Museum of Art ... University of Oregon Eugene, Oregon ......

A BANK AS ART PATRON

Cat a logu e of a collection

s h owing the collaborative e nte rprise of western a rt ists

for bu ildings of

The United States N atio n a l Bank of Portla nd

Museum of Art, Unive r s ity of Oregon in Eugene

D ecember 3 t hro u g h 3 1 , 1963

Exhibitio n Organized a nd Installed by

the Museum Staff:

W a ll ace S. Baldinger, Director

Joseph M . Stu a rt, C urator

Mrs. C la udia C hristia n sen, Secretary

Mrs . G le nda Pearson, Catalogu e r

F letch er Blackburn, Custodia n

Receptionists:

H e le n Yu , John Baratte a nd Edgar S torm s FRIENDS OF THE MUSEUM Museum of Art , University of Oregon

BOARD OF GOVERNORS: PATRON MEMBERS: M rs. E. Cha rles P ressman, cha irma n; M r. Robert M r. and M rs. Wa llace S. Baldinge r, Mr. Burt Wilmsen, Vice-Cha irma n; M r. R icha rd C. Wil­ B rown Barker, Mr. and Mrs. K enneth W. Ford, .li :lrns. T reasurer; M rs. P aul Walsh, Secretary; Mrs. Ray and Miss Ma rtha Goodri ch, M r. and M r. Lester E. Anderson, M r. Wayne R. Atwood, M rs. Dale Hansen, M r. and M rs. Willia m A. M r. Wa llace S. Bald inger, M r. M a rk Cla rke, Mr. H aseltine, M rs. Allen Jones, D r. and M rs. P a ul L. K leinsorge, D r. a nd Mrs. Robert H . S hi omi, Ra lph Cobb, M rs. H enry L. Corbett, J r. , Dean M r. a nd M rs. F red Sohn, D r. and M rs. N icholas W:li ter Creese I Ex-Officio l , M rs. Lloyd Cum­ Sullivan. min g- s. M r. D avid D uniway, M rs. Otto F rohn- 111: \:V C' r, M r. E hrma n Giust ina, M rs. Henry W. BUSINESS AND Ha ll . M rs . Dale H a nsen , M rs . W illiam A. ORGANIZATIONAL H: lscl tine 1Honora ryl, M r. Rolf K lep 1Honor­ MEMBERS: a 1·.v I . Mrs. R. A. Kronenberg, :M rs. George Lenci, G ius ti na Venee r Compa n y , G ua rd P ub lis hi n g M rs. Roy E. L ieua llcn, M r. J a mes Longwood. Compa ny , H ult Lumber Company , J une S. Jones M rs. Donald McCarga r, M rs. K eith B. McGilli­ Company , J unior League of E ugene, J unior Serv­ V

When a leading bank becomes o.rt patron, it is group of paintings a nd sculptures purchased by time for the public to take notice a nd for the a rt some a rt-minded fin a nci er to em bell ish his ma n­ museum to signali ze the event wi th an exhibition sion, nor even wo rks of a rt assembled by a public­ and a catalogue. Art patronage by bankers is in spirited magna te to swell the holdings of the local itself, to be sure, nothing new. Giovanni Arnol­ museum. All such o.ct ions merit exhibitions. T he fini comes to mind; his priceless wedding portrait coll ections of great corpora tions have made his­ by Jan van Eyck would not have been painted tory, in fact, through their having ci rcul a ted without the patronage of this M edici ba nking among the museums of the country; so crownod agent in F la nders. It was the banker, Lorenzo de' with success ho.ve they been tha t every body hon­ M edici, who won through his a rt patronage the ors the na mes of Conta iner Corpora tion of Amer­ title of "II M agnifico." Rothschild is a name to ica, International B usiness M achines, H a llma rk conjure with in E urope. And how much less we a nd such other firms o.s have ini tia ted the shows. could ha ve done in Ameri ca to adva nce our a rt But the United Stales National Bank of Portland coll ections without the M ellons, the Morgans, the has been tra ilblazing in hitherto unex plored terri­ Rockefell ers 1 tory. Extending its services lo include the whole The kind of thing featured by the present exhi­ sla te of Oregon, the Bank builds a branch build­ bition, however, is something specia l. It is not a ing in a new community or a new suburb. It does not stop as usual with the construction of a merely is a mply a ttested to by the present exhi bi tion. utilita rian building. It seeks ra ther by the phys­ Note the photogra phs a nd models of the buildings ical a ppeal of the structure to invite the customer themselves. Note how beautifull y the gardens, the in a nd a rouse in him a mood fa vora bl e to doing mura ls, the easel paintings, the prints, the sculp­ business. This means the creation of a n inti­ tures, a nd the other accessori es a ll contribute to ma tely a ttractive structure which only a good a r­ the structures. Alertness a nd initia tive were re­ chitect can design a nd only a bl e collabora tors can quired to find the right a rchitect in a given in­ complc'te, colla bora tors in inte rior design, la nd­ stance, to ferret out designers .to wo rk effectively scape design. weaving, pottery, meta lwo rk, sculp­ with him, to d iscover works of a rt fit to go into the ture, pa inting. ensemble. D iscri mina ting judgment, decisiveness The U nited S ta tes Nationa l Bank of Portla nd a nd courage to spend money in a n untried fi eld, is pioneering in this kind of pa tronage. I ts o ffi cia ls a ncl ·a deli cate sense of a ppropri a teness in joining have found tha t "art pays." T hey have found tha t acqui s itions ha pp il y together, were further essen­ people like to do their ba nking in pleasant sur­ ti a ls to bringing each branch bank into being as a roundings. T hey have found tha t peopl e respond joint wo rk of a rt. T he achievement ma rked in this to a bank building's open a nd lu minous spaces. way by tlw current presenta tion is truly rema rk­ tha t people develop a co rresponding ex pa nsive­ a hiC' . Continuation of the ente rprise is exciting in ness favora ble to the t ransactions involved. prospect. W hi le enriching the bank tha t fosters it, T hat the United S ta tPs Nati ona l Bank has a l­ such patronRge advances a t the same time the ready ciPve loped a n nrt collect ion of no mean order whoiP regiona l culture of the Pacific Northwest.

WALLACE S. BALDINGER D irector. M useum of ,\rt. U niucrsity of Oregon EAKER BRANCH, Baker, o regon Co mpleted Aug ust 1960 Arc hitects: Jacobberg er, Stanton, Franks & Norman Landscape Arc hitect : Arthur Erfeldt & Associat es Ph otog raph by Donald Sipe: No. 1 Ext eri or Sc ulpture by Izquierdo

EEAVER TON BRANCH, Beaverton, oregon To be completed in Sp ring of 1964 Architect : John St orrs N o. Artist Title Medium Location 2 Burgderfer Untitled Watercolor 3 Burgderfer Untitled Wat ercolor 4 M. Davi s " The Ce ll " Oil Conference Room 5 Ca m eron "Eagle Guard ing the Dea d " Woodcut 6 Ca m eron " Tot em of t l1e Chief" Woodcut 7 Ca m eron " Raven Hea d " Woodcut 8 Co lwell "The Wat chers" Oil Co nference Room 150 St aln aker Hand woven t apestry Ladi es Loun ge 15 1 St aln aker Hand woven t apestry Ladi es Lounge

BEND BRANCH, Bend, Oregon Completed May 1963 Architect: Edmundso n, Kochendoe rfer & Kenn edy Landsca pe Architect : Arthur Erfeldt & Associat es 9 Pi ladaki s "Scat tered Roc ks" Oil Conference Room 10 Pil ada ki s " Driftwood Land " Wat ercolor Lunch Room 12 Ni chols Architectural Rend ering of the Building Ph ot ographs by Donald Sipe: 13 Ext eri or of the Building 14 Tom Hard y Met al Sc ulpture Entry Hall 15 Tom Hardy Met al Sc ulpture Entry Hall 16 Des igned by Wood Soff it Panel Lobby Ronald Travers, Architect of Ed m undson, Koc hendoe rfer & Kenn edy

5 . BURLINGAME BRANCH, Portland, Oregon Completed January 1963 Architect: Dukehart & Kinn e Landscape Architect: Arthur Erfeldt & Associat es No. Artist Title Medium Lo ca tion 17 L. Lu cas "Cathedral" Oil Co nference Room 18 Ni chols Architectural Rend ering of the Building i Ph otograph by Donald Sipe: 19 Lagori o Sc ulpture Met al Main Entry

CORVALLIS BRANCH, corvallis, Oregon Completed December 1961 Architect: Jeppse n & Miller Landscape Architect: Arthur Erfeldt & Associat es 20 Pi ladaki s " Foggy Invasion" Oil Lobby 2 1 Pil adaki s " Morning Light" Oil 1st Fl oor Co nference Room 22 Kivette " Fall Sce ne" Oil 2nd Floor Meeting Ro om 23 Ni chols Architectural Rendering of Building Photograph by Donald Sipe: 24 Taysom Scu lpture Lobby

COTTAGE GROVE BRANCH, Cottage Grove, Oregon Completed June 1961 Architect: Morin & Longwood Landscape Architect: Arthur Erfeldt & Associates 25 R. Davi s " Th e Red Horse" Oil Lobby 26 R. Davi s "Mountain De er" Oil Lobby 27 Ni chols Architectural Rendering of the Building

DAYTON BRANCH, Dayton, Oregon Remodeling Completed July 1963 Architect for Remodeling: Farnham & Pec k Landscape Architect: Arthur Erfeldt & Associat es 28 Manse r "Harvest Land sca pe': Oil Conference Ro om Photograph by Donald Sipe: 29 Georgialee Coble Wal l Mural Lobby

6 JUNCTION CITY BRANCH, Junction City, Oregon To be completed in 1964 Architect: William L. Fl etcher N o. Artist Title Medium Loca tion 69 Krause "Stee l Bridge Nig llt" Oi l j 70 Krause "Oregon Landscape" Oi l 71 Blodgett "Girl Witl1 Guitar" Oil 149 Set ziol Wood Mural Lo bby

MADRAS BRANCH, Madras, Oregon Completed April 1963 Arc hitect.· Wil m sen, Endicott & Untllank Lanclscape Architect: Sa m e

72 Bennett "Webwork No. 2" Oi l Conference Room 73 M. Davi s "Sea Flowers" Oil Lunch l ~oom 75 Lagori o "Swa hilian Eleph ant Hunt" Se ri graph Ladies Lounge 76 Wi lm se n, Endicott Arc hitectu r·a l Rend erin g of Bui lding & Unthank

MIL\7'\TAUKIE-FO"\N"ELL BRANCH, Portla nd, Oregon Completed August 1963 Arc hitect : Ba rn es & Hilgers Landscape Architect. Arthur Erfeldt & Associates 77 L. Lu cas " It ali an Street" Oil 2nd Floor Co nference Room 78 Lagori o " Th e Griffin" Se ri g raph Lounge 8 0 B. Feves Untitled Ce ramic Plaq ue 1st Floor Co nference Room 81 Ni chols Architectural Rendering of Building

NORTH MEDFORD BRANCH, Medford, Oregon Completed July 1962 Architect: Robert J. Kee ney Landscape Architect: Dale Ni edermeyer

82 Bennett "Subst ation No. 3" Oil Co nference Room 83 Bennett "Summer Bord er" Oil Lun ch Room 84 Flynn " No 1 Rocks & Flowers" Serig raph Ladies Lounge 86 Nic l1ols Arc hitectural Rendering of Building

7 EUGENE MAIN BRANCH, Eugene, Oregon Completed January 1961 Architect: Wilm se n, Endicott & Unthank Landscape Architect: William Tu effel, Seattle, Wn. No. Artist Title Medium Loca tion 30 R. Davis "Burst of Life" Oi l Conference Room 31 McCosh Untitled Oil Lobby 32 McCos h "Churc h Towers" Watercolor Lounge 35 McCos h " Lava Wall" Oil 2nd Floor Conference Room 37 R. Davis "WI1ite Bird" Oil Chief Clerk's Dept. 40 Piladakis " Metoliu s Way" Wat ercolor Trust Depa rtm ent 4 1 Worth ley "Foaming Wat ers" Serigraph Tru st Department 42 Nichols Archit ectural Rendering of Bui lding .. Photograph by Flo Gross: 43 Ex terior of Building

GLADSTONE BRANCH, Gladstone, Oregon Completed February 1962 Architect: Bea r, McNeil, Sc hn eider, Bloodworth & Hawes La ndscape Architect: Arthur Erfeldt & Associat es 44 Piladakis "Coast al Theme" Woodcut Conference Room 46 Pi lada kis " Red Game" Wat ercolor Lunch Room 47 Nic hols Architectural Rendering

HEAD OFFICE, Portland, Oregon Architect for Motor Bank and major remodeling: Bellusc hi and Skidmore, Owings & Merrill 48 Pi ladaki s "Grassland" Oil Bu ild ing Planning Dept. 49 Pi lada ki s " The Lake" Wat ercolor Building Planning Dept. 51 Bradford "Regatta" Serigraph Building Planning Dept . 53 Pi ladakis " Land slid e No. 2" Oil Cafeteria Guest Lounge 54 Pi ladaki s " Patterns" Oi l Cafeteria Ramp Entrance 55 Pi ladaki s "Morning Light No.2" Oil Ca fet eri a Guest Dining 56 R. Davi s " Place of the Dee r" Oi l Branc h Consumer Credit Dept. 57 L. Lu cas "Venice No. 2 " Oil Educa t ion Dept. 59 Pi ladakis "Branched Seashore" Waterco lor Loan Adjustment Dept. 61 Pi ladakis "Som ew here in Oregon" Wat ercolor IBM Recept ion Area Photograph by Donald Sipe: 62 Georgialee Cob le Wal l Mural of Skidmore Fountain 2 nd Floor Lad ies Lounge

INTERSTATE & GOING ERAN.CH, Portland, Oregon Completed July 1963 Architect: New berry, Ro ehr & Sc hu ett e La ndscape Architect: Arthur Erfeldt & Associates 66 M. Davis "Yellow Fields" Oil Conference Room 67 Lagorio "Beach Games" Serigraph Lunch Room 68 Ni chols Architectural Rendering of Bui lding

8 NORTH SALEM BRANCH, Sa lem , Oregon Completed 1959 Architect: John Grimmer Groom Landscape Architect: Huntington & Roth N o. Artist Title Medium Loca tion 88 Lagor1o " Rajah's Tiger Hunt" Serig rapll Con ference Room 89 Lagorio " Byza ntine Barqu e on Serig raph Co nference Room the Buva River" lE30TH & DIVISION BRANCH, Portland, Oregon Completed August 1959 Architect: Rudd & Moc kford Landscape Architect: Arthur Erfeldt & Associates 90 Krause ·· New Market Theatre" Lin oleum Cut Co nference Room 9 1 Krause "Ornam ental Iron Lin oleum Cut Co nference Room Building" 92 Unknown Arc hitec tural Re nd erin g of Building

PENDLETON BRANCH, Pendleton, Oregon Completed May 1960 Architect: Tom Potter La ndscape Arc hitect : Walter Gerke 94 Unknown '' High Oxford" Oil Conference Room Photographs by Donald Sip e: 95 Tom Hardy Wall Scu lpture Lobby 96 Tom Hardy Wall Scu lpture Lobby

PRINEVILLE BRANCH, Prineville, Oregon Completed June 1963 Arc hitect: Wilmse n, Endicott & Unthank Landscape Architect: Arthur Erf eldt & Associat es 97 M. Davi s " Loo k Down in Wonder" Oil Pl atform 98 M. Davi s " High Pl ace" Oil Meeting Room 99 L. Lu cas " Birches" Oi l Conference Room 100 L. Lu cas "September Afternoon " Oil Lunch Room 101 Os good "A Walk Uptown" Seri graph Lunch Room Photograph by Donald Sipe: 102 Thunderegg Col lection in Lobby 152 Wilmsen, Endicott & Unthan k- Arc h.itectural Rendering of Bui ld ing

9 . RIV ER ROAD BRANCH, Eugene, Oregon Complet ed August 1958 Architect : Wi lm se n, End icott & Untha nk La ndscape Arc hitect: Lloyd Bond & Associat es Ph otograp h by Donald Sip e: N o. 103 Lobby Wa ll Sculpture by Tom Hardy

ROSEBURG BRANCH, Roseburg, Oregon Complet ed January 1961 Architect : St ew art & Ri chard so n La ndscap e Arch itect : Arthur Erf eldt & Associat es

N o. Art ist Tit le M ed ium Loca tion 104 R. Davis " Symbols" Oil Co nference Room 105 No rwood " Sunset Tree" Oil Conference Room 106 R. Davis " Noctu rn a I Growth" Oil Lunch Room 109 La go rio " Byza ntine Barqu e o n th e Biw a River" Oil Hallway 11 0 Nic ho ls Arc l1it ectural Renderin g of Build ing

SEASIDE BRANCH, Seaside, Oregon Complet ed June 1962 Architect : Wicks & B rown Landscape Architect: Arthu r Erfeldt & Associat es 11 1 M . Davis "Wat er Ed ge" Oil Co nference Room 11 2 B. Lucas " Mythica l" Wat erco lor Lu nc h Room 11 3 Nic hols Architectural Renderi ng of Bu il ding

SEVENTH & CHAMBERS BRANCH, Eugene, Oregon Co mpleted Aug u st 1963 Architect: M o rin & Longwood La ndscap e Architec t: Ll oyd Bo nd & Associat es 114 R. Davi s " Nocturne" Oil Lo bby 115 R. Davis "Volca nic Fo rces " Oil Co nference Room 116 L. Lu cas " Bi rd s & St o nes" Oil Lu nch Room 11 7 Bowm an " Moonli ght Horses" Se rigraph Lunch Room 118 Nichols Architectural Rend eri ng of Bu il d ing

10 SEVENTEENTH & OAK BRANCH, Eugene, Oregon Comp leted October 1961 Arch itect: Wilmsen, Endicott & Unthank Landscape Arc hitect: Same No. Artist Title Medium Location 119 R Davis " In ner Forces" Oil Co nference Room 120 Pi ladakis " Ro cky Formation " Oil Loun ge 12 1 L. Lu cas " Tile Ancients" Oil Lounge 122 Nic hols Architec tural Rend ering of Build ing

SIXTY-SEVENTH & GLISAN BRANCH, Portland, Oregon Completed September 1961 Architect: An nand & Boone Landscape Architect: Arthur Erfeldt & Associat es 123 Norwood "Fire Tree Sy mbol" Oil Lunch Room 124 Nichols Architec tural Rend ering of Bui lding

SUNNYSLOFE BRANCH, Sa lem, Oregon Completed April 1963 Arc hitec t: Groom, Blanc hard & Lam en Landscape Architect: Arthur Erfeldt & Associat es 125 L. Lu cas "B- Fiat Minor" Oil Conference Room 127 Shores "Tree Totem" Scu lpture Outsid e Conference Room 128 Nicho ls Architec tural Rendering of Bu ilding Photograph by Donald Sipe: 129 Lagorio Lobby Dome Sc ulpture

THE DALLES BRANCH , The Da lles, Oregon Complet ed June 1963 Architect : St anton, Boles , Maguire & Church La ndscape Architect: Arthur Erfeldt & Associates 130 R. Davis " New Life" Oi l Co nference Room 13 1 L. Lu cas "Autumn " Oil 2nd Floor Conference Room 132 L. Lucas "Tears of Things" Oil Lunch Room 133 Beers "Ven ice No. 1" Lithograph Lunch Room s' 134 Beers "Cam po San Paulo" Lithograph Lun ch Room 135 Rin ald i Architectural Rendering of Bui ld in g 136 Be rt J. Harri s & Associat es - Sca le Model of Building 137 Geo rgialee Co bl e Sketch of Lobby Soffit Mural Showin g History of the Area Photograph by Donald Sip e: 138 Photo of Lobby Soffit Mural

11 TIGARD BRANCH, Tigard, Oregon Completed November 1960 Architect: Nelso n A. Hodges Landscape Architect: Arthur Erfeldt & Associat es N o. Art ist Title M edium Loca tion 139 McCosh "Cath edral " Watercolor Co nference Room 140 Kunz " Houses" Oil Lounge 141 Nichols Arc hi tectural Rend ering of Building

TILLAl:v.fOOK BRANCH, Tillamook, Oregon Completed November 1960 Architect: Whitney, Hin so n & Jaco bse n Landscape Architect: Arthur Erfeldt & Associat es 142 McCosh Untitled Wat ercolor Co nference Room 143 La go ri o " Sym bolic Hands" Jewe l Painting 2 nd Floor Hallway 144 Nichols Architectural Renderin g of Bu ilding

"\?VEST SALEJ:v.f BRANCH, Sa lem, Oregon Completed May 1963

Architect: Jam es L. Payn e Landscape Architec t: Arthur Er f eldt & Associat es 145 L. Lucas " Wat er Lili es" Oi l Conference Room 146 Lagorio "Sound of the Se rig raph Lun ch Room Sea·Sundown" 147 Nichols Architectural Rendering of Building

l:v.fiSCELLANEOUS 148 A collec tion of ce ramic as htrays, pottery and pl anters representative of ce ram ics purchased for the various U. S. Nat ional branches from the Oregon Ce ram ic Studio 153 Un assig ned Wood Sc ulpture by Setz iol

Interi ors of U.S. Nat ional Bank ·Buildings by Lil a Co lwe ll, Inc ., A. I. D.

12 ABOUT THE ARTISTS •

BEE RS, RICHARD BLODGETT, T OM

E ng li sh artist now residi ng in Pari s, F ra nce. M r. B lodgett was gra dua ted from Lewis a nd C la rk Coll ege in Portla nd. m ajo ring in a rt. He is a t present doing g ra duate work a t t he U ni versity of O regon. He has ha d o ne- ma n shows at Lewis a nd Cla rk College, BENNETT, EUGENE as well as a t the J ewish Community Cente r in Port­ la nd a nd Portland C ivic T heater. A reside nt of Medford . O regon. Mr. Bennett's t ra in­ ing includes U ni ve rsity of O regon. U ni versity of C hi ­ cago a nd t he A rt I nsti t ute of C hi cago from w hi ch he BOVVMAN, DOROTHY received Bachelo r of A rt E ducati on a nd Master of Art E ducatio n degrees. H is wor k has been ex hibi ted D o rothy Bowm a n attended C ho uina rd A rt I nsti t ute thro ughout t he count ry. including the Baltimo re M u­ a nd J e pson A r t I nstitute. S he has been instructo r at seum of A rt. B rookl y n M useum, A rt I nstitute of C hi ­ Barnsda ll A rts a nd C ra fts. Los A ngeles C ivil Service cago, San F ra ncisco A r t M useum. Califo rnia Palace a nd the Ameri can Contempora ry Gall e ry. H e r m a ny of the Legion of Hono r. Port la nd A rt M useum . ex hi bit io ns include B rookly n M useu m. Denver M u ­ seum. Nati ona l Seri gra ph Society. Califo rnia S ta te O ne- ma n shows have been held at Avant Arts in Fair. Ameri can Contempo ra ry Gall ery in Los A n­ C hi cago, C hicago P ublic L ibra ry. Southern O regon geles as well as traveling shows a t co ll eges a nd uni ­ College a t Ashl a nd . U ni versity of O regon M useum of versit ies. Her wo rk is inc luded in perma nent coll ec­ A rt a nd a numbe r of othe rs. H e received the Pauli ne ti o ns at New York P ublic Libra ry. B rookl y n M useum. Palmer prize a t the C hi cago a nd V icinity S how in C roc ke r Gall ery a nd Metropo li tan M useum of A rt. I 956: t he Rena issance prize at t he Navy P ier S how in 1957: Oregon Centenni a l Ex hibitio n in 1959 as S he has received m a ny awards- t he Young A r t. ist well as others. Award from tlw A me rican Conte mpo ra ry Gall ery. first Award a t the T hirteenth A nnua l Seri gra ph Ex ­ H is wo rk is in perma nent co ll ectio n at the M useum hibi t io n in New York in 1952. Marion C unningha m of M odern A rt a nd is inc luded in circul a ting coll ec­ Award fo r \IVo me n A rtists. P urchase Award in Seri ­ t io ns of the A rt I nstitute of C hicago. M useum of M od ­ gra ph. Penne ll Coll ecti o n. L ibra ry of Cong ress in 1954 ern A rt a nd Port la nd A rt M useum. as wrll as a numlw r of others.

13 BRADFORD, HOW ARD CAMERON, JOSEPHINE

Educated at C houina rd A r t Institut e and J epson Art A g radua te of P ortland Art Museum School. Jose­ Inst itut e . Mr. Bradford was a lso a n instructor at J e p­ phine Cameron a lso studied with Mark Tobey in son. Ex h ibitions of hi s work have hec•n he ld at Brook­ Seattle. One-man s hows have i ncludcd Junior M u­ ly n M useum. Denver l\1use um. Ca nwgie Institut e. seum in Portland: Best's Appa re l. Portland; B ush Seatt le a nd San Francisco Museums. L ibrary of Con­ House Museum in Sale m. Her wo rk has been ex­ grc•ss. U ni versity of California. America n Contempo­ hibit-ed at the Unive rsity of Portla nd. Northwest ra ry Galle ry at Los Angeles a nd ma ny other public P ri ntmakers in Seattle. Inte rna ti ona l Printmake rs a nd priva te gal leri es throughout the U nit ed S ta tes. S how in Seattle' a nd a lso in the Oregon Annual Print S how. H e has been inc luded in perma nent co ll ecti o ns in a numbe r of museums a nd galle ri es inc luding Dallas. Los Ange les County. Museum of Modern A rt-. New Yo rk P ubl ic L ibra ry. Seattle M useum , C rocker Gal­ COBLE, GEORGIALEE lery. Met-ropoli ta n Museum. Balt imore Museum of Arl. Educational background includes the University of Oregon. U ni versity of M innesota and Parsons School H e has been the recipi e nt of ma ny awards from a rt of D esign. Formerly in the fa s hion fie ld. Mrs. Coble groups throughout the country . These inc lude the Marion C unning ha m M emoria l Award at the Four­ was associated with Bonwit-T e ll er in New York as assistant coutc ri cr d esigne r. S ince that t ime. as a teenth Annual Exhibition of Prints of the San Fran­ mural a rtist. s he has completed wo rk fo r residence cisco Art Associatio n; F irst Awa rd- Serig raph-at the a nd comme rcia l e nterprises including the Aloha W estern Seri g ra ph Annual Ex hibit io n in Los Angeles Hoom a t the Hea thma n Hotel in Portland; U.S. Air in 1950: Klein Award a t the Twelfth Annual Seri ­ Porce Base at Portland a nd Adai r Base at Corva ll is; gra ph Ex hibition of the American Color Print Society in 195 1. a number of bra nches of the U nited States National Ba nk. BURGDERFER, RUTH F . A na ti ve of New York. s lw received a Bachelor of COLWELL, LILA J ., A . I . D . F ine Arts degree from \.Y eslcyan College in Macon. Georgia. and a M aste r of A rts d Pg rec in A rt E duca­ M rs. Colwell has ex hibit ed at S u rf Pi nes Gall ery. tion at T eachers Co ll ege. Columbia U nive rsity. H e r S urf P ines. Oregon. Her work is in private coll ections wo rk has been exhibited in ga ll eries in New York. of ma ny Paci fi e coast collectors. Tacoma. India na. Arizona a nd here in Oregon. S he is at p resent assistant. professor of a rt at Centra l Ore­ Inte riors of a ll ·u. S. Nati o na l offices re presented 111 gon Col lege in B end. this s howing a rc by Lila Colwell . Inc.

14 DAVIS, MARY Museum, Brussels \>\lorld's Fair and Seattle World 's Fair. She is a lso represented in U. S. Gove rnme nt Mrs. Davis studied at the Portland Art Muse um traveling ex hibits. S he has recently bee n commis­ School and a lso with Carl and Hi ld a Morris. Her sioned to do decorativ e panels for the \Vest H ill s work has been ex hibited at the Portland Art Museum. E lementary School in P e ndleton. Oregon. Seattle Art Museum. San Francisco Museum of Art. Ruthermorc Gall e ry in San F rancisco, Fountain Gal­ le ry in Portland. Portland State Coll ege a nd other FLYNN, NORMA museums. One- man s hows have included Harvey W elc h S tudio in Portl a nd and the Coll ege of Puget A native of Emmett. Idaho. Norma Flynn received Sound. Her work a lso is represented in private col, schol a rships from Chouinard Art Institute and Jep­ lec tions in the Pacific Northwest. son Art Institute. S he has a lso studied with a number of outstanding artists throughout t he country. S he was vice presid ent and exhibition director of Western Seri graph Institute from 1953 to 1955. Her work has DAVIS, RICHARD been ex hibited at Miami B each Art Cente r in F lorida; Mr. Davis' background includes Portland Art Mu­ L. D. M . Sweat Memorial S how at Portland. Maine. seum School a nd the Brooklyn Art Museum School. Muse um of Art; Unive rsity of Notre Dame. Indiana; His work has been exhibited at those museums and at Cornell Coll ege, Iowa; Stanford University, Cali for­ t he Seattle Art Museum. San Francisco Art Museum. nia. a nd nume rous others. S he received first award in De Young Museum in San Francisco and other mu­ seri graphy at the 20th Annual Idaho Artists S how. seums. One-man shows include· Reed College and H a rvey W elch Studio in Portland. California Palace of the Legion of Honor in San Fra ncisco. H e is a lso HARDY, TOM represented in many private co ll ections. Mr. Hardy received a Maste r of Fine Arts degree in Sculpture from the University of Oregon in 1952. He has been an instructor at the California School of Fine FEVES, BETTY Arts in San F ra nci sco; a lecture r at the University of California at Berkeley; visiting associate professor Mrs. F evcs has a Bache lor of Arts degree in F ine Arts at Tulane U ni versity in New Orleans: artist-in-resi­ from Washington State Uni versity a nd a Maste r of dence at Reed Coll ege in Portla nd. Arts degree in Art E ducation from Colu mbia U nive r­ sity in New York. In addition, she has studied with He has received awards from a number of museums a number of artists throughout t he co untry. S he re­ in the United States and from the Society of Amer­ ceived the George T. Gerlinger Award in 1952. ican Graphic Artists. His work has been exhibited at the M etropolitan M useum of Art. W hitney Museum Her work has been ex hibited at Ardin Gall e ri es in of Art. D enver Art Museum a nd the Muse um of New York City, D e nve r Art Museum. Seattle Art Modern Arl in Sao Paolo. Brazil. One-man exhibits

1 5 include Stanford Unive rsity, Oak land Art Museum. Bush House Museum in S a lem. She is represented U ni ve rs ity of Ca lifornia. Kraushaar Ga ll e ry in N ew in permanent coll ect ions at the S eattle Art Museum. York C ity . Portland Art Museum. Seattle Art Mu­ R eed Co ll ege, Portla nd Art Museum, University of seum. Museum of Art. Og unquit, M a ine. Vv ashington a nd a numbe r of other public a nd p ri vate co ll ections. Awards have been received from North­ R ecent commissions in Oregon inclu de "Birds La nd ­ wes t" Printma ke rs. Oregon Scene Painting E xhibition ing" for Lincoln High S choo l in Portla nd. " F light of and I nt c•rna h o na l Printma ke rs. B irds" a t L loyd Cente r in P o rtla nd, "Steelheads" a t La ne Count y Cou rt House in E ugene. metal a rc hi ­ tectural sc reen a t Portla nd S ta te Co ll ege a nd t he pool scu lpture a t the P ortl a nd H il ton Hote l. KUNZ, DON N ow living in New York. M r. K unz is a professor of IZQUIERDO, MANUEL free- la nce ca lli graphy. H e studied a t L ewis a nd C la rk A na tive of M a drid. S pain. Mr. I zquierdo cam e to Coll ege. the Art" Insti t ute of C hi cago. P ortland A rt. Ame r ica in Hl42. H e was a ppre ntice to Frede ri c Litt­ MusPum School and with Car l Morri s in Portla nd. rilan from 1945 to 1950 a nd s tudent a t the Portla nd Ex hibitions inc lu de group s hows in C hi cago a nd New Art Museum School from 1947 to 1951. H e is now on York a nd one-man s hows at the Portland Art Mu­ the facu lty of the Museum Art Schoo l. H e has ha d seum a nd Lewis a nd C lark Co ll ege. H e has received one- man shows at the Portla nd Art Museum. R eed important commissions from Doubleday a nd Com­ pa ny. publishe rs. Co ll ege a nd othe r Oregon ga ll e ri es and has been in­ c luded in group s howings in vVest Coast museums a nd in D enver, Phila delphia. a nd Rocheste r, N ew York. His work is re presented in co ll ections of the LAGORIO, IRENE S eattle a nd Portla nd Art Museums. H e has a lso ex­ hibited widely and received awards in the fi e ld of \"lhi le a student a t the U ni versity of Ca lifornia a t printmaking. M a ny of hi s recent works are in we lded Berke ley. Miss Lagorio began to s how hPr work in meta l. museums of the San Fra ncisco Bay Area a nd has since ex h ibited ex tensively in gall eries and museums KIVETTE in the U nited S ta tes. Canada, S outh America a nd J a pa n. receiving nume rous awards and honors. Woma n artis t residing 111 N ew York C ity . S he concentra tes on pa inting, printmak in g and mural commissions. M uch of her recent work has been of an KRAUSE, LA VERNE a rchit ect ura l nature. includ ing mosaic a nd scu lptu ra l mura ls. The Marine Ve randa of the newly commis­ S he has had one-man s hows including Portland Art sioned S. S . Pr.esidc nt Roosevelt is dist ing ui s hed by Museum. Unive rsity of Oregon Museum of Art and " Ga laxy." a mural of 100 square feet.

16 LUCAS, LA VON S .. of C h icago. S tevens Co ll ege. M onta na S ta te Co ll ege. O rego n S ta te U nive rsity. W ill a mette U nive rsity. U ni ­ E d uca tiona l background includes t he Portla nd Art vers ity of W as hi ngton. Sea t tl e Art Museum . Portla nd M useum School a nd C houina rd A rt I nstitute. S he Art M useum a nd the U ni ve rs ity of O regon. H is wo rk has had severa l one-ma n shows a nd her work has been is included in ma ny perma ne nt coll<'ctio ns inc luding included in exhibitions a t Kha rouba Ga llery. Foun­ Vl hitney I'VIuseum of Ameri can Art. Seatt le A rt M u­ ta in Gall e ry a nd Port la nd A rt Museum in P ortla nd. seum. Port la nd A rt Museum. Inte rna t iona l B usiness Sea ttle Art M useum . San F ra ncisco A rt M useum a nd Machines. M r. M cCosh has a lso p a inted mura ls by t he N a tional Ga lle ry P rint S how in W ashington. com mission inc luding t he Century of P rogress Inte r­ D. C. S he is rep resented in t he \Vashington A rt As­ na tiona l Expos iti on in C hicago a nd the D epa rt ment socia tion collection a nd severa l private collections. of the l nt!' ri o r B u il d ing in W ashington. D . C.

MANSER., F ER.S E Y NICHO LS, KENNE T H S . Born in K ent. E ngla nd . M r. Manser is now living in A na ti ve of Portla nd. O regon. M r. N ichols studied Hood R ive r. Oregon. Alt hough he studi ed a t K ing g ra ph ic a rts in P asa de na C ity Coll ege a nd the C houi ­ Cha rles School in E ngla nd. he is mostly self-taught. na rd A rt Institute. H e wo rked as a n assoc ia te to Gene H is work is included regula rl y in group ex hibitions S h rewsbury. a rchi tectura l illustra tor. p ri or to open­ t hroughout O regon a nd he has ha d a nu m ber of one­ ing hi s own st ud io . H e has been in the fi e ld of a rchi ­ ma n shows. tect u ra l illust ra ti on fo r thirteen years a nd hi s wo rk has bc'l' n purc hased by a rc hitect ura l fi rms throug hout t he U n itPd S ta tes. McCOSH, DAVID Born in Ceda r Rapids. Iowa. Mr. M cCosh received NOR.\i'VOOD, RICH hi s professiona l tra ini ng at the Art I nsti tute of C h i­ cago from whi ch he gradua ted in 1927 a nd received E ducationa l backg round inc ludes t he Los Angeles Art a t raveling schola rship for 1928. In t he summer of Cente r. Port la nd A rt M useum Schoo l. Califor nia 1930. he pa inted unde r a T iiTan y F ounda tion F ellow­ School of Fine A rts in Sa n F ra ncisco a nd R eed Col­ s hi p on Long Isla nd. New York. In 1934. he lwcame IPgP. His wo rk has been in ex hibiti ons a t Adison a membe r of the sta rT of the School of A rchitecture Gall Pry. Andover. M assachusetts. Portla nd Art Mu­ a nd A lli ed Arts a t t he U nive rsity of O regon a nd now ~e um p lus one-ma n shows a t R eed Coii Pge a nd P o rt­ holds the ra nk of professor. la nd Art M useum. H e has done mura ls for the O re­ gon CentPnnial Exposition. P ortla nd S he ra ton Motor In a ddition to exhibiting widely in group s hows. Mr. Inn. Provide nce H eights Coll ege in vVashington and M cCosh has had his work featured in ma ny one-ma n S t. P a ul 's L uthe ra n C hurc h in Va ncouver. Washing­ ex hibitions at such institutions as the Art Institute ton.

17 OSGOOD, GINGER SETZIOL, LEROY I .

Born in Japan. Gi nger Osgood has spent most of her A na ti ve of Phil ad elphia. Mr. S dziol spent most of li fe in Cali forni a. She was g radua ted from t he U ni ­ hi s earl y li fe in B uffa lo. New York. H e is a g ra dua te versity of Cali fornia at Los A ngeles wit h a Bachelo r of Johns Hopkins U ni versity. H e movcd to Portl a nd degree in Applied Art. S he later received a Master in 195 1 a nd since then has devoted full time to wood of F ine Arts degree in Design. S he has been vice­ a nd stonc sculpture. His work a ppea rs in hom es. president a nd ex hibi t ion director of the W este r n Seri ­ ch urches. hotels. schools a nd such t hro ughout t he graph Institutc fo r severa l years: has rcccived awards. country. has been in invitationa l shows a nd has s hown in many museums a nd gall e ri es t hrougho ut t he country. Some of t hese in c lude the Los Angeles County M useum. SHORES, KEN Pasad ena Museum. Denver Museum. P hilad elphia Museum of Arf. Bradl ey U nive rsity. Notre Dame At present a n a r tis t-in-resid ence at Orego n Ceramic University. S tud io in Portland. Mr. S hores has a Mas ter of F ine A rts degree from t he U nive rsity of Oregon. In 1962. he received t he Ame rican C raftsmen 's B ronze M edal in the Nort hwest Ceramics B iennia l.

FILADAKIS, IMANUEL H is work has been exhibited at Portland Art M u­ seum. Amer ica House in New York C ity, Nationa l A na tive of Greece. Mr. P il ada ki s' professiona l t ra in­ Invitational Ceramic Sculpt ure S how, Craftsm en of ing inc ludes the U nive rsity of Oregon a nd Oregon the Far W est S how in N ew York C ity and others. State U nive rsity as well as work with Gordo n G ilkey, One-m a n shows includ e Oregon Ceramic Studio, Uni­ Dem etrios Jameson and Nelson Sandgren. He is a t versity of Oregon a nd L ipman's Little Gallery in present a n instructor of a rt residing in Athens. Portla nd. G rcccl'. a nd ex hibiti ;1 g in Ita ly. France and E ngland. His honors a nd awards a rc many. H is work has been ex hibited at Portland Art M useum. Seattle A rt Mu­ SIFE, DONALD F . seum. San Francisco Art Museum A nnua ls. G reek National Gall ery in Athe ns. National a nd I nterna­ M r. S ipe is a free-la nce photogra phe r specia li zing in tiona l Painting and P rintma king exhibi ts a nd at the industria l photogra phy. H e is a graduate of t he U ni ­ U ni versity of Oregon. ve rsity of O regon wi th a Bache lo r of A rts degree.

18 STALNAKER, EUJ:?D WORTHLEY, FREEMAN Mr. S talna ke r's background inc ludes Unive rs ity of Artist. lecture r and printma ke r specia li zing in seri ­ O regon and U nive rsity of Was hington. His work has graphs. Mr. Worthley was born in C hicago a nd came been shown a t Northwest C ra ftsme n's Exhibitio ns. to California w he n a boy . H e is a graduate of J e pson Art Insti tute a nd has a Mas te r of F ine Arts degree from Otis Art Institute. H e has devoted much time TAYSOM, WAYNE F. to being presid e nt and director of the W estern Seri ­ gra ph Institute which is na tiona ll y known . Born in W yoming. Mr. Taysom st udi ed a t the U ni ver­ siti es of \Vy oming a nd U tah a nd la te r a t Columbia He has been in invita tional shows; has been rec ipi ent Teachers Coll ege in New York as we ll as a t the of awa r·ds ; has had one-ma n shows and hi s wo rk is Beaux-A rt in Pari s a nd the C ra nbrook Academ y . H e inc luded in pri vate co ll ections a nd publis hed in a book came to the N orthwest in 195 1 a nd is now assista nt titl ed " P rints by Ca liforn ia Artists." H e h as shown professor in the A rt Depa rtme nt. a t Oregon S ta te U ni ­ in ma ny of the major museums suc h as San Diego versity . H e ex hibits regul a rl y in musc•um a nnua ls a t l\1 useum. Los Angeles County Museum. San Fra n­ Portla nd. Seattle. Denver a nd S an Fra ncisco. Mr. cisco Museum. His work was in a traveling show T aysom has a lso had a numbe r of one-ma n s hows in sponsored by the L ibra ry of Congress a nd has been Portla nd a nd othe r citi es. H e wo rks m a inly with re prese nted in most of the m ajor uni ve rsities in the we ld ed m e ta l. U nited S ta tes. tota ling some 200.

19 2 0

Cover: Photograph of bronze doors at Broadway entrance of United States National Bank head office, Portland, Oregon ... designed by Avard Fairbanks, professor of sculpture at the University of Oregon, 1920-28. The doors depict progress in transportation, with the left doors portraying Lewis and Clark following Sacajawea, oxen pulling a Conestoga wagon westward, Indians frightened by the awesome Iron Horse and modern transportation in the late 1920's. The doors on the right show Captain Gray's ship, fur traders and In­ dians, the "Lot Whitcomb" and a waterfront scene.