................. Cast Members Publicity Photography ...................................................................... Joe Juknievich Allison Angellis (Enid Hoops) - Allison is thrilled to be in her 3rd Teen Actorsingers Poster and Program Cover Design ................................................ Michael Poirier show. She has most recently been seen in Urinetown (Teen Actorsingers), NHSS's Program ...................................................... Tom Nguyen, Catherine Andruskevich production of Singin' In The Rain (Tap Dancer), Beauty & the Beast (Belle) with MCC Sponsor and Program Ad Coordinator ............................ *Catherine Andruskevich summer camps, and Honk! JR (Bullfrog) with JR Actorsingers. Enjoy the show! Lobby Display ................................................................................ Evelynn Decker Emma Benson (Serena) - Emma Benson is thrilled to be in Legally Blonde! She's a House ............................................................................................ *Amy Friedman rising freshman at Shenandoah University where she'll study Musical Theatre this fall. Concessions .................................................................................. *Amy Friedman Recent roles include Brenda in Catch Me if You Can and Vivienne in Legally Blonde. She 50/50 Raffle ................................................................................... Chuck Emmons thanks her friends, parents, sister Hannah for being her best friend, and boyfriend Kyle Afterglow ......................................................................... *Martha and Jed Holland for tolerating her always loud volume. Candygrams .................................................................................... Lorraine Louie Audition Board Chair ........................................................................ Tom Ritrovato Hannah Benson (Brooke Wyndham) - H-Benz is tickled pink to be playing Brooke in LB. Audition Board Eric M. Berthiaume, Joseph D. Juknievich, Brittney-Lynne Stanley She prepared for the part by doing crunches each night for a few months to keep cottage Evelynn Decker, Ashley Eason, Paul Metzger cheese off her backside. HB is at home on the A/S stage for her 5th straight year, after Audition Accompanist .......................................................................... Jed Holland snagging the Theater Award for Best Supporting Actress in NH for her portrayal of Little Audition Dance Coach ..................................................................... Adam Harding Sally in Urinetown last summer! In her time off stage, she listens to 80s burnouts and Audition Photography ......................................................................... Paul Sandler waits for her mom to bring home take-out. Audition Helpers ............... Catherine Andruskevich, Craig Brennan, Tom Nguyen, Craig Plummer, Cheryl Stocks, Pam Thornhill Kurtis Beeten (Warner Huntington III) - Kurtis is ecstatic to be making his Actorsingers debut as Warner Huntington III in Legally Blonde! Kurtis was last seen in Peacock Players production of Tarzan the Musical. Favorite credits include; Jack(Into The Woods), Gavroche(Les Miserables), Flint(Tarzan the Musical), Steve(Almost Maine). Kurtis would like to thank his friends, family, Kiki and the funky bunch, and PURL for their love and support. Angela Demanche (Dana/Perfume Girl Number Two/Ensemble) - Angela Demanche is thrilled to be in this production of Legally Blonde! Some of her past roles include Alice in Alice in Wonderland, ensemble in Urinetown, and Alana in The Little Mermaid. Angela would like to thank the cast and crew for making this show such a memorable one and her friends and family for their endless love and support. Sarah Drake (Leilani/Stenographer/Ensemble) - Oh my god! Sarah is bursting with excitement to be a part of such an amazing show! Past credits include Peter Pan (Peter Pan), Beauty and the Beast (Mrs. Potts) and Urinetown the Musical (Ensemble). Sarah is going into her junior year at Nashua High South. She loves theater, sports, and student council. Sarah would like to thank the cast, crew, friends, and especially her family for the awesome support! 6 15 Production Crew Meet the Cast Director ................................................................................. Joseph D. Juknievich Musical Director ....................................................................... Eric M. Berthiaume Choreographer .................................................................... Brittney-Lynne Stanley Susan Dudka (Elle Woods) - Susan Dudka is honored to return to the stage as Elle Producer ........................................................................... Catherine Andruskevich Woods for Actorsingers' Legally Blonde: The Musical. Susan just completed her first year Assistant Producer ....................................................................... Pamela Thornhill at UNH where she served as co-music director of the NH Notables. Susan has been Board Liaison .................................................................................. Tom Ritrovato studying music for 12 years and has been in 10 other theater productions. Susan would Technical Director ........................................................................... Craig Brennan like to thank her friends & family for their support. Stage Manager .......................................................................... Courtney Closson Jacob C. Duby (Ensemble) - Jacob is a very talented kid. He is a Senior at Nashua High Lighting Designer ........................................................ Craig Brennan, Tyler Soucy South. His recent productions this year are Peter Pan (Featured Dancer), Music Man Sound Designer .................................................. Mike O’Keefe, Quenton Glennon (Featured Dancer). He has been acting for 8 years, and is now returning to community Costumer ................................................................................. Natasha Rodriguez theatre. He has performed at the Palace Theatre in Manchester, Actorsingers, Elm Street Costume Assistants .............................................. Martha Benson, Cast Members and Nashua High School South. He juggles, is a gymnast and a dancer, and is a Leader Set Designer ....................................................................................
Load more

Recommended publications
  • Legally Blonde: Introduction
    Being true to yourself never goes out of style! WINNER BEST NEW MUSICAL 2011 OLIVIER AWARD EDUCATION KIT AUSTRALIAN PREMIERE SEASON • SYDNEY LYRIC LegallyBlonde.com.au facebook.com/ legallyblondemusical @legallyblondeoz Legally Blonde: INTRODUCTION INTRODUCTION This teacher’s guide has been developed as a teaching tool to assist teachers who are bringing their students to see the show. This guide is based on Camp Broadway’s StageNOTES, conceived for the original Broadway musical adaptation of Amanda Brown’s 2001 novel and the film released that same year, and has been adapted for use within the UK and Australia. The Australian Education Pack is intended to offer some pathways into the production, and focuses on some of the topics covered in Legally Blonde which may interest students and teachers. It is not an exhaustive analysis of the musical or the production, but instead aims to offer a variety of stimuli for debate, discussion and practical exploration. It is anticipated that the Education Pack will be best utilised after a group of students have seen the production with their teacher, and can engage in an informed discussion based on a sound awareness of the musical. We hope that the information provided here will both enhance the live theatre experience and provide readers with information they may not otherwise have been able to access. Legally Blonde is an uplifting, energising, feel-good show and with that in mind we hope this pack will be enjoyed through equally energising and enjoyable practical work in the classroom and drama studio. 1 Legally Blonde: INTRODUCTION LEgally Blonde Education Pack CONTENTS PAGE INTODUCTION 1.
    [Show full text]
  • Partyman by Title
    Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D.
    [Show full text]
  • Table of Contents
    ACADEMIC CATALOG 2016-2017 TABLE OF CONTENTS Overview page 2 College Community page 3 Admissions page 8 Music Outreach Tour Training Certificate page 15 Associate of Arts in Performance page 17 NCMC Affiliation page 20 Course Descriptions page 21 Tuition & Fees page 26 Board & Staff page 32 Faculty page 36 Academic Calendar page 41 Policies & Procedures page 42 The Young Americans College of the Performing Arts | Academic Catalog 2016-2017 THE PURPOSE INSTITUTIONAL OBJECTIVES The Young Americans College of the Performing . To develop an institution that is Arts exists to provide members of The Young recognized internationally for its ability to Americans, Inc. with a learning environment that train the finest performers and arts reinforces the Young American experience of educators. innovative and creative learning with academic rigor that advances artistry and leadership to . To provide courses of study that are of establish each student as a lifelong learner. the highest standards and connect theory to practice so that students are prepared Formed as a specialty school, The Young Americans for life after college. College of the Performing Arts blends the concepts of theoretical learning with practical application. It . To offer courses of study that ignite the is our belief that an education with an emphasis on student’s desire to learn and equips them the performing arts enables the student to develop with the skills needed for a life-long diversity in their thought process, communication commitment to learning. skills and approach to problem solving – skills vital to success in today’s global community. To assemble a faculty with extensive professional experience in their fields and OUR MISSION who are dedicated to sharing their To provide members of The Young Americans with knowledge and guiding artistic growth.
    [Show full text]
  • Special Buyers Guide Pullout
    M A Y – J U N E 2 0 1 5 SPECIAL BUYERS The Magazine GUIDE of Rural Telco PULLOUT Management What One Video Streaming Service Has Meant for Rural Telecom Providers, Consumers and the Programs They Watch 20 Homegrown Tech Incubators 24 Local and Lovin’ It 28 RTIME Wraps Up in Phoenix RTMay-June2015.FINAL_cc.indd 1 4/27/15 3:37 PM Communications Technology Media Success in today’s fluid telecom environment requires an experienced partner with laser focus and the GVNW ability to execute communication, technology and media strategies that AD result in sustainable growth. PAGE 2 With offices throughout the country and over 4 decades of experience, the GVNW team has the knowledge, resources and expertise to develop growth strategies, improve operations and maximize the organizational effectiveness for your company. RTMay-June2015.FINAL_cc.indd 2 4/27/15 3:08 PM Communications Technology Media Success in today’s fluid telecom environment requires an experienced partner with laser focus and the FINLEY ability to execute communication, technology and media strategies that AD result in sustainable growth. PAGE 3 With offices throughout the country and over 4 decades of experience, the GVNW team has the knowledge, resources and expertise to develop growth strategies, improve operations and maximize the organizational effectiveness for your company. RTMay-June2015.FINAL_cc.indd 3 4/27/15 3:08 PM In Every Issue 6 FROM THE TOP 8 SHORT TAKES 10 #RURALISSOCIAL 12 CONNECTIONS Your Telecom Information Hub By Shirley Bloomfield 14 PERSPECTIVE Targeted Message
    [Show full text]
  • Program Notes
    Saturday, March 11, 2017, at 8:30 pm m a r We Never Do This: An Evening g with Kristen & Bobby Lopez o r Brian Usifer, Musical Director and Piano P Entcho Todorov, Concertmaster and Violin e Emily Bruskin Yarbrough, Violin h Allison Seidner, Cello T Marc Phaneuf, Reeds Jake Ezra Schwartz, Guitar Dave Phillips, Bass Sean McDaniel, Drums Gordon Greenberg, Director This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Meg and Bennett Goodman, Rita J. and Stanley H. Kaplan Family Foundation, Inc., The DuBose and Dorothy Heyward Memorial Fund, Jill & Irwin B. Cohen, The Shubert Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE STANLEY H. KAPLAN PENTHOUSE: Wednesday, March 22, at 8:00 pm Joan Shelley Thursday, March 23, at 8:00 pm Julian & Leon Fleisher: The Man I Love Friday, March 24, at 8:00 pm Olga Bell Monday, March 27, at 8:00 pm Matt Gould & Griffin Matthews Tuesday, March 28, at 8:00 pm The Cactus Blossoms Wednesday, March 29, at 8:00 pm Ruby Amanfu The Stanley H.
    [Show full text]
  • Anne Frankat Syracuse Stage Ruthless, the Musicalat Talent
    Volume 5 Number 11 April 10, 2009 Ruthless, The Musicalat Talent Anne Frank at Syracuse Stage The story is simplicity itself. A young girl, alive to Company everything around her and awakening within her, with hopes Fasten your seatbelts, it’s gonna be a laughed-so-hard-I-al- and dreams of the life she may one day lead with friends and most-fell-outta-my-seat night! What happens when you take family, confides to her diary the secrets of her heart. That the classic moviesThe Bad Seed,All About Eve,Gypsy, Auntie diary, as we all know, becomes one of the lasting documents Mameand roll them all together? You getRuthless! The Mu- of the 20th century, a testament to the indomitability of the sicalthe story of eight-year old Tina Denmark, who would kill human spirit in the face of the horrors we know so well. for the lead in her school play! Add her split-personality Running March 31 to May 3, The Diary of Anne Frank will mother and a few other bizarre characters, and you have a hys- be directed by Stage’ s Producing Artistic Director Timothy terical spoof filled with infamous deeds, mysterious pasts, hid- Bond. Cast members include professional actors from New den identities, outrageous plot twists and loads of laughter. York , professional actors from Syracuse , and students from One of the funniest musicals of all times, the the Department of Drama in Syracuse University ’s College New York Times called this show“malicious, delicious and of Visual and Performing Arts. Tickets are available at the outrageously funny.” Syracuse Stage Box Office at 820 East Genesee Street , by Based on the 1956 Academy Award-nominated filmThe telephone at 315-443-3275 or www.SyracuseStage.org.
    [Show full text]
  • Outbound February 2010
    “What the hell?” That was the question on frock turn heads, but Jeremy (and I) actually my lips nearly every day last month. I mean, won the “Most Fun/Entertaining” category of truly, folks…what the hell? the night! What the hell? We won? I was It all started when I was asked to guest thrilled. Me? An award-winning runway bartend with my friends Brian (from ETC.) and model? What the hell? Chi-Chi (from M’s) at Kruz. Me? Guest bar - After thanking “Team Jeremy ,” I headed off tend at this haven of hot men and leather? for a few drinks at Kruz and then M’s Bar. Lit - What the hell? Sure! I tossed on my leather tle did I know this would be the last time my boots and a French maid costume (what the sweet keester would grace a stool at this hell?), and I hit the beer taps with pleasure. homo Xanadu. A few days later, I found out Thanks for asking me guys!! that my home-away-from-home, the water - Next, my amigo and designer extraordinaire ing hole that proudly displayed my 8x10, was Jeremy Hanson asked me to model his gown closed. M’s Bar called it quits and locked up in the Wearable Sculpture Fashion Show held for good. What the hell? at the Milwaukee Art Museum. He and his Granted I hate, hate, hate to see another partner , Shannon, were kind enough to include bar close its doors in our community, but after me in the well-attended MAM After Dark thinking about it, I took a cue from what I event.
    [Show full text]
  • Day One Goes by Swiftly Ramsey Has the Key(S)
    February 25, 2010 Issue 2 Day One Goes By Swiftly The first full day of CRS 2010 opened with Lady Antebellum’s National Anthem and an address from Nashville Mayor Karl Dean, and powered straight through to the ACM-sponsored Music City Jam. Headliner Taylor Swift “tailored” her arena tour for an intimate industry crowd Wednesday evening (2/24) and brought along Fearless tour openers Gloriana as well as guest Julianne Hough. Swift’s 10-song set included “You Belong With Me,” “Love Story” and “Fifteen,” and she interspersed the tunes with comments and anecdotes about her relationship with Country radio. Recalling an early mailing of her single “Tim McGraw” she said, “I remember putting CDs into the envelopes and thinking, ‘Wouldn’t it be cool if they actually played this song?’” She continued, “So thank you from the bottom of my heart for opening this envelope and deciding to put it on the air because the last couple of years have been quite a ride. And I don’t care how big the stage is you play on, you never forget who Standing Room: Taylor Swift sings in the middle of the Nashville brought you to the party.” Convention Center performance hall during Wednesday’s Music City Jam. Big Machine’s Scott Borchetta and Universal Distribution’s Cliff Ramsey recalled attending an NAB conference 11 years ago and O’Sullivan surprised Swift with an immense plaque commemorating hearing about the impending demise of terrestrial radio in the face of sales of 10 million albums and recognizing her status as the best- Internet and satellite challengers.
    [Show full text]
  • Page 1 Thursday, August 8, 2013 11 1 1 Florida Georgia Line
    page 1 Thursday, August 8, 2013 [email protected] Weeks Last Wk This Wk Spins/ % Spin Spins Last Wk On Chart Position Position Artist/Song/Label Reports Power +- # Spins 11 1 1 Florida Georgia Line/Round Here/Republic Nashville 3261/95 2 61 3200 10 4 2 Kenny Chesney/When I See This Bar/Blue Chair/Columbia Nashville 3087/100 4 115 2972 18 2 3 Hunter Hayes/I Want Crazy/Atlantic/WMN 3031/82 -4 -112 3143 21 5 4 Billy Currington/Hey Girl/Mercury Nashville 2868/90 2 60 2808 16 6 5 Lee Brice/Parking Lot Party/Curb 2786/90 0 -7 2793 15 8 6 Chris Young/Aw Naw/RCA Nashville 2718/100 5 136 2582 19 7 7 Little Big Town/Your Side Of The Bed/Capitol/UMG Nashville 2644/95 1 34 2610 15 12 8 Thomas Rhett/It Goes Like This/Valory Music Group 2631/98 12 272 2359 9 10 9 Jason Aldean/Night Train/Broken Bow 2559/89 5 119 2440 32 11 10 Brett Eldredge/Don't Ya/Atlantic/WMN 2414/67 3 77 2337 9 13 11 Toby Keith/Drinks After Work/Show Dog/Universal 2393/99 6 140 2253 7 16 12 Tim McGraw/Southern Girl/Big Machine 2224/98 15 296 1928 9 14 13 Miranda Lambert/All Kinds Of Kinds/RCA 2180/98 8 161 2019 16 18 14 Eric Paslay/Friday Night/EMI Nashville 2024/91 11 199 1825 22 15 15 Jon Pardi/Up All Night/Capitol/UMG Nashville 2024/85 3 68 1956 8 17 16 Taylor Swift/Red/Big Machine 1997/90 8 155 1842 9 19 17 Blake Shelton/Mine Would Be You/Warner Bros.
    [Show full text]
  • BROADWAY MEMORIES Is Produced and Hosted by New York Casting Director Stephen Deangelis
    BROADWAY MEMORIES is produced and hosted by New York Casting Director Stephen DeAngelis. Five of Broadway’s finest vocalists will recreate their most memorable musical moments and career highlights, display their great versatility, share backstage behind-the- scenes anecdotes and participate in an enlightening and entertaining question-and-answer session with the audience. Scheduled Broadway performers are KECIA LEWIS, who recently appeared as Mrs. Norman in the Broadway revival of Children of a Lesser God and on television in “Law and Order: SVU” (recurring), “The Unbreakable Kimmy Schmidt” (Season 2), “Limitless” and “Blue Bloods”, Lana Gordon (Velma Kelly in Chicago on Broadway and around the world; Jesus Christ Superstar; original cast The Lion King), Drama Desk Award nominee Adam Jacobs (Aladdin in Disney’s Aladdin; Marius in Les Miserables; Simba in The Lion King). Jon Peterson (The Emcee in Cabaret on Broadway and around the world) and Craig Schulman (The Phantom in The Phantom of the Opera; Jean Valjean in Les Miserables; Jekyl and Hyde-the only actor in the world to have portrayed all three of the greatest musical theatre roles ever). Musical Director/Accompanist will be Eugene Gwozdz. MUSIC & MEMORY®, is researched-based and works with patients who suffer from a wide range of cognitive and physical challenges to find renewed meaning and connection in their lives through the gift of personalized music. STEPHEN DeANGELIS (Producer/Host) has produced over 300 different Broadway concerts at venues in New York and across the United States featuring a multitude of Broadway stars including many Tony Award and Drama Desk Award winners and nominees, stars from hit television series and films whose roots are on stage and Broadway's fastest rising young performers.
    [Show full text]
  • 2018 Cultural Camps Guide
    GETTY IMAGES (4) ORLANDO ARTS MAGAZINE MARCH/APRIL 2018 22 P. 22-39 Summer Cultural Camps_678.indd 22 2/9/18 3:32 PM he time to pull out the beach umbrel- ing and acting to science experiments and nature las and plan summer getaways is right explorations. Our community has some of the around the corner. It’s also that time best summer camps that will keep your child of year to explore what to do with the entertained while at the same time learning a new kiddos while parents are busy work- talent or simply refining one already held dearly. ing to pay for those vacations. There are hundreds Put on a costume, look in a microscope or create of opportunities within Central Florida’s cultural a masterpiece. The stage is set for a summer of community to do just that. From singing, danc- excitement. While this guide is extensive and based on information provided by the organizations, please visit OrlandoAtPlay.com or visit the individual websites to confirm the information listed as well as for any additional information or camp offerings that might not be included herein. Teen/Adult be able to observe their child’s ballet class. CREATIVE WRITING Summer Session Following class, students will participate in a PAGE 15 Open adult and teen classes are offered at showcase. TUITION: TBD 407.422.8755, page15.org/ywc/ Orlando Ballet School Central, South and Seminole campuses. Classes accommodate June 11-23 June 4-July 27 beginner- through advanced-level students wishing to study dance. Classes focus on a Levels 3 and Up Grades 2-12 fun, challenging way to exercise while Jacksonville 2-Week Senior Summer Young Writers Summer Camps learning ballet technique and experiencing Intensive Page 15’s summer camp is back.
    [Show full text]
  • ACM Sales Bump the Lucky Few 1 ACM Sales Bump the by David M
    page 1 Wednesday,Wednesday, AprilApril 28,28, 20102010 Table of Contents ACM Sales Bump The Lucky Few 1 ACM Sales Bump The by David M. Ross Lucky Few Einstein's theory of relativity may have coincidentally), 18% is also the precise 4 Chesney Flick Faring Well been misinterpreted all these years. Perhaps result generated by carefully prescribing to 4 Grammy Block Party May 11 it's really about shows such as last week's SoundScan math. (Can we say Nobel prize for 4 Melissa Peterman In New CMT Scripted Series Academy of Country Music Awards. In this econometric sales model?—ok maybe not...) 4 Industry Milestones case, E=MC2 may mean that the the Energy ACM's high energy three hour show of Sales generated by the show will equal grabbed pretty strong ratings, off slightly Respect Intellectual Property: the Music quality times the index of Consumer from last year, about 6%. That was perhaps MusicRow transmissions in email and file form plus online passwords, are Confidence. due to strong competition from the other intended for the sole use of active subscribers only and protected under According to my Einsteinian calculations networks, including some country-themed the copyright laws of the United States. country should score an 18% weekly sales programming deliberately aimed at snagging Resending or sharing of such intellectual property to unauthorized individuals increase compared with the previous week. away viewers. The Awards, however peaked and/or groups is expressly forbidden. Strangely enough (some might groan with 14 million viewers at 9 p.m. MusicRow Publications, Inc. reserves the right to cancel, without refund, the account of any subscriber found to be in violation of this policy.
    [Show full text]