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The Faith of Dolly Parton by Dudley Delffs
Dudley’s book gives great insight into why so many people around the world love Dolly Parton. While Dolly is one of the biggest superstars, she has never forgotten who she is and where she came from and the faith that anchors her life. GOVERNOR OF TENNESSEE, Bill Haslam, and First Lady Crissy Haslam Three amazing strands of stories are woven into this fabu- lous book, The Faith of Dolly Parton by Dudley Delffs. The thread of biography speaks of a fascinating woman whom we tend to think we know, but whom I admire even more when seeing her through the lens of faith. The thread of memoir shared through the author’s blending of his own life story with Dolly’s is a gift of hope and connection. And the final thread, that of devotional, invites us to more. Faith- based questions at the end of each chapter take us deeper into our own stories, while the prayers remind us that it was Dolly’s faith that has taken her to the heights she’s attained, as she humbly acknowledges. Reading this book reminded me of my own faith journey and the gift of story told through music, words, and life. I love this book! You will too! JANE KIRKPATRICK, award- winning author of All She Left Behind The Faith of Dolly Parton is a little book filled with big dreams! Dudley Delffs weaves together his unique spiritual journey with the wonder and wisdom of Dolly Parton’s with a heartwarming result. I was uplifted by the inspirational gifts of both and delighted by the author’s humor and the 9780310352921_FaithDollyParton_int_HC.indd 1 4/6/18 11:31 AM joy hidden in the stories of Dolly’s life. -
Johnny Cash 1992.Pdf
PERFORM ER S Johnny Cash He s the man in black, “a walking contradiction, partly granted him a solo audition in late 1954, and invited him truth and partly fiction.” His six foot-plus, ebon-draped back with his group. frame has worked itself deep into the American psyche to be On the first day of spring, 1955, the cards were on the table come as familiar to some as Woody Guthrie or Billy the Kid, at Sun. Red Kernodle succumbed to the pressure and disap Geronimo or Luke the Drifter. peared. But Cash rose to the occasion with a song he’d just fin Johnny Cash is a little bit of all those American legends. ished writing. Luther’s unadorned lead guitar picked a sparse During a career that spans five distinct decades, he has created ly melodic pattern, and Marshall came up with a bedrock more than 1,000 compositions that describe a folk hero in rhythm as characteristic of the Sun Sound as that of Elvis, transition, singing in his distinctive baritoned-bass voice of Scotty and Bill. The five masters cut at that session resulted in coal miners and sharecroppers, cowboys and Native Ameri one serviceable B-side, “Hey Porter.” Phillips sent John home cans, families and lovers. Invariably, he returns to his early to write him a hit. years for strength and inspiration. The result was “Cry! Cry! Cry,” recorded in May by the At the height of the Great Depression, on February 26, newly-christened Johnny Cash & the Tennessee Two and is 1932, in the town of Kingsland, Arkansas, Ray Cash and Car- sued as Sun 221 b/w “Hey Porter.” The single took the Mem ric Rivers Cash bore a son named J.R. -
~Tate of \Lrennessee
~tate of \lrennessee HOUSE JOINT RESOLUTION NO. 518 By Representatives Beck, Powell, Russell, Reedy, Cepicky, Todd, Helton, Gillespie, Carr, Curcio, Weaver, Moody, Tim Hicks, Littleton, Keisling, Clemmons, Terry, Gloria Johnson, Camper and Senators Campbell, Gilmore, Kyle, Yarbro A RESOLUTION to recognize and honor the Grand Ole Opry on its 5,000th Saturday night broadcast. WHEREAS, the members of this General Assembly are proud to specially recognize a legendary institution that has contributed significantly to the country music industry and brought acclaim to the State of Tennessee the world over; and WHEREAS, on October 30, 2021, the Grand Ole Opry will send over the airwaves its 5,000th Saturday night broadcast, a momentous occasion in the history of this touchstone of American culture; and WHEREAS, "the show that made country music famous" began on Saturday, November 28, 1925, when a young announcer on Nashville radio station WSM introduced an eighty-year o!d fiddle player, Uncle Jimmy Thompson, as the first performer on a new show called The WSM Barn Dance; and WHEREAS, announcer George D. Hay, who labeled himself "The Solemn Old Judge," but was neither old nor a judge, realized he had started a good thing that fateful night; and WHEREAS, this acclaimed radio show followed an NBC network radio program on Saturday nights called The Music Appreciation Hour, in 1928, Mr. Hay announced on the air, "For the past hour we have been listening to music taken largely from the Grand Opera, but now we will present the Grand Ole Opry"; the -
JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide. -
Voices in the Hall: Sam Bush (Part 1) Episode Transcript
VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Deford Bailey (1899 -1982)
Tennessee State University Digital Scholarship @ Tennessee State University Nashville Conference on African American History and Culture Tennessee African-American History 2019 DeFord Bailey (1899 -1982) Linda T. Wynn (Revised, 1989) Follow this and additional works at: https://digitalscholarship.tnstate.edu/conference-on-african- american-history-and-culture Recommended Citation Wynn (Revised, 1989), Linda T., "DeFord Bailey (1899 -1982)" (2019). Nashville Conference on African American History and Culture. 4. https://digitalscholarship.tnstate.edu/conference-on-african-american-history-and-culture/4 This Article is brought to you for free and open access by the Tennessee African-American History at Digital Scholarship @ Tennessee State University. It has been accepted for inclusion in Nashville Conference on African American History and Culture by an authorized administrator of Digital Scholarship @ Tennessee State University. For more information, please contact [email protected]. Profiles of African AmenCans in Tennessee DeFord Bailey (1899-1982) DeFord Bailey was born on December 14, radio station WDAD. Soon after, Bailey made 1899 at Carthage, Smith County, Tennessee. his first appearance on WSM Radio, after His mother died when he was a little more overcoming some racial opposition from the than a year old, and his father's sister and her station's director. The young black performer husband reared DeFord. Stricken with was given the title "Harmonica Wizard." infantile paralysis at the age of three years, the bedridden child was given a harmonica as Bailey played a role in the naming of the a means of amusement. Bailey overcame "Grand Ole Opry." In 1926, the WSM Barn polio, although he had a deformed back and Dance followed an hour of symphonic music, never grew taller than four feet, ten inches. -
Johnny Cash by Dave Hoekstra Sept
Johnny Cash by Dave Hoekstra Sept. 11, 1988 HENDERSONVILLE, Tenn. A slow drive from the new steel-and-glass Nashville airport to the old stone-and-timber House of Cash in Hendersonville absorbs a lot of passionate land. A couple of folks have pulled over to inspect a black honky-tonk piano that has been dumped along the roadway. Cabbie Harold Pylant tells me I am the same age Jesus Christ was when he was crucified. Of course, this is before Pylant hands over a liter bottle of ice water that has been blessed by St. Peter. This is life close to the earth. Johnny Cash has spent most of his 56 years near the earth, spiritually and physically. He was born in a three-room railroad shack in Kingsland, Ark. Father Ray Cash was an indigent farmer who, when unable to live off the black dirt, worked on the railroad, picked cotton, chopped wood and became a hobo laborer. Under a New Deal program, the Cash family moved to a more fertile northeastern Arkansas in 1935, where Johnny began work as a child laborer on his dad's 20-acre cotton farm. By the time he was 14, Johnny Cash was making $2.50 a day as a water boy for work gangs along the Tyronza River. "The hard work on the farm is not anything I've ever missed," Cash admitted in a country conversation at his House of Cash offices here, with Tom T. Hall on the turntable and an autographed picture of Emmylou Harris on the wall. -
All Things Country with Rowena Playlist for April 10, 2021
All Things Country Playlist April 10, 2021 Charley Pride, feat. Janie Fricke Field Of Dreams Comfort Of Her Wings Music City Jerry Lee Lewis On The Back Row Another Place Another Time Smash LP Jo Ann Campbell Teenage Idol All The Hits Real Gone Music Minnie Pearl with Pee Wee King Jealous Hearted Me A Shot In The Dark: Tennesse Jive 1945-1955 Bear Family Johnny Duncan Last Train To San Fernando Last Train To San Fernando Bear Family Zane Williams Tired Of Being Perfect The Right Place Hack Circle Wynn Stewart & Jan Howard How The Other Half Lives Wishful Thinking Bear Family Tony Booth If I Had You Back Again This Is Tony Booth Capitol LP April Perch This Ottowa Valley Take Me Back Rounder Cal Smith You Can't Housebreak A Tomcat The Best Of Cal Smith Kapp LP Carmol Taylor Honky Tonk At Home I Think They Call It Homesick Country Int'l. David Frizzell I'm Going To Hire A Wino To Decorate Our Home Greatest Hits Madacy Jim Fagan 18 Wheels A Hummin' Home Sweet Home Overloaded Diesel Power Pak LP Reba McEntire It's Not Over (Til I'm Over You) My Kind Of Country MCA Loretta Lynn Gonna Pack Up My Troubles Here's Loretta Lynn Vocalion LP Gordon Terry I Had A Talk With Me Lotta Lotta Women Bear Family Mel Tillis Another Bridge To Burn Something Special Kapp LP Mickey Gilley Movin' On Mickey's Movin' On Playboy LP Wanda Jackson various In Person Live At Mr. Lucky's in Phoenix, AZ Capitol LP Chris Isaak I Forgot To Remember To Forget Beyond The Sun Vanguard Norma Jean Will You Be Here Tomorrow Please Don't Hurt Me RCA Victor LP Tiny Harris Hi There, Old Bottle 45rpm single Stop Liz Talley It's Time To Cross That Bridge Road To You self Roger Miller A Man Like Me Roger Miller 1957-1962 Warped George Jones Mr. -
Bio 2018 Charlie Daniels
CHARLIE DANIELS Bio 2018 www.charliedaniels.com www.twitter.com/charliedaniels www.youtube.com/charliedanielsvideos www.facebook.com/charliedanielsband www.instaGram.com/thecharliedanielsband From his Dove Award winning gospel albums to his genre-defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America’s musical landscape than Charlie Daniels. An outspoken patriot, beloved mentor to young artists and still a road warrior at age 80, Charlie has parlayed his passion for music into a multi-platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin’ Cousins.” He played on such landmark albums as Bob Dylan’s Nashville Skyline and tried his hand at producing the Youngbloods’ Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South’s Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards. -
Junior Samples Born Learn More
April 10, 1926: Junior Samples Born Learn More Suggested Readings Hee Haw: http://www.heehaw.com/ Junior Samples Nominated for Comedy Award Find a Grave: http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=5414 www.todayingeorgiahistory.org April 10, 1926: Junior Samples Born Image Credits Hee Haw - Cornfield sketch Gaylord Entertainment Courtesy of Gaylord Entertainment BR 549 Junior Samples Gaylord Entertainment. Courtesy Gaylord Entertainment. The Culhanes Sketch on Hee Gaylord Entertainment. Courtesy Gaylord Entertainment. Haw Hee Haw Production still - cast CBS Hee Haw Production Still CBS Hee Haw Production Still HEE HAW Logo Gaylord Entertainment. Courtesy of Gaylord Entertainment. Hee Haw production still Photofest Courtesy of Photofest Junior Samples News Obituary - Forsyth County News Courtesy of The Forsyth County The Forsyth County News News Production Still - Laugh In Hosts NBC Laugh In Production Still NBC Laugh In Production Still Production Still - Goldie Hawn NBC Laugh In Production Still NBC Laugh In Production Still on Laugh In Production Still - Leprechaun NBC Laugh In Production Still NBC Laugh In Production Still sketch on Laugh In www.todayingeorgiahistory.org April 10, 1926: Junior Samples Born Image Credits Production Still - Laugh In NBC Laugh In Production Still NBC Laugh In Production Still sketch, actress getting splashed Minnie Pearl on the Wall phone Gaylord Entertainment. Courtesy of Gaylord with junior Samples - Hee haw Entertainment Minnie Pearl on the Wall phone Gaylord Entertainment. Courtesy Gaylord Entertainment with junior Samples - Hee haw Roy Clark Jnr - Concert Still DOT Records Promotional still DOT Records Promotional still Tobert St, Cumming Georgia Forsyth County Historical Society Courtesy of the Forsyth County circa 1920 Historical Society Turners Speedway, Cumming A. -
Buck Owens Obituary
Obituary of Buck Owens: March 27, 2006 By: Dave Hoekstra Buck Owens was more than a voice in country music. He was an American metaphor for the clarion of possibility after The Grapes of Wrath migration to California. Alvin Edgar "Buck" Owens was a honky-tonk singer, a TV star -- best known for his role in "Hee-Haw" -- and an entrepreneur who owned radio and television stations in Bakersfield, Calif. He was a good soul, one who would fly from Bakersfield to Portland, Ore., as he did in March 2005 to surprise compatriot Merle Haggard, who was opening for Bob Dylan. The depth of the moment was understood. With Mr. Owens standing stage right in a resplendent brown and black cowboy jacket, Dylan took a chance on Haggard's "Sing Me Back Home." Mr. Owens died Saturday at home in Bakersfield. He was 76. On Sunday, CMT.com reported the cause of death as a heart attack. He grew old, but his songs never became tired. In recent years he stopped touring outside of California, but he still managed to capture a new generation of fans that included Dwight Yoakam, Steve Earle and the Bottle Rockets. In the late 1990s, John Soss of Chicago's Jam Productions held an annual Buck Owens birthday party at Schubas that featured artists as diverse as soul singers Otis Clay and Mavis Staples, and country-rocker Jon Langford. Mr. Owens crossed borders he never would have dreamed of as a child when he headed west with his sharecropper parents from the Red River Valley near Sherman, Texas.