An Analysis of Amma Asante's Belle
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RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA in ONE ACT
RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA IN ONE ACT Composer Richard Strauss Librettist Hedwig Lachmann Based on Oscar Wilde’s play Salomé Conductor Richard Mills AM Director Cameron Menzies Set Designer Christina Smith Costume Designer Anna Cordingley Lighting Designer Gavan Swift Choreographer Elizabeth Hill-Cooper CAST Salome Vida Miknevičiūtė Herod Ian Storey Jochanaan Daniel Sumegi Herodias Liane Keegan Narraboth James Egglestone Page of Herodias Dimity Shepherd Jews Paul Biencourt, Daniel Todd, Soldiers Alex Pokryshevsky, Timothy Reynolds, Carlos E. Bárcenas, Jerzy Kozlowski Raphael Wong Cappadocian Kiran Rajasingam Nazarenes Simon Meadows, Slave Kathryn Radcliffe Douglas Kelly with Orchestra Victoria Concertmaster Yi Wang 22, 25, 27 FEBRUARY 2020 Palais Theatre Original premiere 9 December 1905, Semperoper Dresden Duration 90 minutes, no interval Sung in German with English surtitles PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Whitney McNamara Deputy Stage Manager Marina Milankovic Assistant Stage Manager Geetanjali Mishra MUSIC STAFF Repetiteurs Phoebe Briggs, Phillipa Safey ACKNOWLEDGEMENTS Surtitles courtesy of Opera Australia ResolutionX, BAACLight Theatre, Lilydale Theatre Company © Anna Cordingley, Costume Designer P. 4 VICTORIAN OPERA 2020 SALOME ORCHESTRA CONCERTMASTER Sarah Cuming HORN Yi Wang * Philippa Gardner Section Principal Jasen Moulton VIOLIN Tania Hardy-Smith Chair supported by Mr Robert Albert Principal -
The Hyperlocal Newsroom (Multi-Media; BER Section)
Multimedia Storytelling JOUR-GA.1080.002 ( Fall 2021 Instructor: Jason D. Maloney Time: Fridays, 11:00 a.m. to 2:40 p.m. Room: 653 Office Hours: Room 726, Fridays 10:00a-1:00pm and by appointment. Course Requirements: The basic requirement of the course is to learn how to produce multi-media content. Over the semester, students will significantly develop their abilities in basic photography, audio production and video production. At the same time students will constantly expand their capacity for journalism – focusing on the core skills of research, interviewing, digesting and presenting important information. This course is not just an academic exercise, we will be actively reporting. We will use New York City as our assignment area and produce real audiovisual content on a regular basis. As students will own their media, they will have the option to place it on any news site or blog they wish. They will also benefit from having the ability to produce content for Bedford+Bowery, the hyperlocal news blog that is a joint venture between the New York Magazine and NYU. Class time will be divided into theoretical lessons, technical skills training and in-class exercises, but we will also focus on discussing and improving ongoing class assignments. By providing timely and constructive feedback on projects underway we will sharpen skills and production fluency. Students will therefore be expected to contribute to the editorial process of each other’s projects. While much of what we will learn will be of a technical skills nature, for example practicing how to shoot sequences, learning basic effects in Adobe Premiere, our main priority will be to learn and practice the essential elements of visual storytelling and reporting. -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
An Aristotelian Approach to Jane Austen's Mansfield Park Katherine A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 An Aristotelian Approach to Jane Austen's Mansfield Park Katherine A. (Katherine Amanda) Guin Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES AN ARISTOTELIAN APPROACH TO JANE AUSTEN’S MANSFIELD PARK By KATHERINE A. GUIN A Dissertation submitted to the Department of Philosophy in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2015 Katherine A. Guin defended this dissertation on March 30, 2015. The members of the supervisory committee were: David McNaughton Professor Directing Dissertation Eric Walker University Representative John Roberts Committee Member J. Piers Rawling Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To my father and mother, And To my husband iii ACKNOWLEDGMENTS This project began almost twenty years ago when I read Mansfield Park and the Nicomachean Ethics both for the first time and in quick succession. My father, Greg Guin, had pushed me to read both and I waited far too long to take his excellent advice. I am very grateful not only to my father but his friend, Bill Henry, for inspiring my interest in great literature. As an undergraduate at Millikin University, I had the privilege of being taught by several gifted teachers in the Philosophy, English, and History departments. I thank my English Professor, Bonnie Gunzenhauser, for encouraging me in my first attempt at exploring the connection between Austen and Aristotle. -
Opera Birmingham Classical Singers Birmingham
OPERA BIRMINGHAM Welcome to our page on Opera and Classical Singers in Birmingham. We created this web-page to promote a concert at the Royal Birmingham Conservatoire in February 2019 directed by and featuring soprano Emily Sloan. See below. We were delighted and amazed by the number of "hits" this web-page received so we have left it in place and are now looking to regularly up-date the information for the benefit of any individual or organisation promoting an opera, or an event featuring classical singers in Birmingham. If you are organising any event involving opera or classical singers in the city, including at the Conservatoire, we would love to receive details at [email protected] and we will upload these free to this web-page. Should you be in a position to offer two free tickets to your event this would be much appreciated, but this is NOT a requirement to be listed here. We appreciated that for some they may not be able to offer tickets, please however still send us details of your event. We are particularly keen to promote student recitals / concerts / operas. This page is sponsored by Chartered Surveyors BANKIER SLOAN www.centre-p.co.uk Last updated: 19th August 2019 ANDREA BOCELLI Presented By Tickets from Kilimanjaro Live Ltd £57.75Includes service https://www.emilysloansoprano.com 19 October 2019 It's a Saturday fee and £1.20 facility fee. A £2.55 admin fee applies. Special Guest: Beverley Knight Event Details The world’s most beloved tenor, Andrea Bocelli, is delighted to announce that the queen of British Soul Beverley Knight will join him on his highly anticipated upcoming headline tour this autumn, including a date at Birmingham’s Resorts World Arena. -
The Brain Science Behind Cree Teachings of Early Childhood Attachment
volume 9 | number 1 2014 Nitsiyihkâson: The Brain Science Behind Cree Teachings of Early Childhood Attachment Hannah Pazderka,1,2 Brenda Desjarlais,3 Leona Makokis, 4 Carly MacArthur,3,4 Sharon Steinhauer,4 Carole Anne Hapchyn,6,7 Tara Hanson,1 Nicole Van Kuppeveld,7 Ralph Bodor5 1 Alberta Centre for Child, Family and Community Research, Edmonton, Alberta, Canada. 2 Department of Psychiatry, University of Alberta, Edmonton, Alberta, Canada. 3 The Family Centre, Edmonton, Alberta, Canada. 4 Blue Quills First Nations College, St. Paul, Alberta, Canada. 5 University of Calgary, Alberta, Canada. 6 CASA Child, Adolescent and Family Mental Health, Edmonton, Alberta, Canada. 7 Alberta Health Services, Edmonton, Alberta, Canada. Corresponding author: Dr. Hannah Pazderka, [email protected] Abstract The Nitsiyihkâson project was conceived in order to develop a resource to promote attachment and development in a manner culturally appropriate to the Indigenous (specifically Cree) people of Alberta. Promoting secure attachment between a child and his/her caregivers is crucial to ensuring positive mental health, and improving family well-being. Working collaboratively with the community of Saddle Lake, the process began by launching the project in traditional ceremony. Following this, a talking circle was held with Saddle Lake Elders to share their memories and understanding of child-rearing practices that promote attachment. Using their guidance, we produced the document “awina kiyanaw”, which focuses on Cree stories and teachings, for parents to share with their young children. This document will be shared within the community, and agencies interested in promoting a culturally-appropriate approach to parenting. We then examined the cross-cultural applicability of these practices and produced a Resource Manual for service providers, comparing traditional ways-of-knowing with current neurobiological and epigenetic scientific understanding. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
Ouvrir La Voix (Speak Up/Make Your Way): a Conversation with Amandine Gay
Journal of Feminist Scholarship Volume 16 Issue 16 Spring/Fall 2019 Article 2 Fall 2019 Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Amandine Gay Anupama Arora University of Massachusetts, Dartmouth, [email protected] Sandrine Sanos Texas A&M University- Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/jfs Part of the Africana Studies Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Arora, Anupama, and Sandrine Sanos. 2020. "Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Amandine Gay." Journal of Feminist Scholarship 16 (Fall): 17-38. 10.23860/jfs.2019.16.02. This Article is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Feminist Scholarship by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Arora and Sanos: Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Aman Ouvrir La Voix (Speak Up/Make Your Way): A Conversation with Amandine Gay Anupama Arora, University of Massachusetts Dartmouth Sandrine Sanos, Texas A&M University-Corpus Christi Copyright by Anupama Arora and Sandrine Sanos Amandine Gay Photo by Christin Bela of CFL Group Photography Introduction and Commentary “I’m French and I’m staying here … My kids will stay here too, and we’ll be here a while … I’m not going anywhere.” Afro-feminist French filmmaker Amandine Gay’s 2017 documentary film Ouvrir La Voix (Speak Up/Make you Way) ends with this unequivocal assertion, this claiming of French-ness and France as home, by one of the Black-French interviewees in the film. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
FS345 REPRESENTATIONS of IDENTITY, NATION and VALUES in BRITISH CINEMA IES Abroad London
FS345 REPRESENTATIONS OF IDENTITY, NATION AND VALUES IN BRITISH CINEMA IES Abroad London DESCRIPTION: This course examines the role of British cinema in providing a window into the changing nature of British identity and society since World War Two. Through the study of key films across the past sixty years it charts the progress of political, social, and cultural change in Britain as represented in British film. Students examine the changing economic fortunes of British cinema and its effect on the development of British film style during each period. A strong emphasis is placed on studying the contexts in which the films were originally circulated and read. The course provides opportunities to engage with film events in London, e.g., London Film Festival in the Fall Semester, and the BAFTA Film Awards in the Spring. Additionally, the course provides opportunities to know of the work of the British Film Institute archive and the course provides opportunities to utilize the resources of the British Film Institute archive and library, as well as steering students towards researching the locations, the stars, and directors of the London- based film. CREDITS: 3 credits CONTACT HOURS: 45 hours LANGUAGE OF INSTRUCTION: English PREREQUISITES: None ADDITIONAL COSTS: None METHOD OF PRESENTATION: • Lectures • Presentations of readings • Selected excerpts of film clips REQUIRED WORK AND FORM OF ASSESSMENT: • Participation in course discussion and presentation on a single film - 20% • Mid-term essay paper (approximately 1,500 words) - 30% • Group research project - 15% • End of semester essay paper (approximately 2,000 words) - 35% LEARNING OUTCOMES: By the end of the course students will be able to: • Analyze film in detail using a formal method • Understand the material, historical, ideological and economic elements of British life interface with the way that British film represents British identity • Learn about the influence of Hollywood on production, distribution and reception of feature film in the UK ATTENDANCE POLICY: Regular class attendance is mandatory. -
Belle Freeus Dealers Remotely Activate Belle Mobile PERS for Their Customers in Just Minutes and Easily Manage Their Inventory in Belle Orion Dealer Accounts
FREE BELLE PDF Lesley Pearse | 608 pages | 07 Jul 2011 | Penguin Books Ltd | 9780241950364 | English | London, United Kingdom Belle ( film) - Wikipedia Marini, ExpressNews. Send us feedback. See more words from the same year Dictionary Entries near belle bell crown Belle curve bell deck belle bell ear Belleau Belleek. Accessed 21 Oct. Keep scrolling for more More Definitions for belle belle. Please tell us where you read or heard Belle including the quote, if possible. Test Your Knowledge - and learn Belle interesting things along Belle way. Subscribe to America's largest dictionary and get thousands more definitions and advanced search—ad free! Whereas Belle is no so much Put It in the 'Frunk' You can never have too much storage. What Does 'Eighty-Six' Mean? We're intent on clearing it up 'Nip it in the butt' Belle 'Nip it in the bud'? We're gonna stop you right there Belle How to use a word that literally drives some pe Is Singular 'They' a Better Choice? Name that government! Or something like that. Can you spell these 10 commonly misspelled words? Do you know the person or title these quotes desc Login or Register. Save Word. Definition of belle. First Known Use of bellein the meaning defined above. History and Etymology for belle French, from feminine of beau beautiful — more at beau. Keep scrolling for more. Learn More about belle. Time Traveler for belle The first known use of belle was in See Belle words from the same year. Phrases Related to Belle the belle of the ball. More Definitions for belle.