DOCSLIB.ORG

August 2012 Calendar

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
August 2012 Calendar August 2012 EXHIBITS In the Main Gallery MONDAY TUESDAY MONDAY MONDAY THE LIBRARY THROUGH OUR EYES: 6 14 20 27 “J. EDGAR” (2011-137 min.). As the face The Art Advisory Council exhibits the “NOVELTY-A-GO-GO.” Frank Zappa once COMPUTER KINDERGARTEN FOR AFTERNOON AT THE OPERA: Rene of law enforcement in America for almost work of its members in celebration of the asked “Does humor belong in music?” Pat ADULTS: Registration begins Tuesday, Fleming. Dubbed “the people’s diva,” fifty years, J. Edgar Hoover (Leonardo library’s 120th Anniversary. Fitzgerald responds with a resounding August 14 for a class on Saturday, Septem- Renee Fleming is one of the best-known “Yes!” This film and pop culture historian ber 15, from 10 a.m. to 12 p.m. Payment of opera singers of the present generation. DiCaprio) is feared and admired, reviled In the Martin Vogel Photography Gallery has compiled a presentation that features $12 is due at registration. She sings a wide variety of music, from and revered. But behind closed doors, he some of the finest and funniest work of the operas of Handel, Mozart and Strauss holds secrets that would destroy his im- ANDrew HollanDer: Photo- HYPERTENSION SCREENING: Free Spike Jones, Tom Lehrer, Allan Sherman to contemporary works including Carlysle age, his career and his life. Dustin Lance graphs, through August 31. The Port blood pressure screening conducted by St. and many other artists who dared to tickle Floyd’s Susanna and Andre Previn’s A Black scripted for producer, director and Washington resident writes, “When I put Francis Hospital. 11 a.m. to 2 p.m. your funny bone while you were tapping Streetcar Named Desire. This talk with composer Clint Eastwood. 7:30 p.m. my eye to the viewfinder of my camera, I your toes. The program also features seg- Marc Courtade will use audio and video look at the world as though I am noticing TOPICAL TUESDAY: You Only Live Twice: ments of Mr. Fitzgerald’s interview with clips showcasing Ms. Fleming’s talents. it for the first time; my lens is the eye of a The Afterlife in Film. Amanda J. Shapiro, Grammy-award winning parodist Weird Marc Courtade is Business Manager for child. I see the pure joy and utter simplicity who recently received her Master of Arts Al Yankovic. 7:30 p.m. Tilles Center for the Performing Arts at of the things we observe every day. This is in Film Studies from the University of Mi- Long Island University. 3 p.m. MAC what I try to capture in my photography.” ami, will present an illustrated program You Only Live Twice: based on her thesis, “AMADOR” (2010-113 min.). This drama TUESDAY The Representation of the Afterlife in Film. from Spanish writer, producer and director 28 The audience will be invited to participate ”HOUSEKEEPING” (1987-117 min.). Fernando Leon de Aranoa centers on Mar- Director Bill Forsyth also scripted this in a “spirited” discussion following the cela (Magaly Solier), a young woman who presentation. Sponsored by the Friends adaptation of Marilynne Robinson’s novel TUESDAY takes a summer job caring for a bed-ridden about teenaged orphan girls Ruth and Lu- 7 of the Library. 7:30 p.m. older man, Amador (Celso Bugallo), and CHESS: All are welcome. Bring a game if cille (Sara Walker, Andrea Buchill), who you have one. Tuesdays from 2 to 4 p.m. the intimate secrets they share with one have been left in the care of their Aunt another. In Spanish with English subtitles. Sylvia (Christine Lahti), an irresponsible EXercise for Over 50 Lottery Pro- Also, Debra Winger, Larry Pine and Halley free spirit. 7:30 p.m. CEDURE: Deposit your check or money Feiffer star in Gabriel Nussbaum’s short order for $35 in the box at the Information drama, How It Ended (2011-18 min.). This Desk between 9 a.m. August 7 and 5 p.m. WEDNESDAY screening comes to us from Film Move- In the Community Gallery August 21. The following information 15 ment, an organization that offers outstand- BOARD OF TRUSTEES MEETING: The should be clearly printed on the lower left ing independent films, foreign films and THE GOLDEN AGE OF TV COMEDY: library board meets at 7:30 p.m. The public of your check or money order: preferred documentaries to educational institutions. An exhibit in conjunction with the Port is invited. day and time of class, plus phone number. 7:30 p.m. WEDNESDAY Summer Show’s production of “My Fa- Please submit a separate check for each HOOTENANNY: In an event that harkens 29 vorite Year,” featuring memorabilia from ”FORGIVENESS” (2010-168 min.). This class. Each series consists of 10 classes. the golden age of TV comedy. Among the back to the coffee houses of the ‘60s, local documentary explores the act of forgive- Tuesdays at 9 a.m., and Thursdays at 9 OR items exhibited will be behind-the-scenes musicians, singers and songwriters come ness through a range of stories, from 10 a.m. Tuesday classes begin September photos from “I Love Lucy,” “Texaco Star together to support one another both mu- adultery and personal betrayal to the post- 11 and end November 13. Thursday classes Theatre,” “Your Show of Shows,” “Caesar’s sically and socially. Soloists share the bill genocidal reconciliation of nations. Helen begin September 13 and end November Hour” and “The Martha Raye Show.” Also with duo, trio and group performances, Whitney scripted, produced and directed. 15. A list of those whose checks are drawn TUESDAY featured will be scripts, TV Guides, show with the audience benefitting from a 21 A Docurama release. Note the early start will be at the Information Desk beginning tickets (including a copy of a ticket for the spirit of camaraderie and spontaneity that time: 7 p.m. August 23. Checks not drawn will be very first “Texaco Star Theatre” hosted by will surely cover a wide range of musical returned. Milton Berle) and the now-rare printed genres. Soloists or duo acts interested in being a part of this or future hootenanny programs that were handed out to studio Digital Filmmaking 101: Registra- events should contact Tony Traguardo at audiences who attended these shows. tion begins Tuesday, August 7 for a class 883-4400, Ext. 142. 7:30 p.m. to take place on Saturday, September 8, REGISTRATIONS from 10 a.m. to 12 p.m. From ideas and THURSDAY pre-production to acquisition and digital 30 Digital Filmmaking 101 . .See August 7 editing, this fun-filled workshop will walk “THE DEVIL’S DOUBLE” (2011-108 min.). Summoned to Saddam Hussein’s Exercise for Over 50 . .See August 7 the novice filmmaker through the process of making movies and putting them on the palace, Iraqi army lieutenant Latif Yahia Computer Kindergarten . See August 14 web. Follow Professor Douglas Morrow as THURSDAY (Dominic Cooper) is ordered to act as the he leads you through the ABCs of basic 16 body double of Saddam’s son Uday (also 3rd THURSDAYS @ 3: Americans in filmmaking. Payment of $20 is due at reg- Cooper), the notorious “Black Prince,” a Paris. In the nineteenth century, Paris istration. Participation limited to 20 people. reckless, sadistic, party-boy with a rabid was the art capital of the Western world. hunger for sex and brutality. Michael WEDNESDAY American artists went to France to study Thomas scripted this true story for direc- 1 in renowned Parisian art schools and tor Lee Tamahori. 7:30 p.m. to visit world-famous museums. Their experiences transformed many of these artists and they in turn changed the path FRIDAY of American art. Mary Cassatt, Childe Has- 10 sam, Thomas Eakins, John Singer Sargent SANDWICHED IN: The New American and Cecilia Beaux are a few of the many HAPPY BIRTHDAY, FRIZ FRELENG! Collection at the Met. Vivian Gordon will Animator Isadore “Friz” Freleng was born FRIDAY discuss The Metropolitan Museum of Art’s American painters who spent time in Paris and responded to its artistic magnetism. on August 21, 1906 in Kansas City, MO. 31 SANDWICHED IN: Absorbed by Color: Art collection of American art, one of the fin- Despite having no formal art training, est and most comprehensive in the world, Join Ines Powell for an exploration of this in the 20th Century. With the tendency topic. 3 p.m. AAC Friz landed a job at Walt Disney studios towards abstraction in the early 20th cen- which returned to view in expanded, recon- working on the silent “Alice” series before ceived and dramatic new galleries in Janu- DIRECTOR’S CUT: Film expert John tury, artists began an exploration of color moving to Warner Bros. and their Looney for its own sake. Freed from the need to ary 2012. This illustrated talk will provide Bosco will screen and discuss Of Gods and Tunes and Merrie Melodies series, earn- an introduction to the history of American Men (Des Hommes et des Dieux) (2010-123 replicate the appearance of the natural ing himself five Oscars for Best Animated world, painters examined color’s scientific painting, from early colonial portraits min.). Eight French Christian monks live Short. Tonight we present fifteen cartoons th and physiological attributes and exploited through 20 -century works. Included will in harmony with their Muslim brothers made between 1947 and 1961, all starring be famous images of George Washington, its emotional qualities. Join Dorothy Cap- “THE SWELL SEASON” (2011-88 min.). in a monastery in the mountains of North the faux-naïve yellow bird Tweety and his Hudson River School landscapes and some padonna, docent at the Heckscher, for an The world fell in love with musicians Africa in the 1990s.
Load more

Recommended publications
  • Hold That Ghost in Late 1941 Milton Berle Was Said to Have Quipped, "Things Are Slow in Hollywood
    Those Slap-Happy Screamsters Go A’haunting! Saturday, October 23 at 2 & 8 pm only Abbott and Costello’s Hold That Ghost In late 1941 Milton Berle was said to have quipped, "Things are slow in Hollywood. Abbott and Costello haven't made a picture all day." And he was right. fter the smash success of their first starring feature,Buck Privates, (1941) burlesque and Aradio comics Bud Abbott and Lou Costello were the number one box office attraction in the country--and literally saved Universal Studios from bankruptcy. In fact, the only movie that outgrossed Buck Privates at the time was Gone with the Wind. Anxious to keep the team working, Universal Studios had already completed production on their next film, a non-music spoof of two popular film genres of the era--the Haunted House movie and Gangster melodrama--then titled Oh Charlie! (a reference to a running gag in the film where a dead gangster's body keeps turning up). But when the huge box office returns fromBuck Privates began rolling in, Universal temporarily shelved Oh Charlie! to put the team in an- other service themed follow-up, In the Navy. When they returned to Oh Charlie! , Universal discovered test audiences for the film wondered why the Andrews Sisters, who had been in the two previous hits, were absent in this one. So additional re-shoots were required to include the trio, now making it a horror/ comedy, with a couple of songs thrown in. The title was eventually changed to Hold That Ghost and became the third smash hit for Abbott and Costello that year, continuing a string of successes that would keep them among the top box office attractions for the next ten years and would also serve as the inspiration for another classic, 1948's Abbott and Costello Meet Frankenstein.
    [Show full text]
  • Play-Guide Sunshine-Boys-FNL.Pdf
    TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit
    [Show full text]
  • In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
    In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.
    [Show full text]
  • MARTY SCHNEIT Will Discuss the History of the BORSCHT BELT and What Caused Its Decline
    Join us for our Sunday morning Breakfast and Discussion on October 14, 2018, at 10:30 am MARTY SCHNEIT will discuss the History of THE BORSCHT BELT and what caused its decline. Marty wants to bring back to life a remarkable discuss are Old Route 17, the Red Apple Rest Stop, time, place and people. It will never be duplicated and the Bungalow Colonies. unless you lived through it. What survives of the Marty Schneit, is a born and bred New Yorker and Borscht Belt is the memory. Marty details the history Historian. Marty has lectured at the New York Public of The Borscht Belt hotels, sites, and comedians. Library, National Council of Jewish Women, JCC, Just about all comedians back then got their start in The 92nd Street Y, The Health Outreach Program of Grossingers, the Concord and/or Kutcher's. New York Presbyterian Hospital, Hebrew Home for Marty will talk about Red Buttons, George Burns, the Aged at Riverdale, and the Ziegfeld Society of Rodney Dangerfield, Sid Caesar, Henny Youngman, New York. He typifies the pride and passion for the and Milton Berle. Some of the sites that Marty will City of New York. This RSVP form must be filled out and returned with the $6.00 fee per person by October 7, 2018 . for the Breakfast. If you RSVP after that date, the charge is $8.00 per person. If you do not RSVP, you are welcome to attend the discussion, but not the breakfast. Please return this form by October 7. 2018 to Temple Emeth, 1666 Windsor Rd, Teaneck, NJ 07666 Name(s): Number Attending: Phone Number: E-mail Address: Amount Enclosed for the October 14th B’yachad Breakfast ($6.00 per person):.
    [Show full text]
  • A Glimpse of the Drag Queen Culture
    Tuesday Night Is HamBingo Night: a Glimpse of the Drag Queen Culture ALISSA WARREN Produced in Peter Ives’ Fall 10 ENC1102 I wasn't playing a drag queen— I was playing an extraordinary performer. -John Lone This Isn’t Your Mother’s Dining Room Nestled in the trendy part of downtown Orlando is a quaint little hamburger joint right next to the railroad tracks. It sits against the backdrop of restored brick buildings; it looks worn, but homey. The façade is charming and tasteful. The restaurant very much resembles the people it serves. What you see is definitely not what you get. Hamburger Mary’s (or Mary’s as the regulars call it) is much quirkier on the inside. The vinyl booths line the walls in an array of different colors and cocktail tables clutter the room. There’s a bar along the back wall littered with Magic posters and comfy barstools, which I’m sure is aimed at the more conservative clientele. A small stage in the corner sits covered in silver tinsel and outdated speakers. And just like the kitchens of your favorite 1960s sitcoms, Mary’s is full of vibrant pastel colors and mismatched silverware. The only difference between this kitschy dining room and Mom’s is that your mother’s kitchen probably never held host to some of Florida’s best female impersonators. The vibe of Mary’s is upbeat. It’s hard not to smile just being inside, and everyone is friendly with everybody else. The waiter four tables over never stops singing along to the eccentric mix of techno, ‘90s, and show tunes that plays over the sound system, but no one seems to mind much anyways.
    [Show full text]
  • Hollywood Walk of Fame Master Plan Community Meeting Presentation
    Hollywood Walk of Fame Master Plan Community Meeting Presentation November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN Welcome & Introductions Community Presentation Page 2 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE The Master Plan is being developed with consensus, guidance and advocacy from many parties Client Team Design Team Community & City Partners Neighborhood Councils Community Organizations City Deparments Central Hollywood Neighborhood Council Hollywood Partnership Los Angeles Bureau of Street Lighting Hollywood Hills West Neighborhood Council Hollywood Chamber of Commerce Los Angeles Bureau of Street Services Hollywood Studio District Neighborhood Council Hollywood Heritage Los Angeles Department of Transportation Hollywood United Neighborhood Council Hollywood Historic Trust Los Angeles County Metro Los Angeles Office of Historic Resources Los Angeles Police Department (LAPD) Los Angeles Fire Department (LAFD) Page 3 of 59 HOLLYWOOD AGENDA WALK OF FAME MASTER PLAN 1. Project Update 2. Vision 3. Traffic & Mobility 4. Street Design 5. Street Trees 6. Street Amenities Community Presentation Page 4 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN 1. Project Status Update Community Presentation Page 5 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT PURPOSE WALK OF FAME MASTER PLAN To improve the Walk of Fame experience for those who live in, work in and visit the area. THE STREET IS FOR EVERYONE! Community Presentation Page 6 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD COMMUNITY OUTREACH OVERVIEW WALK OF FAME MASTER PLAN Community Presentation Page 7 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT SCHEDULE WALK OF FAME MASTER PLAN WHERE WE ARE TODAY ARE WE WHERE DEC.
    [Show full text]
  • The Audiences and Fan Memories of I Love Lucy, the Dick Van Dyke Show, and All in the Family
    Viewers Like You: The Audiences and Fan Memories of I Love Lucy, The Dick Van Dyke Show, and All in the Family Mollie Galchus Department of History, Barnard College April 22, 2015 Professor Thai Jones Senior Thesis Seminar 1 Table of Contents Acknowledgements..........................................................................................................................3 Introduction......................................................................................................................................4 Chapter 1: I Love Lucy: Widespread Hysteria and the Uniform Audience...................................20 Chapter 2: The Dick Van Dyke Show: Intelligent Comedy for the Sophisticated Audience.........45 Chapter 3: All in the Family: The Season of Relevance and Targeted Audiences........................68 Conclusion: Fan Memories of the Sitcoms Since Their Original Runs.........................................85 Bibliography................................................................................................................................109 2 Acknowledgments First, I’d like to thank my thesis advisor, Thai Jones, for guiding me through the process of writing this thesis, starting with his list of suggestions, back in September, of the first few secondary sources I ended up reading for this project, and for suggesting the angle of the relationship between the audience and the sitcoms. I’d also like to thank my fellow classmates in the senior thesis seminar for their input throughout the year. Thanks also
    [Show full text]
  • Newsletter April 2020
    Brook House Newsletter After what seems a long winter we welcome spring to Brook House. The nights are getting lighter, the air is getting warmer and the smell of fresh spring flowers flows through the air. Many people celebrate Easter which is in April. Easter is a celebration for the resurrection of Christ, or for many an excuse to eat as many Easter eggs as possible! So for whatever reason let’s come together and be happy for the warmer season and look forward to the summer months. There are many countries in the world which are currently facing a Coronavirus pandemic, read on to find out how to keep ourselves safe and well during this difficult time. Sam Farrington Alison Maas Kerry Clarke Reflections March has been an unusual month for us all, on the 12th we went into lockdown due to the pandemic sweeping the country. This is to ensure our residents are protected and safe, which is always our priority. For the foreseeable future we are not allowing anyone except healthcare workers to enter the building, this is being reviewed on a regular basis. Please visit our Facebook page which is being updated daily to see how your loved ones are getting on, we are trying our very best to keep contact with the outside world and thank you for your co- operation during this stressful period. Please see all our pictures from things we’ve been up too including everyone’s beautiful flowers and gifts from mother’s day… stay safeX Sam Farrington Alison Maas Kerry Clarke Upcoming Events for April Unfortunately due to the current pandemic all upcoming events have either been cancelled or postponed.
    [Show full text]
  • UCLA HISTORICAL JOURNAL Vol
    150 UCLA HISTORICAL JOURNAL Vol. 5 instructed George Gershwin when he was working on his masterpiece, "Porgy and Bess." Red and Hot is a fine study which should be of extreme interest not only to Russian scholars and musicologists, but to anyone in any way interested in cultural history. Andrew Krastins University of California Los Angeles The Entertainment Machine: American Show Business in the Twentieth Century. By Robert C. Toll. New York: Oxford University Press, 1982. Pp. xiii + 284. Illustrations, notes, bibliographic essay. $12.95 (paper) $29.95 (cloth). Poet Robert Greeley, referring to the relationship between fictional style and narrative, once claimed that form was nothing more than the expression of content. Greeley's assertion could serve as the theme of Robert G. Toll's The Entertainment Machine, a comprehensive survey of American show business and entertainment media from 1880 to 1980. While Toll's earlier study. On With the Show (1976). focused solely on American live entertainment in the nineteenth century, the present volume delineates the symbiotic relationship between the development of electronic tecnhology— film, radio, television, records, magnetic tape, and video—and such popular genres as musicals. Westerns, crime shows, and comedy. Toll stresses that the explosion of entertainment machines in the late nineteenth and early twentieth centuries was the result of an electronic revolution which shaped the contributions of such innovative figures as D. W. Griffith in film, Frank Sinatra in music, and Lucille Ball in comedy. The Entertainment Machine emphasizes that it is impossible to separate the form of a particular electronic medium from its content, a point which accentuates Toll's debt to the work of Marshall McLuhan.
    [Show full text]
  • Milton Berle Papers [Finding Aid]. Music Division, Library of Congress
    Milton Berle Papers Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2018 Contact information: https://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2014572484 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu018018 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2018 Collection Summary Title: Milton Berle Papers Span Dates: 1906-2002 Bulk Dates: (bulk 1932-1990) Call No.: ML31.B475 Creator: Berle, Milton Extent: approxiamtely 33,000 items Extent: 287 containers Extent: 128 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2014572484 Summary: Milton Berle (1908-2002) was an American vaudevillian, comic, actor, lyricist, producer, and author. Nicknamed "Mr. Television," Berle transitioned from a successful career in radio to become host of NBC's Texaco Star Theatre. The collection contains comedic writings, scripts, correspondence, business papers, photographs, music, and other materials that document his life and career in entertainment. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Allen, Fred, 1894-1956. Benny, Jack, 1894-1974--Correspondence. Berle, Milton--Archives. Berle, Milton--Correspondence. Berle, Milton. Berle, Milton. Writings. Selections. Burns, George, 1896-1996--Correspondence. Buttons, Red, 1919-2006--Correspondence. Cantor, Eddie, 1892-1964.
    [Show full text]
  • The History and Representation of Drag in Popular Culture; How We Got to Rupaul
    FACULTY OF ARTS The History and Representation of Drag in Popular Culture; How We Got to RuPaul Bachelor's thesis MICHAELA SEVEROVÁ Supervisor: Jeffrey Alan Vanderziel, B.A. Department of English and American Studies English Language and Literature Brno 2021 THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Bibliographic record Author: Michaela Severová Faculty of Arts Masaryk University Title of Thesis: The History and Representation of Drag in Popular Culture; How We Got to RuPaul Degree Program: English Language and Literature Supervisor: Jeffrey Alan Vanderziel, B.A. Year: 2021 Number of Pages: 72 Keywords: drag queens, RuPaul´s Drag Race, drag, LGBTQ+, representation, queer culture, sexuality 2 THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Abstract This bachelor thesis deals with drag and its representation in popular culture, focus- ing on RuPaul´s Drag Race. It analyses the representation of drag by explaining some basic terms and the study of the history of drag. It then analyses the evolution of the representation of drag queens in movies and shows. The main focus of this thesis is the American TV show RuPaul´s Drag Race and how it changed the portrayal of drag and the LGBTQ+ community in popular culture. The thesis questions if the show is as progressive and diverse as it proclaims to be and if it shows the authentic image of drag culture. 3 THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Declaration I hereby declare that this thesis with title The History and Representation of Drag in Popular Culture; How We Got to RuPaul I submit for assessment is entirely my own work and has not been taken from the work of others save to the extent that such work has been cited and acknowledged within the text of my thesis.
    [Show full text]
  • THE JERRY GRAY STORY – 1949 [Updated Jun 15, 2018 – Version JG.004E]
    THE JERRY GRAY STORY – 1949 [Updated Jun 15, 2018 – Version JG.004e] January 3, 1949 [Monday]: Jerry Gray and his Orchestra – Bob Crosby’s Club 15 with The Andrews Sisters, 4:30–4:45 pm local time, CBS Columbia Square Playhouse, 6121 Sunset Boulevard, Hollywood, California. [Author’s Note: NYC/Eastern Standard Time UTC-5; Hollywood/Pacific Standard Time UTC-8.] The original CBS Network program was broadcast live to a good part of the country, airing at 7:30–7:45 pm in the East Coast [WCBS in New York City], 6:30–6:45 pm in the Central zone [WBBM in Chicago], and 4:30–4:45 pm on the West Coast [KNX in Los Angeles]. Club 15 – CBS Network Radio Broadcast, 1948-1949 Series, Episode 111: Details Unknown ____________________________________________________________________________________ January 4, 1949 [Tuesday]: Jerry Gray and his Orchestra – Bob Crosby’s Club 15 with Margaret Whiting and The Modernaires, 4:30–4:45 pm local time, CBS Columbia Square Playhouse, 6121 Sunset Boulevard, Hollywood, California. The original CBS Network program was broadcast live to a good part of the country, airing at 7:30–7:45 pm in the East Coast [WCBS in New York City], 6:30–6:45 pm in the Central zone [WBBM in Chicago], and 4:30–4:45 pm on the West Coast [KNX in Los Angeles]. Club 15 – CBS Network Radio Broadcast, 1948-1949 Series, Episode 112: Details Unknown ____________________________________________________________________________________ Part 4 - Page 1 of 230 January 5, 1949 [Wednesday]: Jerry Gray and his Orchestra – Bob Crosby’s Club 15 with The Andrews Sisters, 4:30–4:45 pm local time, CBS Columbia Square Playhouse, 6121 Sunset Boulevard, Hollywood, California.
    [Show full text]