Hosted by TED WALCH Sundays at 3PM in the Ahmanson Lecture Hall Harvard-Westlake School, Coldwater Campus Sundayssponsored by the Kutler Center

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Hosted by TED WALCH Sundays at 3PM in the Ahmanson Lecture Hall Harvard-Westlake School, Coldwater Campus Sundayssponsored by the Kutler Center

CINEMACINEMA SUNDAYS Hosted by TED WALCH Sundays at 3PM in the Ahmanson Lecture Hall Harvard-Westlake School, Coldwater Campus SUNDAYSSponsored by the Kutler Center MICHAEL SHEEN takes your questions following a screening of JAN Frost/Nixon, a dramatic re-telling of the post-Watergate interviews FROST/NIXON between British talk-show host David Frost (Sheen) and former 22 president Richard Nixon (Frank Langella). (2008) | 2 hours Cinema Sundays inaugurates a look at television serials with the first two JAN FRIDAY NIGHT episodes of Friday Night Lights. Executive Producer DAVID HUDGINS is our guest. He promises to bring an actor or two from the series with him. 29 LIGHTS (2006) | 2 hours CHRIS SARANDON (Prince Humperdinck) takes your questions and FEB THE PRINCESS discusses just how much fun it can be to make a movie that is crazy fun. 12 BRIDE (1987) | 1h 38m Host TED WALCH presents and discusses George Stevens’ MAR A PLACE masterpiece. Starring Elizabeth Taylor and Montgomery Clift, A Place in the Sun is big and grand, Hollywood entertainment at its most 05 IN THE SUN elegant and its most heartbreaking. (1951) | 2 hours TED WALCH screens this neglected and under-appreciated American MAR film starring Warren Beatty, Angela Lansbury, Karl Malden, Eva Marie ALL FALL DOWN Saint, and Brandon de Wilde. With a screenplay by William Inge under the deft direction of John Frankenheimer, this is a must for any 19 serious film buff. (1962) | 1h 51m Author SAM WASSON (Fosse, Fifth Avenue, 5 A.M.) screens Howard Hawks’ madcap masterpiece starring Cary Grant and Rosalind Russell. MAR HIS GIRL FRIDAY 26 (1940) | 1h 32m Producer DAVID WYLER screens his father’s greatest film. William Wyler APR THE BEST YEARS tells the story of three servicemen returning home after WWII. Without question, The Best Years of Our Lives is an undeniable masterpiece. 30 OF OUR LIVES (Note: The film lasts just under 3 hours. The evening will end at 7 pm.) (1954) | 2h 52m We are honored to welcome NICOLA LUBITSCH, daughter of director THE SHOP AROUND Ernst Lubitsch, to screen her father’s wistful and deliciously sweet MAY romance starring James Stewart and Margaret Sullavan. Experience “The 07 THE CORNER Lubitsch Touch” at its most delicate and entertaining. (1940) | 1h 39m Director ALEJANDRO G. IÑÁRRITU presents this devastating and deeply MAY spiritual film. Uxbal (Javier Barden) tries to get his affairs in order before BIUTIFUL the spirits, with whom he communes, come to claim him. 14 CINEMA(2010) | 2h 20m Admission is free. Open to any student, alumni, faculty, or friend of Harvard-Westlake. SUNDAYSNo RSVP. Doors open 30 minutes before. All guests subject to availability..

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Film Essay for "The Best Years of Our Lives"
The Best Years of Our Lives Homer By Gabriel Miller Wermels (Harold Russell), a “The Best Years of Our Lives” originated in a recommen- seaman, who dation from producer Samuel Goldwyn's wife that he read has long a “Time” magazine article entitled "The Way Home" been en- (1944), about Marines who were having difficulty readjust- gaged to the ing to life after returning home from the war. Goldwyn girl next door. hired novelist MacKinlay Kantor, who had flown missions He returns as a correspondent with the Eighth Air Force and the from the war Royal Air Force (and would go on to win the Pulitzer Prize a spastic, in 1955 for his Civil War novel “Andersonville”), to use that unable to article as the basis for a fictional adaptation of approxi- control his mately 100 pages. Inexplicably, Kantor turned in a novel movements. in verse that ran closer to 300 pages. Goldwyn could barely follow it, and he wanted to shelve the project but Sherwood was talked into letting Kantor work on a treatment. and Wyler made some William Wyler, his star director, returned to Goldwyn significant Studios in 1946, having been honorably discharged from changes that the Air Force as a colonel, also receiving the Legion of added more Merit Award. Wyler's feelings about his life and profession complexity had changed: "The war had been an escape into reality … and dramatic Only relationships with people who might be dead tomor- force to the row were important." Wyler still owed Goldwyn one more story. In film, and the producer wanted him to make “The Bishop's Kantor's ver- Wife” with David Niven.
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